"Well, it was an actor playing Othello. It was written by Garson Kanin, who later married a teacher of mine, but he was married to Ruth Gordon, who was a favorite actress of mine. And it was a movie about the theater. I love those kinds of in-house things. I love political movies or plays, but especially plays about the inner workings of the business, or that give you insight into the process of what actors go through."

"My wife, Sofia, recently published her first book. I'm incredibly proud of her for all her hard work and dedication in writing this and don't know how she did this whilst being a great mom to our both daughters. The book is about her experiences being a young western woman living and doing business in a dictatorship, and it's a story of love and hustle in a land where nothing is what it appears to be."

"It was our second record and we'd gotten considerably better, and were gelling a lot more organically as a group. Soul Food was essentially meant to be a compilation album and we had stumbled upon our own strange brew, and then with Still Standing we went into business together. We totally defined Southern hip hop for what it could be; it could be impact and nationwide. It's still a record I'm proud of to this day."

"In the Robertson Davies novel Fifth Business, that first-chapter snowball gave me the idea for the baseball in A Prayer for Owen Meany, whose initials (O.M.) are modeled on the Grass hero of The Tin Drum (Oskar Matzerath). When I was married in Toronto, Davies read from the Bible at the wedding. "There is something of Byron about John Irving," Davies once wrote about me. Yes, I suppose so, and something of Dickens about Robertson Davies."