"You know what’s another film that I watch over and over again? Actually I just came up with two more films, both because I think they’re masterpieces of contemporary storytelling — non-linear storytelling. Casino, I think, is probably up there with Chinatown in the best screenplays ever written. I love the film itself, but if you look at the sophistication of that screenplay and how they effortlessly move between time periods and geographic locations with no problem whatsoever — and of course they use narration but still, I feel it’s a truly spectacular display of storytelling."

"I do remember talking with [filmmaker David] Fincher. He was telling me about the original one that [Michael Haneke] did, Funny Games, and I was telling him about Hidden. And we didn’t realize in that conversation that we were talking about the same filmmaker. But it is truly, for me, the God of cinema, that just does not breathe a step wrong, and is contemporary life apart from Kieslowski’s time — is Haneke. I looked at that film and I thought it the most thrillingly, chillingly, correctly timed movie that I have ever seen."

"Although any one of the recent godsend rush of Kurosawa releases could go in this slot. For years now this gem (and much of his filmography) has only been available for us poor Region 1 sods on crappy import discs, and though the broken English subtitles via a bad Chinese translation had a sometimes poetic dadaistic flair, it’s a relief to finally have a beautiful, intelligible disc of it. The film itself stands easily up to Stray Dog and High and Low as one of Kurosawa’s best contemporary crime dramas."