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KittyMiku (138 KP) rated Witch's Bell in Books
May 23, 2019
This was a free book on Amazon and the reviews make you wonder if you should even pick it up, but I still did and I have never been happier. I did find some of the complaints to be true to word, but I did enjoy the book way too much to just say it wasn't worth the read. However, we will be discussing Ebony Bell and her adventures and what Bell may have been done to make it better. Let's dive in.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
So first of all, I fell in love with the idea behind this book and apparently the series. With characters like Nathan Wall and Ebony Bell, I couldn't help but be intrigued on whatever relationships was forming between them. I think this book was pretty well thought out considering it cold have left the scenes bare making it hard to visualize where the characters were and what was exactly going on. However, I did think there could have been a little less rambling about different things, though I feel it may be foreshadowing for other books. I feel that even though Ebony was pretty fleshed out, that there could have been a little more on the other characters we find ourselves following a bit. For example, Avery's mother is described by her looks and a bit of how she acted when Ebony was a child, but as a member of the Coven, I wanted a little more. Like how did she become apart of the Coven who were supposedly the strongest witches around as well as the oldest? It left a few questions popping to mind and hope they will be answered in the future. Nathan was another character I felt could have been fleshed out a bit more and not really semi revealed at the end. It left a lot to be desired, but again could just be information that makes you want to read on.
I loved, and I mean LOVED, how when Ebony had her magic blocked from her, the way she saw things changed a bit. Do not get me wrong, her outfits made me giggle, but seeing her actually notice the small things even though she didn't have to and hadn't noticed before, was kind of nice. You were able to see her actually begin to appreciate things she hadn't before. I always love seeing characters grow as a person. Ebony had learned to really appreciate what she was seeing as well as what she had. To see her struggle had brought some delight and I found myself a little mad at how she would forget the most important thing she had thought about until it was almost too late. I did find that the use of other characters did help make what was going on around her seem a little more dire.
I found the love interest between Ebony and Nathan to be a bit subtle, which was kind of nice since it left a lot of room for something to blossom a wonderful romance. I do like how Nate gets under Ebony's skin and no matter how hard she tries rattle him he is unfazed. This made them polar opposites, which made me smile a bit, Though I would have loved to see more between them in the form of witty banter and teasing. but what I was given, I didn't think it was all that bad, just could have been more.
Overall, I would rate this book 4 stars out of 5 stars. There could have been more given and even explained something better while not rambling on things that made you begin to question a character's mental state. I loved the story line and hope that as the books move forward we can figure it all out about our mysterious Detective Nathan Wall, the Coven and whoever is behind trying to rewrite Ebony Bell's story.
Amanda (96 KP) rated Five Feet Apart in Books
Jul 7, 2019
I FINALLY finished this book and it took forever to do so. I remember starting this book a while back and I just had a difficult time getting through this story. I couldn't pin point as to why it was difficult to finish, and to this day, I really still can't.
This book had/has so much hype and more so when the movie was released. I almost skipped the book and watched the movie because of who was playing the Will character, but I decided against it and went for the book first.
First and foremost, the cover is absolutely gorgeous! I wanted to get the book with the original cover and I sometimes just stare at it. I understand why there is a re-release of the book with the movie poster on the covers, but to me, it takes away from the author and the publisher. I try my best NOT to buy the books with the movie posters.
So we have two teenagers, Stella and Will, whom both have Cystic Fibrosis. In a nutshell, this disease affects the lungs and digestive system. The lungs fill rapidly with mucus and makes it difficult to breathe. The highly big part, and the main story of this novel, is that two people with the SAME disease have to stay a minimum of six feet apart. That is because one of them could get worse, or die, just from the others contamination.
Stella is optimistic and uploads YouTube videos and tries to keep her parents notified and tries to not think about her older sister being gone.
Will has not so much as given up, but more like kind of goes with the flow of his condition. So much so that he lets his friends use his hospital room as a 'hook up' area. Such a nice guy, don't you think?
Anyway, so these two don't really like each other at first but feelings are developed over bonding of memories and Stella getting Will to get back to doing his treatments on a regular basis. The story starts that they have to be six feet apart, but Stella pushes the boundary and keeps it at five feet apart - hence the title.
I hate to say this, but I had a hard time connecting with either one of these characters. The only one I really somewhat liked was Poe.
I can see the whole similarity with this book and The Fault in Our Stars, but I can't compare the two. Because, in TFIOS, they had cancer and didn't have to stay away from each other. And to me, those characters were easier to connect with than Will and Stella. I'm not saying I didn't like them, but I just couldn't connect.
Stella basically lives so her parents don't fall a part and Will is just kind of 'whatever' about the whole thing because he sees no future for himself, or a treatment that will help him.
I don't really see the hype in this story. It felt rushed to me as well. I'm not sure if it's because the story was kind of short for the plot. Maybe it's because we didn't get a lot of story. I'm not fond of how it was written. It was almost written like it was going to be a movie so it was scripted.
I'm not saying it was a bad story. It really wasn't. I just feel like there was something missing and I couldn't really feel much for these two characters. I couldn't fathom some of the decisions and through process that Stella has done.
All in all, not a terrible story, but I don't see what the hype was about and I don't think I'll be watching the movie.
This book had/has so much hype and more so when the movie was released. I almost skipped the book and watched the movie because of who was playing the Will character, but I decided against it and went for the book first.
First and foremost, the cover is absolutely gorgeous! I wanted to get the book with the original cover and I sometimes just stare at it. I understand why there is a re-release of the book with the movie poster on the covers, but to me, it takes away from the author and the publisher. I try my best NOT to buy the books with the movie posters.
So we have two teenagers, Stella and Will, whom both have Cystic Fibrosis. In a nutshell, this disease affects the lungs and digestive system. The lungs fill rapidly with mucus and makes it difficult to breathe. The highly big part, and the main story of this novel, is that two people with the SAME disease have to stay a minimum of six feet apart. That is because one of them could get worse, or die, just from the others contamination.
Stella is optimistic and uploads YouTube videos and tries to keep her parents notified and tries to not think about her older sister being gone.
Will has not so much as given up, but more like kind of goes with the flow of his condition. So much so that he lets his friends use his hospital room as a 'hook up' area. Such a nice guy, don't you think?
Anyway, so these two don't really like each other at first but feelings are developed over bonding of memories and Stella getting Will to get back to doing his treatments on a regular basis. The story starts that they have to be six feet apart, but Stella pushes the boundary and keeps it at five feet apart - hence the title.
I hate to say this, but I had a hard time connecting with either one of these characters. The only one I really somewhat liked was Poe.
I can see the whole similarity with this book and The Fault in Our Stars, but I can't compare the two. Because, in TFIOS, they had cancer and didn't have to stay away from each other. And to me, those characters were easier to connect with than Will and Stella. I'm not saying I didn't like them, but I just couldn't connect.
Stella basically lives so her parents don't fall a part and Will is just kind of 'whatever' about the whole thing because he sees no future for himself, or a treatment that will help him.
I don't really see the hype in this story. It felt rushed to me as well. I'm not sure if it's because the story was kind of short for the plot. Maybe it's because we didn't get a lot of story. I'm not fond of how it was written. It was almost written like it was going to be a movie so it was scripted.
I'm not saying it was a bad story. It really wasn't. I just feel like there was something missing and I couldn't really feel much for these two characters. I couldn't fathom some of the decisions and through process that Stella has done.
All in all, not a terrible story, but I don't see what the hype was about and I don't think I'll be watching the movie.
Emma @ The Movies (1786 KP) rated Knives Out (2019) in Movies
Nov 4, 2019
Knives Out was probably my most anticipated film of the festival, so much so that I brought a ticket to see it rather than deal with the hassle of the press screening.
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
If you take Clue, add some Agatha Christie and maybe a large helping of A-list cast you'll find yourself at the feet of Knives Out. I don't have a problem with any of that at all, the problem I had is that what we got was predictable. That can work, predictable is comforting, but here I watched and felt like I'd seen it before. It felt like I was watching a remake of something. It was Clue without being as fun and Agatha Christie without being as intriguing. Would it have been better had I not been so excited to see it? Potentially, though we'll never know now.
There are definitely things to like though.
We get the classic interview phase with each family member questioned alone, the whole scene has a wonderful flow to it. With the script, the actors and the clips of each character edited together so well you get the perfect comedic timing on everything.
Marta was an interesting character but Ana de Armas (Blade Runner 2049 and No Time To Die) gave what I felt was an almost forgettable performance, which is incredible considering Marta has a severe problem with lying that leads to hilarious situations. It's a solid performance, I don't want to say she did a bad job, but the other characters are larger than life and it would have been nice to see a little more of that in her. I know she's supposed to be the meek and mild help but you see little glimmers of it in there yet it doesn't come to anything.
Benoit Blanc is Knives Out's Poirot, though he's much more of a crossbreed of Poirot and Hastings. Excellent with the deductions and yet just a little oblivious. Daniel Craig plays him just slightly frustrating, which again is something you'd expect in this sort of thing but I wasn't entirely convinced. I did like Blanc's interactions with Marta, though only from his side of things, it did something interesting to his character but somehow made no impact on Marta's.
A brief special mention should go to Lakeith Stanfield and Noah Segan, their appearances felt fleeting but they were always amusing.
I thought the rest of the cast was good, as you'd expect, that might seems rather dismissive but how am I supposed to feel about it? A-listers in main roles... fantastic, A-listers in cameos... fantastic, but the rest of the characters in this was filled with powerful actors all in bit parts. When that went through my head all I could think was "please sir, I want some more." Toni Collette, Chris Evans, Jamie Lee Curtis, Michael Shannon... great performances but I'd happily have had an encore.
I did enjoy it, but as I sat in the audience and everyone around me roared with laughter at things I thought were just okay I had to wonder what I'd missed. Was it because I was so hyped for it in the first place? Was it festival fatigue? Or have I just seen so much of this that I just couldn't appreciate their take on the classic? I wish I knew.
Cineworld are putting on an Unlimited Screening of this a few days before it goes on general release, I'll definitely be checking it out again and I'm hoping that a second viewing will make me feel differently about it. In the meantime though it's nice to see so many people rating this one highly.
Full review originally posted on: https://emmaatthemovies.blogspot.com/2019/11/knives-out-movie-review.html
Haley Mathiot (9 KP) rated Jessica's Guide to Dating on the Dark Side (Jessica, #1) in Books
Apr 27, 2018
Jessica’s Guide to Dating on the Dark Side by Beth Fantaskey
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.
Kayleigh (12 KP) rated Post Mortem, Parish Mail #2 in Books
Jan 2, 2019
Having reviewed <a href="http://www.a-worldofwords.com/2013/04/my-first-to-review.html">Dead Letter Office</a>, the first of the Parish Mail series, I was contacted by Coliloquy to honestly review [a:Kira Snyder|5447353|Kira Snyder|http://d.gr-assets.com/authors/1340947439p2/5447353.jpg]'s second book, [b:Post Mortem|13644678|Post mortem|Peter Terrin|http://d.gr-assets.com/books/1336726944s/13644678.jpg|19261112]. I am so glad - I loved the last book, and if anything, this one was even better.
At the end of [b:Dead Letter Office|13415915|Dead Letter Office|Kira Snyder|http://d.gr-assets.com/books/1326785157s/13415915.jpg|18726299], the reader is told about a pile of letters that Celia has, in which she is being asked for help. This book is based a couple of weeks after the first, and follows the events of a letter from Celia's pile. Again, she has the help of best friend Tilly as well as Luc and/or Donovan.
The reason I said this book may have been a little better than the first is that it gets stuck straight into the adventure, without needing an introduction to the characters. The characters are established, and there's no pussy-footing around, wondering if someone will get weird with the level of magic involved. That was still great in book 1, don't get me wrong, but there was an instant hook in this story that I loved.
Talking about magic I think the way that magic is so effortlessly intertwined with normal life is really cool. Within a paragraph, Tilly can be whipping up some magical concoction and at the same time dig at Celia for gossip about Luc/Donovan/insert teen issue here. <spoiler>I have a thing for realism, so while in a different book I might have an issue with the protagonist leaving a big dance to go adventuring, in this book it seemed perfectly normal.</spoiler>
Snyder has created characters that will develop upon every sequel, and I think the series would actually make a brilliant TV show - I'd definitely watch it! As with last time, I enjoyed the choices I could make, although they seemed to have a further reach in this book, which meant I had to think more about what I chose. There's one towards the end that took me longer than it should have to decide, as it dramatically affects the climax of the book. There's only one thing slightly negative I'd say about the whole book, and that is that sometimes things were mentioned that only happened in one of the choices in the last book. For readers that, unlike me, didn't read all scenarios, that could have been an issue.
In brief (after a long review - oops!), a highly recommended book, and I can't wait for #3!
At the end of [b:Dead Letter Office|13415915|Dead Letter Office|Kira Snyder|http://d.gr-assets.com/books/1326785157s/13415915.jpg|18726299], the reader is told about a pile of letters that Celia has, in which she is being asked for help. This book is based a couple of weeks after the first, and follows the events of a letter from Celia's pile. Again, she has the help of best friend Tilly as well as Luc and/or Donovan.
The reason I said this book may have been a little better than the first is that it gets stuck straight into the adventure, without needing an introduction to the characters. The characters are established, and there's no pussy-footing around, wondering if someone will get weird with the level of magic involved. That was still great in book 1, don't get me wrong, but there was an instant hook in this story that I loved.
Talking about magic I think the way that magic is so effortlessly intertwined with normal life is really cool. Within a paragraph, Tilly can be whipping up some magical concoction and at the same time dig at Celia for gossip about Luc/Donovan/insert teen issue here. <spoiler>I have a thing for realism, so while in a different book I might have an issue with the protagonist leaving a big dance to go adventuring, in this book it seemed perfectly normal.</spoiler>
Snyder has created characters that will develop upon every sequel, and I think the series would actually make a brilliant TV show - I'd definitely watch it! As with last time, I enjoyed the choices I could make, although they seemed to have a further reach in this book, which meant I had to think more about what I chose. There's one towards the end that took me longer than it should have to decide, as it dramatically affects the climax of the book. There's only one thing slightly negative I'd say about the whole book, and that is that sometimes things were mentioned that only happened in one of the choices in the last book. For readers that, unlike me, didn't read all scenarios, that could have been an issue.
In brief (after a long review - oops!), a highly recommended book, and I can't wait for #3!
Veronica Pena (690 KP) rated I Still Believe (2020) in Movies
Apr 25, 2020 (Updated Apr 25, 2020)
rip my heart out why don't you
Contains spoilers, click to show
Hear me out. The thing about this film is that if you know anything about Jeremy Camp and his story, you know that Melissa dies. Spoiler alert - but I don't think that's news to anyone. I think what makes this film so good is that it's about a love story but it's almost four different love stories. It's about Melissa's blind, unwavering, awe-inspiring love for God. It's about Jeremy's renewal in that faith and in his belief and his love of God after Melissa dies. It's about Melissa and Jeremy's incredible love story - to walk through the fire together, until the end, to put it the way his dad does in the film. But it's also about God's love. And this is coming from a girl who is unsure about what to believe in the slightest. I'm not the preaching, church-going, praying person. I'm not even sure if there is a God, but I believe that people believe it and I respect them for it. Maybe I'll find it one day, maybe I won't. Regardless, this film is beautiful.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
Ian Anderson recommended Classic FM Presents... by Alfie Boe in Music (curated)
LilyLovesIndie (123 KP) rated King Hall (Forever Evermore, #1) in Books
Nov 5, 2018
Read the most up to date version of this review over on Ramble Media http://www.ramblemedia.com/?p=20241
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
Andy K (10827 KP) rated Okja (2017) in Movies
Nov 17, 2019
1st half vs. 2nd half
Director Bong Joon Ho has a phenomenal track record of producing engaging, interesting, rich, vibrant and complex stories. From Snowpiercer to The Host to current critic favorite, Parasite his unique storytelling has proven he can be imaginative and still bring an audience through an entertaining, creative story. This time, as others have said in their reviews, it seems like a tale of two halves remarkably different in tone, scale and narrative.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
Kirk Bage (1775 KP) rated Fruitvale Station (2013) in Movies
Aug 6, 2020
Here is another movie that was put up for consideration for my upcoming book 21st Century Cinema: 200 Essential Films. It didn’t quite make the final cut, but is part of the long list of honourable mentions – movies that are easy to like and recommend, but aren’t quite of the very highest quality in their respective genres.
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70