"Oasis definitely did change my life when I first heard them! [Bell later played bass and rhythm guitar in Oasis, 1999-2009.] They were like a breath of fresh air. To put it into context, Ride were working on the third album, Carnival Of Light, and we were taking a bit of a break. We were starting to get a bit frayed at the edges and we were starting to pull in different directions musically, too. “We were really shooting for a kind of West Coast Byrdsy California sound mixed with a little bit of Led Zeppelin and a little bit of classic rock. I think we were also subconsciously trying to make a cleaner record, because we’d stopped getting played on the radio… but then along comes Oasis sounding like the Jesus And Mary Chain meets the Sex Pistols and just completely blew everything out of the water! “As we’re talking about guitars, I should just say that I think Noel’s really underrated as a lead guitar player. His playing is like a John Squire-y thing, but there’s a lot more muscle behind it. He kind of trademarked his own style, which has become something that everyone uses now – that massively overdriven sound with quite a lot of delay on it. [His playing] just sounded epic."

"Next up is There Will Be Blood. I gotta say, Paul Thomas Anderson might be the best working director alive. There Will Be Blood was such an interesting balance of showing why Daniel Plainview prospered in the oil rush of California. But it also shows how he’s essentially decrepit as a human being. He’s almost rotting away. He’s losing sight of his own humanity. It’s about dehumanization. Even outside of how gorgeous it looks, especially when the fire ignites the oil derrick and then the camera is rushing in. It’s a low angle tracking shot following Plainview as he’s rushing toward the fire. The colors in that scene are literally just dumbfounding. But the biggest thing is performance, performance, performance, performance, performance! Daniel Day-Lewis is amazing, and Paul Dano as the pastor is freaking insane. Insane! And his dynamic with Daniel Plainview is some of the most compelling s–t I’ve seen on film. The fact that Plainview views Paul Dano’s character as a necessary mechanism to control the people in the town, but he doesn’t give him any bit of respect; Plainview doesn’t believe a lick of what Dano is saying in those church services. But he feels it’s important for the people in the town that are working day in and day out for him to believe it. It’s such an interesting dynamic."