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The four Plumb siblings aren't exactly the most likable group of brothers and sisters. Is their rather despicable, hands-off mother, Francie, to blame? Further, the siblings can't agree on much, either, except how they are all looking forward to the inheritance they've deemed "The Nest." Their late father intended the money to simply be a small sum to help each of his children along late in life (they can't get the money until the youngest turns 40), but the money has been inflated by the stock market and wise investments, and now each sibling is seriously relying on the money in some way. But then, one evening at a wedding, the eldest brother Leo drunkenly gets behind the wheel of his Porsche, a young waitress from the party at his side, and crashes the car. The waitress is badly injured, and the children's mother dips deeply into The Nest to get Leo out of his jam. The other siblings are enraged as they are forced to confront their own financial problems. Melody, the youngest, needs to send her twins to college. Jack, the other brother, has been secretly borrowing against his vacation home, without telling his lawyer husband. And Bea, their sister, hasn't been able to follow up on the success of her early work and finish her novel: she even had to pay back the advance. Leo promises his siblings he will pay them back; but can their wayward older brother be trusted?
This novel received a lot of hype, so of course I avoided reading it for a while. As I was reading it, I thought for quite some time that I'd been duped, as it seemed to be about a bunch of greedy, hateful siblings who cared about nothing but money and appearances. But D'Aprix Sweeney has a deft way with words and somehow, amazingly, this book is compulsively readable and surprisingly enjoyable. After a while, you get to know each Plumb sibling fairly well. While some are pretty despicable (ahem, Leo, ahem), some are just people and parents trying to get by--albeit not always in the most reasonable fashion. I felt the worst for Bea and Melody.
The most interesting part about this novel is that D'Aprix Sweeney doesn't just focus on the four siblings, but she opens up the aperture to include a whole cast of supporting characters, and that is where the novel really shines. Everyone becomes connected somehow, but it doesn't feel trite. We hear from folks in the literary world who work (and love) Bea and Leo, for instance. Leo's love interest (and Bea's editor) Stephanie is my favorite. So while parts of the novel are predictable and I found myself wondering if I cared about any of the Plumbs whatsoever, it's the characters to whom they are connected that are interesting. It takes a talented author to make you want to read a story, even if you don't like the main characters, per se. However, you'll find yourself caught up in the story and wanting to find out what happens. The bonus of extending the characters beyond the four Plumbs is that you get several characters' perspective on an issue or event. In the end, things tie up and together, but again, not too neatly or annoyingly. The ending is perfect somehow--again, a testament to the author's skill.
Overall, the novel surprised me. I honestly usually am not a fan of the spoiled New Yorker novels, but this one was different. It really drew me in. There's a depth and a warmth behind the characters. Definitely worth reading.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
This novel received a lot of hype, so of course I avoided reading it for a while. As I was reading it, I thought for quite some time that I'd been duped, as it seemed to be about a bunch of greedy, hateful siblings who cared about nothing but money and appearances. But D'Aprix Sweeney has a deft way with words and somehow, amazingly, this book is compulsively readable and surprisingly enjoyable. After a while, you get to know each Plumb sibling fairly well. While some are pretty despicable (ahem, Leo, ahem), some are just people and parents trying to get by--albeit not always in the most reasonable fashion. I felt the worst for Bea and Melody.
The most interesting part about this novel is that D'Aprix Sweeney doesn't just focus on the four siblings, but she opens up the aperture to include a whole cast of supporting characters, and that is where the novel really shines. Everyone becomes connected somehow, but it doesn't feel trite. We hear from folks in the literary world who work (and love) Bea and Leo, for instance. Leo's love interest (and Bea's editor) Stephanie is my favorite. So while parts of the novel are predictable and I found myself wondering if I cared about any of the Plumbs whatsoever, it's the characters to whom they are connected that are interesting. It takes a talented author to make you want to read a story, even if you don't like the main characters, per se. However, you'll find yourself caught up in the story and wanting to find out what happens. The bonus of extending the characters beyond the four Plumbs is that you get several characters' perspective on an issue or event. In the end, things tie up and together, but again, not too neatly or annoyingly. The ending is perfect somehow--again, a testament to the author's skill.
Overall, the novel surprised me. I honestly usually am not a fan of the spoiled New Yorker novels, but this one was different. It really drew me in. There's a depth and a warmth behind the characters. Definitely worth reading.
<a href="http://justacatandabookatherside.blogspot.com/">My Blog</a> ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://twitter.com/justacatandbook">Twitter</a>;
Mayhawke (97 KP) rated The Durrells of Corfu in Books
Feb 13, 2018
Truth Without Disenchantment
I think the first thing to note is that there is probably no point in reading this book if you haven't at the very least watched one of the T.V. series. Indeed a lot of it will probably go right over your head if you are not well-versed in Durrell's tales of his childhood in Corfu.
I am, and have been since I first picked My Family And Other Animals when I was eleven - which is longer ago now than I would really like to think about! Age aside, my point is this: I have read and loved these books many times, and for several decades. Durrell was my first 'grown up' read as a child and the Corfu trilogy has long been ranked in my 'comfort reads' - those books you turn to again and again when you just want something familiar and easy. It was with some concern, then, that I picked up the ARC of Haag's book when it landed in our staff room. I didn't want my illusions destroyed, and whilst it goes largely without saying that there was going to be some massaging of the truth in Durrell's autobiographical stories I wasn't sure that I was ready for The Truth, The Whole Truth, and Nothing But.
Haag, it turns out, is also a little bit in love with the Durrells. As such I can think of few better people to write the bald truth about this family without destroying the charm and good humour of Gerald Durrell's books for those of us who want to hold on to the myth. This delicate unravelling begins on the very first page as Haag presents the reader with the brutal and tragic truth behind the Corfu sojourn - the sudden death of Durrell Snr at the age of just forty-four. In My Family Gerald Durrell manages to skim over this uncomfortable truth with such success that he imparts the information that his mother is a widow without ever giving the reader space to think or question more deeply into the effect on the family beyond their enforced to move back to cold, rainy England - a place from which they then escaped to Corfu, so legend has it, for no more pressing reason than to avoid colds.
And so Haag's biography continues, with a gentle but unrelenting quality, to pull scales from eyes. Using tracts from Durrell's books he often does little more than a simple but effective compare and contrast with reality: introducing characters who were completely written out of the Durrell legend, yet were significant members of the Durrell collective; opening up the more Bohemian aspects of their life, and the way they were perceived by other immigrant British at the time.
Haag also exposes the more complex relationships within the family. Lawrence, who is presented through young Gerry's eyes as probably his greatest critic it transpires is his greatest champion: directing and ensuring Gerry's education whilst keeping him free of the structure and strictures of school; the somewhat sadder story of belligerent and boisterous Leslie - so much larger-than-life in the Corfu books, who later seems to become estranged from the family; and perhaps most surprising of all - Margo, who had a life that rivals either of her famous brothers for interest and adventure, at least in her younger years.
All of these uncomfortable exposes Haag achieves, and I feel far better informed about the family now, than I ever have yet never once have I felt that I will not be able to return and pick up Gerry Durrell's books and read them with the same joy and pleasure that I have done for the last four decades.
I am, and have been since I first picked My Family And Other Animals when I was eleven - which is longer ago now than I would really like to think about! Age aside, my point is this: I have read and loved these books many times, and for several decades. Durrell was my first 'grown up' read as a child and the Corfu trilogy has long been ranked in my 'comfort reads' - those books you turn to again and again when you just want something familiar and easy. It was with some concern, then, that I picked up the ARC of Haag's book when it landed in our staff room. I didn't want my illusions destroyed, and whilst it goes largely without saying that there was going to be some massaging of the truth in Durrell's autobiographical stories I wasn't sure that I was ready for The Truth, The Whole Truth, and Nothing But.
Haag, it turns out, is also a little bit in love with the Durrells. As such I can think of few better people to write the bald truth about this family without destroying the charm and good humour of Gerald Durrell's books for those of us who want to hold on to the myth. This delicate unravelling begins on the very first page as Haag presents the reader with the brutal and tragic truth behind the Corfu sojourn - the sudden death of Durrell Snr at the age of just forty-four. In My Family Gerald Durrell manages to skim over this uncomfortable truth with such success that he imparts the information that his mother is a widow without ever giving the reader space to think or question more deeply into the effect on the family beyond their enforced to move back to cold, rainy England - a place from which they then escaped to Corfu, so legend has it, for no more pressing reason than to avoid colds.
And so Haag's biography continues, with a gentle but unrelenting quality, to pull scales from eyes. Using tracts from Durrell's books he often does little more than a simple but effective compare and contrast with reality: introducing characters who were completely written out of the Durrell legend, yet were significant members of the Durrell collective; opening up the more Bohemian aspects of their life, and the way they were perceived by other immigrant British at the time.
Haag also exposes the more complex relationships within the family. Lawrence, who is presented through young Gerry's eyes as probably his greatest critic it transpires is his greatest champion: directing and ensuring Gerry's education whilst keeping him free of the structure and strictures of school; the somewhat sadder story of belligerent and boisterous Leslie - so much larger-than-life in the Corfu books, who later seems to become estranged from the family; and perhaps most surprising of all - Margo, who had a life that rivals either of her famous brothers for interest and adventure, at least in her younger years.
All of these uncomfortable exposes Haag achieves, and I feel far better informed about the family now, than I ever have yet never once have I felt that I will not be able to return and pick up Gerry Durrell's books and read them with the same joy and pleasure that I have done for the last four decades.
Carma (21 KP) rated Worth the Wait (Guthrie Brothers #2) in Books
Jun 17, 2019
Worth the wait is a follow up book to Don’t Tempt Me, which was first released in July 2016. I happened upon Don’t Tempt Me after completing a book by another author. I loved it and was hungry for a continuation of the Guthrie Brothers story. After waiting for months and months its finally available to read to be transported to Clearbrook once again. Lori Foster, honestly, is one of my favorite authors. She has the ability to put you right in the middle of each and every book she writes. You feel the emotions each character feels, you can hear the sounds, almost smell the smells, and picture each character by her incredible descriptions of people and their surroundings. Worth the Wait is about main characters Hogan Guthrie and Violet Shaw. We met both characters in Don’t Tempt Me and got a muted sense of their attraction to one another. While I loved the characters of Hogan and Colt in Don’t Tempt Me, I don’t know if that transferred over to Worth the Wait where Hogan is concerned. Colt is a dream kid, funny, helpful, loves his family. But I found myself wishing I knew more about Hogan, overall his back-story seemed rushed along.
As with most Lori Foster novels we find ourselves getting involved in secondary characters and stories both separate from or including main characters. Some we hope to see get a book of their own (Barber, Colt) and some well maybe we don’t. Worth the Wait has a possible don’t with a secondary romance between Nathan Hawley and Brooklin Sweet. I enjoyed Nathan’s brief introduction in Don’t Tempt Me but I felt like his story was just randomly inserted in the book as a way to fill the pages. After finishing the book I feel like I know a little more about Nathan but mostly that his story was just a way to fill the pages between Hogan and Violet’s dance around each other. I know Nathan wasn’t a main character for this book and I know he was a friend of Hogan and Jason. I also know his story with Brooklin ties in to the story of Hogan and Violet, I just don’t feel like his time was in this book.
Seemingly I felt like the story between Hogan and Violet dragged on a little long with some interactions taking a long time on mundane things and speeding through things that may have set up a bigger connection between them. I think more time could have been spent on Violet’s family life, her connection with her uncle etc and grow that a little more for her back-story. Both main characters fell a little flat with detail on the who/what/why of their pasts. Don’t get me wrong, they definitely felt right for each other, I just didn’t get swept away by their romance as I normally do with a Lori Foster novel.
Overall I enjoyed Worth the Wait, even the parts that bug me like being able to see someone roll their eyes behind big ridiculous sunglasses, but it probably won’t be one book I go back to read and read over again (i.e. Rowdy, Trace, Zane to name a few). Sadly this book just didn’t grab my uninterrupted full interest, this time. But I know Lori Foster will grab my attention over and over again with each new book she publishes. I received Worth the Wait as an ARC in exchange for an honest review (watch out because blunt is my middle name). Hope this review helps now hurry and buy your own copy of Worth the Wait to prove me wrong, everyone loves to be right!!
As with most Lori Foster novels we find ourselves getting involved in secondary characters and stories both separate from or including main characters. Some we hope to see get a book of their own (Barber, Colt) and some well maybe we don’t. Worth the Wait has a possible don’t with a secondary romance between Nathan Hawley and Brooklin Sweet. I enjoyed Nathan’s brief introduction in Don’t Tempt Me but I felt like his story was just randomly inserted in the book as a way to fill the pages. After finishing the book I feel like I know a little more about Nathan but mostly that his story was just a way to fill the pages between Hogan and Violet’s dance around each other. I know Nathan wasn’t a main character for this book and I know he was a friend of Hogan and Jason. I also know his story with Brooklin ties in to the story of Hogan and Violet, I just don’t feel like his time was in this book.
Seemingly I felt like the story between Hogan and Violet dragged on a little long with some interactions taking a long time on mundane things and speeding through things that may have set up a bigger connection between them. I think more time could have been spent on Violet’s family life, her connection with her uncle etc and grow that a little more for her back-story. Both main characters fell a little flat with detail on the who/what/why of their pasts. Don’t get me wrong, they definitely felt right for each other, I just didn’t get swept away by their romance as I normally do with a Lori Foster novel.
Overall I enjoyed Worth the Wait, even the parts that bug me like being able to see someone roll their eyes behind big ridiculous sunglasses, but it probably won’t be one book I go back to read and read over again (i.e. Rowdy, Trace, Zane to name a few). Sadly this book just didn’t grab my uninterrupted full interest, this time. But I know Lori Foster will grab my attention over and over again with each new book she publishes. I received Worth the Wait as an ARC in exchange for an honest review (watch out because blunt is my middle name). Hope this review helps now hurry and buy your own copy of Worth the Wait to prove me wrong, everyone loves to be right!!
Gareth von Kallenbach (980 KP) rated Dumb and Dumber To (2014) in Movies
Jun 19, 2019
It is hard to believe that it is been 20 years since Jim Carrey and Jeff Daniels brought the moronic Harry and Lloyd to the big screen. The comedic adventures of the well-meaning but idiotic best friends became a box office smash and has maintained a loyal worker fans despite the highly disappointing prequel that was made in an attempt to extend series. With the Farrelly brothers back in place to write and direct the long-awaited follow-up it should come as no surprise as to what viewers are in store for with “Dumb and Dumber To”.
Lloyd (Jim Carrey) has been an institution for the past two decades while Harry (Jeff Daniels), visits him lawyerly once a week. When the reason behind Lloyd’s institutionalization becomes clear Harry informs his old friend that is in desperate need of a kidney transplant. With his options limited, Harry visits his family whom he has not seen in quite some time and goes through some mail that had been delivered over the years.
Harry learns that an old acquaintance was pregnant and in an effort to see if the child he never knew he had could be a donor, the bumbling duo sets out to find child Harry never knew he had. This is easier said than done as the mother (Kathleen Turner), give the child up for adoption and her only effort to communicate resulted in a letter being returned to her with a note asking her not to write again.
Undaunted Harry and Lloyd set out from their Rhode Island home and venture down to Maryland before learning that the object of their quest is already left for New Mexico to attend a very important conference. The duo decided to head on to New Mexico with a third person in tow not knowing that he secretly is aiming to do away with them in a con limited inheritance scheme.
As anyone who’s seen the previous film will remember, traveling with Harry and Lloyd can be extremely dangerous to one’s physical and mental sanity and the ensuing years have done nothing to change this. In short time duo arrives at their goal but finds their natural tendencies to get in and cause trouble has followed them resulting in a series of chaotic misadventures.
While many of the jokes and situations were recycled from previous films including Lloyd’s daydreaming about a perfect date and various car pranks, one thing that is undeniable is the great chemistry and timing between the two leads. The material certainly strains its PG-13 rating in terms of suggestiveness but even though some of the jokes do not quite succeed and the plot is at best paper thin, it was sure good to see these two back in action.
The film is at best a guilty pleasure because it will be easy to say it was kind of dumb and meandering at points and that the two characters were not given much to do other than an act that was funny 20 years earlier but may seem a bit strange to date considering both Daniels and Carrey have shown they are capable of doing so much more.
For me I looked at it is a bit of a nostalgic guilty pleasure that despite the shortcomings and faults offered some enjoyable although mostly forgettable distractions in between some good laughs. For those willing to take more the same and can temper their expectations accordingly you will likely find this trip one worth taking if nothing else than for the nostalgia.
I for one am hoping that we haven’t seen the last these two in action but I certainly would like to see them come back with a better script and certainly do not want have to wait 20 years for this to happen.
http://sknr.net/2014/11/14/dumb-dumber/
Lloyd (Jim Carrey) has been an institution for the past two decades while Harry (Jeff Daniels), visits him lawyerly once a week. When the reason behind Lloyd’s institutionalization becomes clear Harry informs his old friend that is in desperate need of a kidney transplant. With his options limited, Harry visits his family whom he has not seen in quite some time and goes through some mail that had been delivered over the years.
Harry learns that an old acquaintance was pregnant and in an effort to see if the child he never knew he had could be a donor, the bumbling duo sets out to find child Harry never knew he had. This is easier said than done as the mother (Kathleen Turner), give the child up for adoption and her only effort to communicate resulted in a letter being returned to her with a note asking her not to write again.
Undaunted Harry and Lloyd set out from their Rhode Island home and venture down to Maryland before learning that the object of their quest is already left for New Mexico to attend a very important conference. The duo decided to head on to New Mexico with a third person in tow not knowing that he secretly is aiming to do away with them in a con limited inheritance scheme.
As anyone who’s seen the previous film will remember, traveling with Harry and Lloyd can be extremely dangerous to one’s physical and mental sanity and the ensuing years have done nothing to change this. In short time duo arrives at their goal but finds their natural tendencies to get in and cause trouble has followed them resulting in a series of chaotic misadventures.
While many of the jokes and situations were recycled from previous films including Lloyd’s daydreaming about a perfect date and various car pranks, one thing that is undeniable is the great chemistry and timing between the two leads. The material certainly strains its PG-13 rating in terms of suggestiveness but even though some of the jokes do not quite succeed and the plot is at best paper thin, it was sure good to see these two back in action.
The film is at best a guilty pleasure because it will be easy to say it was kind of dumb and meandering at points and that the two characters were not given much to do other than an act that was funny 20 years earlier but may seem a bit strange to date considering both Daniels and Carrey have shown they are capable of doing so much more.
For me I looked at it is a bit of a nostalgic guilty pleasure that despite the shortcomings and faults offered some enjoyable although mostly forgettable distractions in between some good laughs. For those willing to take more the same and can temper their expectations accordingly you will likely find this trip one worth taking if nothing else than for the nostalgia.
I for one am hoping that we haven’t seen the last these two in action but I certainly would like to see them come back with a better script and certainly do not want have to wait 20 years for this to happen.
http://sknr.net/2014/11/14/dumb-dumber/
Hazel (1853 KP) rated The Ice-Cream Makers in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
An intriguing blurb promises an incredible story about an Italian ice-cream making family, however the story is nothing like you expect. Ernest van der Kwast’s <i>The Ice-Cream Makers</i> is set between a small village in Italy and the busy summer streets of Rotterdam. The Talamini family has been creating innovative ice-cream flavours for over a century, running a successful and hard-working parlour in the Netherlands. The business is handed down from father to son throughout the years, but now eldest son Giovanni has broken the tradition.
Giovanni Talamini has no interest in making ice-cream and would much rather spend the day reading poetry. After pursuing a literary career, Giovanni is now the director of the World Poetry Festival. Younger brother Luca has been left to pick up the <i>spatula</i> of the family business, but he has a problem of his own. Giovanni faces a dilemma: cut himself of from his family entirely or help his brother out with his peculiar request.
The highly unusual request mentioned in the blurb of <i>The Ice-Cream Makers</i> does not actually surface until the latter stages of the book. For the majority of the narrative there is no clear storyline, however the detail and information van der Kwast provides about ice-cream making, poetry and European culture makes the novel entirely worth reading. The request itself is entirely unexpected and not at all possible to guess, but it is an oddly brilliant way of reuniting two estranged brothers.
It takes a while for the narrative to start flowing as it constantly changes time periods. Giovanni, the narrator, rarely speaks in the present tense and is constantly relating events from his childhood and adulthood interspersed with family history and historical knowledge. On occasion the book takes on the air of an autobiography as Giovanni gives an in depth insight to the life of his family and his break from tradition. There is also the odd chapter that becomes almost a work of non-fiction, providing the reader with highbrow literary references and factual information about the history of ice-cream.
Once the scenes caused by the male sexual mind have been glossed over, <i>The Ice-Cream Makers</i> becomes a beautifully written, almost poetical story that compels and engages the reader despite the lack of a clear-cut storyline. The literary references will appeal to the intellectual, scholar, philosopher or culture enthusiast, for this novel teaches and inspires as well as entertains.
The amount of research van der Kwast conducted is phenomenal. The accuracy (or so is presumed) of the historical factors implies the author had thoroughly investigated the subject matter prior to writing. It is almost as though van der Kwast lived the life of Giovanni; it is entirely believable – hence the sense of an autobiography. Although the nature of the novel’s theme suggests a serious tone, van der Kwast has included a great deal of humour in the form of Giovanni and Luca’s father and his questionable mental health.
The lack of a climax prevents <i>The Ice-Cream Makers</i> from being described as an exciting book, however its beautifully poetic prose makes up for this absence. The philosophical insight into poetry will make you think about life and admire Giovanni for insisting on making his own way in the world. Likewise, Luca’s quiet acceptance and perseverance in the family business is also an admirable feat. Readers with a dislike for descriptive sexual scenarios may feel uncomfortable in a few of the resulting scenes, however the general story compensates for these distasteful passages. All in all, a high-quality work of fiction.
The daughter (and stepdaughter) of actors, Sally Field earned her first acting role at seventeen and was quickly on television in shows such as "Gidget" and "The Flying Nun." Those roles showcased Sally's youth and smiling personality. But, behind the scenes, Sally had a tumultuous childhood: her parents divorced when she was young, and her relationships with them and her stepfather were not easy. She found happiness, in many ways, as an actress, but also struggled to find roles that challenged her. In this, her first memoir, she tells the story of her childhood and her early years as an actress.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
I listened to the majority of this (and then switched over to the book, I'm weird), and I'm not going to lie: this wasn't always a fun listen for me. This book is sort of depressing and stressful a lot of the time. I will be honest that I didn't know a lot about Sally Field going in--I knew of Gidget, her roles with Burt Reynolds, "Forrest Gump," and honestly, most recently, "Brothers & Sisters." I knew one of her sons was gay, and she supported him.
I did not know her mother was an actress. I did not know that a lot of really bad things happened to her. Seriously, this memoir contains a lot of Sally Field telling us all the awful memories of her childhood, and, later, her early acting days. I'm not saying that's bad--it's truly brave and powerful stuff. But, man, as you're in the car driving 2+ hours to work? It's draining. I felt horrible for her, I felt proud that she'd overcome it, and I felt a little exhausted by it all. I also was appalled by how much she had to deal with (alone) and the state of the acting community for women during that time period.
It did, however, seem to make the beginning of the book go by rather slowly. Or maybe that's just the audio format--this was only the second audiobook I've ever listened to and, coincidentally, the second audiobook I found slow. When Field got to the time period where she became a mom, it picked up for me, perhaps because I could relate better to her. I felt an odd kinship--I was headed off, leaving behind my kids for a work project, and many times, so was she. (Alas, I was doing a rather boring job and she was a famous actress, but hey, you try to find parallels where you can, right?)
No matter what, I applaud her for being unafraid to tell the truth about her life, including admitting her own faults. She supplements her memories with her journal entries, newspaper articles, letters, and more. The result is a very detailed and personal account of her life--up until about "Norma Rae." After that, it glosses over most of her career following that film, which is a little sad for anyone who enjoyed all her subsequent films. This memoir is clearly focused more on Field's personal growth versus a celebrity tell-all. And I get that, I do, but you can't help but wish for a few more juicy details.
In the end, this wasn't an easy read/listen, but it was a good one. I learned a great deal about Field's life, and I admire her so much more as a person now. She had to go through a great deal to get the acting career and overall life she desired. If you enjoy memoirs and autobiographies, you will probably like this one, especially if you like them detailed, versus just focused on celebrity fluff and laughs (though Field is very witty). 4 stars.
Darren (1599 KP) rated Starship Troopers (1997) in Movies
Jul 7, 2019 (Updated Nov 25, 2019)
Verdict: Instant Classic
Story: Starship Troopers starts in a world where humans are not at war with a bug planet across the galaxy, students and young people are expected to join the federal service to become citizens. Johnny Rico (Can Dien), Dizzy (Meyer), Carl (Harris) and Carmen (Richards) all have their sights set on enlisting, Johnny and Dizzy are mobile infantry, while Carmen has bigger sights of being a pilot and Carl has his sights set on military intelligence, with his mind reading ability.
While Rico is going through his training and constant battles with the flashy Ace (Busey) battling for squad leader, Carmen is flourishing in the flight academy, but this is just training, now they must go into combat against the giant deadly bugs.
Thoughts on Starship Troopers
Characters – Johnny Rico comes from a wealthy family that want to send him to Harvard, but he has other plans, he wants to become a citizen, which means he must join the military, here he excels in training until a mistakes sees him disgraced. He loses his family and will remaining fighting under a new squad leader, proving himself as one of the best soldiers in the infantry. Dizzy has spent her school life crushing over Rico, she follows him to mobile infantry, proving herself as one of the best soldiers. Carmen is the girlfriend of Johnny’s through school, she has set her sights on becoming a pilot in the Starfleet, something her grades could make easy for her, she proves an asset to the fleet rising up the ranks with ease. Ace is the rival of Rico’s in training, they both want squad leader and with the rivalry they become brothers in arms.
Performances – Casper Van Dien in the leading role makes himself remember forever with his character, this will define his career without question. Dina Meyer shines too, while this cast is fantastic and understands just what movie they are in. Denise Richard has been criticised before, but here she works in the modern future world and Jake Busey add more comedy as times to his role.
Story – The story here takes us to the future where humans are waged in a war with bugs from across the galaxy, we see how the soldiers and pilots are dealing with the increasing threat they are going to be facing. This story does present itself in a satirical look at the military behaviour and how it can become a propaganda machine forcing young people into joining under false promises, it also shows how humans will always look to conquer another area no matter how outnumbered or out of place they are in their invasion behaviour. Plenty of this story over accentuates the idea of what is going on, which will add moments of comedy.
Action/Sci-Fi – The action in the film is war style military attacks with laser bullets flying literally everywhere and the bugs ripping bodies apart. The sci-fi side of the film shows us just how far the human race has come with transportation across the galaxy, despite not giving them the brains when it comes to war.
Settings – The world created is fantastic with Earth looking futuristic without being all that different, while the bug planet feels like a battleground.
Special Effects – The effects in the film are also flawless, with a mix of practical and CGI which barely look like they have dated even after being over 20 years old.
Scene of the Movie – The first battle shows the scale of the war.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is one of the best sci-fi films you will see, it is wildly over the top and doesn’t miss a beat with style that knows just what the film is meant to be.
Overall: Fun, Brilliant and Entertaining.
Story: Starship Troopers starts in a world where humans are not at war with a bug planet across the galaxy, students and young people are expected to join the federal service to become citizens. Johnny Rico (Can Dien), Dizzy (Meyer), Carl (Harris) and Carmen (Richards) all have their sights set on enlisting, Johnny and Dizzy are mobile infantry, while Carmen has bigger sights of being a pilot and Carl has his sights set on military intelligence, with his mind reading ability.
While Rico is going through his training and constant battles with the flashy Ace (Busey) battling for squad leader, Carmen is flourishing in the flight academy, but this is just training, now they must go into combat against the giant deadly bugs.
Thoughts on Starship Troopers
Characters – Johnny Rico comes from a wealthy family that want to send him to Harvard, but he has other plans, he wants to become a citizen, which means he must join the military, here he excels in training until a mistakes sees him disgraced. He loses his family and will remaining fighting under a new squad leader, proving himself as one of the best soldiers in the infantry. Dizzy has spent her school life crushing over Rico, she follows him to mobile infantry, proving herself as one of the best soldiers. Carmen is the girlfriend of Johnny’s through school, she has set her sights on becoming a pilot in the Starfleet, something her grades could make easy for her, she proves an asset to the fleet rising up the ranks with ease. Ace is the rival of Rico’s in training, they both want squad leader and with the rivalry they become brothers in arms.
Performances – Casper Van Dien in the leading role makes himself remember forever with his character, this will define his career without question. Dina Meyer shines too, while this cast is fantastic and understands just what movie they are in. Denise Richard has been criticised before, but here she works in the modern future world and Jake Busey add more comedy as times to his role.
Story – The story here takes us to the future where humans are waged in a war with bugs from across the galaxy, we see how the soldiers and pilots are dealing with the increasing threat they are going to be facing. This story does present itself in a satirical look at the military behaviour and how it can become a propaganda machine forcing young people into joining under false promises, it also shows how humans will always look to conquer another area no matter how outnumbered or out of place they are in their invasion behaviour. Plenty of this story over accentuates the idea of what is going on, which will add moments of comedy.
Action/Sci-Fi – The action in the film is war style military attacks with laser bullets flying literally everywhere and the bugs ripping bodies apart. The sci-fi side of the film shows us just how far the human race has come with transportation across the galaxy, despite not giving them the brains when it comes to war.
Settings – The world created is fantastic with Earth looking futuristic without being all that different, while the bug planet feels like a battleground.
Special Effects – The effects in the film are also flawless, with a mix of practical and CGI which barely look like they have dated even after being over 20 years old.
Scene of the Movie – The first battle shows the scale of the war.
That Moment That Annoyed Me – Nothing really.
Final Thoughts – This is one of the best sci-fi films you will see, it is wildly over the top and doesn’t miss a beat with style that knows just what the film is meant to be.
Overall: Fun, Brilliant and Entertaining.
Emma @ The Movies (1786 KP) rated Synchronic (2019) in Movies
Nov 7, 2019 (Updated Nov 10, 2019)
Contains spoilers, click to show
I'm not sure quite what I expected from the synopsis, it didn't sound like it was going to be very sci-fi, and it wasn't... but it was. I know I'm not making sense. It felt much more like a crime drama than something with sci-fi in it. The sci-fi action blended well with everything around it that you almost don't notice it happening. If there was a fence I'd be sitting on the fence.
Anthony Mackie is only someone I've come across in Marvel movies ready so it was nice to have him in something a little different. His role of Steve has a lot of emotions behind it and I thought he managed to capture them really well. There are a lot of hints to something in his story and the balance between what he shows and his reality helped to sell Steve's reaction. This really makes me look forward to seeing him in more films.
Jamie Dornan has only really been on the periphery of my film watching, I certainly wouldn't have been able to tell you any films he's been in, as an introduction to him as an actor I was impressed. Again, there's a lot of emotion as his daughter goes missing and the tensions between Dennis and those around him were just right.
The two together made a great mix as friends, the bond felt like brothers and was an accurate depiction of the relationship and tension that comes with the horrible truth of illness and the burden that holds.
I liked how Mackie's story unfolded. Half the battle with illness is finding a focus and the mystery in this gives him that. He almost appears to be better while deteriorating in other ways. His purpose is a race against time just like his illness and he is able to choose a more noble cause for what may be all the time he has left.
Whether the science behind Mackie's illness is accurate or not I don't know but they give you a plausible explanation to follow throughout. There is however a moment that breaks the idea of the story... I think. Taking the drug sends the young users back in time, when they come down they are brought back to their present. This means that each pill is a two way journey. When he gets stuck in the past because he moves too far away from his incoming destination he figures he needs to take another pill (that he luckily has on him) and travel back. Fine. He does that successfully but he doesn't then acknowledge the fact that in 7 minutes he should be popping back to where he came from, I'd have been up off my arse a going for a run so I didn't accidentally pop back again. The other issue is that in the present when you pop a pill you go back in time... yet when he takes a pill in the past he comes to the present... Oh hell, I've opened up a can of worms thinking about this now.
The way they've done the effects around the sci-fi bits is very good, but massively affecting as you're drawn into the transitions, especially the first time because you don't know what they're leading to. It almost seamlessly blends together and the stages it takes work so well, and as I said above it doesn't feel very sci-fi
Synchronic was a nice surprise of a film, an interesting mix of genres that managed to keep itself from getting too unbelievable.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/synchronic-spoilers-movie-review.html
Anthony Mackie is only someone I've come across in Marvel movies ready so it was nice to have him in something a little different. His role of Steve has a lot of emotions behind it and I thought he managed to capture them really well. There are a lot of hints to something in his story and the balance between what he shows and his reality helped to sell Steve's reaction. This really makes me look forward to seeing him in more films.
Jamie Dornan has only really been on the periphery of my film watching, I certainly wouldn't have been able to tell you any films he's been in, as an introduction to him as an actor I was impressed. Again, there's a lot of emotion as his daughter goes missing and the tensions between Dennis and those around him were just right.
The two together made a great mix as friends, the bond felt like brothers and was an accurate depiction of the relationship and tension that comes with the horrible truth of illness and the burden that holds.
I liked how Mackie's story unfolded. Half the battle with illness is finding a focus and the mystery in this gives him that. He almost appears to be better while deteriorating in other ways. His purpose is a race against time just like his illness and he is able to choose a more noble cause for what may be all the time he has left.
Whether the science behind Mackie's illness is accurate or not I don't know but they give you a plausible explanation to follow throughout. There is however a moment that breaks the idea of the story... I think. Taking the drug sends the young users back in time, when they come down they are brought back to their present. This means that each pill is a two way journey. When he gets stuck in the past because he moves too far away from his incoming destination he figures he needs to take another pill (that he luckily has on him) and travel back. Fine. He does that successfully but he doesn't then acknowledge the fact that in 7 minutes he should be popping back to where he came from, I'd have been up off my arse a going for a run so I didn't accidentally pop back again. The other issue is that in the present when you pop a pill you go back in time... yet when he takes a pill in the past he comes to the present... Oh hell, I've opened up a can of worms thinking about this now.
The way they've done the effects around the sci-fi bits is very good, but massively affecting as you're drawn into the transitions, especially the first time because you don't know what they're leading to. It almost seamlessly blends together and the stages it takes work so well, and as I said above it doesn't feel very sci-fi
Synchronic was a nice surprise of a film, an interesting mix of genres that managed to keep itself from getting too unbelievable.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/synchronic-spoilers-movie-review.html
Darren (1599 KP) rated Barton Fink (1991) in Movies
Dec 14, 2019
Verdict: Coen’s at Their Best
Story: Barton Fink starts as New York playwright Barton Fink (Turturro) whose latest play has seen him get the most praise. Barton gets encouraged to head to California to write movies, which would cover him for years to come on the stages of New York. Barton put up in a small hotel, gets given his first assignment, a wrestling picture, something he knows nothing about.
Barton bonds with his insurance salesman neighbour Charlie Meadows (Goodman) who always seems to have inspiration for this story, while meeting authors he idolises, waiting for his big break in the industry, meeting different producers who shows him the hellish process Hollywood can be.
Thoughts on Barton Fink
Characters – Barton Fink is the latest praised playwright in New York, he knows he can be a success on the stage only he gets encouraged to head to the Hollywood boom to make serious money with his writing skills. Barton learns quickly that he isn’t prepared for the demands of writing script especially when he doesn’t know the material they want him to write about, he struggles to settle in the area and the cheap hotel they put him up in, he only makes one friend and sees how the people in the industry always say what you want to say. Charlie Meadows is the hotel neighbour and insurance salesman that befriends Barton, the two often spend the nights talking about life’s events, while Charlie pushes Barton to become more confident. Audrey Taylor is the wife of one of the most famous authors Barton meets, he wants to use her as his muse after seeing how badly she is abused by her partner. Jack Lipnick is the producer that hires Barton, he demands the work and unlike most writers that he hires, he keeps up on Barton’s work.
Performances – John Turturro in the leading role is excellent, we can see him unravelling at the seams as he starts to lose his mind in the writing process. John Goodman is wonderful too as the friendly neighbour with a secret behind his kind-nature. When it comes to the rest of the cast we get some wonderful performance that send us into the era perfectly.
Story – The story here sees a playwright trying his hand at writing movies in the booming industry, only to learn the level of control he really has on what he write and how much time he has to get the work done. This is a story about the movie making process, while we focus more on the writing side of the filmmaking, it is focused on how being locked away in a new city can drive somebody slightly crazy. It is the story arcs that happen around the writing which become most interesting as we see just how things are never quite as they seem, this is Coen Brothers are their best, spinning what could be a routine story that sees things turned on their head.
Comedy – The comedy is the black comedy type, where we see just how twisted the comedy ends up being, with John Goodman getting most of the laughs in the film.
Settings – The LA setting shows what it would have been like in the early stages of the Hollywood boom, the era feels nature through the film.
Scene of the Movie – Flaming hallways.
That Moment That Annoyed Me – The cops are too accusation heavy.
Final Thoughts – This is a dark comedy that works very well, it hits the heights every time it needs to thanks to the leading performances from Turturro and Goodman that are outstanding through the film.
Overall: Brilliant Comedy.
Story: Barton Fink starts as New York playwright Barton Fink (Turturro) whose latest play has seen him get the most praise. Barton gets encouraged to head to California to write movies, which would cover him for years to come on the stages of New York. Barton put up in a small hotel, gets given his first assignment, a wrestling picture, something he knows nothing about.
Barton bonds with his insurance salesman neighbour Charlie Meadows (Goodman) who always seems to have inspiration for this story, while meeting authors he idolises, waiting for his big break in the industry, meeting different producers who shows him the hellish process Hollywood can be.
Thoughts on Barton Fink
Characters – Barton Fink is the latest praised playwright in New York, he knows he can be a success on the stage only he gets encouraged to head to the Hollywood boom to make serious money with his writing skills. Barton learns quickly that he isn’t prepared for the demands of writing script especially when he doesn’t know the material they want him to write about, he struggles to settle in the area and the cheap hotel they put him up in, he only makes one friend and sees how the people in the industry always say what you want to say. Charlie Meadows is the hotel neighbour and insurance salesman that befriends Barton, the two often spend the nights talking about life’s events, while Charlie pushes Barton to become more confident. Audrey Taylor is the wife of one of the most famous authors Barton meets, he wants to use her as his muse after seeing how badly she is abused by her partner. Jack Lipnick is the producer that hires Barton, he demands the work and unlike most writers that he hires, he keeps up on Barton’s work.
Performances – John Turturro in the leading role is excellent, we can see him unravelling at the seams as he starts to lose his mind in the writing process. John Goodman is wonderful too as the friendly neighbour with a secret behind his kind-nature. When it comes to the rest of the cast we get some wonderful performance that send us into the era perfectly.
Story – The story here sees a playwright trying his hand at writing movies in the booming industry, only to learn the level of control he really has on what he write and how much time he has to get the work done. This is a story about the movie making process, while we focus more on the writing side of the filmmaking, it is focused on how being locked away in a new city can drive somebody slightly crazy. It is the story arcs that happen around the writing which become most interesting as we see just how things are never quite as they seem, this is Coen Brothers are their best, spinning what could be a routine story that sees things turned on their head.
Comedy – The comedy is the black comedy type, where we see just how twisted the comedy ends up being, with John Goodman getting most of the laughs in the film.
Settings – The LA setting shows what it would have been like in the early stages of the Hollywood boom, the era feels nature through the film.
Scene of the Movie – Flaming hallways.
That Moment That Annoyed Me – The cops are too accusation heavy.
Final Thoughts – This is a dark comedy that works very well, it hits the heights every time it needs to thanks to the leading performances from Turturro and Goodman that are outstanding through the film.
Overall: Brilliant Comedy.
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