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<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
The author of the <i>Hush, Hush</i> saga, Becca Fitzpatrick, steps away from the paranormal genre with this brand new contemporary thriller, <i>Black Ice</i>. Britt Pfeiffer has persuaded her best friend, Korbie, to go on an adventurous backpacking trip in the Tenton mountains for their senior spring break. It immediately gets off to a bad start when the girls get caught in a freak snowstorm and stranded a long way from their lodge. Luckily they come across a cabin owned by a guy named Shaun who is there with his friend Mason. But it may not be the safe haven they hoped it to be. With her best friend’s life in danger as well as her own, Britt has to remain strong in order to save themselves; either that or hope that her ex-boyfriend will realize they are missing and rescue them.
Initially it was difficult to connect with Britt who narrates the entire story. She, as well as Korbie, is a rather annoying, spoilt daddy’s girl and equally annoying to read about. This did not set the novel up well as it appeared it was going to be about two whining teenagers, both used to getting their own ways, fending for themselves in the mountains. Once the girls were faced with a life or death situation, Britt’s character developed rapidly. She became more independent, clever and likable, which made the story a lot easier to read and enjoy.
<i>Black Ice</i> is a thriller containing a murder mystery, which links all the characters together but in ways that you would not originally expect. It is also a romance novel. Although Mason is perceived as a bad guy, Britt ends up falling for him, and he her, sparking a risky relationship.
Despite the shaky start, Fitzpatrick’s latest novel is full of exciting twists and turns. There is the high risk of death, either from murder or exposure to the elements. Also, with a breathtaking conclusion, it is exhilarating to try and work out who is good, who is bad and who has been murdering girls in the mountains.
Fans of Fitzpatrick’s previous works may be disappointed with the lack of the paranormal and fantasy creatures that she has become known for, however this is still an enjoyable book. Personally I preferred it to <i>Hush, Hush</i> which I admittedly did not care for. I confess that I did not expect to like this book, especially as the main character began as a very irritating person, but it does get so much better.
Acanthea Grimscythe (300 KP) rated Honeymoon (2014) in Movies
May 12, 2018
Contains spoilers, click to show
Okay, so I watched Honeymoon a while back (before my hospitalization), but it’s still been lingering at the edges of my mind – more with a what the fuck sort of connotation than anything else. You’ll have to pardon my lack of screenshots, as my Shudder account has lapsed and because of current going-ons (including surgery within the next two weeks), I haven’t had the chance to resubscribe – though I desperately want to.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
I don’t really have a huge gripe with the characters in this one. The acting isn’t what bothered me; rather it was the plot. I don’t do so well with WTF moments when they seem to be way out of the ballpark and that appears to be the case here.
Honeymoon is a romantic horror – if such a genre even exists. I mean, you’ve got this newlywed couple set up in a beautiful, rustic cabin in the middle of the woods. (It even has a VCR!) Anyways, wife goes off in middle of the night, claims to be sleepwalking, but oddly enough earlier in the film we meet a childhood friend. From there, things spiral out of control. Paul tries to confront Bea, but she’s all hush-hush about what is going on with her. Turns out, alien things are involved and that, my friends, is where the movie lost me. Well, between that and the marks that show up on Bea’s inner thigh, which makes it all too obvious what really happened to her.
Of course, Paul continues to play dumb for a while. At least, until he finds Bea in the bathroom stabbing herself in the privates over and over. Because apparently this is something a person would do. I mean, I totally would(n’t). This… I honestly don’t know why I was still watching at this point. Normally I’d have turned to something more intriguing, but you know when you simply can’t pull your eyes away? Yeah, that happened here and let me tell you, the next scene in the movie… just no. Nope.
Unrealistic to a fault and messed up beyond measure, Paul shoves his arm up in there, and yanks out what Bea is so desperately trying to pull out. Because… ANATOMY boys and girls. This movie, seriously, crosses into animated porn territory, complete with fisting and pulling worm-like beings out of a woman. I just… no. It’s not even hot.
The conclusion of the film? Stereotypical false happy-ending bullshit that you see in a lot of horror movies. Someone survives, or so it seems, and then of course at the last minute the bad guy goes for the kill. I honestly have not been able to simply let this one out of my mind. It’s just hovered there, like an itch you can’t quite reach, and I’m hoping this little tirade will finally give me the freedom from it I need. Yet somehow, we’ve got semi-decent ratings on Rotten Tomatoes for this film.
Night Reader Reviews (683 KP) rated The Boy Caught in the Starlight in Books
Feb 29, 2020
Honest Review for Free Copy of Book
The Boy Caught In The Starlight by Michael J H Taylor is a wonderful adventure where the heroes never go any farther than a cabin a little ways from home. This tale is expected to be the first in a series.
Jake lives with his mother who loves bragging about him a little too much. He is smothered by her overwhelming pressure to be perfect and longs for adventure. However, there really is not much in the lines of adventure for a young teenager these days. So being board Jake asks his mother if he can spend the weekend with his father, mostly for a change. Jake goes with his father to pick up an old Bubble Car that his father recently purchased from Professor Septimus Kneebone, self-proclaimed genius. It is this trip that sets Jake on the course for the dangerous adventure that he so longs for.
It turns out that the Bubble Car is no longer a car but a very special machine. This machine has the unique ability to show images of things past to those who know how to work it. Although no one can interact with the images in anyway they can show wondrous things, such as the location of treasure. As luck would have it a gang of thieves know about the machine and have been using it to find long lost treasurer to get rich. Yet what would such a gang do when they discover the Professor has decided to dismantle the machine forever.
This book was surprisingly unique. It offered multiple turns that I did not expect. The story brought me to many different theories along the way to discovering the truth. I hope the promised second book is just as entertaining as the first. What I did not like was that at first, I pegged this book to be much like back to the future. As it turns out I was wrong. This is a problem because the description of the book comes off differently. I just don’t want anyone to go into this book with the wrong expectations.
Young adults and children alike will enjoy this tale. Though a little on the long side for very young children a tale of adventure such as this would be good spread out over multiple days as a wonderful bedtime story. I rate this book 3 out of 4. I was very happy with this book. The slightly misleading description lost a rating point for me, but other than that I found no major complaint. I believe this book to be a good story for all who pick it up.
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Jake lives with his mother who loves bragging about him a little too much. He is smothered by her overwhelming pressure to be perfect and longs for adventure. However, there really is not much in the lines of adventure for a young teenager these days. So being board Jake asks his mother if he can spend the weekend with his father, mostly for a change. Jake goes with his father to pick up an old Bubble Car that his father recently purchased from Professor Septimus Kneebone, self-proclaimed genius. It is this trip that sets Jake on the course for the dangerous adventure that he so longs for.
It turns out that the Bubble Car is no longer a car but a very special machine. This machine has the unique ability to show images of things past to those who know how to work it. Although no one can interact with the images in anyway they can show wondrous things, such as the location of treasure. As luck would have it a gang of thieves know about the machine and have been using it to find long lost treasurer to get rich. Yet what would such a gang do when they discover the Professor has decided to dismantle the machine forever.
This book was surprisingly unique. It offered multiple turns that I did not expect. The story brought me to many different theories along the way to discovering the truth. I hope the promised second book is just as entertaining as the first. What I did not like was that at first, I pegged this book to be much like back to the future. As it turns out I was wrong. This is a problem because the description of the book comes off differently. I just don’t want anyone to go into this book with the wrong expectations.
Young adults and children alike will enjoy this tale. Though a little on the long side for very young children a tale of adventure such as this would be good spread out over multiple days as a wonderful bedtime story. I rate this book 3 out of 4. I was very happy with this book. The slightly misleading description lost a rating point for me, but other than that I found no major complaint. I believe this book to be a good story for all who pick it up.
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Darren (1599 KP) rated Jackals (2017) in Movies
Oct 14, 2019
Characters – Jimmy Levine has been deprogramming cult members for years, after being part of one before, he will push Justin, but this time he may have met his match. Kathy is the mother of the family, she has turned to drink after her marriage fell apart, she does enjoy the grandmother role though. Andrew is the father that brings in Jimmy, willing to face his own mistakes to save his son from the cult. Justin is the son that joined the cult, he believes he is part of a new family and they have come in search for his baby daughter to join the cult.
Performances – We do have a couple of well-known actors in this film, Stephen Dorff, Deborah Kara Unger and Johnathon Schaech being the big three, the problem is with the story, the three actors struggle to make the impact in this film they could have. Nobody gets to make the most of their work in this film apart from the cult members that makes us feel like we are watching the creepy crazed figures.
Story – The story follows a family try to save their son from a cult he joined, only the cult isn’t accepting one of their members to leaving, even if he doesn’t want to leave. This does take a spin on the home invasion film because we have a ready made established member of the cult being taken against his will, the cult size is scary big with the action against being deadly. The problems with the story come from the idea that we don’t learn the true motives of the people in the cult, why he joined them in the first place and with the ending feeling like they just ran out of money. This story has so much more potential, it feels like something was just missing in the execution as the ending is completely rushed.
Horror – The horror in the film comes from just what the cult is willing to do, they will make you feel uneasy every time they are just stood in the shadows, this is easily the highlight of the film. we are left to keep guessing on just what will happen in the film too.
Settings – The film is set in a cabin the woods, we have no signal, the cars are the only way out, but taken away early meaning the family is isolated and trapped, perfect for what the cult want to do to them.
Special Effects – The effects in the film are solid enough, we see most of the aftermath of any damage, which the one time we get to see the shocking damage we can easily turn away from that.
Scene of the Movie – The figures in the shadows.
That Moment That Annoyed Me – The ending.
Final Thoughts – This is a horror film that was filled with potential, we could have seen so much more even if the horror side of the film is the highlight of the film.
Overall: Disturbing, yet unfulfilling horror.
Performances – We do have a couple of well-known actors in this film, Stephen Dorff, Deborah Kara Unger and Johnathon Schaech being the big three, the problem is with the story, the three actors struggle to make the impact in this film they could have. Nobody gets to make the most of their work in this film apart from the cult members that makes us feel like we are watching the creepy crazed figures.
Story – The story follows a family try to save their son from a cult he joined, only the cult isn’t accepting one of their members to leaving, even if he doesn’t want to leave. This does take a spin on the home invasion film because we have a ready made established member of the cult being taken against his will, the cult size is scary big with the action against being deadly. The problems with the story come from the idea that we don’t learn the true motives of the people in the cult, why he joined them in the first place and with the ending feeling like they just ran out of money. This story has so much more potential, it feels like something was just missing in the execution as the ending is completely rushed.
Horror – The horror in the film comes from just what the cult is willing to do, they will make you feel uneasy every time they are just stood in the shadows, this is easily the highlight of the film. we are left to keep guessing on just what will happen in the film too.
Settings – The film is set in a cabin the woods, we have no signal, the cars are the only way out, but taken away early meaning the family is isolated and trapped, perfect for what the cult want to do to them.
Special Effects – The effects in the film are solid enough, we see most of the aftermath of any damage, which the one time we get to see the shocking damage we can easily turn away from that.
Scene of the Movie – The figures in the shadows.
That Moment That Annoyed Me – The ending.
Final Thoughts – This is a horror film that was filled with potential, we could have seen so much more even if the horror side of the film is the highlight of the film.
Overall: Disturbing, yet unfulfilling horror.
Daniel Boyd (1066 KP) rated Bad Times at the El Royale (2018) in Movies
Oct 24, 2018 (Updated Oct 24, 2018)
Good ensemble cast (2 more)
Cool set design and use of space
Nice cinematography
Enjoy Your Stay
In this day and age, it is becoming increasingly difficult to go into a movie without already knowing a bunch of information about it. Somehow Bad Times At The El Royale managed that. Even though I was a week late to seeing this movie, I was still able to go into it with very little knowledge about what was going to unfold. That in and of itself is an impressive feat in 2018.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
I had a great time with this movie. I loved the cast here, Jeff Bridges and Jon Hamm are among my favourite actors working in Hollywood and I though that Chris Hemsworth did a fantastic job playing the villain for a change. The rest of the cast were fantastic too, other than Dakota Johnson, who was pretty wooden, (as we have come to expect from her.) As an aside, Cynthia Erivo's voice completely blew me away, I know that she has done some Broadway shows in the past, but she sounded incredible in this and I liked the way that her singing was tied in with the plot.
Bad Times is written and directed by Drew Goddard, who was also behind Cabin In The Woods and there are some similarities here, if you swap the horror elements out for mystery. I have also seen multiple reviews compare this to a Tarantino movie. There are obviously similarities in the structure that this film uses and the out-of-chronological-order structure that a Tarantino movie tends to follow, but I'd argue that Bad Times has it's own distinct and unique style.
I also thought that the cinematography was very effective throughout the film. The opening scene was very well shot, as was the scene when Hemsworth's character was introduced. The score also worked well with the plot and the dialogue and script were well written too.
The main negative that affected my enjoyment of the movie, were the decisions made regarding the pacing. The movie is split up so that we see things happen out of sequence or they are seen more than once from a different perspective. We are introduced to each new character and then we are given their backstory via a flashback. The main issue with this structure is that the flashbacks break the momentum of the events happening in the current story. Without spoiling too much, towards the end of the movie, everything comes to a head and an intense fight/shootout breaks out. Then, for some unknown reason, the filmmakers decide to slam on the brakes and give us another arbitrary flashback. It totally broke the immersion and intensity of the shootout sequence for me.
Overall, I had a good time watching Bad Times. I had no expectations going in as I didn't know much about the movie other than what had been shown in the trailers and I enjoyed witnessing what the movie had to offer. If you are looking for an exciting, suspenseful thriller, then you could definitely do worse than spending a stay at The El Royale.
Gareth von Kallenbach (980 KP) rated Evil dead rise (2023) in Movies
Apr 19, 2023
Usually when a film series is embarking on a fifth outing the challenges
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
of keeping things fresh and original yet being new and creative can be a
massive obstacle.
Horror series ranging from “Halloween” to “Friday the 13th”, “SAW”, and
“A Nightmare on Elm Street” all faced issues with moving the series along
yet trying to stay true to the original film that inspired them and in
every case; failing to fully capture what made the original film a hit.
“Evil Dead Rise” is not only the latest entry into the series but a bold
take on the cinematic series as it abandons the remote cabin setting of
the first two films and the reboot in favor of an urban setting.
The film does open in a remote lakeside locale before jumping a day
earlier to California where estranged sisters Ellie (Alyssa Sutherland)
and Beth (Lilly Sullivan) reunite. Beth has been working as a guitar
technician and bristles that her sister refers to her as a groupie.
Ellie is raising three children after their father left and informs her
sister that the building they are living in is scheduled to be demolished
so they will have to move soon which is a shock to Beth as she has learned
that she is pregnant and is trying to figure out her life all the while
seeing what she thought would be a source of stability for her upended.
The arrival of an earthquake allows access to a hidden area in the parking
garage of their building and since the locale was a former bank; the kids
soon find a hidden book and records which the only son Danny (Morgan
Davies) hopes he can sell despite his sister Bridget (Gabrielle Echols)
admonishing him constantly to leave it alone and return it to where it was
found.
The book turns out to be a Necronomicon or “Book of the Dead” and as fans
of the series know; nothing good ever comes from one and thanks to playing
old records left by a Priest describing his thoughts on the book; a
summoning incantation is read and this causes Ellie to become possessed
and unleash grotesque carnage and terror on her family.
What follows is a gory and at times intense game of cat and mouse
punctuated by moments of levity as the demonic infestation knows no end.
The film has the over-the top- gore that is expected of the series and the
makeup and effects are very effective. Writer?Director Lee Cronin has done
a great job capturing the tone of the series while moving it forward as he
cleverly incorporates lines and nods to the series without making them
seem forced.
Some may find the excess of blood too much but the series has always been
known for taking things to the extreme as the blend of horror and comedic
parody is what made the original film such a success.
In the end “Evil Dead Rise” does enough to keep fans of the series happy
and hopefully we will be seeing a new entry in the series in the future.
3.5 stars out of 5
Kristy H (1252 KP) rated Before and Again in Books
Mar 10, 2019
Emotional tale but slow and over-the-top
Driving her five-year-old daughter to a playdate, Mackenzie Cooper's life changes in a moment when she takes her eyes off the road to check her phone's GPS. In that second, she runs a stop sign, and as a result, the other driver and Lily are dead. In the aftermath, Mackenzie finds herself divorced, estranged from her mother and brother, on probation, and moving away from her friends and former life. She reinvents herself in the town of Devon, Vermont, now known as Maggie Reid. There, she does makeup for clients at the Devon Inn and Spa, while living alone in a remote cabin with her pets. Maggie has managed to build a new life for herself in Devon, where no one knows about her life as Mackenzie--plus, she likes her job and she has friends. So when one of them, Grace, finds herself in trouble: her fifteen-year-old son, Chris, is accused of hacking some powerful journalists, Maggie stands by her. It doesn't matter if this could affect her probation or her future. And that's not even the end of the trouble: some surprises from Maggie's past are coming back to her haunt her and threaten the private, quiet life she's worked so hard to create.
So, this was a tough one. Parts of this are a heartbreaking, emotional tale. Other parts I found to be far-fetched and so incredibly slow. The novel almost has two storylines, between Maggie's attempts to find some sort of peace in Devon and then the Grace and Chris tale. For me, it was tough connecting the two, despite the fact that both Grace and Maggie were being forced to confront their pasts and the sensationalism of the media. For most of the book, the two stories run parallel without really connecting, and I found it really hard to care or empathize with Grace at all. Her entire plot is a bit over-the-top. Both she and Maggie were difficult characters--prickly, with their protective shells up.
Of course, the book is also achingly hard to read at points, as Maggie's still reeling from the loss of her daughter. As a parent, I found those parts so difficult to read. But, there was so much talking and introspection from Maggie that it felt like the novel dragged on at points. With Maggie's constant reflection and rehashing, I sometimes just wanted to shake her or move things along. (Also, the endless descriptions of how makeup application worked were far too much for me.)
Still, there were definitely moments where the plot was compelling and moved along, especially near the end. I felt for Maggie, for sure, and enjoyed pieces of this novel. But overall, I found this one slow, disjointed, and hard to get into. Oh and for some reason, being someone even mildly into football, it bothered me that Maggie's probation officer was named Michael Shanahan (a former Redskins coach, among others). When things like that start bothering you, you realize it's probably not the book for you! However, this book is pretty much well-loved by most, so please realize it may have just not been a fit for me.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
So, this was a tough one. Parts of this are a heartbreaking, emotional tale. Other parts I found to be far-fetched and so incredibly slow. The novel almost has two storylines, between Maggie's attempts to find some sort of peace in Devon and then the Grace and Chris tale. For me, it was tough connecting the two, despite the fact that both Grace and Maggie were being forced to confront their pasts and the sensationalism of the media. For most of the book, the two stories run parallel without really connecting, and I found it really hard to care or empathize with Grace at all. Her entire plot is a bit over-the-top. Both she and Maggie were difficult characters--prickly, with their protective shells up.
Of course, the book is also achingly hard to read at points, as Maggie's still reeling from the loss of her daughter. As a parent, I found those parts so difficult to read. But, there was so much talking and introspection from Maggie that it felt like the novel dragged on at points. With Maggie's constant reflection and rehashing, I sometimes just wanted to shake her or move things along. (Also, the endless descriptions of how makeup application worked were far too much for me.)
Still, there were definitely moments where the plot was compelling and moved along, especially near the end. I felt for Maggie, for sure, and enjoyed pieces of this novel. But overall, I found this one slow, disjointed, and hard to get into. Oh and for some reason, being someone even mildly into football, it bothered me that Maggie's probation officer was named Michael Shanahan (a former Redskins coach, among others). When things like that start bothering you, you realize it's probably not the book for you! However, this book is pretty much well-loved by most, so please realize it may have just not been a fit for me.
I received a copy of this novel from the publisher and Netgalley in return for an unbiased review.
Kristy H (1252 KP) rated Final Girls in Books
Jan 21, 2018
Disappointing, especially after all the hype
In college, Quincy Carpenter goes on vacation to a remote cabin (Pine Cottage) with a group of friends and ends up being the lone survivor to a massacre. The horrific event puts Quincy in the "Final Girls club"--so deemed by the press--a group of women who are also lone survivors of other similar massacres. Lisa survived a bloodbath at her sorority house and Samantha a brutal attack at a motel. The women have never met, but Quincy and Lisa have spoken on the phone. They all share two things--being a "final girl"--and trying to move on with their lives. And Quincy is really trying. With the help of Xanax, she has a successful baking blog and a good relationship with her understanding boyfriend, Jeff. But Quincy's attempts at moving past Pine Cottage are derailed when she receives a call that Lisa has died, found with her wrists cut in her bathtub. Shortly after, Samantha shows up at Quincy's apartment. Reporters are breathing down Quincy's neck and between Samantha and the press, Quincy feels forced to confront the past she's tried so hard to leave behind. But once she does, what will she really discover?
I had really high expectations for this novel, as the "first great thriller of 2017" blurb from Stephen King is prominently placed on the cover, and its been highly reviewed in a variety of magazines. Maybe I'm just a cynical soul, but it just didn't live up to the hype. For about the first 3/4 of the book, I just couldn't get into it, and I almost decided not to finish it. I actually started and finished another book between starting (and finishing) this one. The book switches between present day and flashbacks to Pine Cottage; the Pine Cottage portions were far more intriguing, and I just kept wanting to flip forward to those pieces.
Thankfully, the last fourth or so of this novel is much better: things pick up, the various parts come together in fairly dramatic fashion, and the story grows much more tense and hard to put down. It's the last portion of the book that makes it difficult to give it a truly negative review, even if I did find a few parts of it a tad unbelievable.
Indeed, you definitely have to suspend disbelief a bit for this one. Quincy is a pretty good character herself, but once Sam arrives, she sends Quincy on a path that is just hard to stomach. Quincy's reactions to Samantha and the actions she takes once she arrives irked me and often, I found them almost implausible. (Also, how gullible and unaware was Jeff?) Samantha was an unlikable character and she seemed to cloud everything she touched.
So, overall, I was a little disappointed by this one. I had to slog through a lot to get to the payout at the end and even then, it all seemed a little crazy and hard to buy. I liked Quincy well-enough, but no other characters in the novel were of much redeeming, or interesting, value. The story was fairly engaging, especially at the end, but not the shocking, amazing novel I'd hoped for. Alas. On to the next one! (And most people loved this, so take my review with a grain of salt!)
I had really high expectations for this novel, as the "first great thriller of 2017" blurb from Stephen King is prominently placed on the cover, and its been highly reviewed in a variety of magazines. Maybe I'm just a cynical soul, but it just didn't live up to the hype. For about the first 3/4 of the book, I just couldn't get into it, and I almost decided not to finish it. I actually started and finished another book between starting (and finishing) this one. The book switches between present day and flashbacks to Pine Cottage; the Pine Cottage portions were far more intriguing, and I just kept wanting to flip forward to those pieces.
Thankfully, the last fourth or so of this novel is much better: things pick up, the various parts come together in fairly dramatic fashion, and the story grows much more tense and hard to put down. It's the last portion of the book that makes it difficult to give it a truly negative review, even if I did find a few parts of it a tad unbelievable.
Indeed, you definitely have to suspend disbelief a bit for this one. Quincy is a pretty good character herself, but once Sam arrives, she sends Quincy on a path that is just hard to stomach. Quincy's reactions to Samantha and the actions she takes once she arrives irked me and often, I found them almost implausible. (Also, how gullible and unaware was Jeff?) Samantha was an unlikable character and she seemed to cloud everything she touched.
So, overall, I was a little disappointed by this one. I had to slog through a lot to get to the payout at the end and even then, it all seemed a little crazy and hard to buy. I liked Quincy well-enough, but no other characters in the novel were of much redeeming, or interesting, value. The story was fairly engaging, especially at the end, but not the shocking, amazing novel I'd hoped for. Alas. On to the next one! (And most people loved this, so take my review with a grain of salt!)
Lucy Buglass (45 KP) rated Border (2018) in Movies
Jun 20, 2019
If you’re a fan of the original super dark fairy tales, you’re probably going to love Border. But be warned, it contains some incredibly disturbing content that I wasn’t prepared for. This film is not an easy watch, and I found myself thinking about it for a long time afterwards. That’s not necessarily a bad thing, it just isn’t for the faint of heart.
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
The film follows Tina (Eva Melander), a woman who works for the Swedish Border Control. She has a unique talent to sniff out contraband, so she’s an asset to the rest of the team. This ability confuses many around her, and this becomes a central part of Tina’s self-discovery later on in the film. Alongside her ability, Tina suffers from facial deformities which makes her an outcast in society.
Tina’s life changes when she meets a man named Vore (Eero Milonoff), who looks just like her. At first, she suspects him of something, but following an inspection, lets him pass through. The two of them have frequent encounters throughout the film, with Vore helping Tina to understand who she is. As she’s embarking on this journey, Tina is assigned to a child pornography case, with the authorities believing her ability can help them find the perpetrator.
Border is dark both in its narrative and its visuals, as you seldom see the sunlight throughout the entire film. It feels gritty, dirty and bleak, reflecting this incredibly harrowing case that Tina has to try and solve. Even her own home is depressing; living in a tiny cabin-like home with a man named Roland who trains dogs. Tina’s relationship with Roland is confusing to the audience, and she barely spends any time at home, opting to take walks outside instead. She is an incredibly lonely, isolated character until Vore comes along.
The film’s visuals really stood out to me, I loved the ethereal fantasy elements even when bad things are happening. Since Tina spends a lot of her time outdoors, her encounters with wildlife and nature are beautifully shot. These moments seem to be the only ones that bring Tina real joy, and the cinematography reflects this. The film’s bleakness can often feel too much at times, but it’s entirely appropriate given the story. Despite Tina’s eventual self-discovery, this is not a happy film.
Tina and Vore’s animalistic behaviour may be uncomfortable for some audiences, and it was for me too. The film relies on long, purely diegetic scenes that bring us closer to the action than we may have liked. Their relationship is raw, functional and sometimes aggressive, often making it difficult to like the characters. Despite this, I still liked Tina as a character and wanted her to find happiness.
Border is just under two hours in length, but feels much longer due to Abbasi’s use of lingering shots. I did find myself feeling a little frustrated with this at times, but the beauty of the cinematography made up for it. The story is as twisted as it is captivating, and by the end of the film you’re left in a stunned silence trying to process what you just saw. It’s the kind of film that leaves you feeling exhausted afterwards.
This happened to be my first real exploration of Nordic cinema, and I’m certainly interested to see what other films are out there. Border is a unique and harrowing story that points fun at Nordic relations, and is certainly worth the watch. Having said that, I’m not sure I could go through it again.
https://jumpcutonline.co.uk/review-border-2019/
Gareth von Kallenbach (980 KP) rated The Last House on the Left (2009) in Movies
Aug 14, 2019
In 1972, horror icon Wes Craven made a name for himself by writing and directing a film called “The Last House on the Left.” The film was very controversial and helped launch a new genre of terror and suspense films that pushed the limits of the times. The film was notorious for its content which included rape, torture, humiliation, and violence and contains to this day some of the most disturbing images ever captured on film. In this age of remakes, prequels, and sequels, Wes Craven has stepped aside to produce a new version of his classic and this remake is sure to be as controversial and disturbing as the original was.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.
The film centers around 17 year old Mari Collingwood (Sara Paxton), who is taking time off from her competitive swimming and school to spend the summer with her parents Emma and John (Monica Potter and Tony Goldwyn), at their remote cabin in the woods. The family is coming to grips with the loss of their son, and Mari is anxious to spend some time with her friend Paige (Martha MacIssac), whom she has not seen in a while.
Despite concerns from her mother, Mari is given the keys to the car by her father and travels into town to see Paige. The two girls meet a boy named Justin (Spencer Treat Clark), and proceed to go back to his room to party. The three of them are having a great time until Justin’s father Krug (Garrett Dillahunt), as well as his uncle and father’s girlfriend return unexpectedly. Krug and the group are wanted convicts after a bloody escape that has left two officers dead and Krug and his family the subject of an intense manhunt. The presence of Paige and Mari is an unwanted complication and the two girls are kidnapped and taken deep into the woods. After a failed escape attempt, the unstable group set upon the girls in a series of violent physical and psychological torture and acts before brutally finishing with them and leaving them for dead.
When an unexpected storm arrives, the fugitives take refuge at the only house in the area which happens to be Mari’s home. The Collingwood’s take the stranded group in and render medical assistance thanks to John’s background as a doctor. Unaware of the evil they have let into their home, the Collingwood’s life is turned upside down when their nearly dead daughter appears on their doorstep and forces the family to do whatever it takes to survive.
What follows is a dark, violent, and intense finale that goes to extreme measures to underscore the brutality and desperation the family has been driven to in order to survive. This may lead to some using the popular phrase “torture porn” to describe the film, but that would imply a film that existed in no other context but to titillate an audience with pain and suffering. The film is thin on plot and character development, making it simply a film about revenge and the depths people will go to in order to survive and protect their loved ones. The film is a bit slow at parts but few people will forget some of the more intense moments of the film include the finale. As with “The Hills Have Eyes”, Craven created settings where ideal families were driven to extreme measures when confronted with life outside of the safe suburbs in which they dwelled. The film will shock and dismay some, but few will forget the disturbing images anytime soon.