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Kathryn Bigelow recommended The Terminator (1984) in Movies (curated)
Home Alone 4 (2002)
Movie
Home Alone 4: Taking Back the House is a 2002 American made-for-television Christmas family comedy...
Kirk Bage (1775 KP) rated Alita: Battle Angel (2019) in Movies
Jan 22, 2021
Robert Rodriguez is not a good director. He isn’t an especially good writer or producer either. This is the guy responsible for four Spy Kids films, that start below average and downgrade exponentially into excruciatingly awful. What he is pretty good at is ideas, and seeing the potential of something visually arresting and exciting. That is what led to the success of Sin City, arguably his best effort to date, because he saw how the comic book creations of Frank Miller could become live action and he made it happen.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Alita: Battle Angel is a similar deal. This time Yukito Kishiro’s early 90s manga creation is the inspiration. With James Cameron as producer, and the considerable talents of Christoph Waltz, Jennifer Connelly and Mahershala Ali onboard, it would have been pretty hard for even Rodriguez to mess this up entirely. Although at times he does seem to try, mostly by doing too much and making certain sections too busy and too confusingly cross-genre, like he is frantically trying to colour within the lines whilst using every felt-tip in the pack. A habit that means every now and again something great happens, but you may have missed it in all the background noise.
Compare this film, that just falls short of qualifying for my Bad Movie Triple Bill list, to Spielberg’s superior yet similarly busy Ready Player One. Both involve high concept future realities that are very tech and AI driven. Both make extensive use of CGI and vivid colour palettes. Both are frenetic and demand an audience pays attention in order to fully appreciate the storyline. The difference is that one zig-zags back and forth in tone and momentum, and one is razor sharp in moving us from one idea to the next on a perfect learning curve towards a satisfying climax and conclusion. Guess which one is which? This is why Spielberg is Spielberg and Rodriguez is… a hack.
That said, Alita as a character and concept is charming, and you do therefore find yourself at least wanting to discover her story. The action scenes are also quite electric, and the visuals are often breath-taking. But the whole is less than the sum of the parts here, and we are left with something that can only really exist in the same box as dozens of admirable sci-fi B-movies aimed at teenagers, such as The Maze Runner, Mortal Engines and The City of Ember. It also continues to prove the point alongside Ghost in the Shell and Speed Racer that Anime / Manga into live action is a very tricky business.
There is definitely an audience out there for this movie, and I dare say at some point I will be tempted to give it another watch. What is definitely worth watching however, is how James Cameron uses this as a stepping stone to perfecting virtual humans on the big screen. I am sure everyone involved learned a lot in that respect, so all is far from lost.
Rolling Stone: Stories from the Edge
5.3
Rate It
TV Show Watch
Directed by Oscar-winner Alex Gibney (HBO’s Taxi to the Dark Side and Going Clear: Scientology and...
Kelly (279 KP) rated The Umbrella Academy in TV
Feb 24, 2019
The cast (2 more)
The soundtrack
Dark humour
Wow!! I was hooked
I confess, I knew little about The Umbrella Academy before picking up the series on Netflix, but I am so glad I did. The series combined dark humour with an intriguing plot line and sprinkled a great sound track into the mix to create a truly unique show.
The series centres around a family, purchased as children by Sir Reginald Hargreeves, and their mission to discover the cause of their fathers death as well as preventing the imminent apocalypse. Each of the children (adults in most cases by the time the series is set) have unique super powers, with the exception of Vanya, who has be partially excluded from family affairs as a result.
The casting of the show couldn’t have been any better, with a mix of characters you can take seriously and others who add a touch of humour to the show. Notably Robert Sheehan, who plays Klaus - I have been a fan of his work since Misfits, and Cameron Britton, who plays Hazel (An assassin who falls for Agnes, a waitress who is significantly older than himself). The series was well acted and a wide range of emotions were shown by the actors.
The only real downfall to the series was that it was so short (and ended on a cliff hanger, so please, please renew the show Netflix). I was left wanting more after episode 10.
I highly recommend watching this.
The series centres around a family, purchased as children by Sir Reginald Hargreeves, and their mission to discover the cause of their fathers death as well as preventing the imminent apocalypse. Each of the children (adults in most cases by the time the series is set) have unique super powers, with the exception of Vanya, who has be partially excluded from family affairs as a result.
The casting of the show couldn’t have been any better, with a mix of characters you can take seriously and others who add a touch of humour to the show. Notably Robert Sheehan, who plays Klaus - I have been a fan of his work since Misfits, and Cameron Britton, who plays Hazel (An assassin who falls for Agnes, a waitress who is significantly older than himself). The series was well acted and a wide range of emotions were shown by the actors.
The only real downfall to the series was that it was so short (and ended on a cliff hanger, so please, please renew the show Netflix). I was left wanting more after episode 10.
I highly recommend watching this.
Lindsay (1760 KP) rated Killer in the Band in Books
Apr 9, 2019
A Killer in the Band is like another Halloween set up for the setting. Lauren Carr once again does it again with her book. You get pulled into this book from the beginning. There seem to be more murderers than the eye can see.
We learn about the Band that Suellen is the leader to. She gets a phone call from a friend in the band named “Cat.” Who could be the Killer of Dylan Matthews and Wendy Mathews? We fall for more mysteries and cold cases. Could all the cold cases be connected?
We also have JJ Thornton and his dad and siblings involved with Cameron Gates. Who would want to kill JJ and his family? His family helps him out along with getting a horse trainer to help with the horses. We also meet Izzy once again and her personally.
We meet Noah and a few others. Who killed Clyde’s wife? There are quite a few twists and turns as you turn the pages. I would suggest that if you have children you are okay with them reading about deaths for this as a lot of it. It is the decent clean book for children that are 13 and up.
If you enjoy one of Lauren Carr’s book. You will enjoy this one as well. I know for this another one that I enjoyed and wished to know more. You will be surprised at how it ends.
We learn about the Band that Suellen is the leader to. She gets a phone call from a friend in the band named “Cat.” Who could be the Killer of Dylan Matthews and Wendy Mathews? We fall for more mysteries and cold cases. Could all the cold cases be connected?
We also have JJ Thornton and his dad and siblings involved with Cameron Gates. Who would want to kill JJ and his family? His family helps him out along with getting a horse trainer to help with the horses. We also meet Izzy once again and her personally.
We meet Noah and a few others. Who killed Clyde’s wife? There are quite a few twists and turns as you turn the pages. I would suggest that if you have children you are okay with them reading about deaths for this as a lot of it. It is the decent clean book for children that are 13 and up.
If you enjoy one of Lauren Carr’s book. You will enjoy this one as well. I know for this another one that I enjoyed and wished to know more. You will be surprised at how it ends.
Kristy H (1252 KP) rated Mystic Summer in Books
Feb 13, 2018
Maggie Griffin seems to have the perfect life - she has a good teaching job at a private school in Boston, even if some of the parents can be a little trying sometimes. She has a loving boyfriend who wants to move in with her. Her best friend is getting married and Maggie is co-maid of honor. She even has a supportive family back in her hometown of Mystic, Connecticut. But when things start to unravel in Boston, Maggie finds herself back in Mystic. She tells herself it's just because her best friend, Erika, is getting married there, but once Maggie arrives back home, she isn't sure she wants to leave.
This book started out a bit slowly, but it quickly grew on me. Maggie is a slightly frustrating character at times, but she's also endearing and sweet. She's still finding herself, so you have to cut her a little slack. It happens to us all as we near thirty, right? The novel is certainly a bit predictable, but Maggie's character, as well as some of the supporting characters -- mainly her high school boyfriend Cameron -- keep it from being too silly and saccharine. It's not a literary masterpiece, but it's a fun, quick read: perfect to toss into a beach bag for the summer.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere on 6/7/2016.
This book started out a bit slowly, but it quickly grew on me. Maggie is a slightly frustrating character at times, but she's also endearing and sweet. She's still finding herself, so you have to cut her a little slack. It happens to us all as we near thirty, right? The novel is certainly a bit predictable, but Maggie's character, as well as some of the supporting characters -- mainly her high school boyfriend Cameron -- keep it from being too silly and saccharine. It's not a literary masterpiece, but it's a fun, quick read: perfect to toss into a beach bag for the summer.
I received a copy of this novel from Netgalley (thank you!); it is available everywhere on 6/7/2016.
Bong Mines Entertainment (15 KP) rated Frank Ghilardi Sends Off a Long-Tenured Employee - Single by Letters from the Earth in Music
Jun 18, 2019
Letters from the Earth is an alternative outfit. Not too long ago, they released a music video for their “Frank Ghilardi Sends Off a Long-Tenured Employee” single.
“‘Frank Ghilardi Sends Off a Long-Tenured Employee’ illuminates the life of a typical employee. Also, it examines the true value of work in the west. The song’s surrealist music video finds a somber employee attending her own absurd retirement party. Where, Foster, portraying the titular Frank Ghilardi, presents his melancholic address.” – Letters from the Earth
‘Frank Ghilardi Sends Off a Long-Tenured Employee’ tells an interesting tale in the form of a farewell speech. Also, the speech is delivered from a fictional company head to an unnamed subordinate.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, it possesses charming instrumentation which was produced and mixed by Ben Hirschfield (Against Me!, The Story So Far, and Elder Brother).
“It’s okay to cry. You’ve made it alive through forty years here at Ghilardi. Don’t be afraid of your life turning gray. There’ll be no more files to be sorted. No people to wave you on at the gate. No phone calls to take, no lunches to make, no more coming home to dinners alone.” – lyrics
Letters from the Earth consists of Matt Foster (vocals, guitar), Ben Hirschfield (guitar, keys, synth), Cameron MacBain (drums), and Morgan Foster (bass).
https://www.bongminesentertainment.com/letters-from-the-earth-frank-ghilardi/
“‘Frank Ghilardi Sends Off a Long-Tenured Employee’ illuminates the life of a typical employee. Also, it examines the true value of work in the west. The song’s surrealist music video finds a somber employee attending her own absurd retirement party. Where, Foster, portraying the titular Frank Ghilardi, presents his melancholic address.” – Letters from the Earth
‘Frank Ghilardi Sends Off a Long-Tenured Employee’ tells an interesting tale in the form of a farewell speech. Also, the speech is delivered from a fictional company head to an unnamed subordinate.
The likable tune contains a relatable storyline and ear-welcoming vocals. Also, it possesses charming instrumentation which was produced and mixed by Ben Hirschfield (Against Me!, The Story So Far, and Elder Brother).
“It’s okay to cry. You’ve made it alive through forty years here at Ghilardi. Don’t be afraid of your life turning gray. There’ll be no more files to be sorted. No people to wave you on at the gate. No phone calls to take, no lunches to make, no more coming home to dinners alone.” – lyrics
Letters from the Earth consists of Matt Foster (vocals, guitar), Ben Hirschfield (guitar, keys, synth), Cameron MacBain (drums), and Morgan Foster (bass).
https://www.bongminesentertainment.com/letters-from-the-earth-frank-ghilardi/
Digital Gold: The Untold Story of Bitcoin
Book
Shortlisted for the Financial Times and McKinsey Business Book of the Year Award A New York Times...
Essential Leadership: Develop Your Leadership Qualities Through Theory and Practice
Book
Essential Leadership is a practical, accessible book that tackles theory and practice in an...