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Merissa (14100 KP) rated Cycled (Gold Hockey #13) in Books
Oct 18, 2021 (Updated Jul 12, 2023)
CYCLED is the thirteenth book in the Gold Hockey series but you can read it as a standalone as I have.
Scar has had her own issues to deal with, both in personal and work relationships. So when she starts to fall for Kaydon, she does everything in her power to avoid him. This, in turn, leads him to think she dislikes him. When circumstances arise that prove she likes him, Kaydon isn't about to take no for an answer, unless it truly is something she doesn't want. With his coaxing, Scar is able to overcome her past traumas, and realise just how good a catch she actually is.
Although this is written from both perspectives, I would say this is more Scar's book than Kaydon's, simply because he is the one with a loving family, whereas hers are a bit... different! Her brother, Charlie, has his own story to tell and, lucky me, is next! The relationship Scar has with him is completely different to that of her parents, and was wonderful and warm.
There is some fantastic dialogue in this book, that will make you smile, make you laugh, and even make you want to cry. Watching Scar take a stand was sheer poetry in motion.
A brilliant addition to the series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 18, 2021
Scar has had her own issues to deal with, both in personal and work relationships. So when she starts to fall for Kaydon, she does everything in her power to avoid him. This, in turn, leads him to think she dislikes him. When circumstances arise that prove she likes him, Kaydon isn't about to take no for an answer, unless it truly is something she doesn't want. With his coaxing, Scar is able to overcome her past traumas, and realise just how good a catch she actually is.
Although this is written from both perspectives, I would say this is more Scar's book than Kaydon's, simply because he is the one with a loving family, whereas hers are a bit... different! Her brother, Charlie, has his own story to tell and, lucky me, is next! The relationship Scar has with him is completely different to that of her parents, and was wonderful and warm.
There is some fantastic dialogue in this book, that will make you smile, make you laugh, and even make you want to cry. Watching Scar take a stand was sheer poetry in motion.
A brilliant addition to the series that I have no hesitation in recommending.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Oct 18, 2021
Sophia (Bookwyrming Thoughts) (530 KP) rated The Vault of Dreamers in Books
Jan 23, 2020
I've always wanted to read a book about dreams. Nothing too specific – but the synopsis for O'Brien's latest novel piqued my interest because it was just that. Dreams. A book on dreams may have been on my reading bucket list of unique books, and now I can happily cross it off. An impossible bucket list item is to complete my TBR pile. If not, at least 50% – that'll only happen if I add no more books, which isn't happening anytime soon.
The Vault of Dreamers had a completely different concept that I had been dreaming of, but despite the fact I was thinking of something else entirely, the idea behind The Vault of Dreamers was perfect. Dreams = Hope. What better way than placing that in a prestigious school of art, competition, and to top it off – a reality show? Definitely a dream come true for some – as much as I want to try my hand in acting one day, a camera stalking my every move 24/7 is NOT my dream come true.
Rosie Sinclair is one of the students attending the school – called the Forge School, and the show is called the Forge Show. Not exactly a creative name in my opinion (Forge???). Though, as you read the book and as Rosie finds out what's really happening at night at the Forge School, the name makes a lot of sense. Especially when you take a peek at forge's etymology.
Rosie's sort of different from other characters I read – she's rebellious from the start. She doesn't find anything amiss among the school at first, so her breaking rules straight from the beginning is simple – she misses night. Most I come across are say... going with the flow. Everything's happy until something sinister happens or said character finds something sinister about something. Rosie, well, she's all "I'm a rebellious person, and I'll be breaking rules after laying low for awhile."
The voices Rosie has is really weird as well. O'Brien writes those as though Rosie is two people – she even replies with her thoughts to that voice! If that's not odd, I don't know what is. Actually, I can think of a lot of other things that can be more odd, but that's beside the point.
What I still don't get, however, is why Rosie went to the Forge School when a) she hates cameras and prefers being behind them instead and b) she knew full well when she applied that she would be watched 24/7. The Forge Show isn't one of those shows that go blah – it's widely popular. And with the Internet still existing in Rosie's world, why isn't there a YouTube of sorts? Is everyone that addicted to The Forge Show that there's nothing else to watch? Or is it just the thrill of watching 12 hours – even AGT isn't that long! – of students in grades 10-12 competing for fame? No wonder reality shows are flying up the charts – guys, what happened to the wondrous days of Code Lyoko? :p
As much as I enjoyed following Rosie around as she tries to find out what's going on at night at The Forge School, I was sort of disappointed in the ending. Well, the last chapter, which technically counts as the end. The run down? <spoiler>Rosie gets caught breaking the rules twice, finds out the actual truth of what's going on, dean and co tries to stop her, which results in her being whisked away from the world forever. Essentially, Rosie is dead, yet not dead. Until she's 18, but how much time passes between getting caught and the last chapter, I have no clue. The ending's all very open-ended – which CAN have it's perks – but I don't know what's going to happen with Rosie. However... it's rare the villain wins.</spoiler>
The Vault of Dreamers will most likely appeal to those interested in reading about a reality show where everything is not what it may seem behind cameras. I may look into O'Brien's other works.
------------------
Advanced review copy provided by Macmillan for review
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/arc-review-the-vault-of-dreamers-by-caragh-m-obrien.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
The Vault of Dreamers had a completely different concept that I had been dreaming of, but despite the fact I was thinking of something else entirely, the idea behind The Vault of Dreamers was perfect. Dreams = Hope. What better way than placing that in a prestigious school of art, competition, and to top it off – a reality show? Definitely a dream come true for some – as much as I want to try my hand in acting one day, a camera stalking my every move 24/7 is NOT my dream come true.
Rosie Sinclair is one of the students attending the school – called the Forge School, and the show is called the Forge Show. Not exactly a creative name in my opinion (Forge???). Though, as you read the book and as Rosie finds out what's really happening at night at the Forge School, the name makes a lot of sense. Especially when you take a peek at forge's etymology.
Rosie's sort of different from other characters I read – she's rebellious from the start. She doesn't find anything amiss among the school at first, so her breaking rules straight from the beginning is simple – she misses night. Most I come across are say... going with the flow. Everything's happy until something sinister happens or said character finds something sinister about something. Rosie, well, she's all "I'm a rebellious person, and I'll be breaking rules after laying low for awhile."
The voices Rosie has is really weird as well. O'Brien writes those as though Rosie is two people – she even replies with her thoughts to that voice! If that's not odd, I don't know what is. Actually, I can think of a lot of other things that can be more odd, but that's beside the point.
What I still don't get, however, is why Rosie went to the Forge School when a) she hates cameras and prefers being behind them instead and b) she knew full well when she applied that she would be watched 24/7. The Forge Show isn't one of those shows that go blah – it's widely popular. And with the Internet still existing in Rosie's world, why isn't there a YouTube of sorts? Is everyone that addicted to The Forge Show that there's nothing else to watch? Or is it just the thrill of watching 12 hours – even AGT isn't that long! – of students in grades 10-12 competing for fame? No wonder reality shows are flying up the charts – guys, what happened to the wondrous days of Code Lyoko? :p
As much as I enjoyed following Rosie around as she tries to find out what's going on at night at The Forge School, I was sort of disappointed in the ending. Well, the last chapter, which technically counts as the end. The run down? <spoiler>Rosie gets caught breaking the rules twice, finds out the actual truth of what's going on, dean and co tries to stop her, which results in her being whisked away from the world forever. Essentially, Rosie is dead, yet not dead. Until she's 18, but how much time passes between getting caught and the last chapter, I have no clue. The ending's all very open-ended – which CAN have it's perks – but I don't know what's going to happen with Rosie. However... it's rare the villain wins.</spoiler>
The Vault of Dreamers will most likely appeal to those interested in reading about a reality show where everything is not what it may seem behind cameras. I may look into O'Brien's other works.
------------------
Advanced review copy provided by Macmillan for review
Original Rating: 3.5 out of 5
Original Review posted at <a href="http://bookwyrming-thoughts.blogspot.com/2014/09/arc-review-the-vault-of-dreamers-by-caragh-m-obrien.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://3.bp.blogspot.com/-cG5gfBqJVzk/VA5BIojjZ9I/AAAAAAAAD1g/7srLUfpAGEU/s1600/banner.png"; /></a>
Debbiereadsbook (1788 KP) rated Val (The Hawks #2) in Books
May 12, 2021
I can't wait for what comes next, because I'm not seeing the whole picture yet!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book. I also won a signed copy!
OK SO! This is book 2 in The Hawks series, and you really REALLY MUST read Tristan, book 1, before this one. This book picks up immediately after that one, and you need, you really NEED that book to get the full picture of what's happened before. You get the most of it recapped, but personally, I don't think it ALL comes across.
Lanval was rescued, along with his sister Nim and Keeley, the Queen's maid. The Queen, however, was not and Val needs to rescue Alanna before her despot of a husband hangs her for treason she did not commit. But Val is broken, inside and out, and his Hawk friends hate him for what they thought he did. Lanni is glad Val is free, she can die knowing he is safe. Then, he's there, rescuing her and whisking her away! Ballinor won't stop though, and with a new chancellor at his side, things get mighty difficult for everyone.
In case you missed it, when you read my review for Tristan, I LOVED that book. And I wanted to love this one as much as that one, but I can't, as much as it pains me, I really can't.
Why?? Cos I LOVED THIS ONE MORE!!
OH my freaking gosh, this book! Full of so much! So much pain, for both Lanni and Val. So much love between them, even if it takes them such a long time to finally, FINALLY come together fully. So much discovered, by The hawks, about what happened before, and so much guilt from everyone!
I cried, a lot in this book. Val and Lanni are perfect for each other, but they know they can never be free to be together, while the King listens to his newest Chancellor. Oh I did NOT like him. The last one was just trying to get his hands on Lanni, but this one?? He's after so much more than that. What exactly, I'm not entirely sure yet, but I'm sure all will be revealed, eventually! I love being kept in the dark!
I shouted a lot too! Lanni has a lot of ideas about honour, as does Val, but some of it is misplaced. I swore, a few choice words a sailor would be proud of, or rather, words a soldier in the barracks would be proud of! These men, this group, right? They love hard, they fight hard, and they *think* they mess up hard, but actually, THEY don't! Reece, oh he needs such a hug. He thinks he caused most of the group to be captured, but he didn't. Even the Chancellor says so, but Reece feels he did. His book is gonna be painful reading, I reckon!
Both Lanni and Val get a say, along with Mathos, who has his book next. I did see him with someone else, to be honest, but given what was discovered here, then reading what it says at the end of this one, I was made to see my error. Mathos is not Mabin, like Val and Nim, but something else. Something with a beast inside him. With scales. Dragon-type beast? Not 100% certain, I may have missed all the clues, but Mathos the man is a bit of a player. He thinks he won't fall like Tristan and Val, so when he meets his lady in the next book, there is sure to be fireworks.
Said lady also gets the epilogue. When she was revealed in this book, I wasn't expecting her, and she has quite a tale to tell, I'm sure. How she will react to Mathos should be amusing, given these men have protective streaks a canyon wide, and she has been where she has all her life.
I said in my review for Tristan that I thought this would be a much darker read than that one, and it is, it really is. The level of violence Ballinor steps up to is given in great detail, and you can feel every lash given, every punch taken and every injury to Lanni at the hands of her husband. Val too, but it's mostly Lanni who suffers here.
I can't wait for what comes next, because I'm not seeing the whole picture yet. I can't see where this is all going and I love that! Mostly, though, because I'm loving these guys, watching them fall one by one, and meeting the strong women who take their hearts.
Write quicker, Ms Roberts.
Write.
Quicker!
5 stars, but more if I could!
**same worded review will appear elsewhere**
OK SO! This is book 2 in The Hawks series, and you really REALLY MUST read Tristan, book 1, before this one. This book picks up immediately after that one, and you need, you really NEED that book to get the full picture of what's happened before. You get the most of it recapped, but personally, I don't think it ALL comes across.
Lanval was rescued, along with his sister Nim and Keeley, the Queen's maid. The Queen, however, was not and Val needs to rescue Alanna before her despot of a husband hangs her for treason she did not commit. But Val is broken, inside and out, and his Hawk friends hate him for what they thought he did. Lanni is glad Val is free, she can die knowing he is safe. Then, he's there, rescuing her and whisking her away! Ballinor won't stop though, and with a new chancellor at his side, things get mighty difficult for everyone.
In case you missed it, when you read my review for Tristan, I LOVED that book. And I wanted to love this one as much as that one, but I can't, as much as it pains me, I really can't.
Why?? Cos I LOVED THIS ONE MORE!!
OH my freaking gosh, this book! Full of so much! So much pain, for both Lanni and Val. So much love between them, even if it takes them such a long time to finally, FINALLY come together fully. So much discovered, by The hawks, about what happened before, and so much guilt from everyone!
I cried, a lot in this book. Val and Lanni are perfect for each other, but they know they can never be free to be together, while the King listens to his newest Chancellor. Oh I did NOT like him. The last one was just trying to get his hands on Lanni, but this one?? He's after so much more than that. What exactly, I'm not entirely sure yet, but I'm sure all will be revealed, eventually! I love being kept in the dark!
I shouted a lot too! Lanni has a lot of ideas about honour, as does Val, but some of it is misplaced. I swore, a few choice words a sailor would be proud of, or rather, words a soldier in the barracks would be proud of! These men, this group, right? They love hard, they fight hard, and they *think* they mess up hard, but actually, THEY don't! Reece, oh he needs such a hug. He thinks he caused most of the group to be captured, but he didn't. Even the Chancellor says so, but Reece feels he did. His book is gonna be painful reading, I reckon!
Both Lanni and Val get a say, along with Mathos, who has his book next. I did see him with someone else, to be honest, but given what was discovered here, then reading what it says at the end of this one, I was made to see my error. Mathos is not Mabin, like Val and Nim, but something else. Something with a beast inside him. With scales. Dragon-type beast? Not 100% certain, I may have missed all the clues, but Mathos the man is a bit of a player. He thinks he won't fall like Tristan and Val, so when he meets his lady in the next book, there is sure to be fireworks.
Said lady also gets the epilogue. When she was revealed in this book, I wasn't expecting her, and she has quite a tale to tell, I'm sure. How she will react to Mathos should be amusing, given these men have protective streaks a canyon wide, and she has been where she has all her life.
I said in my review for Tristan that I thought this would be a much darker read than that one, and it is, it really is. The level of violence Ballinor steps up to is given in great detail, and you can feel every lash given, every punch taken and every injury to Lanni at the hands of her husband. Val too, but it's mostly Lanni who suffers here.
I can't wait for what comes next, because I'm not seeing the whole picture yet. I can't see where this is all going and I love that! Mostly, though, because I'm loving these guys, watching them fall one by one, and meeting the strong women who take their hearts.
Write quicker, Ms Roberts.
Write.
Quicker!
5 stars, but more if I could!
**same worded review will appear elsewhere**
Jamie (131 KP) rated Men Explain Things to Me: And Other Essays in Books
Jul 26, 2017
Poorly written (2 more)
Not intersectional
Lack of sources in the physical version
Mediocre essays, I wish I could've liked this more
Disappointment and shallow is probably the most apt descriptions I can think of when describing this book which is really sad because I usually enjoy feminist essays.
The titular essay, Men Explain Things to Me, discusses the author’s experiences with men explaining things with the assumption that she couldn’t possibly know due to her gender. While I was nodding my head that yes, I have experienced this as well, there was not much else. There was little to no research into the history of why this might be or any additional insight into the topic which was really a let down, I didn’t feel like I got much out of it. I should have known that the rest of the essays in this collection would be the same but I was optimistic.
One of the better essays was In Praise of the Threat: What Marriage Equality Really Means which discussed how the fight for marriage equality, or same-sex marriage, has been redefining the traditional gendered views of marriage and I thought that this was really great. However in a later essay Solnit goes on to claim that gay marriage would never have been possible if it weren’t for feminists redefining marriage as a union between equals, which is a statement I found both bold and mildly insulting.
I also need to address a specific statement that became the basis the essay, The Longest War, which was the following:
“Violence doesn’t have a race, a class, a religion,
or a nationality, but it does have a gender.”
It is very apparent that Solnit doesn’t know a thing about intersectionality because any minority can tell you that the statement above is laughably false. Is it true, statistically, that more reported violent crimes are perpetrated by men? Yes. Do people in many societies have an issue with toxic masculinity? Yes. Does this mean, then, that violence has a gender, that it is purely a male problem? No. To say that it doesn’t have a specific race, class, religion, or nationality despite evidence to the contrary throughout history is naïve.
Solnit continues on to rant about how men are the almost exclusive source of violence and assault and how everyone should acknowledge this so we can go about finding solutions. She doesn’t go into much more depth than that or offer up much in the way of solutions herself. A large portion of the essay is just her fluffing up the piece with a literal list of vague examples which might not mean much to folks less knowledgeable about violent crimes. There are also quite a few statistics thrown in with absolutely no sources to back up the claims.
Not that I doubt the information provided, but in times where people cherry pick the news to fit their own narrative books like this become questionable. After flipping through the back of the book I eventually found a note in the acknowledgements section that Solnit chose to edit out her sources for the book version, but that they could be found on the online versions of her essays. It’s careless and lazy for an author that wants to be taken seriously.
Solnit also postulates at several points that because she has published several books that she is an authority and I found that sort of attitude to be self defeating. She talks about another author that she argued with about Virginia Woolfe and claims that she had “won” which just makes the author sound childish, and I wondered what the point of the essay was to begin with. It felt out of place for the rest of the collection and any connections she attempted to make were shaky at best.
I think that Solnit had some good ideas but the execution was extremely poor. Because she spends so much time listing examples and being over dramatic in her descriptions the actual point of discussion in her essays becomes muddled and unclear. There are far better essays out there that address the exact same topics. Men Explain Things to Me just wasn’t worth the time.
The titular essay, Men Explain Things to Me, discusses the author’s experiences with men explaining things with the assumption that she couldn’t possibly know due to her gender. While I was nodding my head that yes, I have experienced this as well, there was not much else. There was little to no research into the history of why this might be or any additional insight into the topic which was really a let down, I didn’t feel like I got much out of it. I should have known that the rest of the essays in this collection would be the same but I was optimistic.
One of the better essays was In Praise of the Threat: What Marriage Equality Really Means which discussed how the fight for marriage equality, or same-sex marriage, has been redefining the traditional gendered views of marriage and I thought that this was really great. However in a later essay Solnit goes on to claim that gay marriage would never have been possible if it weren’t for feminists redefining marriage as a union between equals, which is a statement I found both bold and mildly insulting.
I also need to address a specific statement that became the basis the essay, The Longest War, which was the following:
“Violence doesn’t have a race, a class, a religion,
or a nationality, but it does have a gender.”
It is very apparent that Solnit doesn’t know a thing about intersectionality because any minority can tell you that the statement above is laughably false. Is it true, statistically, that more reported violent crimes are perpetrated by men? Yes. Do people in many societies have an issue with toxic masculinity? Yes. Does this mean, then, that violence has a gender, that it is purely a male problem? No. To say that it doesn’t have a specific race, class, religion, or nationality despite evidence to the contrary throughout history is naïve.
Solnit continues on to rant about how men are the almost exclusive source of violence and assault and how everyone should acknowledge this so we can go about finding solutions. She doesn’t go into much more depth than that or offer up much in the way of solutions herself. A large portion of the essay is just her fluffing up the piece with a literal list of vague examples which might not mean much to folks less knowledgeable about violent crimes. There are also quite a few statistics thrown in with absolutely no sources to back up the claims.
Not that I doubt the information provided, but in times where people cherry pick the news to fit their own narrative books like this become questionable. After flipping through the back of the book I eventually found a note in the acknowledgements section that Solnit chose to edit out her sources for the book version, but that they could be found on the online versions of her essays. It’s careless and lazy for an author that wants to be taken seriously.
Solnit also postulates at several points that because she has published several books that she is an authority and I found that sort of attitude to be self defeating. She talks about another author that she argued with about Virginia Woolfe and claims that she had “won” which just makes the author sound childish, and I wondered what the point of the essay was to begin with. It felt out of place for the rest of the collection and any connections she attempted to make were shaky at best.
I think that Solnit had some good ideas but the execution was extremely poor. Because she spends so much time listing examples and being over dramatic in her descriptions the actual point of discussion in her essays becomes muddled and unclear. There are far better essays out there that address the exact same topics. Men Explain Things to Me just wasn’t worth the time.
Kristy H (1252 KP) rated The Mother-in-Law in Books
May 21, 2019
Lucy was so excited to meet Diana, the mother of her boyfriend, Ollie. Lucy's mother died when she was a teen and she hoped for a good relationship with her hopeful mother-in-law. But Lucy and Diana don't get off to an easy start--Diana has a rigid set of views formed by her own life experiences. From simply co-existing to arguing about parenting to eventual fisticuffs, their relationship is volatile. Then, one night, Lucy and Ollie hear a knock on their door. The police arrive and tell them that Diana is dead in an apparent suicide. But as the investigation progresses, it looks as if there is more to the story. Everyone in the family has history with Diana; but did someone actually kill her?
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
"'Then I'm very sorry to inform you,' the policewoman starts, and I close my eyes because I already know what she is going to say. My mother-in-law is dead."
This was my first Sally Hepworth novel, and I have heard good things, so I was excited to read some of her work. I found it to be a fast read, with a set of engaging characters. The book alternates between Lucy and Diana's point of view, with much of the story being told in the past. I found the format to be very effective; it worked very well at drawing you into the story and keeping you guessing at what was going on. Many parts of the story were told twice, in some ways, as both women told their side of the story, yet it never felt repetitive.
The main characters in this one are Lucy and Diana, but we have strong appearances from Ollie, his sister Antoinette "Nettie, " and Tom, Diana's husband. I can see why people enjoy Hepworth's novels--I felt very much a part of the story, and I was certainly stumped along the way. Sometimes there was a little too much rumination about mother-in-laws and the meaning of families for my taste, but oh well. I was too eager to find out what had happened to Diana.
"More importantly, you don't choose your mother-in-law. The cackling mercenaries of fate determine it all."
Overall, I really enjoyed my first Hepworth book. It was a quick, engaging, and interesting read that kept my interest.
I received a copy of this novel from St. Martin's Press and Netgalley in return for an unbiased review (thank you!).
Cynthia Armistead (17 KP) rated Unusual Suspects: Stories of Mystery & Fantasy in Books
Mar 1, 2018
Another uneven anthology. I still have it in my hands, so I'll try to hit each story briefly.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
"Lucky" by Charlaine Harris - Sookie is much easier to take in short form. I can't help it, the woman grates on me (in the TV show even worse than in the books). The other characters keep me reading.
"Bogieman" by Carole Nelson Douglas - Delilah Street does more than grate on my nerves in long form. She's more palatable in short form, too, but there are reminders of why I don't intend to read more in that series.
"Looks are Deceiving" by Michael A. Stackpole - If I've read any of Stackpole's work before, it's been in anthologies, and I don't remember it. I did wonder if this short story is set in a universe he uses in longer works, though. It wasn't bad at all.
"The House of Seven Spirits" by Sharon Shinn - I loved this story! And how often do you say that about a haunted house tale? I must track down and read some of Shinn's novels. Any suggestions?
"Glamour" by Mike Doogan - The Peasantry Anti-Defamation League might be after Doogan if he isn't careful (at least, representatives of the male peasantry). The story was cute, and it did make me laugh.
"Spellbound" by Donna Andrews - This is another author whose books are going on my (groaning) to-read shelf. The story hit a few clichés, but was fun enough to get away with them.
"The Duh Vice" by Michael Armstrong - Ugh. A little too preachy, and way too much anti-fat prejudice.
"Weight of the World" by John Straley - Where does Santa Claus go in the off-season? That's the biggest question answered in this piece. The "mystery" was "solved" nearly as soon as it was discovered.
"Illumination" by Laura Anne Gilman - Bonnie's back story! I think a bit of this story is used in the first chapter of Gilman's first PUPI novel, but I'll know more when I get my hands on it. It's a must-read for fans of the Cosa Nostradamus universe, though.
"The House" by Laurie R. King - could we maybe call a hiatus on the abused-kid stories? Maybe I'm hypersensitive, but I'm tired of them.
"Appetite for Murder" by Simon R. Green - another dark Nightside story. I don't think I'll ever need to read more in that universe.
"A Woman's Work" by Dana Stabenow - I'm an unabashed Stabenow fangirl. Despite that, I wasn't sure how she'd do in a fantasy setting. She proved herself, certainly. I can only hope that we'll see longer fantasy works from her in print at some juncture.
Emma @ The Movies (1786 KP) rated How To Train Your Dragon: The Hidden World (2019) in Movies
Jun 22, 2019 (Updated Sep 25, 2019)
The heating in the screen for this was broken so I was sitting with my scarf wrapped up tight around my face... which came in very handy to soak up all the tears at that ending.
I can't tell you the last time I watched the original two movies, what I can tell you is that Toothless is a comedic genius and should probably just be allowed in every animated film... live action ones too... I might have to start a campaign for that.
This review has the potential to be a massive contradiction. I loved it, I'd totally see it again, but it isn't great for a couple of reasons. We've got a very bland bad guy who should be menacing but manages to stop somewhere at forgettable, then to top it off the storyline isn't great. I've seen a couple of people on Letterboxd refer to it as Thor: Ragnarok... and they're basically right.
Those things aside though it's still a funny and entertaining film. The animation is beautiful and the different landscapes they had to create came together as one world really well. Everything is also accompanied by a wonderful score, when they first come across the hidden world it's particularly dramatic.
When you look at the characters beyond our villain nothing has really changed. Ruffnut was very amusing and one of her scenes had me laughing and realising I have friends just like her. Everyone else was just there... I can't say any of them did anything you wouldn't have expected them to. The only thing that I did find amusing was Hiccup getting the Captain America treatment at the end of the film.
The dragons are by far the most amusing part of the whole film and Toothless practicing his dance with his shadow was super cute. I personally would have been happy just to have a whole movie of dragon "behind the scenes" pieces or one that focused on everything from the dragons' point of view. Something that was a little more goofing off than trying to be an actual story.
Hidden World has lots of flaws but that doesn't stop it from being a lighthearted and amusing movie. I'm going to miss Toothless, I might have to hit Netflix and binge the series they have on there to get my fill.
What you should do
It's a great family film, definitely see it. It doesn't tax the brain and it'll leave you feeling entertained.
Movie thing you wish you could take home
If I could have a little panda dragon that would be wonderful. They don't get too big, right?
I can't tell you the last time I watched the original two movies, what I can tell you is that Toothless is a comedic genius and should probably just be allowed in every animated film... live action ones too... I might have to start a campaign for that.
This review has the potential to be a massive contradiction. I loved it, I'd totally see it again, but it isn't great for a couple of reasons. We've got a very bland bad guy who should be menacing but manages to stop somewhere at forgettable, then to top it off the storyline isn't great. I've seen a couple of people on Letterboxd refer to it as Thor: Ragnarok... and they're basically right.
Those things aside though it's still a funny and entertaining film. The animation is beautiful and the different landscapes they had to create came together as one world really well. Everything is also accompanied by a wonderful score, when they first come across the hidden world it's particularly dramatic.
When you look at the characters beyond our villain nothing has really changed. Ruffnut was very amusing and one of her scenes had me laughing and realising I have friends just like her. Everyone else was just there... I can't say any of them did anything you wouldn't have expected them to. The only thing that I did find amusing was Hiccup getting the Captain America treatment at the end of the film.
The dragons are by far the most amusing part of the whole film and Toothless practicing his dance with his shadow was super cute. I personally would have been happy just to have a whole movie of dragon "behind the scenes" pieces or one that focused on everything from the dragons' point of view. Something that was a little more goofing off than trying to be an actual story.
Hidden World has lots of flaws but that doesn't stop it from being a lighthearted and amusing movie. I'm going to miss Toothless, I might have to hit Netflix and binge the series they have on there to get my fill.
What you should do
It's a great family film, definitely see it. It doesn't tax the brain and it'll leave you feeling entertained.
Movie thing you wish you could take home
If I could have a little panda dragon that would be wonderful. They don't get too big, right?
Emma @ The Movies (1786 KP) rated Playmobil: The Movie (2019) in Movies
Jun 20, 2020
What can I say about Playmobil The Movie? You know how in real life Playmobil is naff when you compare it to Lego? ... Yeah.
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
"It's obviously a rip off of the Lego movies!" - Direct quote from my friend's son, and he's not wrong. It's basically a reverse, here people go into the fictional world whereas in the Lego movies the fictional world experiences the real world. There are many things that are reversed. Lego remembers its characters limitations, Playmobil doesn't. Lego is entertaining, Playmobil... isn't. I like daft humour so this should have been a hit with me. "But Emma, it isn't made for you." Well yes, but even I laugh at children's films, and there's definitely an aspect of it directed at adults and they don't hit either.
The beginning of the film is an experience. It opens with a musical number that doesn't have any impact at all, it's also quickly forgotten as the fun is interrupted by police officers arriving at the house. I saw with my jaw slowly dropping, this is a U rated films, they weren't really going to start it by... oh, yep, they did.
This change of mood was quite shocking to watch. It's an emergency stop of plot points, and not something that just adults would notice. A child a few rows in front turned to his mum and said "what happened?!" I unfortunately couldn't hear how she responded.
When it comes to humour, apart from one chuckle that appears in the trailer there was only one thing that I laughed at. I really did laugh out loud. It wasn't a great joke, it was verging on dad joke territory but the delivery was incredible.
I was surprisingly annoyed by the fact that at the beginning (and in the trailer) Marla doesn't know how to walk with her new Playmobil legs, yet moments later she's crawling before going back to not knowing how to walk. I don't expect a masterpiece, but I do expect at least some consistency.
Playmobil leaves me at a loss, I can't really identify anything exciting about the film. The story isn't very inspiring and the characters don't give you anything to identify with despite having the opportunity. The film also suffers from excess, storyline that goes nowhere, characters that don't get used for any real purpose... I don't think this was a particularly good attempt at bringing this toy to life, it might have been more suited to short skits in a TV series or the cutting room floor.
Originally posted on: https://emmaatthemovies.blogspot.com/2019/08/playmobil-movie-review.html
Eleanor Luhar (47 KP) rated Breakfast with Tiffany: An Uncle's Memoir. Edwin John Wintle in Books
Jun 24, 2019
My teacher gave me a small stack of books to read upon hearing how much I love reading, and claimed that this was her all-time favourite. Honestly, the title is what really appealed to me - clearly, it wasn't anything to do with Breakfast at Tiffany's, but I appreciated the reference.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
This novel, this memoir, is a truthful, brutally honest book about life. I can't say I know what it's like to be in the author's place - I'm not a man, I'm not gay, I am not the guardian of my niece and I don't even live in America - but the little things are just so real.
Tiffany's home life isn't great, and one day her uncle volunteers to take her in. Never did he anticipate so much drama and pain from such a small girl. She's thirteen when she first moves in with her Uncle Eddy, and despite being a nice girl she is known to hang around with the wrong crowd. No matter how hard he tries, Eddy cannot prevent her from finding similar friends at her new school.
The pair really go through their ups and downs, and Ed himself talks a lot about personal thoughts and issues. He'd tested HIV-positive many years ago, and was also an unsuccessful actor. He broke up with his boyfriend relatively recently, and suffers from obsessive compulsive disorder. Basically, life just has not turned out the way he'd planned.
Living with a teenager teaches him a lot of things. He is reminded of his own youth, and has to get on with his life all while keeping Tiffany going too. It's not easy. Things do get rough, and he does find himself wondering why he ever got himself into this. But in the end their relationship is good, and they have a lot of fun together.
I did find this book great. It has hints of humour, conveys the bitter truth, and even gave me a taste of what it's like to be a guardian of a teenage girl. There are definitely references I would have appreciated more had I been older than sixteen, and many of Ed's problems, thoughts or situations may have been more interesting or important to an older generation.
That being said, I actually kind of loved this book. It isn't quite in my favourites - but who knows, maybe in thirty years time it will be. I think I can easily give Breakfast with Tiffany: An Uncle's Memoir 4.5 stars out of the full five.
Emma @ The Movies (1786 KP) rated Halloween (1978) in Movies
Sep 25, 2019
I'm not one for horror films, but classic movies at the cinema are something to behold so I snapped up a ticket for what turned out to be a packed screening. It was a nice surprise to be treated to a little documentary before the film too.
I had always assumed that Halloween was going to be scary, and it was, sort of. It was scary in a very different way to modern horrors though. The reason I tend to ignore the genre is that the story lines don't make up for the amount of "jump out of your skin" moments they put in. Something can be scary without having to make you jump.
On the modern scale of films Halloween isn't very good on several levels. That being said though, it's still an excellent film and the fact that it's so simple and plays on the basic human feeling of unease is great.
It's good to see that the horror movie staples were at their peak in the 70s: not turning the lights on when searching a dark house; only stabbing your attacker once, even though you thought he was dead when you stabbed him once the first time... AND the second time; and my personal favourite... I've stabbed my attacker and he's down, he looks dead so I won't bother checking, instead I'll just turn my back and take a breather for a moment.
One things that I couldn't help doing while watching this film was laughing. Come on, it's funny. But it's only that way to me because I've seen so many films now that I know what's going to happen. The bad guy is always going to have vanished when you try and point him out to someone, there will always be a creaking window or door, and 4 times out of 5 there will be a body behind/inside whatever you open. I still got those chilling feelings while watching it but I was also drawn in by the fact I was sitting there willing things to happen that I knew were coming.
What should you do?
It's definitely a classic and well worth seeing. Just remember it isn't the big budget movies you're used to seeing if you only watch modern things.
Movie thing you wish you could take home
Normally I would say it's difficult to want something from a horror film, but in this instance I'd quite like some of the immense luck that's going around. Michael and Laurie both have an amazing ability to survive life threatening situations. That's something I would definitely want.
I had always assumed that Halloween was going to be scary, and it was, sort of. It was scary in a very different way to modern horrors though. The reason I tend to ignore the genre is that the story lines don't make up for the amount of "jump out of your skin" moments they put in. Something can be scary without having to make you jump.
On the modern scale of films Halloween isn't very good on several levels. That being said though, it's still an excellent film and the fact that it's so simple and plays on the basic human feeling of unease is great.
It's good to see that the horror movie staples were at their peak in the 70s: not turning the lights on when searching a dark house; only stabbing your attacker once, even though you thought he was dead when you stabbed him once the first time... AND the second time; and my personal favourite... I've stabbed my attacker and he's down, he looks dead so I won't bother checking, instead I'll just turn my back and take a breather for a moment.
One things that I couldn't help doing while watching this film was laughing. Come on, it's funny. But it's only that way to me because I've seen so many films now that I know what's going to happen. The bad guy is always going to have vanished when you try and point him out to someone, there will always be a creaking window or door, and 4 times out of 5 there will be a body behind/inside whatever you open. I still got those chilling feelings while watching it but I was also drawn in by the fact I was sitting there willing things to happen that I knew were coming.
What should you do?
It's definitely a classic and well worth seeing. Just remember it isn't the big budget movies you're used to seeing if you only watch modern things.
Movie thing you wish you could take home
Normally I would say it's difficult to want something from a horror film, but in this instance I'd quite like some of the immense luck that's going around. Michael and Laurie both have an amazing ability to survive life threatening situations. That's something I would definitely want.