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okletmereviewit (4 KP) rated Swiss Army Man (2016) in Movies
May 11, 2018
The movie ends with more questions than what it started with as turn after delightful turn unfold
Contains spoilers, click to show
OK so this is something that I thought looked absolutely stupid when I first saw the previews for it in the movies. I must say how horribly wrong I was. Swiss Army Man is unique and inspired. Daniel Radcliffe is amazing as Manny "the multipurpose tool man".
The movie opens with Hank (Dando) waking up on a deserted beach, unaware of where he is or what has transpired for him to be there. As he takes in his surroundings he gives way to despair and preps to commit suicide, when he notices a body on the beach. He races over to the body which begins to expel gas on which Hank rides Manny like a jet ski to get off an island. Shortly after,
Manny begins showing signs of semipermeable intelligence. At which point he slowly comes "alive" in a have animated have dead state, almost like a paraplegic zombie. The story centers around the two learning how to live again and a story of finding oneself and making it in the world.
Through out the movie Dano and Radcliffe are stuck in the middle of the woods, where Manny's many talents come to save Hank from the brink of death time and time again. While in the woods Hank tries to teach Manny how to live again, the two undergo a spiritual journey that eventually leads Hank and Manny back to civilization.
The movie ends with more questions than what it started with as turn after delightful turn unfold, you are left wondering what the hell is going on. It is a very funny, tongue in cheek, and almost campy movie at times, but I found it to be surprisingly delightful.
Due to some of the language and brief nudity of Daniel's butt, I would suggest that this not be watched with young children as it is Rated R.
The movie opens with Hank (Dando) waking up on a deserted beach, unaware of where he is or what has transpired for him to be there. As he takes in his surroundings he gives way to despair and preps to commit suicide, when he notices a body on the beach. He races over to the body which begins to expel gas on which Hank rides Manny like a jet ski to get off an island. Shortly after,
Manny begins showing signs of semipermeable intelligence. At which point he slowly comes "alive" in a have animated have dead state, almost like a paraplegic zombie. The story centers around the two learning how to live again and a story of finding oneself and making it in the world.
Through out the movie Dano and Radcliffe are stuck in the middle of the woods, where Manny's many talents come to save Hank from the brink of death time and time again. While in the woods Hank tries to teach Manny how to live again, the two undergo a spiritual journey that eventually leads Hank and Manny back to civilization.
The movie ends with more questions than what it started with as turn after delightful turn unfold, you are left wondering what the hell is going on. It is a very funny, tongue in cheek, and almost campy movie at times, but I found it to be surprisingly delightful.
Due to some of the language and brief nudity of Daniel's butt, I would suggest that this not be watched with young children as it is Rated R.
Andy K (10823 KP) rated Life After Flash (2017) in Movies
Jul 5, 2019
Flash! Ah Ah!
To say the film Flash Gordon shaped me as a child would be a gross understatement. I worship the film as a screen classic and as one of my favorite films of all time. Ok, I know it's not Citizen Kane; however, it is the Citizen Kane of campy 80s rock operas.
As much as I would love to have an 8 hour conversation with someone about the merits of Flash Gordon, I should be talking about the 2017 film Life After Flash which I don't think I had any choice but to enjoy.
The film itself is kind of divided into to parts. The first half talking to all the surviving principles about how they were cast, the production itself, their interactions with epic producer Dino De Laurentiis and the film's legacy in their eyes. The second half was devoted to star Sam J. Jones himself and his personal journey before, during and after the film was completed and released in 1980.
He talked about how his ego got in the way of production so much so that his voice isn't even used in the film and was dubbed by another actor. He also expounded on his life since talking about dark times when the work dried up and how he even thought of suicide.
Thankfully after many years, Seth MacFarlane and asked him to cameo his most famous role in "Ted" and how that has reignited his film and public appearance career. (As a side note, since I am just a huge Flash Gordon fan, the Sam Jones scenes in Ted are about the funniest scenes ever in a motion picture for me).
Others mention the effects of typecasting in Hollywood. Even director Richard Donner mentions the fate Christopher Reeve has after Superman.
I should watch more documentaries as I always learn things I didn't know before and this great film was no exception.
As much as I would love to have an 8 hour conversation with someone about the merits of Flash Gordon, I should be talking about the 2017 film Life After Flash which I don't think I had any choice but to enjoy.
The film itself is kind of divided into to parts. The first half talking to all the surviving principles about how they were cast, the production itself, their interactions with epic producer Dino De Laurentiis and the film's legacy in their eyes. The second half was devoted to star Sam J. Jones himself and his personal journey before, during and after the film was completed and released in 1980.
He talked about how his ego got in the way of production so much so that his voice isn't even used in the film and was dubbed by another actor. He also expounded on his life since talking about dark times when the work dried up and how he even thought of suicide.
Thankfully after many years, Seth MacFarlane and asked him to cameo his most famous role in "Ted" and how that has reignited his film and public appearance career. (As a side note, since I am just a huge Flash Gordon fan, the Sam Jones scenes in Ted are about the funniest scenes ever in a motion picture for me).
Others mention the effects of typecasting in Hollywood. Even director Richard Donner mentions the fate Christopher Reeve has after Superman.
I should watch more documentaries as I always learn things I didn't know before and this great film was no exception.
TM
The Many Faces of Sacha Baron Cohen: Politics, Parody, and the Battle Over Borat
Book
In his various guises, the British comedian Sacha Baron Cohen has threatened Uzbekistan with...
LeftSideCut (3776 KP) rated American Horror Story - Season 9 in TV
May 10, 2020
The ninth season of AHS, subtitled "1984" is definitely up there in terms of silliness. However, where this has been an issue for me with a few previous seasons, this time around it's a huge strong point.
1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.
A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.
The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.
As a final thought - the synthwave version of the theme tune is fucking awesome.
1984 is one big homage to 80s slasher films, in particular Friday the 13th. If you've read my any of my reviews before, you will know that I bloody love a slasher, even the shitty ones, so this premise was always going to be a winner for me.
A big change this time around is the absence of big AHS names. No Sarah Paulson, no Evan Peters, no Kathy Bates. Their presence is certainly missed in some sort of capacity, but the cast we have do a solid job at carrying the season. Emma Roberts and Billie Lourd take centre stage here, and are both great. We also see some familiar faces in Leslie Grossman, Cody Fern, John Carroll Lynch, Finn Wittrock, Leslie Jordan, Lily Rabe, and Dylan McDermott, so it still has that signature AHS feel. A couple of newcomers are introduced as well - Matthew Morrison and Gus Kenworthy are both hilarious. Zach Villa plays real life serial killer Richard Ramirez (who briefly appeared all the way back in Hotel) and the guy is genuinely menacing. If another season of Twin Peaks ever gets made - he's a dead ringer for Killer Bob.
One of the highlights is "villain" Mr. Jingles (John Carroll Lynch). He's such a finely crafted character, that he honestly deserves to stand next to the Jason and Freddy's of the slasher world.
The story is pretty fun. Mixing 80s campy horror with more familiar AHS elements (such as ghosts not being able to leave the place they died etc) and is pretty engaging for the most part. It gets a little convoluted near the end, and lacks the depth that seasons such as Asylum and Roanoke gave, but it's forgiveable considering the quality of everything else.
As a final thought - the synthwave version of the theme tune is fucking awesome.
New York Dolls by New York Dolls
8.3
Rate It
Album
New York Dolls is the debut album by the American hard rock band New York Dolls. It was released on...
Merissa (12919 KP) rated Courting Mr. Cutthroat (Campy Romances #3) in Books
Sep 21, 2021 (Updated Jul 14, 2023)
COURTING MR. CUTTHROAT is the third book in the Campy Romances series, although each book can be read as a standalone.
Cutter is the youngest of three brothers who all appear to have been born with a silver spoon in their mouths. However, although they had everything money could buy, they didn't have a mother or father that cared for them. Luckily, each of them had a nanny who stepped into the mother's role. The father though? Well, two were lucky, but Cutter wasn't. He got the reputation as the bad boy, the black sheep. Was it deserved? Possibly.
Luckily for him, Gemma was his stalwart friend, with him throughout everything. She even understands when he ups and leaves without saying goodbye. But things are different now. Cutter is a hotshot artist, back in town for a while. Gemma is a lawyer. Can they rekindle what they had? Or maybe the question is, should they?
This is an easy-to-read contemporary romance in a small town where memories are long and grudges are held onto. The heat is on between Cutter and Gemma, but it is not clear if Cutter will allow himself to fall. I loved reading more about their past relationship, and how Gemma is mature enough to call out his sh*t when he's acting stupidly.
I loved how this story unfolded, with all the snippets of what happens to various characters. The polar bear was sad though, simply because it's unfortunately too true. The relationship between the brothers grew and made me smile every time they were together.
A steamy, feel-good story that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 21, 2021
Cutter is the youngest of three brothers who all appear to have been born with a silver spoon in their mouths. However, although they had everything money could buy, they didn't have a mother or father that cared for them. Luckily, each of them had a nanny who stepped into the mother's role. The father though? Well, two were lucky, but Cutter wasn't. He got the reputation as the bad boy, the black sheep. Was it deserved? Possibly.
Luckily for him, Gemma was his stalwart friend, with him throughout everything. She even understands when he ups and leaves without saying goodbye. But things are different now. Cutter is a hotshot artist, back in town for a while. Gemma is a lawyer. Can they rekindle what they had? Or maybe the question is, should they?
This is an easy-to-read contemporary romance in a small town where memories are long and grudges are held onto. The heat is on between Cutter and Gemma, but it is not clear if Cutter will allow himself to fall. I loved reading more about their past relationship, and how Gemma is mature enough to call out his sh*t when he's acting stupidly.
I loved how this story unfolded, with all the snippets of what happens to various characters. The polar bear was sad though, simply because it's unfortunately too true. The relationship between the brothers grew and made me smile every time they were together.
A steamy, feel-good story that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Sep 21, 2021
Phillip McSween (751 KP) rated The Rocketeer (1991) in Movies
Feb 12, 2018
Hated it
Me trying to find something I liked about The Rocketeer: "Well that part was cool. Yeah, but it was quickly ruined by x,y, and z. Besides, the terrible part that happened right after made it all for nothing. Ok, but what about...Nope, that was pretty crappy too."
If Batman Vs. Superman: Dawn of Justice has taught us anything it's that sometimes superhero movies get it wrong. Not only does The Rocketeer get it wrong, it steps on its own feet before it can even get off the blocks properly. Oftentimes we have the case of decent actors getting placed with a dud of a script, but that's far from the situation here. Sure the actors didn't have much of a chance with the awful writing, but I have the strangest feeling that even if the writing had been superb these actors still would have found a way to muck it up. It's that bad. I'm talking grind your teeth bad.
To its credit, the film doesn't dupe you as it gets off to a terrible start almost immediately. Twenty minutes in and I was already thinking of the number of different things that I could have been doing rather than watching The Rocketeeer. Was it all bad? No, but mostly. The redeemable parts were quickly ruined by their own contradictions. Perfect example, everytime main character Cliff Secord (Billy Campbell) donned the Rocketeer suit, the action was pretty sweet to watch. Considering the fact that he wasn't in the suit for even a full half hour, things soured pretty quickly.
Corny moments abound in the film. I was hoping for a base that was more serious and less campy and all I can say is: Mission Not Accomplished. Between the absolute joke of a villain, the lame plot twist, and a number of other things, I don't know what bothered me the most.
The Rocketeer is the story of an aviator who is on the run from the mob after discovering a jet pack in the 1930's. Yeah, now that I think about it, the plot should have told me everything I needed to know about expectations. Skip it. I give it a 10.
If Batman Vs. Superman: Dawn of Justice has taught us anything it's that sometimes superhero movies get it wrong. Not only does The Rocketeer get it wrong, it steps on its own feet before it can even get off the blocks properly. Oftentimes we have the case of decent actors getting placed with a dud of a script, but that's far from the situation here. Sure the actors didn't have much of a chance with the awful writing, but I have the strangest feeling that even if the writing had been superb these actors still would have found a way to muck it up. It's that bad. I'm talking grind your teeth bad.
To its credit, the film doesn't dupe you as it gets off to a terrible start almost immediately. Twenty minutes in and I was already thinking of the number of different things that I could have been doing rather than watching The Rocketeeer. Was it all bad? No, but mostly. The redeemable parts were quickly ruined by their own contradictions. Perfect example, everytime main character Cliff Secord (Billy Campbell) donned the Rocketeer suit, the action was pretty sweet to watch. Considering the fact that he wasn't in the suit for even a full half hour, things soured pretty quickly.
Corny moments abound in the film. I was hoping for a base that was more serious and less campy and all I can say is: Mission Not Accomplished. Between the absolute joke of a villain, the lame plot twist, and a number of other things, I don't know what bothered me the most.
The Rocketeer is the story of an aviator who is on the run from the mob after discovering a jet pack in the 1930's. Yeah, now that I think about it, the plot should have told me everything I needed to know about expectations. Skip it. I give it a 10.
SA
Sombreros and Motorcycles in a Newer South: The Politics of Aesthetics in South Carolina's Tourism Industry
Book
In 1949, Alan Schafer opened South of the Border, a beer stand located on bucolic farmland in Dillon...
Beth Ditto recommended Singles Going Steady by Buzzcocks in Music (curated)
Kelly Knows (95 KP) rated Child's Play (2019) in Movies
Jun 25, 2019
New Chucky Is My Favorite Chucky
I am a reborn Chucky fan after the wonderful 2019 reimagining that is Child's Play. It is not easy to follow a long-standing series with a history of both slasher success, and campy catastrophe. Child's Play is a fresh new story that puts a much-needed spin on a franchise that frankly had been run into the ground. At its heart, this movie is exactly what it is supposed to be, a thrilling tale of a killer doll run amok. Though I imagine some diehard fans are inevitably going to be disappointed, I call this a resounding win. I wasn't a fan of the Chucky design at first, but it won me over later during a hilarious teaching moment between Andy and his pal in the first act. The lighting and camera work are solid, with a haunting, playful score that draws out the tension like a blade. Parents be warned, there is plenty of brutality, and no shying from gore. Even jaded millennial kids should wait to see this one. The story is a fantastic satire of all things electronically assisted, and paints a believable portrait with bloody overtones. The thrilling premise really shines due to the superior talents of the cast and crew. Aubrey Plaza brings weight to a character that is almost unceremoniously sidelined for most of the movie. The real celebration is Gabriel Bateman's performance as Andy Barclay. The slower paced moments settle a pall of tension over events as you share in Andy's isolation and later persecution. The supporting cast won me over entirely. Even the cannon fodder characters are awesome, with a pleasant dose of likability that gives them depth, with varying levels of unpleasantness that will have you tongue in cheek rooting for Chucky at times. Good stories are enjoyable. Check. Great stories get us thinking. Double check. When top-tier tech meets malicious malfunction, Chucky will have us all asking ourselves... "Are you broken like me?