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Goddess in the Stacks (553 KP) rated Turtles All The Way Down in Books
Feb 8, 2018
Excellent descriptions of mental illness (1 more)
Unique main character
Another excellent book from John Green
So what the cover description of this book doesn't explicitly mention is that Aza, the main character, has a pretty severe anxiety disorder. That's really the core topic of the book - her thought spirals and dealing with life while caught in them. I trust John Green to write about these because he also suffers from severe anxiety. He's talked about it in interviews and on his vlogbrothers Youtube channel. (I'm a big Green brothers fan - what's known as a nerdfighter.) So when John Green writes a character with anxiety, I believe that it's a realistic portrayal. I loved the integration of technology in the story - two characters don't just text each other, the text conversation is on the page, formatted differently, so it's obvious these are text messages. I always love books that do that.
There's not a whole lot I can say about the book without giving things away; a lot of John Green's characters tend to wax eloquently about philosophy and things outside themselves, and Aza doesn't do that because she's so trapped within her own thoughts. She can't think of the future or existential dread because she's too worried about the microbes in her stomach getting out of control and giving her diseases. Definitely a departure from his usual story, though it does fit his standard MO of Main character meets other character who profoundly changes main character's life in some way. (There's a third part that is also consistent with most of John Green's novels but it's a spoiler.)
I think the book is a really good book for anyone who loves someone with anxiety. Or even for those who have anxiety themselves, to see that they're not alone.
You can find all my reviews at http://goddessinthestacks.wordpress.com
There's not a whole lot I can say about the book without giving things away; a lot of John Green's characters tend to wax eloquently about philosophy and things outside themselves, and Aza doesn't do that because she's so trapped within her own thoughts. She can't think of the future or existential dread because she's too worried about the microbes in her stomach getting out of control and giving her diseases. Definitely a departure from his usual story, though it does fit his standard MO of Main character meets other character who profoundly changes main character's life in some way. (There's a third part that is also consistent with most of John Green's novels but it's a spoiler.)
I think the book is a really good book for anyone who loves someone with anxiety. Or even for those who have anxiety themselves, to see that they're not alone.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Phillip McSween (751 KP) rated Uncle Buck (1989) in Movies
Mar 18, 2018
Hilarious
My Movies 365 journey has taken me deep into 80's territory, with Uncle Buck being my next up to review. Released in 1989, it just squeezes into the decade but is perfect for it. The 80's trend is becoming clearer with every film I watch: It was all about having fun. No strong depth. No taking itself too seriously. If you were going to see a film in the 80's, you were there for the sole purpose of having a good time. Did I have a good time watching Uncle Buck? Absolutely!
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
The film is simple in its design, yet still manages to have a ton of classic scenes. How many takes do you think it took to film the memorable Q&A scene with John Candy and McCauley Caulkin? I crack up just thinking about it so I can only imagine how hard it was for them. And Uncle Buck's car? Oh my God, the car! Hooptiest of hoopties. I don't know what's funnier, hearing its shotgun exhaust for the first time or watching everyone scatter for their lives.
Uncle Buck is called in to help babysit after his brother and sister-in-law have to go out of town to deal with an emergency. Other than the fact that there's no real substance to the movie, I don't really have anything bad to say about it. John Candy is perfect in his role as Buck. He's lived a life full of mistakes, but he's a great guy at heart. How can you not love a guy that will make you table-sized pancakes and punch out a clown for your birthday? My Favorite Line: "Take this quarter, go downtown, and have a rat gnaw that thing off your face!"
Recommended by an Uncle Kory, I'm so glad Uncle Buck made it's way onto my movie list. I'm giving it an 85.
Phillip McSween (751 KP) rated Graceland (2013) in Movies
Apr 3, 2018
Amazing
Graceland is one of those films you remember for a long time after you've watched it. Set in the Philippines, the story revolves around Marlon Villar (Arnold Reyes) who is ambushed while driving his daughter and his boss' daughter home. Things spin wildly out of control when the kidnappers demand a ransom.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
The more I thought about Graceland as a whole, the more it made me think about how well things were filmed. The film is shot in a dark style, giving it a fitting gritty feel that sets the tone throughout. Particularly effective for me were the jarring moments that occur in close quarters, powerful and shocking at the same time. There are a number of points in the film that, due to how things were shot, will stick in my head for years to come.
Conflict: 10
Graceland is jarring and real because of the conflict created. The film never really gives you a chance to catch your breath at any point. You expect things to go one way and then are thrown for another loop. There was never a point where I felt like I could relax, which is exactly the feeling I look for in these type of films.
Genre: 8
Very interesting, original spin on your typical kidnapping story. While you empathize with the main character, you wonder if he's doing the right thing at the same time. He is faced with some tough decisions which you find out very early on in the story. You can never really tell up from down at any point. I can honestly say that I haven't really seen anything like it.
Memorability: 7
Pace: 10
Plot: 10
Resolution: 10
Overall: 91
Besides seeing film classics, Movies 365 has been all about me finding hidden gems like this one. Watch Graceland currently on Vudu for free. You won't regret it.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
The more I thought about Graceland as a whole, the more it made me think about how well things were filmed. The film is shot in a dark style, giving it a fitting gritty feel that sets the tone throughout. Particularly effective for me were the jarring moments that occur in close quarters, powerful and shocking at the same time. There are a number of points in the film that, due to how things were shot, will stick in my head for years to come.
Conflict: 10
Graceland is jarring and real because of the conflict created. The film never really gives you a chance to catch your breath at any point. You expect things to go one way and then are thrown for another loop. There was never a point where I felt like I could relax, which is exactly the feeling I look for in these type of films.
Genre: 8
Very interesting, original spin on your typical kidnapping story. While you empathize with the main character, you wonder if he's doing the right thing at the same time. He is faced with some tough decisions which you find out very early on in the story. You can never really tell up from down at any point. I can honestly say that I haven't really seen anything like it.
Memorability: 7
Pace: 10
Plot: 10
Resolution: 10
Overall: 91
Besides seeing film classics, Movies 365 has been all about me finding hidden gems like this one. Watch Graceland currently on Vudu for free. You won't regret it.
Goddess in the Stacks (553 KP) rated Superman: Dawnbreaker (DC Icons #4) in Books
Jul 23, 2019
This is the fourth in the DC Icons series, all of which I have now reviewed. It started with Wonder Woman, then moved through Batman and Catwoman before culminating in Superman. All four books have been written by popular young adult authors, from Leigh Bardugo to Marie Lu to Sarah J. Maas. Superman went to Matt De La Peña, who I had not actually heard of before. He apparently wrote a book called Ball Don't Lie that was made into a movie in 2011, and another book titled Mexican Whiteboy. What I'm trying to say is that De La Peña's Hispanic background makes him a perfect choice for this book. Because whatever else can be said about Superman, his is the ultimate immigrant story.
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
And this book not only tells Superman's immigrant story, but deals heavily with immigrant issues around him as well. Smallville is deliberating a new law that is basically stop-and-frisk; Hispanic people are going missing; undocumented immigrants are getting beaten in the streets. Clark is rightly horrified, and vows to get to the bottom of the disappearances.
The book is very timely, and I love what it says about one of our country's greatest fictional heroes. It reminds me of Justice League: Gods and Monsters, in which Superman is the son of General Zod, and was raised by illegal Mexican immigrants instead of the all-American Kents. (It's a fantastic animated movie, and well worth watching.)
Lex Luthor makes an appearance, and for a while I thought Clark's best friend, Lana, was a stand-in for Lois, but Lois is mentioned ever-so-briefly late in the book.
This is the fourth and final book in the DC Icons series, and taken as a whole, they're quite good. I wish they were a little more entwined with one another, but I understand that would be difficult with four different authors. But they are a very neat re-work of the four characters' origin stories.
You can find all my reviews and more at http://goddessinthestacks.com
This is the eighth book in my #atozchallenge! I'm challenging myself to read a book from my shelves that starts with each letter of the alphabet. Let's clear those shelves and delve into that backlist!
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Teenage Erin's family moves after a difficult time. Erin surprisingly feels solace in her new room--where she soon realizes she isn't alone. It's occupied by the spirit of Joe, the teenage boy who lived in the room before her. At the local school, Joe's brother Olly is struggling with being left behind. Until he meets a girl--different from anyone he's ever dated before. Now, Erin finds herself torn between two brothers. One living, one caught between two worlds. How can she choose?
It's probably my fault for choosing a book with such a plot, but this one is pretty silly. To say it's cheesy and schmaltzy is putting it mildly. I kept thinking about if you could read a book like this without having to abandon all realism... I'm not sure. But, Erin accepts the fact that there is a ghost in her room without any issue at all. Which, um, okay? Even better, she falls in insta-love with this ghost.
There's very little character development here. We get light background on Erin and what seems like even less on Joe (in fact, it seems like his personality switches halfway through). So we're supposed to believe they are two flawed teens, and Olly is a happy go-lucky guy, without much evidence at all. There's insta-love everywhere you look. A preposterous plot. And no one is willing to use Google, apparently.
Still, it's a teen read, so I can see how they might enjoy some of this craziness. It's a fast read, and I won't lie, I was caught up in the story at times. And the ending really was pretty perfect. Still, as much as I hate to do it, as I've read some of Kessler's other books and loved them, I think this was a 2.5-star read for me.
Emma @ The Movies (1786 KP) rated Dark Tide (2012) in Movies
Aug 5, 2020
I always wonder what makes me not watch shark films, Dark Tide has Halle Berry, I like Halle Berry... so why have I never seen it?
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Kate Mathieson has sworn off sharks ever since a dive went wrong and cost the life of one of her closest friends. Sharks were her life, and only doing tame tourist trips out on her boat means she's about to lose her business. Out of the blue, Kate's ex arrives with a man who's looking for more thrill than any regular dive can offer and he's convinced him that Kate is the only one who can do it. He's willing to pay big, but is the money worth reliving that memory?
Firstly, it was good to see a film with actual shark footage. I watch so many with terrible CGI that I sometimes forget that sharks aren't horribly pixelated and snarly. That is probably where the good comments end.
For a film with action in it I knew something was off almost instantly, there was no real hook into the film. It started out extremely calm and even the initial burst of energy didn't do anything to help and then almost as quickly we switch to present day and it's all calm again. Some might say that the up and down nature of the film reflects how quickly things can change at sea, I personally feel like saying they made a bad judgement call by giving it the pace of a terrible romance film.
Not helping the situation were the characters. Halle Berry always seems to have slightly brusk roles and although Kate doesn't start that way she certainly veers off when her ex shows up and the change in character is so sharp that it loses anything believable. Both Jeff (the ex) and Brady (the businessman) are unlikeable, one devious and the other arrogant, had they ditched some of the storyline between Kate and Jeff there might have been less tension and we'd have had something a little easier to watch. The few additional characters beyond these three were definitely light enough to lift parts of the film but they weren't in nearly enough to have a major effect.
The film was long, painfully long. It's not often I realise so early on that I'm struggling with a film, but for the entire length it felt like a slog. For some reason IMDb is listing 1 hour 34 (that would have been much better) but I checked the copy I watched and it says 1 hour 54. Perhaps 1,34 is how long we all wish it was. There was easily 20 minutes to shed from the runtime, but I don't know if it would have helped much without changes elsewhere too.
One last major change I would have like to have seen was to the whole ending. When things come to their climax it is almost impossible to tell what's going on, it doesn't make it anymore thrilling or intriguing, it's merely frustrating. A successful thriller can show me an almost pitch black scene and I'll be edging forward, eyes wide, waiting for whatever is going to make me jump out of my seat, but Dark Tide successfully bypasses that feeling in favour of leaving the viewer squinting at blackness.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/08/dark-tide-movie-review.html
Pete Thompson (4339 KP) rated Coming 2 America (2021) in Movies
Mar 12, 2021
The film is just Eddie Murphy trying to recapture a hit by using 1 of his biggest hits from the 80s to do so. 1 of the so called jokes within the film is some of the characters mentioning about needless sequels to films that no one asked for. The only thing missing was the actor turning to the camera and give a nod and wink to the viewers. If that's the best Eddie and the team can come up with then no wonder he is making flop after flop.
The cardinal sin was casting Leslie f**king Jones like who can honestly think that useless sack of crap can improve a comedy film by just being another loud mouth Melissa McCarthy wannabe. She has zero talent as an actress or comedian. Surely someone involved with the casting had seen the god awful ghostbusters reboot.
Wesley Snipes must be in need of a cash injection to appear in the film. He put in the hammiest role of his career as a general that does a stupid walk in every scene he appears in but I guess this was a bit better than his direct to dvd films.
(spoiler ahead, not that you can really spoil the film)
I'd say the film is just semi rehash of the original about the prince finding his true love. I've kept it basic as that is all the film deserves. Watch the original its better.
The cardinal sin was casting Leslie f**king Jones like who can honestly think that useless sack of crap can improve a comedy film by just being another loud mouth Melissa McCarthy wannabe. She has zero talent as an actress or comedian. Surely someone involved with the casting had seen the god awful ghostbusters reboot.
Wesley Snipes must be in need of a cash injection to appear in the film. He put in the hammiest role of his career as a general that does a stupid walk in every scene he appears in but I guess this was a bit better than his direct to dvd films.
(spoiler ahead, not that you can really spoil the film)
I'd say the film is just semi rehash of the original about the prince finding his true love. I've kept it basic as that is all the film deserves. Watch the original its better.
Amanda (96 KP) rated The Tattooist of Auschwitz in Books
May 29, 2019
“If you wake up in the morning, it is a good day.”
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
So I thought about it, and I’ve decided to write my review for this book. I’ve never read books that center around The Holocaust. I never thought I would, because I’ve seen several movies and just the sheer graphics of it alone made me sad. I know this was supposed to be based on a true story, but I went into it with the mindset that it wasn’t true, because most times, some of those stories are fabricated for drama purposes. I’ve read that even Heather Morris added some things to the story for that reason, so again, I saw it as just another story.
The story centers around Lale who is transferred to Auschwitz, but is given the job as a tattooist. From the descriptions, he has to use a really awful needle and has to press down hard enough for the numbers to be seen and never removed – a highly painful process that he has to perform even on children. Then one day, he tattoos a lady that catches his eye, Gita, and from then on he plans to love her and marry her WHEN they get out of Auschwitz.
Off the bat, something about the writing kind of bothered. I couldn’t quite pin point what it was. I read somewhere that this book was originally written as a screen play and I think that was it. To me, the style had a vagueness to it that made it feel like some parts I was reading something from an old story book from when I was in high school. I’m not saying that style was terrible. This particular writing style is not my favorite to read.
I liked the premise of the story. I can’t begin to imagine what it was truly like in those camps. I can’t comment on it either, but like I said, I also didn’t go into this book thinking it was all a true story about these two people. So, there were some bits of the story that I had a hard time believing, but then again, I’m not sure if it was a true part or a fabrication part.
All in all, the story wasn’t bad. I felt so horribly for Lale having to have that job, but he survived, and Gita. The remembering of their families and wondering if they are alive or dead struck me a bit. I know I’ve said this, but I can’t imagine that kind of pain. I feel horrible whenever Lale thought of his mother.
“His mother he can see perfectly. But how do you say goodbye to your mother? The person who gave you breath, who taught you how to live?”
You can’t, that’s the answer.
The book didn’t live up to the hype, in my opinion, but Morris wrote a nice and moving story in the end. I know there are some other stories like this. One of my Twitter friends recommend the Librarian of Auschwitz, so perhaps I will see about that book.
I don’t believe I’ll be seeking out the sequel to this book. I do hope it’s better than the first, but the story is still good.
Sophia (Bookwyrming Thoughts) (530 KP) rated Everything, Everything in Books
Jan 23, 2020
I'm part of a reading challenge on this app called Habitica where I have to read a book turning into a movie this year, so <em>Everything, Everything</em> kind of got picked because of that. (I know it's problematic. The reading challenges are the only reasons why I chose to read the book.)
Anelise and I were also throwing out random books from our library for hours and this was the first that we both had a copy of or could borrow from the library, so here we are.
<b>
</b> <b>I was hoping to learn more from <i>Everything, Everything</i> than I actually did.</b> Madeline Whittier, aka Maddy, is someone who has SCID - an immune disorder where those affected basically have to be isolated from everything. <b>I learned virtually nothing but the bare bones definition of SCID</b> for the duration of the book:
<ul>
<li>You have to be isolated from the world</li>
<li>Anything, ANYTHING can trigger a reaction</li>
<li>It is basically a very miserable life</li>
</ul>
<div>Let's be honest: it's the dictionary definition.</div>
And <b>everything is so WHIT</b>E. White walls, white rooms, white bookshelves - I like the occasional white but ALL white is associated with hospitals. <b>I suppose hospital is the atmosphere Yoon is going for? </b>Still, though. Hospitals do have a splash of color somewhere? At least I'm pretty sure they do, but I'm that one kid who rarely went to the hospital.
So if you want the really quick version:<b> the romance is the plot</b>. I'm usually not a fan of contemporary romance, but I've been on a contemporary streak lately after reading some amazing books lately in the genre. <b>The romance between Mandy and Olly is adorable</b> - seeing their limited interactions, IMs, emails, etc. and even when they saw each other outside of those. <b>If you don't mind a cute romance or have a curiosity to know more about SCID, then <i>Everything, Everything</i> might be up your alley.</b> But I like learning things. This is why I'm still Ravenclaw and not Gryffindor, so Pottermore is wrong, I tell you. WRONG.
I thought<b> the layout was interesting and different, making the book seem quicker</b>. I also loved the illustrations - they complemented the story really well and felt like a nice addition.
Despite the cute romance, interesting layout, and amazing illustrations, <b>I am still disappointed with the ending.</b> It's one of those endings that might depend on the reader’s preferences, but I thought <b>it was a screwed up ending where some of the characters have HUGE issues</b>. I know I have my own issues of life, but this one is a really messy issue and I'm surprised no one got even a tiny bit suspicious for what? 16, 17 years?
I know there are some out there who will turn around and say that <i>Everything, Everything</i> is a fantastic novel. It is! But <b>the ending ruined everything, and I cannot add this to my collection of shove worthy books.</b>
<a href="https://bookwyrmingthoughts.com/everything-everything-by-nicola-yoon/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Anelise and I were also throwing out random books from our library for hours and this was the first that we both had a copy of or could borrow from the library, so here we are.
<b>
</b> <b>I was hoping to learn more from <i>Everything, Everything</i> than I actually did.</b> Madeline Whittier, aka Maddy, is someone who has SCID - an immune disorder where those affected basically have to be isolated from everything. <b>I learned virtually nothing but the bare bones definition of SCID</b> for the duration of the book:
<ul>
<li>You have to be isolated from the world</li>
<li>Anything, ANYTHING can trigger a reaction</li>
<li>It is basically a very miserable life</li>
</ul>
<div>Let's be honest: it's the dictionary definition.</div>
And <b>everything is so WHIT</b>E. White walls, white rooms, white bookshelves - I like the occasional white but ALL white is associated with hospitals. <b>I suppose hospital is the atmosphere Yoon is going for? </b>Still, though. Hospitals do have a splash of color somewhere? At least I'm pretty sure they do, but I'm that one kid who rarely went to the hospital.
So if you want the really quick version:<b> the romance is the plot</b>. I'm usually not a fan of contemporary romance, but I've been on a contemporary streak lately after reading some amazing books lately in the genre. <b>The romance between Mandy and Olly is adorable</b> - seeing their limited interactions, IMs, emails, etc. and even when they saw each other outside of those. <b>If you don't mind a cute romance or have a curiosity to know more about SCID, then <i>Everything, Everything</i> might be up your alley.</b> But I like learning things. This is why I'm still Ravenclaw and not Gryffindor, so Pottermore is wrong, I tell you. WRONG.
I thought<b> the layout was interesting and different, making the book seem quicker</b>. I also loved the illustrations - they complemented the story really well and felt like a nice addition.
Despite the cute romance, interesting layout, and amazing illustrations, <b>I am still disappointed with the ending.</b> It's one of those endings that might depend on the reader’s preferences, but I thought <b>it was a screwed up ending where some of the characters have HUGE issues</b>. I know I have my own issues of life, but this one is a really messy issue and I'm surprised no one got even a tiny bit suspicious for what? 16, 17 years?
I know there are some out there who will turn around and say that <i>Everything, Everything</i> is a fantastic novel. It is! But <b>the ending ruined everything, and I cannot add this to my collection of shove worthy books.</b>
<a href="https://bookwyrmingthoughts.com/everything-everything-by-nicola-yoon/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Emma @ The Movies (1786 KP) rated Raya and the Last Dragon (2021) in Movies
Jun 27, 2021
Of course I wasn't paying Premier prices for this! (This is how long ago I wrote this review, you can now watch it on your Disney+ subscription for free.) So instead I made it my first film back to the cinema for 7 months.
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html
Kumandra was once a glorious place inhabited by humans and dragons in harmony. But when an enemy comes to ruin that, the dragons sacrifice themselves to save the humans. 500 years later the humans have learnt nothing from the sacrifice, and when greed takes hold of the tribes, the land is once again put in peril.
Essentially we're given a fantasy treasure hunt, that highlights the need for cooperation and community. That is definitely a strong point throughout the film. While it might not be based on something specific, it plays on a lot of different Asian cultures, the accuracy of which I'm afraid I wouldn't know. The different regions all had their own look and feel which I thought was a nice touch, but something felt like it needed more variety, and I'm not sure if that was something more diverse or different animation styles.
Of all the characters I actually found Raya to be the least engaging. Her eventual personality could be put down to how she''d grown up, but the choice to make her like that left me disliking her. Picking between her and Namaari was easy, Namaari's actions were consistent and she evolved in a positive way, and I really didn't feel that about Raya. I found her actions increasingly frustrating as the films went on.
The character that made this whole film for me was ninja baby and trickster, Noi. Plus her troop, The Ongis. I was roaring, and absolutely loved every scene they were in. The animation involved was so smooth and it perfectly fit their antics.
What I struggled with as I watched was the animation of Sisu. I liked the dragon style, and I liked the human style, but I didn't really like them together. Our human contingent seemed to be more traditional, and the dragons appeared to be more cartoonish in comparison. With Sisu, the mane and colours just stuck out and felt unnatural... yes, I know that's a ridiculous thing to say when talking about an animated dragon.
Voice cast in Raya and the Last Dragon was generally good, there wasn't anyone I would highlight over the others, but Sisu was the one that made me pause again. I'm growing to enjoy Awkwafina in films, but I'm not sure the pairing here was quite right.
I wasn't disappointed when I came out of the cinema, but at the same time I wasn't wowed. It didn't feel like a Disney offering, and I don't think I'll need to revisit it. There wasn't enough in it to hook my interest and keep me focused on anything that was happening. Perhaps it might have been different had Raya been a little less frustrating, but I don't think that would have given much of a boost to the film. I think what took me so long to publish this review was that I was having real trouble deciding on a score. I'm still not convinced by my choice, if I could put a shrug, I probably would.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/06/raya-and-last-dragon-movie-review.html