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Haley Mathiot (9 KP) rated Jessica's Guide to Dating on the Dark Side (Jessica, #1) in Books
Apr 27, 2018
Jessica’s Guide to Dating on the Dark Side by Beth Fantaskey
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.
Genre: YA Paranormal romance
ISBN: 9780547259406
Pub date: January 18th 2010 by Graphia (first published in hardback on February 1st 2009)
Rating: 5
Jessica was sure she was just your average teenager… until an ultra-hot European foreign exchange student shows up at school, stalks her, and then follows her home, insisting that they are both vampire royalty and must be married when she turns eighteen to ensure peace between their families… and Jessica is sure that Lucius, no matter how attractive, is absolutely insane. She manages to free herself of his grip… and then realizes that he’s all she ever wanted in the first place. But getting him back before he destroys her –or himself—will be quite a challenge. But Jessica is up to it. She has to be.
I absolutely loved Jessica’s Guide. It was funny, romantic, and entertaining the whole way through. I don’t know why I put off reading it so long.
The plot had great pacing, great twists, and great conflict. At one point I was tempted to flip to the end of the book just to make sure it all worked out at the end… because I wasn’t sure I could handle it if it didn’t.
I loved how Jessica’s and Lucius’s relationship wasn’t perfect. I saw this in Fantaskey’s other novel, Jekel Loves Hyde. Like Jill and Tristen, Jessica and Lucius certainly had their ups and downs… may I say more of the latter than the first. I dispise happyland syndrome in romances… and was pleased to find none whatsoever in Jessica’s Guide. Their romance was destiny and fate, the only question was how they’d get there in the end. And it was quite a rollercoaster. Their love was based on character more than actions, something that is sometimes hard to write well, and many authors fail miserably, but Fantaskey did a great job. For both Jessica and Lucius, there can never be anyone else.
The characters were great. I officially adore Lucius… passionate and mysterious and infuriating…we need more heroes like him… and Jessica was the kind of girl who would work hard for what she wanted, and sacrifice anything. I think we need more heroines like her, too! Jessica’s parents were both annoying and funny… I especially loved her mom.
The writing was fluid and descriptive, and easy to read. I demolished this one in about four hours.
Heart-pounding plot, characters to die for, and an epic romance, this one begs many re-reads.
Content/recommendation: some language, no sex. Ages 14+. This one is a perfect summer-read… or anytime read, really.
Kayleigh (12 KP) rated Post Mortem, Parish Mail #2 in Books
Jan 2, 2019
Having reviewed <a href="http://www.a-worldofwords.com/2013/04/my-first-to-review.html">Dead Letter Office</a>, the first of the Parish Mail series, I was contacted by Coliloquy to honestly review [a:Kira Snyder|5447353|Kira Snyder|http://d.gr-assets.com/authors/1340947439p2/5447353.jpg]'s second book, [b:Post Mortem|13644678|Post mortem|Peter Terrin|http://d.gr-assets.com/books/1336726944s/13644678.jpg|19261112]. I am so glad - I loved the last book, and if anything, this one was even better.
At the end of [b:Dead Letter Office|13415915|Dead Letter Office|Kira Snyder|http://d.gr-assets.com/books/1326785157s/13415915.jpg|18726299], the reader is told about a pile of letters that Celia has, in which she is being asked for help. This book is based a couple of weeks after the first, and follows the events of a letter from Celia's pile. Again, she has the help of best friend Tilly as well as Luc and/or Donovan.
The reason I said this book may have been a little better than the first is that it gets stuck straight into the adventure, without needing an introduction to the characters. The characters are established, and there's no pussy-footing around, wondering if someone will get weird with the level of magic involved. That was still great in book 1, don't get me wrong, but there was an instant hook in this story that I loved.
Talking about magic I think the way that magic is so effortlessly intertwined with normal life is really cool. Within a paragraph, Tilly can be whipping up some magical concoction and at the same time dig at Celia for gossip about Luc/Donovan/insert teen issue here. <spoiler>I have a thing for realism, so while in a different book I might have an issue with the protagonist leaving a big dance to go adventuring, in this book it seemed perfectly normal.</spoiler>
Snyder has created characters that will develop upon every sequel, and I think the series would actually make a brilliant TV show - I'd definitely watch it! As with last time, I enjoyed the choices I could make, although they seemed to have a further reach in this book, which meant I had to think more about what I chose. There's one towards the end that took me longer than it should have to decide, as it dramatically affects the climax of the book. There's only one thing slightly negative I'd say about the whole book, and that is that sometimes things were mentioned that only happened in one of the choices in the last book. For readers that, unlike me, didn't read all scenarios, that could have been an issue.
In brief (after a long review - oops!), a highly recommended book, and I can't wait for #3!
At the end of [b:Dead Letter Office|13415915|Dead Letter Office|Kira Snyder|http://d.gr-assets.com/books/1326785157s/13415915.jpg|18726299], the reader is told about a pile of letters that Celia has, in which she is being asked for help. This book is based a couple of weeks after the first, and follows the events of a letter from Celia's pile. Again, she has the help of best friend Tilly as well as Luc and/or Donovan.
The reason I said this book may have been a little better than the first is that it gets stuck straight into the adventure, without needing an introduction to the characters. The characters are established, and there's no pussy-footing around, wondering if someone will get weird with the level of magic involved. That was still great in book 1, don't get me wrong, but there was an instant hook in this story that I loved.
Talking about magic I think the way that magic is so effortlessly intertwined with normal life is really cool. Within a paragraph, Tilly can be whipping up some magical concoction and at the same time dig at Celia for gossip about Luc/Donovan/insert teen issue here. <spoiler>I have a thing for realism, so while in a different book I might have an issue with the protagonist leaving a big dance to go adventuring, in this book it seemed perfectly normal.</spoiler>
Snyder has created characters that will develop upon every sequel, and I think the series would actually make a brilliant TV show - I'd definitely watch it! As with last time, I enjoyed the choices I could make, although they seemed to have a further reach in this book, which meant I had to think more about what I chose. There's one towards the end that took me longer than it should have to decide, as it dramatically affects the climax of the book. There's only one thing slightly negative I'd say about the whole book, and that is that sometimes things were mentioned that only happened in one of the choices in the last book. For readers that, unlike me, didn't read all scenarios, that could have been an issue.
In brief (after a long review - oops!), a highly recommended book, and I can't wait for #3!
Veronica Pena (690 KP) rated I Still Believe (2020) in Movies
Apr 25, 2020 (Updated Apr 25, 2020)
rip my heart out why don't you
Contains spoilers, click to show
Hear me out. The thing about this film is that if you know anything about Jeremy Camp and his story, you know that Melissa dies. Spoiler alert - but I don't think that's news to anyone. I think what makes this film so good is that it's about a love story but it's almost four different love stories. It's about Melissa's blind, unwavering, awe-inspiring love for God. It's about Jeremy's renewal in that faith and in his belief and his love of God after Melissa dies. It's about Melissa and Jeremy's incredible love story - to walk through the fire together, until the end, to put it the way his dad does in the film. But it's also about God's love. And this is coming from a girl who is unsure about what to believe in the slightest. I'm not the preaching, church-going, praying person. I'm not even sure if there is a God, but I believe that people believe it and I respect them for it. Maybe I'll find it one day, maybe I won't. Regardless, this film is beautiful.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
What annoys me about the critics that watched this film and their reviews is that they're almost surprised that she dies and that it's a Christian film. Like, do you know anything about Jeremy Camp and who he is? He's literally a Christian singer - for a living. I think this is one of those films where the audience is way more insightful than critics. I've said it before and I'll say it again, I feel like it's so easy for critics to critique and not just escape in the film. But I digress.
K.J. Apa and Britt Robinson are forces in this film. I think that they already have long, successful careers in front of them, without a doubt, but when they work together, they make some serious magic. This is their second film together and I could watch them in a million more. Shania Twain was a nice plug. I think sometimes when you put big country stars in films - Trace Adkins, Shania, etc. - it can be kind of overpowering (depending on the film), but she's very understated but memorable. The standout though, to me, other than the leads was Gary Sinise as Jeremy's dad. There's a moment towards the end of the film where he's just overcome and he leans against the wall and there's a picture of K.J. (meant to be Jeremy) under him and it just hits you. I feel like that was his strongest moment and one of the best moments of the film.
Overall, I think this film is really beautiful. I'm sure I'll come back to it a million times more. I definitely recommend watching it, just have tissues.
Ian Anderson recommended Classic FM Presents... by Alfie Boe in Music (curated)
LilyLovesIndie (123 KP) rated King Hall (Forever Evermore, #1) in Books
Nov 5, 2018
Read the most up to date version of this review over on Ramble Media http://www.ramblemedia.com/?p=20241
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
I received an ARC of this book and I am so very glad I was given this opportunity as this book really is something else! I devoured it in no time at all, reading until I fell asleep on my kindle, waking up and reading some more. I honestly have not read a book this well written and gripping in a while, and it is most definitely a book worth adding to your to-read list sharpish!
So I suppose you want to know why I find this book so wonderful? Well for once, I am actually rather speechless, in an incredibly good way, as there is just so much good that it's hard to know where to start. Perhaps the one thing I absolutely loved in this book is the plot. A different take on the typical YA Magical genre, the inclusion of Kings, Mys factions, heartbreak, mates and the friendship between these groups, it's all so very different from the norm. But that is one of the greatest aspects of this book, it breaks so many of the standard rules and 'norms' of this genre. It is naughty in parts, funny in others and downright heart breaking at times as well. The plot is superbly paced to guide the reader through everything that takes place, without dragging it's feet or rushing too fast - it is perfectly pitched for your enjoyment. The twists and turns in the plot is another huge advantage as it simply keeps you on the balls of your feet throughout. It's rare to find a book that does this so completely so I have to give credit to Scarlett Dawn for developing such a wonderful plot development.
Something else that is amazing in this book is the dynamic between the characters. They are wonderful. Seriously, they gel so incredibly well with each other and with you as a reader that you feel like the 5th member of the Prodigy group. They are wonderful characters in their own right, but together they truly shine. Jack, a real Jack the lad, so untamed and playful; Pearl, a beauty with a mischievous side; Ezra, dark and mysterious, he exudes sex appeal; and Lily, well what can you say? She's shorter than average, smaller than average, a fiery tempered Shifter which matches her fiery red hair. I love her to bits, mostly because she really reminds me of myself, but also because she is a strong heroine, and these types of characters are really missing from books. She's inspirational and an absolute delight to read, sucking you into her crazy world and dragging you into all their mischief together. Equally, you also get drawn into her heart break, and my heart seriously ached with her with the tragedy she faced. She is an incredibly well written character, and one I honestly cannot wait to learn more about.
Another amazing aspect of this book is the humour which weaves its way throughout. It counteracts the dark undertones of sadness and tension throughout, meaning that although the darkness is there, there is always hope and happiness not far behind. This stops the story from becoming too angsty and helps the reader have a few good belly laughs along the way. The naughtiness of the humour is excellently written, balancing on the tasteful sexual humour rather than being crude. This makes it even more enjoyable to read as it just feels so natural. It's like an old pair of jeans, the book just feels so right as you read it. Although there may be uncomfortable moments (King Kincaid and Venclaire feature in most of them), Scarlett Dawn makes them incredibly enjoyable by using a unique brand of humour to ease the tension, usually through Lily's thoughts. I can only compliment this as it is something I know isn't hard to write and balance correctly.
So I suppose I ought to wrap this on before I gush too much and end up repeating myself. IF you haven't already guessed from reading the review so far, I absolutely, positively ADORED this book (yes, the capitalisation is most definitely needed). It has everything you want in a good read, emotions of all kinds, a fab pace and plot and excellent characters. There's nothing more for me to say other than to tell you to get a copy of this book sooner rather than later and be prepared for a cliff hanger that is out of this world! Now all there is for me to do is twiddle my thumbs and wait very impatiently for the next instalment!
Andy K (10826 KP) rated Okja (2017) in Movies
Nov 17, 2019
1st half vs. 2nd half
Director Bong Joon Ho has a phenomenal track record of producing engaging, interesting, rich, vibrant and complex stories. From Snowpiercer to The Host to current critic favorite, Parasite his unique storytelling has proven he can be imaginative and still bring an audience through an entertaining, creative story. This time, as others have said in their reviews, it seems like a tale of two halves remarkably different in tone, scale and narrative.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
A large corporation sells itself as leading the world in global food production as it creates 26 "Super Pigs" that it disperses throughout the world and allows them to grow for 10 years adopted by farmers. During that time, one of them, Okja, is seen alongside their adopted family in South Korea. A young girl and her grandfather have made Okja part of their family and love their companion immensely Eventually the corporation, along with one of their weird spokespeople goons arrive and say they are going to bring Okja to New York.
The girl, Mija, doesn't want this to happen and for her to lose her friend and life-mate, Okja, so she decides to pursue the creature and rescue it from whatever plans are happening and bring back to their mountainous farm.
Unfortunately, the differences in tone really handicap the film almost immediately. I really thought this appeared to be a family film like Babe or Homeward Bound, but then turned into some kind of exposition to inhibit cruelty to animals? Not sure. There was profanity throughout which of course doesn't bother me but would be off putting if you wanted to show this movie in schools or for small children. The innocence is lost when thugs arrive and try and kidnap Okja, or this animal advocacy group also arrives to attempt their own rescue to prevent anything against their will of happening to the beast.
It doesn't happen too often for me, but I was really confused as to what the movie was trying to say. I am a meat eater myself and am not sorry for it. I certainly believe people should be who they are and would not push my beliefs on anyone else. Is that what the movie intends? Does it want to just be an entertaining adventure?
My confusion prevented me from enjoying the movie as much as I wanted to, but was still entertained by what I saw.
Kirk Bage (1775 KP) rated Fruitvale Station (2013) in Movies
Aug 6, 2020
Here is another movie that was put up for consideration for my upcoming book 21st Century Cinema: 200 Essential Films. It didn’t quite make the final cut, but is part of the long list of honourable mentions – movies that are easy to like and recommend, but aren’t quite of the very highest quality in their respective genres.
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Borderline superstar Michael B. Jordan owes his career to Ryan Coogler, which began in earnest in 2013 with the strong effort of true story Fruitvale Station, highlighting the life and final moments of Oscar Grant, who was one of a tragically long list of innocent young men murdered by the police in modern America. Since then he has gone on to star as the eponymous Creed and as the popular Erik Killmonger in Black Panther, making him more or less the most famous black actor under forty currently at work.
I mention him first because having seen the other two films first, I have to admit I wasn’t quite getting it. I mean he is fine in both movies, but nothing world beating. Then you go back to his acheivement in the earlier film and begin to see what he might be capable of given the right scripts. He pretty much embodies Oscar Grant to a degree you believe you are watching a documentary. Which is the major plus point of Ryan Coogler’s direction also.
By pulling us in to the family life of Oscar, as if we were a fly on the wall, we become connected to their story as if we were part of that inner circle, making the inevitable horror of events hit home all the harder. We watch mundane events and conversations take place with a shadow of foreboding that never crosses over into foreshadowing or signposting. The balance is very nicely done.
Melonie Diaz, as girlfriend Sophina, and especially the ever wonderful Octavia Spencer, as loving but grounded mother Wanda, offer solid support, but the camera clings to Jordan by choice, asking us to place ourselves in his shoes and feel the empathy first hand. It is a sober journey, almost totally devoid of directorial flair, which is both a strength and a weakness, ultimately.
With such an awful, heart-rending subject, it can be difficult to remove yourself into a dispassionate view of a film artistically, as the message overpowers your emotions. The best thing that can be said in this case is that the drama never crosses the line of sentimentality or overkill; it merely presents events as they were and asks you to draw your own conclusions. Having said that, I can’t over-praise it simply because the subject needs to be seen, heard, discussed and acted upon with total immediacy in the real world.
This film is already seven years old, and the issues are more pertinent than ever before, as the BLM movement rages all over the world, but especially in the USA, where the culpability and violence of police officers must be addressed and resolved before the loss of one more innocent life. The message delivered by the film is clear and unambiguous – it has to be heeded. And in that sense it is an indespensible film of great power, I would advise you to see.
And with that, it seems a moot point to criticise it, because there isn’t anything negative to say that would say anything useful. I would just say again that it doesn’t quite make the grade of the best 200 films since the Millennium. Whereas, BlacKkKlansman does. An unfair comparison in many ways, but an obvious one in others. See both. Think about them, do what you can, and help make hatred and prejudice a sad fact of history.
Decinemal Rating: 70
Amanda (96 KP) rated The Woman in the Window in Books
Mar 11, 2019
Anna has what's called Agoraphobia, meaning that she has anxiety leaving her house. Therefore, anything that needs to be done outside the house, she has done for her. Any medications she needs, groceries, etc., they are delivered to her house. She can't even bare to open a window because it would trigger her phobia. You learn there are different reasons for this kind of phobia.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
Loss of a loved one.
Tragic accident.
Or...it could be something else entirely.
Ann also talks to other people with the same phobia and tries to also council them. You don't find out till much later as to why Anna who was a child psychologist now cannot bare to leave her home. She suffers from depression and is on multiple medications. She's separated from her husband, whom also has their daughter with him.
And she drinks...a lot.
One of the things I liked about Anna is her love for old movies. I loved how Finn incorporated some lines from different movies, including Alfred Hitchcock. Anna witnesses a murder in her neighbors house across the street. Try as she may, nobody takes her seriously and blame it on the medication she takes with alcohol.
“You can hear someone’s secrets and their fears and their wants, but remember that these exist alongside other people’s secrets and fears, people living in the same room.”
I kind of felt bad for her, but sometime during the story, I started to get frustrated with her as well. I really got a Girl on a Train feel. The main character always needs a drink or has to drink something in order to keep herself together, even though the alcohol doesn't help her situation at all.
On a different note, Girl on a Train was highly depressing.
The more the story progressed the more intrigued I got because there were quite a few twists that I honestly didn't see coming and I found myself yelling, 'WHAT?' Glad I was only listening to a book in the car and not in my house where someone could look at me funny. Not that people don't do that anyway, but such as life as a bookworm, I don't care.
“The definition of insanity, Fox, Wesley used to remind me, paraphrasing Einstein, is doing the same thing again and again and expecting different result.”
I've read a few psychological thrillers and while they were good, none kept me on my toes like this one. So many things happen with Anna and they come in bits and pieces but eventually make up a whole puzzle. You almost start to believe that perhaps Anna didn't see someone being murdered...maybe she did have an illusion.
Did it happen?
You have to read and find out.
I'd definitely give this 4 1/2 stars. Finn's writing in Anna's point of view is brilliant. You are inside her head and you are seeing everything through her eyes. She may start to ramble from time to time, but that just shows that she's still someone who is suffering. Other characters that play a major role in her life you don't know all that much...but you learn who they are in the end.
It's a long book, but every minute of it was well worth the listen. I will say that toward the beginning it was more like Girl on a Train, but it slowly morphs into Alfred Hitchcock's, Rear Window. I will say that I look forward to A.J. Finn's next novel.
BankofMarquis (1832 KP) rated Hereditary (2018) in Movies
Jun 28, 2018
Laughable
For me, the hardest genre of film to get right is horror. In short order the filmmaker needs to set up the premise and "rules of engagement" of the world that is being presented and then execute incredulous situations and predicaments in such a way that are plausible and tense.
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)
Only a small amount (let's say 10% to be generous) gets this balance right. 80% of the time, they fall short and either the film is boring or (more often) turns into a "gore-fest". And...in the bottom 10% are the films where they miss so spectacularly that you are entertained by how ridiculous and over-the-top things are.
Such is the case with Ari Aster's HEREDITARY, a film that was billed as a "tense, thriller with unthinkable family tragedy that veers into the realm of the Supernatural".
I would bill it as "stupid".
Starring the usually reliable Toni Collette as Annie, a miniature-model artist (people in these types of films usually have occupations that make no sense) who's relationship with her mother is strained - at best. She is married to Steve (Gabriel Byrne - far removed from his USUAL SUSPECTS days), and has 2 children, Peter (Alex Wolff) and Charlie (Milly Shapiro). They had another child who has passed away. When Annie's mother dies, Annie starts to discover disturbing secrets about her mother and her family's heritage.
I won't say more - for I would spoil things - but the film starts promisingly enough - and there's an unexpected, tragic death that I thought was handled interestingly enough and I had positive hopes for the rest of the film - but the scenarios and escalating events of this film build on each other from there, one more ridiculous than the other. I kept wanting to scream to the screen - "call the authorities", which would have ended things right there, but this being a film, no one ever does.
As I stated, Toni Collette is, usually, a sign of quality in a movie...but not here. She (and Byrne) are listed as Executive Producers of this film (which means, I think, they gave up parts of their salaries for % points in this film - good luck getting any money out of that). Her Annie is melodramatic and over-the-top - and CRAZY - almost from the start, so when she starts getting REALLY melodramatic and C-R-A-Z-Y, it is laughable. Gabriel Byrne walks through this film looking like he is wondering where the Craft Services truck is, giving a "minimalist" performance (read: he mailed it in). And the two kids are haunting...in their blankness and blandness.
But...it is the ever increasing bizarre events that had me howling with laughter in my seat (as opposed to squirming in terror). I would spoil things if I mentioned them, but I didn't buy any of it. Writer/Director Aster just kept throwing one event even more "weird" and bizarre than preceding one. I actually said to my buddy sitting next to me at one point, "who is that old, fat, naked guy, and where did he come from"?
I think that says it all.
I'm sure there was probably a good movie in here someplace, this wasn't it.
Letter Grade: C (for the opening 1/2 hour or so and the "unexpected death" that was executed well).
4 stars (out of 10) and you can take it - or leave it - to the Bank(ofMarquis)