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Ronyell (38 KP) rated We're Back! A Dinosaur's Story (1993) in Movies
Jul 24, 2020
Dinosaurs Meet New York City!
The movie starts off with a young bird wanting to run away from home because he got embarrassed by his mother coddling him in front of his brothers. But then, the young bird meets up with a tyrannosaur named...Rex and Rex then starts telling the little bird about how he and the other dinosaurs came to New York City. When a kindly inventor named Captain NewEyes brings the dinosaurs from their era and gave them a cereal brand called "Brain Grain" in order to make the dinosaurs smarter, he sends the dinosaurs on a mission to get to the Museum of Natural History. When the dinosaurs finally reach New York City, they meet up with two kids named Louie, who is a young boy with a tough attitude and Cecilia, a young girl who comes from a rich family. The two kids then accompany the dinosaurs to the Museum of Natural History, but unfortunately, they meet up the evil Professor ScrewEyes, who wants to turn the dinosaurs back into their feral states in order to showcase them in his terrifying eccentric circus.
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html
I will admit that when I first heard about this movie, I wasn't that excited to watch it and I actually was afraid to watch it the first time. But, then I finally caved into this movie and I ended up enjoying it! I loved the way that this film explored the importance of family and friendship as the dinosaurs' friendship with Louie and Cecilia is what helps them make it on their journey to the Museum of National History and help them try to resist the evil temptations of Professor ScrewEyes. I also really loved the voice acting in this movie as all the voice actors gave it their all in voicing these characters. John Goodman did a fantastic job at voicing Rex as he makes Rex have a booming sounding voice while having a gentle tone to his voice to show Rex's kind nature. Yeardley Smith did a great job at voicing Cecilia as she made Cecilia sound so adorable. The animation was also fantastic as it was quite ahead of its time and I especially loved the scenes of New York City being lighted up as the lights look so gorgeous. The late James Horner's music was the highlight of this film as it sounds so beautiful and uplifting and I always wanted to get the soundtrack for this film!
Some of the issues that I have with this film is that there is a lack of character development. There are some characters that weren't quite fleshed out, like Professor ScrewEyes himself and I wanted to learn more about the backstories of these characters, so I would have a better understanding of them. Also, there were times where the themes of this movie were a bit clunky in its execution, like the theme of family in this film. I can see how Rex is trying to teach the little bird at the beginning of the film about the importance of family since Louie and Cecilia both had family problems of their own and it connects with the little bird's predicament. But, I don't see how the family theme connects with the dinosaurs themselves since they never really mentioned their own families to Louie and Cecilia and the movie never really implied that the dinosaurs considered each other as a family.
Overall, "We're Back! A Dinosaur's Story" is a great film for anyone who loves films that deal with dinosaurs and for anyone who is looking for a more family-friendly version of "Jurassic Park."
Originally posted on: https://surrealmoviesandtvblog.blogspot.com/2019/05/movie-review-were-back-dinosaurs-story.html
Sarah (7800 KP) rated Saving Private Ryan (1998) in Movies
Feb 9, 2021
A classic
Film #14 on the 100 Movies Bucket List: Saving Private Ryan
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
When I think of war films, I immediately think of Saving Private Ryan. This is partly because I shamefully haven’t seen the majority of the older classic war films (but I may have done by the time I reach the end of this list), and also because this is the first war film I ever saw. I have my dad to thank for introducing me to this, he was obsessed with anything war related, and while I would never admit this to him as a teenager, even back then I could appreciate how brilliant this film was.
Saving Private Ryan is a 1998 World War II epic from Steven Spielberg that follows a group of soldiers as they embark on a mission across France to rescue a man who’s 3 brothers have been killed in action. It stars Tom Hanks as Captain Miller as he leads a host of recognisable faces including Vin Diesel (Caparzo), Barry Pepper (Jackson), Tom Sizemore (Horvath), Giovanni Ribisi (Wade), Edward Burns (Reiben) and Jeremy Davies as Upham as they trek across country to find Matt Damon’s Private Ryan.
The main plot is definitely very Hollywood, but the film itself looks and feels like anything but a glamorous Hollywood blockbuster. This is by far the grittiest, darkest and most horrific war film I’ve seen to date. Spielberg does not shy away from displaying the true horror of war, from the blood and gore of the fighting to the physical and psychological effects it had on the soldiers , it’s all here in all of its horrifying glory. One of the most memorable scenes of any war film is the opening sequence of the D-Day landings, that shows a haunting and frightfully bloody side of the war that no other films have managed to capture in such a dark and emotionally draining manner. Even the opening scene in Arlington Cemetery, especially when paired with a moving score from John Williams, is a tearjerker only a few minutes into the 2.5 hour runtime. I don’t know how factually realistic this whole film is, but it’s definitely one of the most compellingly believable films I’ve ever seen, especially the death scenes.
Visually the cinematography helps with the dark and gritty feeling. Everything looks grey and drab, even hazy at times, and this only helps to promote the overall tone of the film. Admittedly there are parts of this now that do look a little dated and there are a few early scenes with a strange out of place camera flare, but considering it was released 23 years ago, it’s aged pretty well and still looks quite good. It’s helped by a truly stellar cast lead by the ever brilliant Tom Hanks, who’s turn as Captain Miller is hauntingly good. The fact that he didn’t win the Oscar for his performance is criminal. Him alongside the rest of the cast, including memorably brash Brooklynite Reiben (Burns) and God-fearing elite sniper Jackson (Pepper), completely embody the camaraderie, friendship and sometimes hostility shown by the group of men perfectly. My only slight criticism of this film is that after growing to know and like these men over the course of the film, there is a question mark over some of their fates at the end which is a tiny bit disappointing.
Saving Private Ryan won 5 Oscars, including Best Director and Best Cinematography, but was nominated for many others including Best Picture, which in my opinion it deserved far more than the film that won in 1999 (Shakespeare in Love), as this is undoubtedly an all time classic war film.
Kirk Bage (1775 KP) rated Stan & Ollie (2018) in Movies
Jan 28, 2021
My relationship with Laurel & Hardy is a tentative one. I do enjoy their short films, full of ingenuity and genuinely funny moments. But, they’d be down the list a bit for me on the greatest black and white comedy stars – Chaplin, Keaton, Lloyd, then the Marx Brothers maybe, then the slapstick duo next, maybe. It’s not that I don’t think they are great! They are, they definitely are. I just can’t sit down and take to much of them at once. Maybe because their schtick is very stagey, vaudevillian even, rather than cinematic. And that is because they were primary stage actors and clowns. Not necessarily in that order.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
So, my anticipation of a movie about them in 2018 was not huge. I was happy to wait, and it was consigned deep down the watchlist for a while. Until one Sunday evening in October, when it suddenly felt like exactly what I wanted to see that day – a nice, calm biopic that probably had a few laughs and a soppy ending. And that is pretty much what this is. Except that it also has two very very impressive performances from the eponymous leads, the consumately talented John C. Reilly and Steve Coogan.
When I say impressive I mean that at times it feels like you are magically watching the real Oliver Hardy and Stan Laurel. So detailed and well observed are their characterisations that nothing whatsoever (other than maybe the makeup on Reilly’s double chin) strikes you as false. Which helps you invest in their story entirely; told in professional if unspectacular style by Jon S. Baird, who demonstrates an understanding of the people, if not a full understanding of how to make a scene truly fly.
The story here is not a full biopic, but rather a snapshot of the end of their careers, when, amazingly, they embarked on a tour of UK theatres in an attempt to keep working once their film career had lost its shine and popularity. What we see are two older men, once treated as superstars, who are now brought down to earth by all things fading, including their youth. They are bitter and argumentative with each other, and their long suffering wives (played satisfyingly by Shirley Henderson and Nina Arianda). Long stewed resentments come to the surface and the smiles of the clowns are seen at their lowest ebb as things begin to fall apart.
What rings true are the observations of a love / hate friendship that has lasted a full lifetime, and how that affects a working relationship and a public legacy. Jeff Pope, who also worked with Coogan on Philomena, gives us a stoic but often deeply meaningful screenplay here, that isn’t bothered by showing off, in favour of colouring the relationship accurately, which is commendably, and feels quite anti-Hollywood and a bit more British.
The physical gags and set-pieces are also beautifully staged, and look gorgeous, evoking the period superbly. My face was almost permanently smiling, although I can’t remember laughing out loud once. And that is what this film feels like, ultimately – a nice, gentle, Sunday afternoon drive into the past. Your grandparents will love it! Personally, I felt it was fine and dandy, but lacked a spark or two to make it properly come to life.
Watch this if you enjoy great acting that doesn’t need to wave its arms around to get attention. Both Reilly and Coogan are extraordinary! Interestingly, the American was nominated for a Golden Globe over there, and the Brit was nominated for a Bafta over here. Neither won, but they were never going to, as this production is almost embarrassed to announce itself as being good. It is good. Just not amazing. Give it a go when a nice cosy, sleepy mood takes you one day.
Darren (1599 KP) rated Inception (2010) in Movies
Sep 13, 2019 (Updated Sep 13, 2019)
Brief Synopsis – A group of experts are hired to infiltrate the mind of an executive in order to implant a thought into his mind that will change the way he runs his company.
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
My Take on it – This is an amazing film that once again is able to prove the genius of writer/director Christopher Nolan.
This story works on so many levels and stays intriguing, interesting and thrilling from start to finish.
The story is presented as an existential one yet they expertly use special effects and dialogue to make things seem even more tangible and relatable which works superbly throughout.
The cats is unbelievable and they all are able to work so well together as a team that it helps make the story move forward at a great pace that moves so fluidly throughout.
Nolan does a splendid job directing this film and is able to create a world that is a mixture of reality and fantasy yet still comes across as plausible and realistic throughout.
The story itself is multi layered and this helps make the story feel even more interesting and intriguing as things seem to get more and more complex as they move forward.
It’s imperative to pay close attention to the story because of the fact that it jumps around within the various story levels and if you get distracted, you might miss something quite important because nothing is truly ever as it seems.
Nolan is an amazing writer and this film is further proof of his ability to create unique and original stories for us to savor for all time.
It’s a pity that most films that are made these days aren’t filled with original ideas like this one is.
The story is quite mind blowing and manages to keep surprising the viewer over and over as things move along.
This is one of the very best thrillers ever made and that has much to do with the fact that they are able to create a thriller that actually fits “outside of the box” instead of being something that just recycles old ideas.
Bottom Line – Amazing film that is able to work on so many levels. The story is quite existential yet they use effects and dialogue to help make it feel even more tangible. The cast is superb and they all work so well together as a team in order to help the story constantly move forward. Nolan directs this film amazingly and is able to create a world that is both real and fantasy for us to grasp all that is happening throughout. The story itself is quite layered and that helps make things so much more intriguing and interesting since one needs to constantly try and keep track of what’s going on the entire time because nothing is ever as it truly seems. With this film, Nolan once again proves how adept a writer he can be and is able to give us a very unique and original story that is mind blowing over and over. One of the best thrillers ever made especially since it is truly a story that fits “outside of the box”. Highly Highly Recommended!
MovieRob’s Favorite Trivia – Writer, producer, and director Christopher Nolan first pitched this movie to Warner Brothers after the completion of his third movie, Insomnia (2002), and was met with approval from the studio. However, it was not yet written at the time, and Nolan determined that rather than writing it as an assignment, it would be more suitable to his working style if he wrote it as a speculation script, and then presented it to the studio whenever it was completed. So he went off to write it, thinking it would take “a couple of months”, but it ultimately took nearly eight years. (From IMDB)
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