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Lee (2222 KP) rated Joker (2019) in Movies
Oct 6, 2019 (Updated Oct 6, 2019)
Arthur Fleck (Joaquin Phoenix) is a down on his luck loner, currently taking seven different kinds of medication and living with his frail old mother (Frances Conroe). Arthur fantasises about living a ‘normal’ life, with hopes of becoming a stand up comedian and dating his next door neighbour, and the lines between reality and fantasy begin to become just as blurred for us during the movie as they do within Arthur’s mind.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
We’re in Gotham City during the early eighties. A garbage strike means that the city is currently suffering from a build up of garbage on the streets and the subsequent arrival of ‘super rats’. The rich are getting richer, the poor and the underprivileged even more so. And, at the forefront of all the wealth and power in the city is Thomas Wayne, who is currently looking to run for mayor. There is growing divide and unrest throughout Gotham, all of which serves to add fuel to the increasingly unstable mind of Arthur Fleck.
We’ve had our fair share of Joker portrayals over the decades, the most memorable of which being in 2008, and Heath Ledger’s brilliant take on the character in The Dark Knight. But Joaquin Phoenix brings a side to the Joker we’ve not experienced before - all skin and bone, abused, downtrodden, ridiculed and with a neurological condition that sees him suddenly laughing maniacally and uncontrollably, even during times of stress or sadness. Throughout the movie, we learn that Arthur also had a pretty unpleasant childhood and, for a while, you really can sympathise with him and the suffering he experiences. “I just don’t want to feel so bad any more” he says at one point.
Joker features no CGI, no costumed antics (other than the clowned kind), or any of the traditional comic book movie themes that we’re now so used to seeing. Instead, Joker treats us to something of a slow-burn character study, one mans slow descent into madness, and the birth of one of the most iconic villains of all time. Joaquin Phoenix is incredible in the role, supported by an outstanding cast, including Robert De Niro as a late night talk show host idolised by Arthur and Zazie Beets as the neighbour Arthur becomes obsessed with.
Joker isn’t exactly enjoyable in the traditional sense, uncomfortable at times and a brutally honest depiction of extreme mental health issues. But it’s beautifully shot, subtly weaving itself into the familiar DC universe while remaining unique and original. I was gripped from start to finish and I just hope that the upcoming Robert Pattison incarnation of The Batman fits into the universe and style that has been introduced here within Joker.
Lee (2222 KP) rated Angel Has Fallen (2019) in Movies
Aug 23, 2019
Gerard Butler returns once again as secret service agent Mike Banning in this third entry in the 'fallen' series. The first movie, Olympus Has Fallen (not to be confused with White House Down, the Channing Tatum movie which was also released in 2013 and also covered a similar plot!) saw Banning trapped in the White House during a terrorist attack. It had an enjoyable Die Hard feel to it, and a sequel was inevitable. London Has Fallen (2016) saw Banning venture to London for the funeral of the Prime Minister and becoming involved in a terrorist plot to assassinate the world leaders who were in attendance. Not quite as good as Olympus, losing that enclosed claustrophobic setting from the first movie, but it was still a fun piece of action.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
Which brings us to Angel Has Fallen. That angel being Mike Banning, guardian angel to President Trumbull (Morgan Freeman) who has now been promoted from vice president in the last movie. Mike is starting to feel the strain of old age and his years of being a hero and one man army - insomnia, a reliance on pills, migraines. His secret service colleagues, even the president, are noticing his health issues and his doctor plainly tells him "You're a disaster waiting to happen"!
This time round, the terrorist attack comes in the form of a swarm of drones, which appear in the skies over the lake where the president is fishing on a boat. Taking out the secret service team on protection duty, both the president and Banning are forced into the water in order to try and avoid being blown to pieces. But, instead of being hailed a hero once again, Banning is now accused of masterminding and orchestrating the attack and it becomes clear that he is being setup, forcing him to go on the run in order to try and clear his name.
Once again, it's all ridiculous crowd pleasing stuff. Some elements make absolutely no sense whatsoever, and it's not exactly difficult to work out who the bad guys are right from the offset - hell, the trailer even gives one of them away! The action for the most part is fairly enjoyable, although it does suffer from the occasional bit of dodgy CGI and there are moments of dark close-up action - quickly edited, shaky camera work, which make it frustratingly difficult to work out what on earth is going on at times.
As with London Has Fallen, we lose that claustrophobic and confined Die Hard action once again, giving us something more alike to The Fugitive and a poor mans John Wick 3. But overall, it's still an enjoyable ride, with a fun cameo from Nick Nolte as Mike's long lost father and a third act which actually delivers.
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Emma @ The Movies (1786 KP) rated Sky Sharks (2020) in Movies
Aug 29, 2020
Fright Fest kicked off with a film that I absolutely had to see... Nazi zombies and flying sharks? No brainer.
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
A team of arctic explorers uncover an old Nazi lab that was developing ways to help them conquer the world. The team unwittingly let loose their two most powerful experiments that unleashes a swarm of flying sharks flown by unstoppable pilots.
Despite this having the word "sharks" in the title (and my love of shark films) I do have to be a buzzkill and say that this is not a shark film. I'd happily categorise it in zombie film territory, but the quality is way too good for this to be classified as a shark film. I don't want to take away from these fantastic flying finned devils though, they're brilliant and super happy looking.
It has the ridiculous ideas that make for an entertaining watch. but I can't help but think that a good budget actually had a negative effect. Once you get to a certain level of production value it goes against the nature of the story and "traditions".
With sky based villains you would obviously get something involving airplanes, but from the early action sequence I got heavy Sharknado 2 vibes. I don't want to ruin this bit for you so I'll just say that it's got the requisite amount of scientific impossibilities and graphic violence.
The CGI is a little hit and miss, the sharks are pretty good and I'm convinced have sneaky smiles on their faces, but the zombie aspects are a little ropey whenever they pop up.
When it comes to acting the cast deliver exactly what you'd expect from this sort of film, over the top when needed, dramatic in both serious and ridiculous ways, and I really hope that some of the female cast were appropriately compensated from some of their truly over the top scenes. You expect nudity because that's what these things do, but my goodness did they go to town with it.
Nazi scientists with extraordinary plans is a great storyline, you can take it in so many directions. I can't help but feel that Sky Sharks suffers from over complications. Discovery, accidental release followed by solution... that simple formula is cluttered with a lot of back story that could easily be cut back and made easier to follow, a fair amount seemed to have no purpose.
Even with all of this it's still something daft to enjoy, probably when drunk. I'm not sure if it's for zombie fans or shark fans, it doesn't quite fit in either classification properly but for those who want to free their brains from thinking then it's probably going to work for that.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/sky-sharks-movie-review.html
Gareth von Kallenbach (980 KP) rated Death on the Nile (2022) in Movies
Feb 7, 2022
Originally set to release in December of 2019; the long-delayed cinematic retelling of Agatha Christie’s “Death on the Nile” has finally arrived in cinemas. The last cinematic version of the classic book arrived in 1978 and this time; Director and star Kenneth Branagh beings his version of Master Detective Hercule Poirot to Egypt after a chance encounter with his friend Bouc (Tom Bateman) while on vacation; Poirot attends the wedding of wealthy socialite Linette Ridgeway (Gal Gadot) and notices that she has married a man named Simon Doyle (Armie Hammer).
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
Gareth von Kallenbach (980 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
BankofMarquis (1832 KP) rated The Matrix Resurrections (2021) in Movies
Dec 31, 2021
Unnecessary
And now from the unnecessary sequels department…
And, that, pretty much sums up THE MATRIX RESURRECTIONS - a title that is a confession of a studio and creator that is looking to milk a few more bucks out of a dormant franchise.
Written and Directed by Lana Wachowski (one of the creators/directors of the original Matrix trilogy), MATRIX RESURRECTIONS drops us back into the Matrix that is the same, yet different, and - intriguingly enough - brings us back to Neo and Trinity, 2 characters that died in the 3rd film.
Of course, this being Science Fiction/Fantasy, no one needs to stay dead, if another story can be built around them.
Keanu Reeves and Carrie-Anne Moss are back as Neo & Trinity (this film would not have happened if they didn’t say yes to this) - and they are the best thing in this film. Their chemistry is strong and any film that can bring back Carrie-Anne Moss as a lead in a film, is okay by me.
The best newcomer in this film is Jonathan Groff as “Agent Smith” (Hugo Weaving was set to reprise his role, but had to drop out due to Theater Commitments). Groff channels his inner “King George” (the character that he was Tony Nominated for in the Stage Musical Hamilton) and it works well in this film.
As for the other “character/actors” - like the characters that Jada Pinkett-Smith (the only other returning actor from the original trilogy), Yahya Abdbul-Mateen II (playing a version of Morpheus), Thelma Hopkins, Jessica Henwick and…yes that IS Cristina Ricci - they are all pretty generic and serve as plot machinations to get us from one action set piece to another.
And, of course, there is Neil Patrick Harris as “THE ANALYST”, it’s an interesting, pivotal, role in this film and would have been better served being played by someone less “well known”. All I kept thinking as I watched this performance was - “it’s evil Neil Patrick Harris”!
As for the special effects/set pieces, they are “fine” but nothing “special”. The first Matrix film was a brilliant, groundbreaking and mind-bending piece of filmmaking that introduced cinema (for good or ill) to “bullet time” - a Special F/X that has been en vogue ever since. But this film is just a mismash of CGI that is neither brilliant nor groundbreaking and the dense mythology plot of this film is not “mind-bending”, it is more like “headache-inducing”.
Do yourself a favor and skip the Resurrection of The Matrix and, instead, check out the brilliant 1999 original - it holds up well (and is the subject of my January podcast).
Letter Grade: B- (thanks to Reeves, Moss and Groff)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
And, that, pretty much sums up THE MATRIX RESURRECTIONS - a title that is a confession of a studio and creator that is looking to milk a few more bucks out of a dormant franchise.
Written and Directed by Lana Wachowski (one of the creators/directors of the original Matrix trilogy), MATRIX RESURRECTIONS drops us back into the Matrix that is the same, yet different, and - intriguingly enough - brings us back to Neo and Trinity, 2 characters that died in the 3rd film.
Of course, this being Science Fiction/Fantasy, no one needs to stay dead, if another story can be built around them.
Keanu Reeves and Carrie-Anne Moss are back as Neo & Trinity (this film would not have happened if they didn’t say yes to this) - and they are the best thing in this film. Their chemistry is strong and any film that can bring back Carrie-Anne Moss as a lead in a film, is okay by me.
The best newcomer in this film is Jonathan Groff as “Agent Smith” (Hugo Weaving was set to reprise his role, but had to drop out due to Theater Commitments). Groff channels his inner “King George” (the character that he was Tony Nominated for in the Stage Musical Hamilton) and it works well in this film.
As for the other “character/actors” - like the characters that Jada Pinkett-Smith (the only other returning actor from the original trilogy), Yahya Abdbul-Mateen II (playing a version of Morpheus), Thelma Hopkins, Jessica Henwick and…yes that IS Cristina Ricci - they are all pretty generic and serve as plot machinations to get us from one action set piece to another.
And, of course, there is Neil Patrick Harris as “THE ANALYST”, it’s an interesting, pivotal, role in this film and would have been better served being played by someone less “well known”. All I kept thinking as I watched this performance was - “it’s evil Neil Patrick Harris”!
As for the special effects/set pieces, they are “fine” but nothing “special”. The first Matrix film was a brilliant, groundbreaking and mind-bending piece of filmmaking that introduced cinema (for good or ill) to “bullet time” - a Special F/X that has been en vogue ever since. But this film is just a mismash of CGI that is neither brilliant nor groundbreaking and the dense mythology plot of this film is not “mind-bending”, it is more like “headache-inducing”.
Do yourself a favor and skip the Resurrection of The Matrix and, instead, check out the brilliant 1999 original - it holds up well (and is the subject of my January podcast).
Letter Grade: B- (thanks to Reeves, Moss and Groff)
6 Stars (out of 10) and you can take that to the Bank(ofMarquis)
Lee (2222 KP) rated Justice League (2017) in Movies
Nov 18, 2017
Messy introduction (1 more)
Steppenwolf
A really pleasant surprise
PRE-MOVIE THOUGHTS: Up until very recently, I'd been cautiously optimistic regarding Justice League. I enjoyed Man of Steel, despite some faults, and I thought that Henry Cavill was perfectly suited to the role. I didn't mind Batman V Superman so much either, despite Jesse Eisenbergs Lex Luthor constantly trying to ruin it. The best thing about Batman V Superman though was Gal Gadot as Wonder Woman, which is why her standalone origin movie deservedly did so well earlier this year. But the characters of Superman and Batman were beginning to get a bit of a raw deal in my opinion, and that was starting to piss me off. The original Superman movie with Christopher Reeve, along with Christopher Nolans Dark Knight trilogy, are among my favourite films and these latest movies just weren't doing them 'justice'. Suicide Squad showed that DC couldn't do an ensemble movie, which cast a lot of doubt over just how good Justice League was going to be. And when reports came in of re-shoots and a change of director, it wasn't really looking good. But some of the more recent trailers and teasers actually didn't look so bad, so maybe there wasn't too much to be worried about. Until a few days ago that is, when about 90% of the reviews I read didn't give it higher than two stars! And those that gave it higher were still highlighting some of the weaknesses I've already mentioned here. So, I headed into the cinema, expecting to be pissed off again. But seriously, genuinely hoping I wasn't.
POST-MOVIE REVIEW: Justice League doesn't start things off too well. The world is still mourning the death of Superman, and a few pointless scenes try to highlight that loss and despair. Batman and Wonder Woman appear in a couple of standalone battles to remind us what they're capable of, but those scenes also seem rushed and out of place. We have three new team members to be introduced to as well, along with the big bad of the movie. Whereas Marvel's Avengers took the time to introduce their team over a series of standalone movies, we've had no such luxury in the run up to Justice League, aside from some brief glimpses in previous movies. It all just seems like a rush to get things to the point where the team are together and can start having some fun. Everything up until that point just seems cobbled together. Lacking coherence, and just a little bit dull.
Talking of dull, once again the big bad of the movie is a bit of a let down. Steppenwolf appears on Earth in search of three powerful cubes which when combined together will give him the ability to forge the Earth into something more appealing to him, or something like that anyway. He's accompanied by thousands of flying zombie man-bug type creatures and the whole thing just reeks of supervillain plotlines we've seen many times before. Steppenwolf himself is entirely CGI, and at times the CGI just doesn't look that good.
Onto the league themselves. Well, Wonder Woman is still the most impressive of them all, proving to be a real natural leader. Batman, although greatly improved on his Batman V Superman appearance, just seems like he can't be bothered. Tired and uninterested at times. This might be partly down to Ben Affleck, who never really seemed suited to the role in my opinion. If the rumours of him being recast in the next standalone Batman movie are true, then it may well be for the best. Even if the thought of yet another actor taking on the role so soon already is extremely frustrating.
The two biggest surprise for me were the two characters I was initially least interested about when heading in to the cinema. Cyborg, from his introduction in BvS and glimpses in the trailers, just seemed pointless. But, despite that we gloss over his back story somewhat, actually proves himself to be a valuable and interesting member of the team. And as for The Flash, he manages to get many of the movies better lines and scenes while he tries to come to terms with what he can actually do with his power ("Up until now I usually just run really fast and push people").
Slightly disappointing though was Aquaman. Not the character himself, just the fact that we barely get a glimpse of his undersea world, before he finds himself thrust into the league, reduced to just being some extra muscle. His is a role which would have greatly benefited from a standalone origin movie before appearing in this one.
When the team eventually do come together is when the movie really steps up a gear. They work really well together and I really enjoyed the battle scenes. It soon becomes clear though, that they cannot defeat Steppenwolf on their own, and need somebody even more powerful to help them out.
It's no secret, despite his absence from the trailers, that Superman returns to become part of the league. I felt that this was handled really well and the team helping to overcome his initial disorientation was a really fun scene. When he is fully recovered and battling the bad guys, it's the kind of Superman we all know and love and everything involving him is just hugely enjoyable.
If it wasn't for the rushed, incoherent introduction to the movie, I would have rated this a lot higher. For me, the rest of the movie is right up there with this years Wonder Woman, and is a serious step in the right direction for DC. A really pleasant surprise...
POST-MOVIE REVIEW: Justice League doesn't start things off too well. The world is still mourning the death of Superman, and a few pointless scenes try to highlight that loss and despair. Batman and Wonder Woman appear in a couple of standalone battles to remind us what they're capable of, but those scenes also seem rushed and out of place. We have three new team members to be introduced to as well, along with the big bad of the movie. Whereas Marvel's Avengers took the time to introduce their team over a series of standalone movies, we've had no such luxury in the run up to Justice League, aside from some brief glimpses in previous movies. It all just seems like a rush to get things to the point where the team are together and can start having some fun. Everything up until that point just seems cobbled together. Lacking coherence, and just a little bit dull.
Talking of dull, once again the big bad of the movie is a bit of a let down. Steppenwolf appears on Earth in search of three powerful cubes which when combined together will give him the ability to forge the Earth into something more appealing to him, or something like that anyway. He's accompanied by thousands of flying zombie man-bug type creatures and the whole thing just reeks of supervillain plotlines we've seen many times before. Steppenwolf himself is entirely CGI, and at times the CGI just doesn't look that good.
Onto the league themselves. Well, Wonder Woman is still the most impressive of them all, proving to be a real natural leader. Batman, although greatly improved on his Batman V Superman appearance, just seems like he can't be bothered. Tired and uninterested at times. This might be partly down to Ben Affleck, who never really seemed suited to the role in my opinion. If the rumours of him being recast in the next standalone Batman movie are true, then it may well be for the best. Even if the thought of yet another actor taking on the role so soon already is extremely frustrating.
The two biggest surprise for me were the two characters I was initially least interested about when heading in to the cinema. Cyborg, from his introduction in BvS and glimpses in the trailers, just seemed pointless. But, despite that we gloss over his back story somewhat, actually proves himself to be a valuable and interesting member of the team. And as for The Flash, he manages to get many of the movies better lines and scenes while he tries to come to terms with what he can actually do with his power ("Up until now I usually just run really fast and push people").
Slightly disappointing though was Aquaman. Not the character himself, just the fact that we barely get a glimpse of his undersea world, before he finds himself thrust into the league, reduced to just being some extra muscle. His is a role which would have greatly benefited from a standalone origin movie before appearing in this one.
When the team eventually do come together is when the movie really steps up a gear. They work really well together and I really enjoyed the battle scenes. It soon becomes clear though, that they cannot defeat Steppenwolf on their own, and need somebody even more powerful to help them out.
It's no secret, despite his absence from the trailers, that Superman returns to become part of the league. I felt that this was handled really well and the team helping to overcome his initial disorientation was a really fun scene. When he is fully recovered and battling the bad guys, it's the kind of Superman we all know and love and everything involving him is just hugely enjoyable.
If it wasn't for the rushed, incoherent introduction to the movie, I would have rated this a lot higher. For me, the rest of the movie is right up there with this years Wonder Woman, and is a serious step in the right direction for DC. A really pleasant surprise...
Lee (2222 KP) rated Alita: Battle Angel (2019) in Movies
Feb 8, 2019 (Updated Feb 8, 2019)
The Visuals (1 more)
Alita
A lot of big names, overqualified and underutilised (1 more)
Clunky dialogue and pacing issues
All style, not much substance
James Cameron has spent more than a decade trying to bring Alita: Battle Angel to the big screen. Based on a popular cyberpunk manga series by Yukito Kishiro, published between 1990-1995, he has spent that time refining the script and developing the world that Alita inhabits. And that’s pretty much what he now spends most of his time taking care of with the Avatar movies and the world of Pandora. Hence the reason why he eventually decided to step back into producer duties for this movie, letting Robert Rodriguez pick up the directing reins in order to finally get it finished. Rodriguez uses much of the script that Cameron wrote, but brings a little bit of his trademark style to the table too.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
It’s 2563, and we’re in Iron City. Dr Dyson Ido (Christoph Waltz) is scavenging among a huge scrapyard, looking for cyborg spare parts that he can make use of, while fresh metal and rubbish rains down from Zalem – a man-made, floating city sitting in the sky above Iron City. 300 years ago there were many of these floating cities but following a brutal war all of them except for Zalem perished. During that time though, the elevator leading up to Zalem was destroyed, and these days only the ‘pure’ inhabitants of Zalem are permitted there. Nobody from Earth is allowed to visit and if anyone comes down from Zalem, they’re not allowed back. It’s to try and avoid any contamination from entering Zalem. If you’ve seen the Matt Damon movie Elysium… well, then it’s a bit like that really.
Among the usual items, such as robotic hands and eyeballs, Dr Ido discovers Alita, or rather the core of Alita – lying lifeless and broken, with only a battered hairless head and upper torso remaining. He takes her back to his laboratory/home, where he works as a cybernetics expert, repairing and upgrading the inhabitants of Iron City who are either cyborgs or humans with cyborg body parts. Along with his assisting nurse, and using a robotic body that had been previously built for his now deceased daughter (this gets briefly explained later), they rebuild her, giving her the name Alita (also his daughters name). Alita awakens later in a nice comfortable bed, in what was presumably Dr Ido’s daughters room. She has no memory of her previous existence and sets about experiencing all the sights, sensations and tastes that human life and Iron City has to offer, exploring and striking up a friendship with local boy Hugo and his group of friends. But, as the name of the movie implies, this cyborg was built for battle, and it’s not long before Alita begins to remember who exactly she used to be and just how good at kicking ass she is.
A quick word about the visuals, as they are by far the best thing about this movie. Iron City, despite clearly being a futuristic world, is certainly not dark or bleak looking in the way we’re used to with similar movies of this genre. Many of the early scenes take place during daylight hours and the city is a vibrant, bright, bustling home to thousand of humans and cyborgs. We get to go beyond the limits of Iron City – the city walls, out to the badlands beyond, and as you’d expect from Cameron a lot of thought and detail has gone into mapping out and building this world. The cyborgs and the other robots we meet are all pretty standard for a movie of this kind, but it’s Alita that is the most impressive. Much of this is down to the incredible CGI involved in making her look as realistic as she does, but a lot of what makes her so enjoyable and believable is down to Rosa Salazar, whose motion captured performance helps bring her to life. The visuals are obviously at their most impressive during the battle scenes involving Alita – where so many movies with heavy CGI battles end up as just a messy whirlpool of characters and action, that’s certainly not the case here. Slick, inventive and exhilarating choreography allowing you to actually track and follow every single character and action in crisp detail. It’s refreshing and impressive, even more so when watched in 3D and particularly so during the fast paced Motorball scenes featured towards the end of the movie.
Outside of the visuals though, other characters and plot lines don’t seem to stick so well, which is disappointing considering the rich source material available to the film makers. Alita: Battle Angel suffers from inconsistent pacing, dialogue that is clunky and exposition-heavy and there are many times when the accompanying soundtrack just felt distracting to me, out of place with whatever is currently happening. Christoph Waltz, Mahershala Ali and Jennifer Connolly all seem overqualified and underutilised, and the romance between Alita and Hugo is unnecessary, and at times annoying. It feels like it’s trying to cram too much story into its two hour run time, resulting in plot holes and frustrations later on. And there is even a cliffhanger ending – frustrating in that it feels as though we haven’t even properly concluded this part of the story and we’re now being left to wait should a sequel ever be given the go ahead.
I found much to enjoy with Alita: Battle Angel, and would gladly go see a sequel or two, should they get made. It’s enjoyable at times, and dazzling to look at, but overall it did leave me feeling a little bit frustrated and disappointed.
Movie Metropolis (309 KP) rated Life Of Pi (2012) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Ang Lee has directed some very artistic and emotionally charged films in his career and his new movie, Life of Pi is certainly no exception. But can his take on Yann Martel’s 2001 novel of the same name live up to his usual high standards?
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/
In short, the answer is a resounding yes. From the stunning special effects and beautiful acting to the heart-warming story, it captivates from beginning to end like no other film released this year.
The film begins with a pet hate of mine, the credits. I always think a movie that starts with its credits is usually a huge let-down but something was different here, as soon as the brilliantly filmed names flash across the screen, I knew this film was going to be spectacular, just how spectacular however, I was not prepared for.
The story is, essentially what the title says it is, the life of a boy called Pi and his extraordinary journey from childhood, through adolescence and finally into adulthood. It seems quite simple and perhaps nothing too innovative or different, but the way Lee has captured the magic of the novel really does shine through on screen.
In the present day, Rafe Spall plays a budding writer searching for inspiration for his next big book. He comes across Irrfan Khan who plays the adult Pi and has an unbelievable story to tell. So, as he begins to narrate this incredible journey, the viewer is transported to when Pi was a boy.
It’s true that the film takes a while to get going and the scenes in Pi’s native India are perhaps the most testing of the entire film. The momentum is built up slowly as the boy travels through school life whilst his family run a small zoo in their hometown. Alas, the perfection of his childhood is ruined when his entire family decide to relocate to Canada due to an economic crisis. They are packed onto a tanker with the zoo animals on-board and begin the journey to their new life.
Whilst on the last leg of their journey, their ship is ravaged by a severe storm and Pi’s family is lost, along with most of the zoo animals and, in a scene that even betters the emotionally charged sinking in Titanic and the CGI packed sinking in Poseidon, their tanker is lost to the ocean.
Thankfully he survives, along with an injured zebra, a naughty hyena and a motherly orangutan in a small life-boat. It’s safe to say that the zebra and ape don’t last too long on-board a ship with a hyena and they are picked off as lunch. However, also sailing with them is Richard Parker, a Bengal tiger and he forms the basis of the film, along with Pi. At first, after Richard Parker makes light work of the hyena, the relationship between Pi and his new shipmate is somewhat strained, a constant battle between who is going to eat who and the only sensible option is for Pi to live on separate raft tied to the life-boat.
However, a few days pass and finally they can share a boat, albeit after a couple of amusing scenes involving urine and some flying fish.
Richard Parker is a beautiful animal to say the least, a mixture of live action tigers, CGI animation and animatronics really brings him to life, which is good considering he is the only other character in the film. This is where Ang Lee’s brilliance as a director shines, bringing warmth and heart to a character that is not only not real, but an animal, without the ability to talk and share feelings. Credit must also be given to newcomer Suraj Sharma who plays Pi Patel absolutely brilliantly. I simply could not believe this was his first big acting role; his performance is nothing short of stunning.
Then there are the special effects and 3D. Everything is a wonder to behold and the 3D is a help in enjoying the film, rather than a hindrance which it continues to be in other movies. There are two scenes in particular which really stand out, including a lot of jellyfish and a few thousand meerkats. I won’t say anything else, as they need to be seen to be believed.
Moreover, in the depths of this film lies a huge emotional core, the story of a boy and his ‘pet’ and the perils they face, the togetherness they bring to one another is touching to say the least and let’s just say there were more than a few sniffles coming from the rows behind me in the cinema. However, it is more than just a story of companionship; there is a deep religious message about believing in god even if he seems to not be there 100% of the time. Whether or not you choose to read into this is your decision, but it’s there throughout.
Life of Pi is something really special, a magical journey that needs to be seen to be believed. Very rarely, a film comes along that touches your heart, your soul and your head and this is one of those films. Everything from the performances of all the actors, the beautiful recreation of Richard Parker and stunning special effects make this film as revolutionary as Avatar was in 2009. It is not only the best film of 2012; it is one of the best films ever made. Please, I urge all of you who read this, go see it, and witness history in the making.
https://moviemetropolis.net/2012/12/22/life-of-pi-review-2012/