Search
Search results
Sheffield Bus & Train Times
Travel and Navigation
App
Need to know when buses and trains are coming, and where they're going? This is the app for you. ...
NYC Total Transit: MTA subway map + bus times
Navigation and Travel
App
Need to know when buses and trains are arriving in New York City, and where they're going? NYC Total...
Ali A (82 KP) rated How To Succeed in Witchcraft in Books
Sep 27, 2022
Trigger Warnings: Grooming, prejudice, racism
Shay Johnson is a junior at T.K. Anderson Magical Magnet School and has done everything she possibly can to win the full-ride Brockton Scholarship - her ticket into the university of her dreams. Her only real competition is Ana Alvarez, but Shay also knows if she can impress Mr.B, the drama teacher and head of the scholarship committee, she’ll have an upper leg.
When Mr.B “persuades” Shay into being in the school’s racially diverse musical, in their no-so-diverse school, she agrees, and lands the leading role. But Ana is right behind her playing the second female lead. With the start of rehearsals, Shay realizes Ana isn’t the intense enemy she’s always thought she was… perhaps, she would be a friend, or more?
But when Shay gets asked by Mr.B to do some one-on-one practicing for the musical, she finds herself on the receiving end of Mr.B’s unpleasant and unwanted attention. When Shay learns she’s not the first witch to experience his inappropriate behavior, she must decide if she’ll come forward. But, will speaking out cancel her opportunity for the scholarship - her future?
This book deals with a lot of hard topics: grooming, prejudice, abuse of power, racism. I feel like Aislinn Brophy did a good job in writing the predatory actions that Mr.B was doing with Shay - every time something between them happened, it made my skin crawl.
I did enjoy the enemy-to-lovers storyline; or should I say misunderstandings-to-lovers storyline? It was cute and adorable and nothing drastically changed afterwards (besides more cuteness).
Though the title I feel like the title is a little deceiving, I still liked that magic was a part of the world here, but that magic doesn’t fix everything. Even in a world where you can fly around on brooms and make potions to help you wake up, the world is still far from perfect.
Overall, this is a magic-filled book that dives into where one draws the line on what they will allow to happen in order to get something they’ve worked so hard for their entire life. A good read for the witchy season coming up, but also a good read for the message behind it.
*Thank you G.P. Putnam’s Sons Books for Young Reads and BookishFirst for a copy of this book in exchange for an honest review
Shay Johnson is a junior at T.K. Anderson Magical Magnet School and has done everything she possibly can to win the full-ride Brockton Scholarship - her ticket into the university of her dreams. Her only real competition is Ana Alvarez, but Shay also knows if she can impress Mr.B, the drama teacher and head of the scholarship committee, she’ll have an upper leg.
When Mr.B “persuades” Shay into being in the school’s racially diverse musical, in their no-so-diverse school, she agrees, and lands the leading role. But Ana is right behind her playing the second female lead. With the start of rehearsals, Shay realizes Ana isn’t the intense enemy she’s always thought she was… perhaps, she would be a friend, or more?
But when Shay gets asked by Mr.B to do some one-on-one practicing for the musical, she finds herself on the receiving end of Mr.B’s unpleasant and unwanted attention. When Shay learns she’s not the first witch to experience his inappropriate behavior, she must decide if she’ll come forward. But, will speaking out cancel her opportunity for the scholarship - her future?
This book deals with a lot of hard topics: grooming, prejudice, abuse of power, racism. I feel like Aislinn Brophy did a good job in writing the predatory actions that Mr.B was doing with Shay - every time something between them happened, it made my skin crawl.
I did enjoy the enemy-to-lovers storyline; or should I say misunderstandings-to-lovers storyline? It was cute and adorable and nothing drastically changed afterwards (besides more cuteness).
Though the title I feel like the title is a little deceiving, I still liked that magic was a part of the world here, but that magic doesn’t fix everything. Even in a world where you can fly around on brooms and make potions to help you wake up, the world is still far from perfect.
Overall, this is a magic-filled book that dives into where one draws the line on what they will allow to happen in order to get something they’ve worked so hard for their entire life. A good read for the witchy season coming up, but also a good read for the message behind it.
*Thank you G.P. Putnam’s Sons Books for Young Reads and BookishFirst for a copy of this book in exchange for an honest review
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Red Dead Redemption 2 in Video Games
Jun 19, 2019
With a canvas as large as the Old West and a reputation for building massive interactive worlds; to say that expectations were high for Red Dead Redemption 2 would be an understatement.
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/
Thankfully Rockstar was more than up to the task and have crafted the ultimate Wild West adventure simulator which gives gamers so many choices along the way.
Playing as a member of the gang forced to take refuge from bitter cold and hostile enemies, players get a tutorial in combat, hunting, riding, and various other skills they will need to survive. In time, players will forge their own path which can involve any number of options from collecting bounties, robbing trains, helping people, and more.
There are countless side quests to go with the main story and each frame of the game is stunning and epic with its sweeping vistas and scenic locales. You truly get a sense of how big the map is by just seeing the time it can take to travel from one locale to another.
Along the way players will upgrade their gear and can find new horses including some rare ones indeed which will take some effort to obtain.
The horses themselves are impressive as they simply are not there to provide transportation, but are vital characters that players need to bond with and develop a solid relationship in order to survive. Bandits and Lawmen are not the only dangers facing players, as there are numerous dangerous animals from Wolves to Bears which players will encounter.
The game does require a solid investment of time as it is not something you can sit down and play an hour at a time. Players will have to pay attention to cut scenes and travel often to get to needed areas and to collect vital resources. While some may find it a bit slow starting out; once you get a couple of chapters in; things really get rolling.
The graphics and sound are highly detailed and very immersive and I remember my wife thinking one segment of gameplay was animation until she saw my weaving style of horsemanship on display.
As I write this, Rockstar has started Beta access for the Online portion of the game which gives players even more options to enjoy. Playing with and against other players is a big draw but naturally some balancing and adjustments will need to be made. I found myself on a mission recently that once I completed the first part, I was unable to locate where to go and what to do next. This was further complicated by restrictions on leaving the mission area. I also attempted to go Lone Wolf and shoot up a town to see what happens as players often do in Rockstar’s Grand Theft Auto Series.
Instead of fleeing from the expected mob of Lawmen, I was told that my mission had failed due to the Law being alerted.
It would be nice to be able to customize the controls as I at times found the combat mechanics a bit tricky as I play most of my shooters on a PC and having to be precise or score multiple hits on a moving target with the weapons of the era and a Dual Shock 4 was a bit challenging.
That being said; Red Dead Redemption 2 is a stunning achievement and one that has to be experienced.
http://sknr.net/2018/12/04/red-dead-redemption-2/
Emma @ The Movies (1786 KP) rated The Aeronauts (2019) in Movies
Oct 27, 2019
Firstly I'd like to address the accuracy of this film. As soon as I got out of the screening I looked up the story and it took the shine off a little. James Glaisher was indeed involved in these experiments but his companion was Henry Coxwell and not the fictional Amelia Wren. Wren is at least based on female aeronauts of the time, Sophie Blanchard and Margaret Graham, which is a slight comfort. I can of course understand why they did it, the film has a definite air of romance about it and the inclusion of a larger than life character and her backstory does give the film a boost that it might not have had on the original story.
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
The second thing I would also like to mention is that you need to see this in IMAX, it's been filmed for it and though that's not how I saw it I know it will be amazing.
There's a lot in The Aeronauts that makes you stop and collect your thoughts. The experience of being in the balloon is captured perfectly through shots of the city below and the vast expanses of clouds and sky... the word wonderous is the only thing that seems fitting.
I like that the story doesn't dwell on filling in the audience on history before the main event. During their flight we jump back for relevant snippets as needed and it adds to the emotion of the scenes as we return to the context. It also helps to pad out the timeline in what is almost in real-time. The record breaking flight was roughly 2.5 hours, the film runs for 1 hour 40 minutes, having watched it I don't think I'd mind seeing a 2.5 hour version.
Eddie Redmayne is high on my "nope" list when it comes to movies, I can't watch Fantastic Beasts without getting annoyed and as such I haven't gone back to watch any of his other films. In The Aeronauts though I found him to be much less of a frustrating watch, some of the mannerisms are still there but I was definitely won over by his performance. (Please do recommend your favourite films from him in the comments.) He really managed to capture the obsession for knowledge in a very natural way and I found it very engaging.
Felicity Jones as out fictional Amelia Wren makes a great show of the theatrics and transition smoothly to the seriousness needed to convey their situation once they were in flight. I thought her role was incredibly well crafted and she made every moment up in that balloon very real for the audience.
The pair work amazingly together on screen and that's not really surprising seeing as they've worked together before on The Theory Of Everything. I would say that the chemistry they'd already developed helped to make that tiny basket really come to life for the viewer.
A special shout out to Bella who played Posey the dog, I have to assume that she didn't do her own stunts but regardless it was a great performance.
I was very pleased that they didn't feel the need to fill those beautiful silences. As they soared higher into the sky I'm sure they could have filled the gap with peaceful classical music and still been impressive but the visuals are so good that they really didn't need anything.
I don't want to touch much of the second half of the film because it really does need to be seen but it certainly doesn't disappoint. Everything escalates with the ascent and from camera work to effects it all comes together for a finale that has you glued to the screen.
As you can tell I really enjoyed The Aeronauts and I'm looking forward to an Unlimited Screening of it again soon. I have one tip for you, go in your summer clothes when you see it. No, I haven't gone mad(der), it's a great way to get a free 4DX experience by sitting near the air conditioning. You'll get colder and colder as the film progresses and you'll really feel like you're in the balloon with them.
Full review originally posted on: http://emmaatthemovies.blogspot.com/2019/10/the-aeronauts-movie-review.html
Hazel (1853 KP) rated Kids of Appetite in Books
Dec 14, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
They lived and they laughed and they saw that it was good.</i>
<i>Mosquitoland </i>was the best book I read last year (2015) and I was excited to discover what David Arnold would write next. I approached<i> Kids of Appetite</i> with mild trepidation; what if it did not live up to my expectations? Need not have worried – it was brilliant. Dubbed a “tragicomedy” <i>Kids of Appetite</i> is a combination of realistic, heartbreaking experiences with intellectual humour.
The book opens mid interview at a local police station where two teenagers, Vic and Mad, are being questioned about a murder their friend has supposedly committed. From there, the story backtracks a week and proceeds to bring the reader up to date. It all begins with Vic running away from home, distancing himself from his mother and her new partner. By chance, a coincidence – a bump, Vic would say – he is found by Mad who introduces him to a small group of homeless friends. Vic may not have packed in preparation for life on the streets – or in a greenhouse as it turns out – however he did grab the urn containing his late father’s ashes before racing out of the house. Along with the urn is a letter containing cryptic clues that lead to various locations that Vic’s father wished for his ashes to be scattered. He, along with his new found friends; make it a mission to put his father to rest.
It is not possible to label the general theme of the book. <i>Kids of Appetite</i> is a story full of stories. Each character has their own past, something that led them to the situation they find themselves in now. The group consists of five members – once Vic has been accepted. Baz, at age twenty-seven, is clearly the leader: responsible, caring, and fatherly – until accused of murder. Seven years younger is Zuz, Baz’s mute brother, and finally Coco, an eleven year old with the mouth of a foul old lady. It is Coco, amongst all her swearing and hilarious misuse of words, that coins the name <i>Kids of Appetite, KOA</i> for short, a play on words: they are not solely in want of food, they hunger for life.
Initially it would appear that the main focus will be on Vic: his father’s death, his mother’s new partner, Moebius (facial paralysis) – a syndrome that results in a lot of bullying and discrimination – and, of course, his flight from home. However the remaining members of <i>KOA </i>equally contribute to the overall narrative. Mad, like Vic, knows what it is like to lose a father. Unfortunately she also knows what it is like to lose a mother. Her life since the fateful car crash that left her and orphan has been full of abuse and uncertainty. Baz and Zuz, on the other hand, have escaped a traumatizing childhood in the midst of the Congo Civil War.
Similarly with <i>Mosquitoland</i>, Arnold’s second book is full of intellectual knowledge and humour complete with references to highbrow material. Vic is obsessed with an operatic song and deeply interested in abstract art, particularly Matisse. He pulls the artist’s work apart in search of meaning and relatable truths of life. Like Vic, Mad has a particular song she draws comfort from. The lyrics help her make sense of the world around her, and produce her own manifesto – Madifesto, rather. She is particularly fascinated by S E Hinton’s <i>The Outsiders</i> – a book I have not read, but am obviously going to now. With in-depth theories purloined from her favourite novel, she encourages and advises those around her.
The murder investigation is evidently another key point of the book. I do not want to say too much on the matter as it would not be fair to give the ending away. Be reassured that<i> Kids of Appetite</i> is not a thriller, crime or horror novel; it is the events and dialogue leading up to the conclusion that make up the greatest parts of the story.
It is essentially the characters that make <i>Kids of Appetite</i> such a fantastic work of fiction. Their background stories are all based on real life experiences of many people throughout the world, but it is their opinion of life, their terminology, and their reckless enthusiasm that really impacts the reader. <i>Kids of Appetite</i> is a book to be read over and over again. So many phrases can be lifted and quoted to explain our own lives and feelings. In fact, the entire novel is one big quote to sum up life itself. Although there are so many themes, stories and ideas, there is one clear message. Let go. Let go of the past. Let go of the things that hold you back. For Vic and Mad it is the death of their parents; for Coco it is abandonment; and Baz and Zuz learn to let go of their violent childhood.
David Arnold is an extremely talented author, seamlessly flowing from one notion to another, whilst sweeping the reader into a sea of pure emotion. He may over use the word “ergo” and have an unconventional penchant for ellipses, but that only adds to the uniqueness of the writing. There may be an excessive amount of expletives, however that is overshadowed by the pure genius of the story itself. <i>Kids of Appetite</i> is a book I want to recommend to all. The blurb likens it to authors Rainbow Rowell and Jennifer Niven – I would like to throw John Green into the mix – and should appeal to many Young Adult readers. I could write forever about this book, but I would rather you go and read it yourself. And whilst you read, remember:
<i>They lived and they laughed and they saw that it was good. </i>
They lived and they laughed and they saw that it was good.</i>
<i>Mosquitoland </i>was the best book I read last year (2015) and I was excited to discover what David Arnold would write next. I approached<i> Kids of Appetite</i> with mild trepidation; what if it did not live up to my expectations? Need not have worried – it was brilliant. Dubbed a “tragicomedy” <i>Kids of Appetite</i> is a combination of realistic, heartbreaking experiences with intellectual humour.
The book opens mid interview at a local police station where two teenagers, Vic and Mad, are being questioned about a murder their friend has supposedly committed. From there, the story backtracks a week and proceeds to bring the reader up to date. It all begins with Vic running away from home, distancing himself from his mother and her new partner. By chance, a coincidence – a bump, Vic would say – he is found by Mad who introduces him to a small group of homeless friends. Vic may not have packed in preparation for life on the streets – or in a greenhouse as it turns out – however he did grab the urn containing his late father’s ashes before racing out of the house. Along with the urn is a letter containing cryptic clues that lead to various locations that Vic’s father wished for his ashes to be scattered. He, along with his new found friends; make it a mission to put his father to rest.
It is not possible to label the general theme of the book. <i>Kids of Appetite</i> is a story full of stories. Each character has their own past, something that led them to the situation they find themselves in now. The group consists of five members – once Vic has been accepted. Baz, at age twenty-seven, is clearly the leader: responsible, caring, and fatherly – until accused of murder. Seven years younger is Zuz, Baz’s mute brother, and finally Coco, an eleven year old with the mouth of a foul old lady. It is Coco, amongst all her swearing and hilarious misuse of words, that coins the name <i>Kids of Appetite, KOA</i> for short, a play on words: they are not solely in want of food, they hunger for life.
Initially it would appear that the main focus will be on Vic: his father’s death, his mother’s new partner, Moebius (facial paralysis) – a syndrome that results in a lot of bullying and discrimination – and, of course, his flight from home. However the remaining members of <i>KOA </i>equally contribute to the overall narrative. Mad, like Vic, knows what it is like to lose a father. Unfortunately she also knows what it is like to lose a mother. Her life since the fateful car crash that left her and orphan has been full of abuse and uncertainty. Baz and Zuz, on the other hand, have escaped a traumatizing childhood in the midst of the Congo Civil War.
Similarly with <i>Mosquitoland</i>, Arnold’s second book is full of intellectual knowledge and humour complete with references to highbrow material. Vic is obsessed with an operatic song and deeply interested in abstract art, particularly Matisse. He pulls the artist’s work apart in search of meaning and relatable truths of life. Like Vic, Mad has a particular song she draws comfort from. The lyrics help her make sense of the world around her, and produce her own manifesto – Madifesto, rather. She is particularly fascinated by S E Hinton’s <i>The Outsiders</i> – a book I have not read, but am obviously going to now. With in-depth theories purloined from her favourite novel, she encourages and advises those around her.
The murder investigation is evidently another key point of the book. I do not want to say too much on the matter as it would not be fair to give the ending away. Be reassured that<i> Kids of Appetite</i> is not a thriller, crime or horror novel; it is the events and dialogue leading up to the conclusion that make up the greatest parts of the story.
It is essentially the characters that make <i>Kids of Appetite</i> such a fantastic work of fiction. Their background stories are all based on real life experiences of many people throughout the world, but it is their opinion of life, their terminology, and their reckless enthusiasm that really impacts the reader. <i>Kids of Appetite</i> is a book to be read over and over again. So many phrases can be lifted and quoted to explain our own lives and feelings. In fact, the entire novel is one big quote to sum up life itself. Although there are so many themes, stories and ideas, there is one clear message. Let go. Let go of the past. Let go of the things that hold you back. For Vic and Mad it is the death of their parents; for Coco it is abandonment; and Baz and Zuz learn to let go of their violent childhood.
David Arnold is an extremely talented author, seamlessly flowing from one notion to another, whilst sweeping the reader into a sea of pure emotion. He may over use the word “ergo” and have an unconventional penchant for ellipses, but that only adds to the uniqueness of the writing. There may be an excessive amount of expletives, however that is overshadowed by the pure genius of the story itself. <i>Kids of Appetite</i> is a book I want to recommend to all. The blurb likens it to authors Rainbow Rowell and Jennifer Niven – I would like to throw John Green into the mix – and should appeal to many Young Adult readers. I could write forever about this book, but I would rather you go and read it yourself. And whilst you read, remember:
<i>They lived and they laughed and they saw that it was good. </i>
The Escape Manifesto: Quit Your Corporate Job - Do Something Different!
Book
Rob, Dom and Mikey were fed up with the corporate treadmill. When they decided to change careers,...
Whatchareadin (174 KP) rated Summerland in Books
May 10, 2018
Four teenagers, from the small island of Nantucket are involved in a tragic accident the night of high school graduation. All four were juniors at the high school and 3 of the four had very promising lives ahead of them. Penny Alistair was killed in this accident. Penny had a beautiful singing voice that everyone admired. Her twin brother Hobson(Hobby), who was the star of every sports team, was so badly injured, he was in a coma and had broken 16 bones on his left side. Jake Randolph, who was Penny's boyfriend was not injured in the crash, but his jeep which Penny was driving was totaled. And finally, Demeter Castle, Penny's friend who wasn't as popular as the others was also unarmed during the crash. The kids had all been enjoying graduation festivities when they made their way to the beach for the final party. Demeter took Penny to the dunes, to use the bathroom. When they returned, Penny was in such a rage, there was nothing no one could to to stop her.
This was my first book by Elin Hilderbrand. I have many of her books on my TBR list and this was available so I snatched it up. I listened to the audio book rather than reading this title. The book is told from several different perspectives throughout. The voice of the island of Nantucket, Jake Randolph, Zoey Alistair(Penny & Hobson's mother), Demeter, Jordan Randolph(Jake's father), Hobby, Lynn Castle(Demeter's Mother), Ava Randolph(Jake's mother). Each one of them have a connection to each other and a connection to the accident. Telling the story from these different perspectives, you get a look how the accident as well as other events in their lives have shaped them and brought them to this particular point. The story is told throughout the summer after the accident.
One of my favorite lines from the book was "Penelope has a heart made from the finest bone china." When I heard that line, and they say it at least twice in the book, it made my heart hurt for Penny. She was a very sensitive person. She took other's pain as her own. It was Demeter who had said something to Penny that made her upset, but what was it. Hobby and Jake spend most of the summer trying to figure it out. It could have been anything, but what could have made her so mad she would have wanted to kill herself.
One thing that I wish was included in this book was Penny's perspective. I know she was dead, but I would have like to hear a little from her in this book. We hear about different things that were going on with her from everyone else's point of view, but I would have liked to hear her "voice" in this book.
This was a good book with diverse characters. You can see the struggles and concerns of teenagers in this book and it made me think about my own children and my childhood. All the things I kept from my parents and I wonder if they ever knew. I hope that other mother's will read this book and will want to keep an open dialogue with their children about the trials and tribulations they are going through. We have all been teenagers at some point and we can probably help our own children if we can talk to them about how our lives were at that time. I know when I was a teen, I was sure my mother would never understand me, but she had been in my position once in life as well.
This was my first book by Elin Hilderbrand. I have many of her books on my TBR list and this was available so I snatched it up. I listened to the audio book rather than reading this title. The book is told from several different perspectives throughout. The voice of the island of Nantucket, Jake Randolph, Zoey Alistair(Penny & Hobson's mother), Demeter, Jordan Randolph(Jake's father), Hobby, Lynn Castle(Demeter's Mother), Ava Randolph(Jake's mother). Each one of them have a connection to each other and a connection to the accident. Telling the story from these different perspectives, you get a look how the accident as well as other events in their lives have shaped them and brought them to this particular point. The story is told throughout the summer after the accident.
One of my favorite lines from the book was "Penelope has a heart made from the finest bone china." When I heard that line, and they say it at least twice in the book, it made my heart hurt for Penny. She was a very sensitive person. She took other's pain as her own. It was Demeter who had said something to Penny that made her upset, but what was it. Hobby and Jake spend most of the summer trying to figure it out. It could have been anything, but what could have made her so mad she would have wanted to kill herself.
One thing that I wish was included in this book was Penny's perspective. I know she was dead, but I would have like to hear a little from her in this book. We hear about different things that were going on with her from everyone else's point of view, but I would have liked to hear her "voice" in this book.
This was a good book with diverse characters. You can see the struggles and concerns of teenagers in this book and it made me think about my own children and my childhood. All the things I kept from my parents and I wonder if they ever knew. I hope that other mother's will read this book and will want to keep an open dialogue with their children about the trials and tribulations they are going through. We have all been teenagers at some point and we can probably help our own children if we can talk to them about how our lives were at that time. I know when I was a teen, I was sure my mother would never understand me, but she had been in my position once in life as well.
BankofMarquis (1832 KP) rated Roma (2018) in Movies
Jan 16, 2019
A lush and beautiful memory
Alfonso Cuaron - the magnificent Director from Mexico who directed such big Hollywood hits as HARRY POTTER AND THE PRISONER OF AZKABAN (the best HP flick, IMHO) and GRAVITY (one of the best films of 2013, IMHO) has made a little "personal" film that was financed and released by Netflix. Netflix, in their wisdom, realized they might have an Oscar contender on it's hands, so has released ROMA in limited release to Theaters (mostly Art Houses) and...in some instances...you can catch a 70mm print of this film. Or...you can watch it on your TV via your Netflix subscription.
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
I would highly recommend checking this film out at your local movie theater house and, if you are lucky enough to have a theater that is showing the 70mm print, I would tell you to run...don't walk...to check this out.
For ROMA is a beautifully filmed Black and White film, in Spanish (with English subtitles) that tells a very personal story of a family in Mexico City in the early 1970's - as seen through the eyes of their house maid. This story is based (according to what I have read) on Cuaron's own childhood and he has lovingly, beautifully recreated this world and populated it with some interesting characters/experiences.
It is also languidly paced (read: slow) and - if I am honest about it - not much happens. So if you add languid pace with black and white photography with Spanish language (and English subtitles) with not much in the way of plot or action, your attention span will be stretched and, I'm afraid, if you're home, you will be tempted to be distracted by your phone, the dog, the dishes, a magazine, etc...
And that would be a shame, for I fell in love with this film, the beauty of the cinematography and the slow pace of it all and I think you will too if you give it a chance.
Cuaron, most certainly, will be nominated for an Oscar for his writing and directing of this piece - and I am sure that this film will be nominated for Best Picture (and deservedly so), but it is in two other places that I was entranced by ROMA. I have mentioned the first - the Cinematography. This film is a shoo-in for a Best Cinematography Oscar, the black and white is lush and rich throughout the film and adds to the memory-style idealized world that Cuaron has put on screen. So, the Best Cinematography Oscar should go to...Alfonso Cuaron.
The other area that I am surprised to say worked very well for me is the performances of the cast, all Mexican actors, unknown to U.S. audiences. Standing out most notably are Marina de Tavira as the matriarch of the family, Senora Sofia and, most surprisingly, Yalitza Aparicio as the focal point of this film, Cleo. Her part is mostly mute (or at least mute for me, for I don't speak Spanish) so the emotions I felt coming from her were brought forth through her facial features, looks and reactions, much more than what she says. I would be fine with either of these two getting an Oscar nomination.
Despite a slow start - and a slow pace throughout this film - and not much going on, I was entranced and enthralled by the world that Cuaron put on screen. A world that exists, mostly, in Cuaron's memory and that, now, exists for us to see in this wonderful film.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
