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Batman: Caped Crusader
Batman: Caped Crusader
2024 | Action, Adventure, Animation, Crime, Family
7
7.0 (2 Ratings)
TV Show Rating
Presented in the same style as 'Batman: The Animated Series', 'Caped Crusader' is akin to Amazon Prime's reimagining of the early years of Bruce Wayne's one-man war on crime, with some of the changes made working better than others.

There's also a through-line plot in the first series: that if the rise and fall of Harvey Dent, aka Two Face, with a coda that shows Batmans most famous nemesis may not be far off ...
  
Batman: Nightwalker - DC Icons Book 2
Batman: Nightwalker - DC Icons Book 2
Marie Lu | 2018 | Young Adult (YA)
6
7.0 (8 Ratings)
Book Rating
I saw this in my local Eason's one day and, thought that, even though it was advertised as DC Icons #2 (and I hadn't read #1) that I would give it a shot.

Now that I've read it, I'm going to make two main points:

1) Strictly speaking, this should be called "Bruce Wayne: Nightwalkers rather than "Batman: Nightwalkers". I get it, the Batman name has more 'pull' than the Bruce Wayne name, but in this he's only just turned 18 and has yet to take up the mantle of the Bat (despite lots of heavy foreshadowing).

2) Tied somewhat, perhaps, to point number 1 number: I found it kind hard to disassociate a teenage Bruce Wayne (proto-Batman) from the character as portrayed in the TV series Gotham. I'm sure I'm not the only one, which (perhaps) goes further towards explaining why this titled as Batman ...

As for the plot: I must say, I did find this largely intriguing, with the character of Madeline laying further groundwork (as it were) for who Bruce Wayne would later become. It was also interesting to see the early friendship between Harvey Dent (the future Two-Face) and Bruce Wayne explored further: it's just a pity, I felt, that you could see the 'twist' coming from miles and miles away!
  
The Dark Knight (2008)
The Dark Knight (2008)
2008 | Action, Crime
Heath Ledger's performance (0 more)
Wanna know how I got these oscars?
directed, produced, and co-written by Christopher Nolan and Based on the DC Comics character Batman.

the second installment in Nolan's The Dark Knight Trilogy.
 Bruce Wayne/Batman (Christian Bale) allies himself with Lieutenant James Gordon (Gary Oldman) and District Attorney Harvey Dent (Aaron Eckhart) to reduce crime in Gotham, but are seemingly outsmarted by a criminal mastermind known as the Joker (Heath Ledger) who seeks test Batman's influence by creating chaos in Gotham.
 also Michael Caine reprises his role as Bruce Wayne's butler Alfred Pennyworth, Maggie Gyllenhaal as Rachel Dawes, and Morgan Freeman as Lucius Fox.

This was unfortunately Heath Ledger's final movie before his untimely passing and is considered his greatest portrayal, which won him the Oscar award for best supporting actor.

The Dark Knight grossed over a billion dollars worldwide, becoming the fourth film in history to gross more than $1 billion worldwide and the highest-grossing film of 2008.
  
The Dark Knight (2008)
The Dark Knight (2008)
2008 | Action, Crime
Riding a wave a fan expectations and anticipation as well as surrounding by the tragic death of Heath Ledger, the latest installment in Writer/Director Christopher Nolan’s Batman Series, “The Dark Knight”, has arrived. Christian Bale once again stars in the dual role of troubled billionaire playboy Bruce Wayne and the masked avenger Batman, as he attempts to bring order to Gotham City.
The film picks up shortly after the events of “Batman Begins” and finds Bruce and his trusty sidekick Alfred (Michael Caine), splitting their time between a lofty penthouse and a secret lair while Wayne Manor is being rebuilt. The streets of Gotham have become safer as thanks to Batman many of the bad elements of the city have either been arrested or driven off.
Batman has a new ally in his fight, as new District Attorney Harvey Dent, (Aaron Eckhart), is waging a personal war on crime, and has vowed to stop at nothing to bring the remaining crime bosses and their associates to justice. Bruce is unsure what to make of Dent, and is further troubled by the growing relationship between Dent and his longtime flame Rachel Dawes (Maggie Gyllenhaal).
Unknown to Batman and Dent, the biggest threat ever to face Gotham City is about to move into the limelight, as a mysterious figure known as The Joker (Heath Ledger), has risen from the ranks of violent bank robber to psychopathic mastermind, attempting to get the remaining crime lords to join him in an scheme to kill Batman and prominent heads of the city to bring utter chaos.
As the Joker’s wave of violence, death, and destruction unfolds, Batman is drawn deeper into turmoil, as he is conflicted by his desire to abandon his Batman alter-ego and leave cleaning up the city to Dent and his trusted ally James Gordon (Gary Oldman). Bruce knows that he cannot be with Rachel as long as Batman is a part of his life, and he wishes he can abandon the fight to live a more normal existence.
As the crime wave escalates and the body count starts to mount, Bruce is driven to the edge as he matches wits with his toughest foe yet, a man who seems capable of matching his every move, and seems to be always one step ahead.
What follows is a truly gripping and enjoyably dark tale of murder, deception, action, and intrigue in what is not only the best Batman film ever but simply the best superhero film ever. This is strong praise considering the solid screen versions of “Spider-Man”, “Iron-Man” and the previous “Batman Beyond”, but Nolan has crafted a true cinematic masterpiece.
The key to the film is not only the solid cast but a serious and intelligent script that allows the actors to truly shine. This is not a thinly veiled comic story where plot and character are secondary to visuals and actions; instead it is a brilliant physiological study of madness, human nature, unchecked ambition, and morality, wrapped in a truly epic story.
Nolan deftly juggles the characters and action and never allows one to overshadow the other. He does not lose sight of the fact that despite the amazing and intense actions and visuals, this is a character driven story.
Many times during the press showing of the film I marveled at the high quality of the story and solid acting in the film. The impressive cast is anchored by a truly incredible performance by Ledger as he portrays the Joker as a deeply disturbed individual who mixes genius with absolute ruthless cunning. The mannerisms of the character are such that Ledger simply becomes the demented killer and at no time appears to be an actor portraying a character, but rather the personification of the character brought to reality.
His scenes with Bale are truly memorable and underscore the vast history between the two characters that has been established over the decades, and emphasizes the fact that, in some ways, Batman and the Joker are similar beings, both troubled souls who deal with their pain in different ways.
Bale is very good at portraying the torment his character lives with day in and day out, as well as the dark and seething rage that threatens to overtake him and his constant struggle to keep it under the control. Lesser actors would be lost against the amazing performance of Ledger, but Bale more than holds his own, and provides gripping cinema at its best during his scenes with Ledger and the talented cast.
Morgan Freeman and Michael Caine bring solid support to the film as their characters provide wisdom, morality, and direction for characters that walk the thin line between good and evil. The only real disappointment in the film for me was that Maggie Gyllenhaal is not given enough to do. She ably takes over the role originated by Katie Holmes, but she is not given any chance to stand out and her moments with Bale do not allow her to further her relationship with Bruce Wayne.
Eckhart gives a solid performance as Harvey Dent and his alter ego Two Face, taking great advantage of the time he was allowed to develop Dent. My only wish would have been for Two Face to have more time to develop as his arrival seems more of an add-on than a point of plot emphasis.
That being said, the film is a true masterpiece that proves you do not have to sacrifice character development and story to deliver a solid action film. The story sets up very well for future installments and I am sure I am not alone in wanting another outing for Nolan and Bale.
  
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David McK (3349 KP) rated The Dark Knight (2008) in Movies

Jun 23, 2019 (Updated Jul 23, 2024)  
The Dark Knight (2008)
The Dark Knight (2008)
2008 | Action, Crime
Summmer 2008: at the time of writing this, now 11 years ago (edit: now 16), and the cinematic landscape was rather different - the MCU was only just starting off (with Iron Man), and superheroes in the cinema were not as commonplace as they are today ( to the best of my memory).

While Christopher No.an had effectively rebooted perhaps DCs most famous character in Batman Begins, that film had (deliberately, IMO) kept the focus pretty much on Bruce Wayne/Batman rather than on his mos famous foes, ending with a deliberate tease of the introduction of the Joker.

And what an introduction he gets in this.

As portrayed by Heath Ledger (whose untimely death no doubt helped stoke the interest for this movie: his last full screen role), this Joker is very different than Jack Nicholson's 1989 portrayal. It's a definite magnetic tour de force from the actor, sure, although (personally) I've never really viewed the character as a Joker so much as as a genius psychopath.

"I'm an agent of chaos" he says at one point. "I'm a dog chasing a car. I wouldn't know what to do with one if I caught it". And that, to me, is what is missing from the character-as-written.

Alongside Ledger, Aaron Eckhart also puts in a brilliant turn as Harvey Dent, completely blowing Tommy Lee Jones portrayal of the same character (in Batman Forever) out of the water. It's a far more realistic interpretation of what drives Dent to become Two-face, with some frightenly realistic effects.

And, finally, it may be a small thing: but in this Batman gets and operates (briefly) out of Gotham city, making his world seem more 'real' as a result.