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Purple Phoenix Games (2266 KP) rated FUSE in Tabletop Games
Jun 12, 2019
One of the best parts of the board gaming experience is finding a fun group of people with whom to play! Sometimes, though, coordinating a game night is easier said than done. We all must occasionally forego the group experience and face the world as the Lonely Only. But fear not! The world of solo-play is a vast and exciting realm! What follows is a chronicle of my journey into the solo-playing world – notes on gameplay, mechanics, rules, difficulty, and overall experience with solo variations of commonly multiplayer games! I hope this will provide some insight as you continue to grow your collection, or explore your already owned games!
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/
FUSE is a fast-paced game where a bomb squad is working against the clock to diffuse a number of bombs discovered on their ship! The goal is simple: diffuse all of the bombs before they explode. The gameplay, however, is a little bit more complicated. While there are a few minor differences between group- and solo-play, the basics of the game are unchanged – players roll and place dice in unique combinations to ‘diffuse’ each card. If all cards are diffused in the 10-minute time limit, then the game is won! And if not…then I think you know what that means. BOOOOOOOOOM!
Having played and enjoyed FUSE in both a group and solo setting, I think I can honestly say that I miiiight like it a little more as a solo game. My main reason is purely selfish – playing alone means that I don’t have to share dice. In a group game, the dice are rolled and divvied up between all of the players. Playing solo means that I can keep all of the dice for myself! And, theoretically, that means that I should be able to diffuse my bomb cards more quickly since I have more dice with which to work! Gone is the agony associated with sacrificing dice to other players – they’re all mine! Yeah, I have to deal with all of the bombs by myself too, but not having to share my materials makes the job seem easier even though it might not necessarily be any easier.
For me, one of the most challenging parts of playing FUSE solo is the real-time countdown. I know, I know, the timer is one of the most integral parts of this entire game. However, the pressure of a time limit is stressful and it makes me a sloppy player – dropping dice, knocking over towers, etc. Some lucky people have been blessed with the ability to remain calm under pressure, but unfortunately I am not one of them. I hope you don’t misunderstand my grievance with the timer for disliking the overall game, though. Having a timer adds an element of excitement that creates such a high-energy atmosphere, even when playing solo. I’m literally just rolling and placing dice, but with a ticking clock, I’m on the edge of my seat with adrenaline pumping as I try to complete my cards as quickly as possible! With every play, I’d like to think that I have gotten better at managing the pressure of the timer, even though that may not necessarily be true…
I do thoroughly enjoy playing FUSE as a solo game. Since time is of the essence, the game forces me to be creative with my dice placement and I must constantly be changing my strategy based on which dice I draw and what cards I have before me at any given time. If you are looking for a high-energy game, even when playing solo, look no further than FUSE. It will certainly keep you on the edge of your seat and will keep you engaged in the action until the game ends – either in celebration of success or a fiery explosion!
https://purplephoenixgames.wordpress.com/2019/02/18/solo-chronicles-fuse/
Emma @ The Movies (1786 KP) rated Mulan (1998) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
"Dishonour on you! Dishonour on your cow!" This is probably the only thing from Mulan that I can identify beyond some of the characters. I think that's generally how Disney goes though, they become viral so easily that you recognise things without ever having seen the films... even worse in this case though... I actually own it but took myself to the cinema to see it anyway. If you're gonna do it you've gotta do it right because it doesn't matter how close I sit to the 50 inch TV at home it's not like watching it on the big screen.
At 21 years old (which is crazy to me) it is looking a little dated. That's not me saying it's bad though, the animation is lovely it's classic Disney, what I am saying is that animation these days has come so far. In such a short space of time we're seeing amazingly high detail in animated films. The fact it doesn't have cluttered frames actually means that you're less distracted, I didn't notice myself straying from the main action. While modern offerings may be glitzy they should probably revisit simplicity.
The story itself is a nice one, although it does vary from the traditional telling. They've tried to keep the original elements in it in some way but I would imagine it's not ideal if you're looking for the authentic touch. But then I think it's the additional things in it that are my favourites.
The voice cast for the human contingent has some pretty big names in it. Scrolling through IMDb I did a lot of ooohh yeahs and ahhhhs at all of them. Most you recognise just from their voice in the film but Mulan had me stumped, so much so that I had to look her up during the movie because it was bothering me... how did I not recognise Ming-Na Wen? Melinda May! Dishonour on me!
Of all the characters though it's the animals that shine through. Generally in human dominated movies the animal sidekicks get to be the comic relief and it's always very entertaining.
Mushu is genius, and travel-sized for Mulan's convenience, very handy if you ask me! Eddie Murphy definitely gets some of the best lines in this role, from his Frankenstein's monster resurrection to the line "There are a couple of thinks I know they're bound to notice!", we're treated to a lot of entertaining interactions. Surprisingly the double act of Mushu and the cricket works well, probably because one doesn't talk and the other doesn't stop... and the cricket sounding like a typewriter was the cutest scene I'd seen in a while.
I don't know how I haven't watched this before, it was thoroughly enjoyable and I'm glad that I already own it. It's left me intrigued for the live action version next year. Several of the scenes were very powerful and I can see them translating well to a live action version, with all the the CGI advancements I have my fingers crossed that they nail the scenes in the mountains. But what about Mushu? There are things going round the internet about his inclusion in the film but what are they going to do with him? After those Genie pictures I'm nervous, but I guess we'll just have to see.
What you should do
This should absolutely be one of your go to.. I was going to say "family" films but everyone should watch it. It's such a great all-round movie.
Movie thing you wish you could take home
I could do with my own Mushu, who wouldn't want a dragon protector?
At 21 years old (which is crazy to me) it is looking a little dated. That's not me saying it's bad though, the animation is lovely it's classic Disney, what I am saying is that animation these days has come so far. In such a short space of time we're seeing amazingly high detail in animated films. The fact it doesn't have cluttered frames actually means that you're less distracted, I didn't notice myself straying from the main action. While modern offerings may be glitzy they should probably revisit simplicity.
The story itself is a nice one, although it does vary from the traditional telling. They've tried to keep the original elements in it in some way but I would imagine it's not ideal if you're looking for the authentic touch. But then I think it's the additional things in it that are my favourites.
The voice cast for the human contingent has some pretty big names in it. Scrolling through IMDb I did a lot of ooohh yeahs and ahhhhs at all of them. Most you recognise just from their voice in the film but Mulan had me stumped, so much so that I had to look her up during the movie because it was bothering me... how did I not recognise Ming-Na Wen? Melinda May! Dishonour on me!
Of all the characters though it's the animals that shine through. Generally in human dominated movies the animal sidekicks get to be the comic relief and it's always very entertaining.
Mushu is genius, and travel-sized for Mulan's convenience, very handy if you ask me! Eddie Murphy definitely gets some of the best lines in this role, from his Frankenstein's monster resurrection to the line "There are a couple of thinks I know they're bound to notice!", we're treated to a lot of entertaining interactions. Surprisingly the double act of Mushu and the cricket works well, probably because one doesn't talk and the other doesn't stop... and the cricket sounding like a typewriter was the cutest scene I'd seen in a while.
I don't know how I haven't watched this before, it was thoroughly enjoyable and I'm glad that I already own it. It's left me intrigued for the live action version next year. Several of the scenes were very powerful and I can see them translating well to a live action version, with all the the CGI advancements I have my fingers crossed that they nail the scenes in the mountains. But what about Mushu? There are things going round the internet about his inclusion in the film but what are they going to do with him? After those Genie pictures I'm nervous, but I guess we'll just have to see.
What you should do
This should absolutely be one of your go to.. I was going to say "family" films but everyone should watch it. It's such a great all-round movie.
Movie thing you wish you could take home
I could do with my own Mushu, who wouldn't want a dragon protector?
Emma @ The Movies (1786 KP) rated Zack Snyder's Justice League (2021) in Movies
Apr 2, 2021
Contains spoilers, click to show
The Snyder Cut sets up so much for future Justice League adventures, and those things would have been good... but the film absolutely didn't need to be this long to still do that, some of the scenes were so drawn out that it became painful. (I like Jason Momoa getting hit with buckets of water as much as the next person, but even I didn't need that full scene of him standing on the dock in the waves. At one point I wondered if they'd shot extra footage for an aftershave commercial.)
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html
Overall it had a much more serious tone to it, and I don't mind that in a superhero film, but then it goes and throws in the petshop/hotdog scene. I feel like it was meant to be funny, but almost everything about it stuck out like a sore thumb in comparison to the rest of the film. I saw someone say they thought this version of the film was funnier in general compared to the first, I'm not sure we watched the same movie.
If you read my reviews you'll be aware of my feelings on "bizarre" ratios. In things like The Lighthouse I can see why they go with certain aspect ratios, but unless they're being shown on a screen that is that size they're really not for me, it's a distraction. This is a very personal feeling of course, there are a lot of people who like the aesthetics and style choices around this sort of thing. For me though, I want that full screen experience, especially with this sort of blockbuster.
I'm one of these strange people that likes most superhero movies, I liked the various Fantastic Fours, even Green Lantern... and I enjoyed the original Justice League cut. I gave it 4/5. And while seeing everything that was cut out of it makes me feel like we were robbed, I still enjoyed that movie on a rewatch. I'm unlikely to sit through the epic version again by choice, whereas I probably would rewatch the first one.
I always find it a little baffling when it comes to DC and Marvel. For me, Marvel always got the films right, but the TV shows were just okay. And DC always got the TV shows right and their films were okay. (When I'm saying okay I mean they're watchable but I wouldn't need to rush to rewatch them.) That felt like something that was on the change. Wonder Woman, Aquaman and Shazam, all seemed to find a level that worked in a way I hadn't felt about their films in a while. I wanted to see them again, they mixed dramatic and fun in a way that Marvel have always been able to nail. But while this version of Justice League goes out and does its own thing, and that's perfectly acceptable, the tone felt wrong for the set of characters that were brought together... and when you put all the little niggles together from across the whole thing it leaves me with a film I'd be fine without.
Perhaps my rating of this is a little unfair, it has a lot of things I like in it after all. The negatives outweighed the bad in the end though, and as much as I like the Cyborg, Flash and Aquaman development, they wouldn't compel me to sit through it again. Not even in chunks.
Because this had a lot of different things to talk about it wasn't one of my usual reviews, you can find my full review here: https://emmaatthemovies.blogspot.com/2021/04/zack-snyders-justice-league-movie.html
Zuky the BookBum (15 KP) rated The Breakdown in Books
Mar 15, 2018
Read my review here: https://bookbumzuky.wordpress.com/2017/02/08/review-the-breakdown-by-b-a-paris/
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>
<i><b>Synopsis:</b> On a stormy night, Cass decides to go against the wishes of her husband and take a dangerous shortcut home. Passing through the rural wooded road, she notices a car pulled up with a woman sat inside. After pulling over to help, Cass gets a weird feeling - why hasn’t the woman in the car shown relief at someone pulling over? Why has she not moved from her spot in the seat, just staring blankly out of the windscreen? Feeling spooked, Cass decides to drive off. The next morning she finds out that the woman is dead, “brutally murdered”, as the police say.
Cass can’t shake the guilt she feels at leaving the woman alone, and soon, the guilt is all she can focus on. She’s started to forget things, like when she bought an alarm system or inviting her friends over, but what she can’t forget is leaving the woman on her own, on a stormy night, to be murdered. She also can’t forget the silent phones calls she’s receiving and the horrible feeling that she’s being watched.</i>
---
After the huge success of <i>Behind Closed Doors</i>, B A Paris had a lot to live up to with this second novel, and for me, it wasn’t anywhere near as good. It didn’t grab me as well as the last. The tension was built just as well in this, steady and slowly, but it was the actual plot that I wasn’t connecting with. It seemed a bit outlandish and didn’t keep me on my toes quite as much. Annoyingly, someone hadn’t marked the spoilers in their review of this, so about halfway through reading the novel, the twist was “ruined”, but, to be honest, the ending was very predictable and I had already sussed it by the time I read that person’s review, so it wasn't that big of a deal.
Another problem with this book was the lack of character development. While we felt so attached to Grace and eager for her to be rid of the troubles in her life, I didn’t find myself thinking the same for Cass. In all honesty, she was a bit of a drip and was so overly hysterical that she just became annoying to read about. Our other, more side characters, Matthew and Rachel, were flat, soppy and unrealistic.
<spoiler>The texts between Matthew and Rachel, at the end of the novel, were really irritating that I ended up skipping over them. Why would we need to see what they said to each other when we already know what they had done? It was just rehashing parts of the plot that we could have sussed was them…</spoiler>
I hate to say such negative things about this novel, but I just don’t get the hype. The story has been done a million times before, and in better ways, too. Maybe I think so badly of this novel because Paris’ last was so great, but there is no comparison between the two.
<i>Thanks to Netgalley and Harlequin UK Ltd for giving me the opportunity to read this in exchange for an honest review.</i>
Cyn Armistead (14 KP) rated Kitty Goes to War (Kitty Norville, #8) in Books
Mar 1, 2018
Is Vaughn growing tired of Kitty? Maybe so. And at volume 8, who would be surprised? Few authors can keep a series fresh that long.
The main plot, dealing with three survivors of an unauthorized military unit of werewolves, could have been much, much richer than it is. There's so much potential there, and Vaughn even touches on that briefly. Whether that's an indication that she intends to return to the theme in another book, or that she wanted to go deeper and couldn't, is left as a mystery.
The secondary (maybe?) plot is somewhat sloppy. It is somewhat difficult to believe that a radio discussion of a chain of convenience stores would lead to a lawsuit, honestly. Yes, I am aware that the book is a fantasy, but that bit required a little too much suspension of my disbelief. There are too many "shock jocks" and "conservative" talk radio jocks on the air who seem to get away with saying whatever they please on a daily basis for that bit to work as anything other than a publicity ploy, if that - but it isn't played that way in the book. Anyway, that part gets weirder and "mushier" from there.
Then there's everything having to do with Cormac. I don't want to give you any spoilers, but I will say that Vaughn lobs one in for his plot line that seems to have come from Odysseus Grant's supposedly retired box. That was just - say what?
The way this series works, it's not really possible to skip one book and keep up with the series. It might be best to wait until the next volume comes out, though, and read the two together. Hopefully that one will be more solid.
The main plot, dealing with three survivors of an unauthorized military unit of werewolves, could have been much, much richer than it is. There's so much potential there, and Vaughn even touches on that briefly. Whether that's an indication that she intends to return to the theme in another book, or that she wanted to go deeper and couldn't, is left as a mystery.
The secondary (maybe?) plot is somewhat sloppy. It is somewhat difficult to believe that a radio discussion of a chain of convenience stores would lead to a lawsuit, honestly. Yes, I am aware that the book is a fantasy, but that bit required a little too much suspension of my disbelief. There are too many "shock jocks" and "conservative" talk radio jocks on the air who seem to get away with saying whatever they please on a daily basis for that bit to work as anything other than a publicity ploy, if that - but it isn't played that way in the book. Anyway, that part gets weirder and "mushier" from there.
Then there's everything having to do with Cormac. I don't want to give you any spoilers, but I will say that Vaughn lobs one in for his plot line that seems to have come from Odysseus Grant's supposedly retired box. That was just - say what?
The way this series works, it's not really possible to skip one book and keep up with the series. It might be best to wait until the next volume comes out, though, and read the two together. Hopefully that one will be more solid.
Phillip McSween (751 KP) rated Aquaman (2018) in Movies
Oct 21, 2019
Fun and Exhilarating
War is coming between Earth and the underwater world of Atlantis. Arthur Curry (Jason Momoa), half-human half Atlantean, seeks to end the war before it spirals out of control. Despite its shortcomings, I’ll get this out of the way now: Aquaman absolutely rocks.
Acting: 7
Beginning: 10
Characters: 8
Arthur’s character grew on me as the movie progressed. He’s a tough guy, no doubt, but I also appreciated his honesty in expressing fear at the same time. He wasn’t reckless, rather he was someone that fully understood the stakes. Despite this clearly being an action blockbuster, I appreciate the efforts in trying to make the characters fun and exhilarating.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie won’t make you think. In fact, there are a number of times where it feels designed to do just the opposite. It’s memorability comes in the fact that I can honestly say I’ve never really seen anything like it. The scenes, sequences, and setpieces try really hard and it’s very endearing. The visuals are beautiful particularly during the underwater battle sequences. Just damn beautiful to watch. It’s Finding Nemo on steroids.
Pace: 10
Plot: 10
Resolution: 10
Didn’t linger, ended at exactly the right time with something feasible and simple. A great finish for an overall great experience.
Overall: 92
If you’re a fan of sports, you might relate to this analogy: Ever watch a playoff series and the underdog wins the first game? You say to yourself, “Meh, it’s one game. They’ll lose the next four.” Then they win the next game and another game. Your eyes start to get big as you realize, “They might actually do this!” DC, I’m looking at you. I’m rooting so hard that you guys keep the train rolling. Aquaman is a hit.
Acting: 7
Beginning: 10
Characters: 8
Arthur’s character grew on me as the movie progressed. He’s a tough guy, no doubt, but I also appreciated his honesty in expressing fear at the same time. He wasn’t reckless, rather he was someone that fully understood the stakes. Despite this clearly being an action blockbuster, I appreciate the efforts in trying to make the characters fun and exhilarating.
Cinematography/Visuals: 10
Conflict: 10
Entertainment Value: 9
Memorability: 8
This movie won’t make you think. In fact, there are a number of times where it feels designed to do just the opposite. It’s memorability comes in the fact that I can honestly say I’ve never really seen anything like it. The scenes, sequences, and setpieces try really hard and it’s very endearing. The visuals are beautiful particularly during the underwater battle sequences. Just damn beautiful to watch. It’s Finding Nemo on steroids.
Pace: 10
Plot: 10
Resolution: 10
Didn’t linger, ended at exactly the right time with something feasible and simple. A great finish for an overall great experience.
Overall: 92
If you’re a fan of sports, you might relate to this analogy: Ever watch a playoff series and the underdog wins the first game? You say to yourself, “Meh, it’s one game. They’ll lose the next four.” Then they win the next game and another game. Your eyes start to get big as you realize, “They might actually do this!” DC, I’m looking at you. I’m rooting so hard that you guys keep the train rolling. Aquaman is a hit.
Zuky the BookBum (15 KP) rated The Chalk Man in Books
Mar 15, 2018
Big thanks to Janel @ Keeper of Pages for sending me her copy of the book!
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
This is one of those books that’s been getting a lot of attention in the bookish world, so of course, I wanted to see what all the fuss was about! While it only took me a couple of sessions to get through the whole thing, I wasn’t that thrilled by it. The hype wasn’t worth it for me.
I immediately knew this novel wasn’t going to be a 5 star read because I didn’t like the way it was written from page 1. It’s one of those novels that’s told in flashbacks, but rather than transporting us back in time to live the events as they happened, we were told it as though we were being read a story. I feel like this way of writing really makes you take a step back from the events and you don’t get the chance to experience them along with the characters. So anything that’s meant to be tense or exciting didn’t feel that way for me.
As for characters, I honestly didn’t have an opinion on any of them. You would have thought that our main character / narrator Eddie would have left some kind of impression on me, but he didn’t. I genuinely have nothing to say about him… he was unforgettable. The only thing I can think to mention is that his relationship with his housemate Chloe seriously cringy.
<spoiler>For me, there were too many characters in this book that were irrelevant. Including Mr. Halloran – “The Chalk Man”. He was literally only a character to make the title make sense and to have an extremely obvious ‘distraction’ to the real bad guy.</spoiler>
I didn’t mind the story in this one, but the synopsis had me ready for something so much more exciting and sinister. It kept me interested for the most part, but I wasn’t enthralled. I had the ‘baddie’ sussed in a matter of chapters, so from there, all I was trying to work out was their motive. It was pretty good at keeping you on your toes in that sense.
Some books try so hard to be exciting and this is one of them. It seemed to me, that each chapter had new drama in it. Less is sometimes more! Don’t forget that! We don’t need drama, after drama, after drama to keep us entertained. It got tedious and took any realism away from the story.
In the end, this novel was extremely underwhelming for me. I didn’t find it exciting and I didn’t think the story was particularly unique. I think this would be a good novel for non-mystery readers, but I’ve just read too many similar stories.
Emma @ The Movies (1786 KP) rated The Limehouse Golem (2016) in Movies
Sep 25, 2019
The community of Limehouse in Victorian London have been rocked by a series of murders. They have called the mudered the Golem, as only such a creature could have done these heinous acts.
Elizabeth Cree, the music hall star, has been arrested for the poisoning of her husband John Cree on the same night as the last Golem murder. But when evidence is found by Inspector John Kildare that links John Cree to the murders, he sets about trying to solve both cases so that he might save Elizabeth from hanging for her crime.
Their investigation leads them to an exclusive reading room at the library, and a book on the art of murder. Within its pages are hand written notes chronicling the Golem murders to date. Only four men entered the reading room when the last entry was made; Dan Leno, Karl Marx, George Gissing and John Cree. Can the inspector eliminate the other three men and prove Cree is the Golem in order to save Elizabeth?
I was looking forward to this one. Some top actors were involved, and I love a bit of Victorian era murder. The film itself was good throughout, I can't fault it for the scenery and acting.
But...
Those of you that know me, know that I don't think about films. I'm sure I keep saying this. I watch them to have some fun, to escape reality, so what's the point in picking apart something that's made as a fiction to entertain you?
Even with me suspending my brain function for the duration of the film, I paused and thought... oh, this is what's going to happen... and it did. It felt a bit cliche, like the twist had been overused in every film like this that I'd seen. I don't think it was designed that way though. There was a clear moment in the film where they want you to know what is happening, but the realisation of the ending cam much earlier than this. And it was disappointing. I was enjoying the film a lot until I realised what was coming. Talking to my movie buddy I discovered that I wasn't the only one who had this feeling. It's such a shame, but the twist felt so obvious to me that I was suddenly very disappointed.
I have taken to looking at Rotten Tomatoes after seeing a film, and this one is currently sitting at 77% with critics and 61% with the audience. I'd say that's about right. I've left the major spoiler out of here, but if you're familiar with this sort of story then I don't think you'd be hard pressed to work it out. It is an excellent film in it's genre, but it was let down, for me, by the obvious direction it went in.
Elizabeth Cree, the music hall star, has been arrested for the poisoning of her husband John Cree on the same night as the last Golem murder. But when evidence is found by Inspector John Kildare that links John Cree to the murders, he sets about trying to solve both cases so that he might save Elizabeth from hanging for her crime.
Their investigation leads them to an exclusive reading room at the library, and a book on the art of murder. Within its pages are hand written notes chronicling the Golem murders to date. Only four men entered the reading room when the last entry was made; Dan Leno, Karl Marx, George Gissing and John Cree. Can the inspector eliminate the other three men and prove Cree is the Golem in order to save Elizabeth?
I was looking forward to this one. Some top actors were involved, and I love a bit of Victorian era murder. The film itself was good throughout, I can't fault it for the scenery and acting.
But...
Those of you that know me, know that I don't think about films. I'm sure I keep saying this. I watch them to have some fun, to escape reality, so what's the point in picking apart something that's made as a fiction to entertain you?
Even with me suspending my brain function for the duration of the film, I paused and thought... oh, this is what's going to happen... and it did. It felt a bit cliche, like the twist had been overused in every film like this that I'd seen. I don't think it was designed that way though. There was a clear moment in the film where they want you to know what is happening, but the realisation of the ending cam much earlier than this. And it was disappointing. I was enjoying the film a lot until I realised what was coming. Talking to my movie buddy I discovered that I wasn't the only one who had this feeling. It's such a shame, but the twist felt so obvious to me that I was suddenly very disappointed.
I have taken to looking at Rotten Tomatoes after seeing a film, and this one is currently sitting at 77% with critics and 61% with the audience. I'd say that's about right. I've left the major spoiler out of here, but if you're familiar with this sort of story then I don't think you'd be hard pressed to work it out. It is an excellent film in it's genre, but it was let down, for me, by the obvious direction it went in.
Hazel (1853 KP) rated Paper Towns in Books
Dec 7, 2018
This was my book of the month for March 2014. You can view and reblog my Tumblr post here: http://fuzzysparrow.tumblr.com/post/81305903630/x
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.
<i>Paper Towns</i> is a brilliantly written novel by John Green. Having only previously read <i>The Fault in our Stars</i> I have little to compare it to and cannot say whether it is his best. I am writing this less that half an hour after finishing <i>Paper Towns</i> therefore it is still fresh in my mind, which may explain my slight preference over <i>TFIOS</i>. However the story lines are so different that it is not really fair to compare them.
Set in Orlando, Florida, <i>Paper Towns</i> is narrated by eighteen-year-old Quentin Jacobson (often referred to as Q). It begins with a flash back to when he and next door neighbour, Margo Roth Spiegelman, were nine and discovered a dead body in the park. It is here that the differences in character are pointed out: “As I took those two steps back, Margo took two equally small and quiet steps forward.” Q is an anxious boy, whereas Margo comes across as very confident.
Despite their childhood relationship, for the main bulk of the story Q and Margo have grown apart. They belong to different social circles: Margo to the popular crowd and Q with the gamers, band members and social outcasts. But things take a turn when one night Margo climbs through Q’s bedroom window and insists he accompany her on a nighttime adventure, going around righting wrongs and wronging rights.
But the next day Margo runs away telling no one where she is going, except it appears that she has left clues to her whereabouts. Clues only intended for Q to discover. With the help of his prom-obsessed friend, Ben; Radar, the guy whose parents own the world’s largest collection of black Santas (seriously, where does Green come up with this stuff?); and Lacey, Margo’s best friend and Ben’s soon to be girlfriend; Q struggles to understand the clues and uncover Margo’s hiding place.
To begin with it is exciting to read about Q and his friends unscrambling the hidden messages but as the story goes on and Margo is yet to be found a sense of dread creeps up on us and Q begins to think the worst.
The final section, however, is fast past and thrilling to read as the characters travel across states, with a rather short time limit, in Q’s mini van in a final attempt to find Margo. What will they find when they arrive? Will Margo still be there?
At first I was not sure that I would like this book. Chapter one is mostly about Quentin, Ben and Radar fooling around as boys do, but once everything kicks off with Margo it is really exciting. Similarly to <i>The Fault in our Stars</i>, Green has filled <i>Paper Towns</i> with clever metaphors with paper, string, balloons and grass being used to represent life. It is a very witty narrative containing lots of humour, yet also manages to convey important ideas about the way we see the world, and the people in it.
<i>Paper Towns</i> can be described as a contemporary, coming-of-age story. As mentioned already, Margo was portrayed as a confident girl whereas Quentin was the opposite. Despite Q stating “I wanted Margo’s disappearance to change me; but it hasn’t, not really” I think Green has shown major character developments, and possibly even role reversals. Q may never completely get rid of his anxieties and does not totally become a different person, but he does gain more confidence as he is forced out of his comfort zone, and his perception of other people also begins to alter. Margo on the other hand may not be all that she seems. The real Margo may in fact be a quiet, rather lost teen in a world she feels trapped in. I think this story and Q’s development has the potential to inspire others of similar ages and make all readers question things about themselves.
Overall, an exceptionally good read.