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Sloane Crosley recommended Metropolitan (1990) in Movies (curated)

Metropolitan (1990)

1990 | Comedy, Drama

9.0

(1 Ratings)

Movie Favorite

"To prove that I mean it when I say “four-way tie,” I’ll start with the last one, Kicking and Screaming, a movie I can recite from start to finish. You know, in case you’re ever in the mood for an hour-long party trick. Actually, I wrote an essay about my love for it for the New York Observer when the Criterion Collection released the DVD and raced to fill out the crossword puzzle like a regular dork. Two words: Broken glass. Meanwhile, Whit Stillman’s Metropolitan is a seminal movie for me and a whole bunch of other people of my generation. Speaking of party tricks, evoking empathy for Upper East Side WASPs is a good one. Same with Barcelona. The reason these four are grouped together is because of their supreme ability to capture the cadence of youth and young adulthood. They display floundering without being floundering. This is the hardest thing to achieve, in any format, and Linklater makes it look easy."

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Merissa (12051 KP) created a post

Feb 4, 2021

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An Upper YA Paranormal Romance series with magic, mystery, adventure, and a slow-burn romance, lots of cursing, and not just the magical kind...
TITLE: Of Wicked Blood
SERIES: The Quatrefoil Chronicles book 1
AUTHORS: @olives21 and @katie_hayoz
GENRE: Upper YA Paranormal Romance
BLURB
NO REST FOR THE WICKED . . . OR THE CURSED.
SLATE
I didn’t mean to steal the Bloodstone from the De Morel’s crypt.
Scratch that, I did mean to steal it.
Until I realized it was a curse-magnet that only comes off if I, along with a jolly trio, successfully defeat four curses.
If any of us fail, I’m dead.
I’ve never been a glass half-empty sort of person, but my glass looks in dire need of a refill right about now.
The only highlight of this wicked treasure hunt: feisty, entitled Cadence de Morel.
CADENCE
I was raised on tales of magic, in a small town reputed to be the birthplace of French witchcraft.
Did I believe all the stories I heard? Absolutely not. I mean, if magic existed, Maman wouldn’t have died, and Papa wouldn’t be stuck in a wheelchair, right?
Wrong.
The night Slate Ardoin waltzes into my life, wearing a ring he stole from my mother’s grave, I call him a monster.
But then I meet real ones, and Slate, well . . . he becomes something else to me.
Something frustrating to live with but impossible to live without.
Something I will fight for, no matter the cost.
**Warning: contains profuse cursing (and not just the magical kind).
---
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Kudos Comment

Brian Kapfer (2 KP) created a post

May 26, 2018

**Warning! May contain spoilers, but I don't think so**

Watched the Solo movie last night. Did not really care so much for it, probably rank it down with Revenge of the Sith and the other prequels. The Solo actor's performance was tiresome at first and got a bit better, but still around Anakin level acting. Chewbacca got to flex his muscles, which was pretty cool. Emelia Clarke was gorgeous as per usual, her part was one of the better ones. Woody was decent, but he was kind of confusing when wearing Lando's helmet from RotJ, Lando himself was played quite well, his mannerisms and cadence was close to Billy Dee's. The villain was so generic and forgettable, he might have never been there at all, maybe I hallucinated it. The betrayal scene was so horrendously predictable, I nearly stopped watching. In the end the 'hero' walks into the sunset and credits roll. I would have thought much better writing from the Kasdan's and Ron Howard was the wrong director for this project.

https://www.imdb.com/title/tt3778644/?ref_=nv_sr_1

Kudos Comment

Six Children: The Spectrum of Child Psychopathology and its Treatment

Ann G. Smolen

(0 Ratings) Rate It

Book

Theoretically anchored and historically informed, Six Children is a book about the nuances of child...

LoganCrews (2861 KP) rated Things You Can Tell Just by Looking at Her (2000) in Movies

Sep 20, 2020

Back when every studio drama wanted to be indie real bad (when we got shit like J-Lo's 𝘈𝘯𝘨𝘦𝘭 𝘌𝘺𝘦𝘴 for example) and when hyperlink movies were king. This really could have been something, but instead it leans way too close into the template for all the movies this is ripping off (one-quirk characters overexplaining the themes to the leads and - by extension - the viewers, long writerly conversations that exist solely for decoration, cloying symbolism, purposefully disappointing non-resolutions, etc.) All but completely throws aside the lives of these unique, incredibly intriguing women in favor of having their stories revolve around some lackluster romance - pretty much defining them all by it in the end. For shame. Not entirely unpleasant, of course the ensemble is stuffed with amazing talent, it has a nice cadence and some decent scenes here and there. But as far as I'm concerned Rodrigo García should be fired for continually swinging and missing by turning these potentially thought-provoking stories into underwritten, tiresome (and borderline offensive) grief exploitation.