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Ivana A. | Diary of Difference (1171 KP) rated The Devil Aspect in Books
Feb 3, 2020
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<b><i>The Devil Aspect by Craig Russell was a very pleasant read for me for many reasons! I am so glad I got the chance to read it!
The Plot</i></b>
A terrifying novel set in Czechoslovakia in 1935, in which a brilliant young psychiatrist takes his new post at an asylum for the criminally insane that houses only six inmates–the country’s most depraved murderers–while, in Prague, a detective struggles to understand a brutal serial killer who has spread fear through the city, and who may have ties to the asylum.
Psychiatrist Victor is starting a new job in the Asylum where the Devil’s Six are – Czech Republic’s most dangerous murderers. Victor has a theory by the name of the Devil Aspect, where he believes that is manifested in these six murderers. He believes it comes out in certain circumstances, making these people commit crimes, but not being aware they have done it. Something similar to a split personality, but in this case, the murderers think that the Devil is next to them, and he is making them do all these things.
<b><i>My thoughts</i></b>
This book was such a pleasurable roller coaster. I wasn’t able to put it down and I read it in only a few days. The writing is unbelievable and I am going to be picking up other books from this author, for the sole reason of his writing. The Devil’s Aspect was so intriguing and it kept me on my toes at all times. I found it extremely enjoyable.
The blend of mythology, culture and psychology is perfectly put together, and having lived in the Balkan countries, I can easily relate to many of the culture aspects. It was perfectly described and I felt as if I am in 1935 together with the characters. The time and place are wonderfully written, with incredible accuracy.
The ending was the most pleasurable, and without spoiling anything, I will only say a few things… Be ready for everything to happen. This book has many twists and many scenes where dangerous things are happening. A lot of intensity which I devoured with great pleasure. If you are coming for an adventure, you will get even more that you bargained for.
<b><i>Proceed at your own risk! And good luck!
Thank you to the team at LoveReading UK and the author, Craig Russell, for sending me a copy of this book in exchange for an honest review.</i></b>
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<b><i>The Devil Aspect by Craig Russell was a very pleasant read for me for many reasons! I am so glad I got the chance to read it!
The Plot</i></b>
A terrifying novel set in Czechoslovakia in 1935, in which a brilliant young psychiatrist takes his new post at an asylum for the criminally insane that houses only six inmates–the country’s most depraved murderers–while, in Prague, a detective struggles to understand a brutal serial killer who has spread fear through the city, and who may have ties to the asylum.
Psychiatrist Victor is starting a new job in the Asylum where the Devil’s Six are – Czech Republic’s most dangerous murderers. Victor has a theory by the name of the Devil Aspect, where he believes that is manifested in these six murderers. He believes it comes out in certain circumstances, making these people commit crimes, but not being aware they have done it. Something similar to a split personality, but in this case, the murderers think that the Devil is next to them, and he is making them do all these things.
<b><i>My thoughts</i></b>
This book was such a pleasurable roller coaster. I wasn’t able to put it down and I read it in only a few days. The writing is unbelievable and I am going to be picking up other books from this author, for the sole reason of his writing. The Devil’s Aspect was so intriguing and it kept me on my toes at all times. I found it extremely enjoyable.
The blend of mythology, culture and psychology is perfectly put together, and having lived in the Balkan countries, I can easily relate to many of the culture aspects. It was perfectly described and I felt as if I am in 1935 together with the characters. The time and place are wonderfully written, with incredible accuracy.
The ending was the most pleasurable, and without spoiling anything, I will only say a few things… Be ready for everything to happen. This book has many twists and many scenes where dangerous things are happening. A lot of intensity which I devoured with great pleasure. If you are coming for an adventure, you will get even more that you bargained for.
<b><i>Proceed at your own risk! And good luck!
Thank you to the team at LoveReading UK and the author, Craig Russell, for sending me a copy of this book in exchange for an honest review.</i></b>
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Purple Phoenix Games (2266 KP) rated The Independence Incident in Tabletop Games
Jul 2, 2021
Nicolas Cage is a very polarizing actor, I know, but I kinda like him. Maybe he wasn’t the best Ghost Rider, but I cannot imagine anyone else playing Benjamin Franklin Gates from the National Treasure series of movies. I am a huge fan of those movies, and I will never pass up a chance to watch it or engage in anything remotely similar in real life. Enter The Independence Incident.
The Independence Incident is a 4th of July(ish)-themed escape room type card game. It consists of 18 cards and I will be darned if it isn’t just great.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook (as there is none), but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase from your FLGS. -T
To setup, open the flaps of the box containing the cards, navigate to the provided website to launch a web-based companion app, and the game may officially begin!
As I do not wish to spoil anything about the game, I will merely state here that following directions, completing puzzles, and knowing a little something about American history will benefit players immensely. Sorry I cannot say more, I would rather you all experience it for yourselves.
Components. This game consists of 18 double-sided cards and a nifty little box to hold it all. The cards are all nice quality, and feature very specific artwork on them. I have no complaints about the components at all here. Grand Gamers Guild always provide great quality games.
Ok, be mad at me if you like, but I just cannot bring myself to go into great detail about the game mechanics, how to play, or what is really included. Just know that this is probably a game you will play once and pass along, or keep several years between plays so that it doesn’t become too repetitive and easy to solve.
That said, this is a great little card game filled with puzzles I can actually solve! Yes, I needed hints a few times (perhaps a few times too many, as my final score would indicate), but with plenty of time, a little help from some friends, and Trevor Rabin’s soundtrack in the background, I could have score way better.
If you are someone who enjoys escape room-style games and also a lot of Americana thrown in, this one is a must-buy. While you don’t get to steal the Declaration of Independence in the game, you still get the feeling of traipsing across Washington, D.C., to help solve the case/riddle/game. Purple Phoenix Games gives this one a stressful 5 / 6. If you are a fan of anything I have mentioned thus far, pick yourself up a copy today!
The Independence Incident is a 4th of July(ish)-themed escape room type card game. It consists of 18 cards and I will be darned if it isn’t just great.
DISCLAIMER: We were provided a copy of this game for the purposes of this review. This is a retail copy of the game, so what you see in these photos is exactly what would be received in your box. I do not intend to cover every single rule included in the rulebook (as there is none), but will describe the overall game flow and major rule set so that our readers may get a sense of how the game plays. For more in depth rules, you may purchase from your FLGS. -T
To setup, open the flaps of the box containing the cards, navigate to the provided website to launch a web-based companion app, and the game may officially begin!
As I do not wish to spoil anything about the game, I will merely state here that following directions, completing puzzles, and knowing a little something about American history will benefit players immensely. Sorry I cannot say more, I would rather you all experience it for yourselves.
Components. This game consists of 18 double-sided cards and a nifty little box to hold it all. The cards are all nice quality, and feature very specific artwork on them. I have no complaints about the components at all here. Grand Gamers Guild always provide great quality games.
Ok, be mad at me if you like, but I just cannot bring myself to go into great detail about the game mechanics, how to play, or what is really included. Just know that this is probably a game you will play once and pass along, or keep several years between plays so that it doesn’t become too repetitive and easy to solve.
That said, this is a great little card game filled with puzzles I can actually solve! Yes, I needed hints a few times (perhaps a few times too many, as my final score would indicate), but with plenty of time, a little help from some friends, and Trevor Rabin’s soundtrack in the background, I could have score way better.
If you are someone who enjoys escape room-style games and also a lot of Americana thrown in, this one is a must-buy. While you don’t get to steal the Declaration of Independence in the game, you still get the feeling of traipsing across Washington, D.C., to help solve the case/riddle/game. Purple Phoenix Games gives this one a stressful 5 / 6. If you are a fan of anything I have mentioned thus far, pick yourself up a copy today!
Heather Cranmer (2721 KP) rated The Bird Eater in Books
Sep 13, 2019
I've read some of Ania Ahlborn's work before and loved it. The Bird Eater was no different. I loved this book and was completely enthralled throughout!
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
I thought the world building in The Bird Eater was fantastic! There were a few times when I was questioning the main character's choices such as why he didn't describe or ask around about the boy that was shadowing him. However, I don't know what I would do if that situation ever happened to me. I loved how the story took place in a small town. I find small towns creepier than big cities.
The pacing was perfect! Never once did I feel bored with this book. In fact, it was hard to put down. I constantly had to know what would happen next!
I'm a big fan of horror, but I'm really picky about what kind of horror I read. Luckily, the plot for The Bird Eater held my attention. At the beginning of the book, the reader is introduced to a teenage boy who has an affinity for evil. Aaron's aunt is murdered by this boy, and Aaron is shipped off to another state. After the death of his young son, Aaron returns to his childhood home on the advice of his therapist. From there, Aaron spirals into what he thinks is insanity but what is actually something a lot more sinister. There's a little bit of a plot twist, but I didn't feel like it was a big one. I didn't think there was a cliff hanger ending, but let's just say that another book could be written to make this a series if the author wanted it to be.
I found the characters to be very well written. It was easy to like Aaron and also to feel sorry for him. He's a man who is very depressed and still grieving the loss of his young son. Aaron's wife has left him due to him being so depressed. He wants to get better for himself and also so his wife will take him back. The spooky kid was also a great character. I thought he had just the right enough amount of scariness without making him a cheesy character.
I really enjoyed the dialogue in The Bird Eater. The author didn't use words that I found difficult to understand. The dialogue seems to be written for the average person (such as myself). I felt the dialogue flowed very smoothly and never once felt disjointed or awkward. There is some swearing is this book and a lot of violence and gore. This book doesn't really have any sex in it though.
Overall, The Bird Eater is a fantastic book that will delight fans of the horror genre. With a great setting, fantastic world building, and a super sinister character, this is a book that horror fans can not afford to miss! I'd recommend The Bird Eater by Ania Ahlborn especially to those aged 18+ who are big fans of horror and thrillers. The violence and gore may put some people off though.
Kristy H (1252 KP) rated Eleanor Oliphant Is Completely Fine in Books
Dec 24, 2017
funny (3 more)
heartbreaking
tender
beautiful
Eleanor Oliphant leads a simple, albeit lonely, life. Up in the morning, head to work, and heads down at the office (with a solo break for lunch and the crossword). She spends her evenings and weekends alone--typically with a book, the TV, and a lot vodka. Every Wednesday evening, she speaks on the phone with her mother (Mummy)-- always a painful conversation as her mother is judgemental and exacting. Then one day, Eleanor and Raymond, the slightly oafish IT guy from her office, save the elderly Sammy, who has fallen on the sidewalk. The act turns out to change Eleanor's life--bringing her into Sammy's life and that of his boisterous family--and involving her more with Raymond, as well. Suddenly, it's almost as if Eleanor and Raymond are friends and Eleanor isn't completely lonely anymore. But can her friendship with Raymond erase the sadness in her life?
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
This book, oh this book. Wow, what a journey. I'm so very glad I finally picked it up. Where do I even begin? First of all, Honeyman captures the voice of Eleanor perfectly. I was honestly a bit surprised when I started this one. I'd been expecting a slightly quirky character (a la the lead in THE ROSIE PROJECT), but there's far more depth and darkness to Eleanor (and her tale) than I imagined. It took me a little longer to get into the story, but once I was: wow. You can visualize Eleanor and her supporting cast so clearly. Raymond comes across effortlessly too. The plot is striking-- an amazing combination of heartbreaking and tender. My heart truly broke for dear Eleanor at times.
I was intrigued by the fact that there's no real huge story, per se, to this novel--it's just Eleanor finding her way in the world. As mentioned, Eleanor and Raymond assist Sammy, and this jolts Eleanor out of her life built around routine and sameness. Forced to come out of her shell, she suddenly sees some things in a new light--her appearance, her job, her friendships (or lack thereof), her apartment, and more. The way Honeyman presents the world--through Eleanor's eyes--is uncanny. I cannot describe how well she captures her diction and how aghast Eleanor is sometimes by the world around her (dirty books from the library, people who waste her time with conversation, the food people eat and how they eat, etc.).
At the same time, you realize how much Eleanor is formed by her childhood, or lack thereof, and it's just... striking. How Honeyman gets this all across in words is amazing. The unexpected darkness and sadness that comes across in the novel and the added layer of suspense she casts as we ponder Eleanor's tragic childhood: it's chilling. The entire book is mesmerizing and beautiful.
That's not to say the book isn't funny or enjoyable, too. Eleanor is her own person, and she's witty and true to her self, for sure. You will find yourself rooting for her personality quirks (of which there are many) and all. If Eleanor's attempts to understand the world don't tug at your heartstrings, I'm not sure anything will (and I'm pretty tough nut to crack when reading, mind you). I was worried that perhaps the moral would be that Eleanor would have to change herself to find happiness, but no, I don't think that was Honeyman's ultimate intent, even if Eleanor does make some "improvements" along the way. (I won't say more for risk of spoilers.) Also, I loved Raymond, as well; his mother; Glen (!!!!); and so many other parts of the story that made me smile. Seriously, even with its sad parts, this book just makes you happy.
Ultimately, this is lovely book, with beautiful, well-written characters. The tale of Eleanor Oliphant will stay with me for a long time, and I'm so glad I finally decided to read this book. Honeyman is an excellent writer, her depiction of Eleanor is gorgeous and heart-rendering and the few flaws I found with this were so minor, as I was left just awed by the end. One of my favorites so far this year.
Gareth von Kallenbach (980 KP) rated Bumblebee (2018) in Movies
Jul 2, 2019
Like most kids growing up in the 80’s the Transformers always held a special place in my heart. I didn’t have a huge collection because the die-cast/plastic vehicles that transformed into robots could get a little expensive. Thankfully the morning cartoons and comic books filled in the spaces where I lacked the toys. When I heard there would be a live action movie based on the characters that had been such a integral part of my childhood, I couldn’t help but feel excited. I had seen some of the previews of the original Transformers movie by Michael Bay, the characters looked different than I imagined, but how bad could it be. The movie started, and heart break ensued, the first one was ok, the second was worse, and so on and so forth to a point where I still have not brought myself to watch the last installment of the Michael Bay franchise. Fast Forward to the first glimpse I had of Bumblebee, a prequel/reboot of the Transformers franchise, and that feeling of trepidation lingered. The first glimmer of hope was when the previews began to show images of the Transformers that I remembered, now referred to as G1 (Generation One), these transformers were recognizable. Still, the stories have always been lacking, so while I held out a glimmer of hope, I was sure to guard my heart closely…after all, we’ve been down this road before.
Bumblebee begins on Cybertron, where the Autobots and Decepticons are battling for control of what is left of the planet. The visuals are stunning, and as I stated before, here our all our favorites from the G1 universe in their recognizable forms. Once I saw Wheeljack, a personal favorite of mine, I felt I was in for something special. The Autobots are losing control to the evil Decepticons and are forced to evacuate Cybertron to regroup. Bumblebee is sent to Earth, a planet where Optimus Prime feels that the Autobots can rendezvous, but also tasked to protect the planet from any encroachment of the Decepticons.
Bumblebee unfortunately crash lands in the middle of a military training exercise and is quickly engaged by the armed forces there. While Bumblebee alone is a match for the Humvees and small arms fire, the battle is quickly joined by a Decepticon who has followed Bumblebee to Earth. He is completely out matched and outgunned it is not long before Bumblebee is defeated and barely escapes with his life. It is here that he is “saved” by Charlie Watson (Hailee Steinfeld) who finds the battered and broken beetle in a junkyard on her birthday, and a deep bond between the two is formed.
Bumblebee does not disappoint in its amazing visuals. The robots are as big as ever, yet now retain a more familiar look. The story still has explosions, and epic one-on-one robot battles that fans of the Michael Bay franchise can enjoy, but it’s the deep and meaningful story where Bumblebee truly shines. Written by Christina Hodson (Shut In/Unforgetable) and Directed by Travis Knight (Kudo and the Two Strings/Paranorman) we are finally given a story with a plot that fans of the series can get behind and enjoy. It’s not to say that the story is perfect, there are still the occasional lines that fall into groan-worthy territory, but to say that Bumblebee surpasses the previous live action movies is an understatement.
You don’t have to be a fan (or have any familiarity at all) with the Transformer toys, cartoon, or live action movies to enjoy it. However, for those who have been fortunate (or unfortunate) to experience them all will appreciate the subtle nods to previous films. The audience clapped and cheered when Stan Bush’s well-known Transformer song The Touch exploded on screen. Sure, it’s a spoiler, but for those who are still reluctant to see it based on previous films, maybe it’s exactly what’s needed. The film is littered with such nods and die-hard Transformer fans are in for a real treat.
The acting in the film is top-notch, not only by Hailee Steinfeld and Jorge Lendeborg Jr who are the main human characters, but by the supporting characters as well. John Cena brings his witty one-liners and Peter Cullen once again reprises his role of the now infamous Optimus Prime. For a movie that seems more at home as a summer blockbuster, it carries with it a tremendous amount of heart. Even Bumblebee who rarely utters a word throughout the entire film, brings out emotion in his facial expressions, or movements.
I’ll admit that going into Bumblebee I had my reservations and for those who have been burned by previous iterations of the series it’s a completely understandable concern. I’ll say it here though, Bumblebee is a terrific Transformers movie, easily on-par with the animated film, which to date had been the only Transformer movie worth talking about. Fans of the franchise will not be disappointed, and probably like myself, will be naming the numerous Transformers on the screen, by how they look…not by what they are called. In the famous words of Optimus Prime…Autobots Roll-out, and go see Bumblebee, coming to theaters on December 21st.
Bumblebee begins on Cybertron, where the Autobots and Decepticons are battling for control of what is left of the planet. The visuals are stunning, and as I stated before, here our all our favorites from the G1 universe in their recognizable forms. Once I saw Wheeljack, a personal favorite of mine, I felt I was in for something special. The Autobots are losing control to the evil Decepticons and are forced to evacuate Cybertron to regroup. Bumblebee is sent to Earth, a planet where Optimus Prime feels that the Autobots can rendezvous, but also tasked to protect the planet from any encroachment of the Decepticons.
Bumblebee unfortunately crash lands in the middle of a military training exercise and is quickly engaged by the armed forces there. While Bumblebee alone is a match for the Humvees and small arms fire, the battle is quickly joined by a Decepticon who has followed Bumblebee to Earth. He is completely out matched and outgunned it is not long before Bumblebee is defeated and barely escapes with his life. It is here that he is “saved” by Charlie Watson (Hailee Steinfeld) who finds the battered and broken beetle in a junkyard on her birthday, and a deep bond between the two is formed.
Bumblebee does not disappoint in its amazing visuals. The robots are as big as ever, yet now retain a more familiar look. The story still has explosions, and epic one-on-one robot battles that fans of the Michael Bay franchise can enjoy, but it’s the deep and meaningful story where Bumblebee truly shines. Written by Christina Hodson (Shut In/Unforgetable) and Directed by Travis Knight (Kudo and the Two Strings/Paranorman) we are finally given a story with a plot that fans of the series can get behind and enjoy. It’s not to say that the story is perfect, there are still the occasional lines that fall into groan-worthy territory, but to say that Bumblebee surpasses the previous live action movies is an understatement.
You don’t have to be a fan (or have any familiarity at all) with the Transformer toys, cartoon, or live action movies to enjoy it. However, for those who have been fortunate (or unfortunate) to experience them all will appreciate the subtle nods to previous films. The audience clapped and cheered when Stan Bush’s well-known Transformer song The Touch exploded on screen. Sure, it’s a spoiler, but for those who are still reluctant to see it based on previous films, maybe it’s exactly what’s needed. The film is littered with such nods and die-hard Transformer fans are in for a real treat.
The acting in the film is top-notch, not only by Hailee Steinfeld and Jorge Lendeborg Jr who are the main human characters, but by the supporting characters as well. John Cena brings his witty one-liners and Peter Cullen once again reprises his role of the now infamous Optimus Prime. For a movie that seems more at home as a summer blockbuster, it carries with it a tremendous amount of heart. Even Bumblebee who rarely utters a word throughout the entire film, brings out emotion in his facial expressions, or movements.
I’ll admit that going into Bumblebee I had my reservations and for those who have been burned by previous iterations of the series it’s a completely understandable concern. I’ll say it here though, Bumblebee is a terrific Transformers movie, easily on-par with the animated film, which to date had been the only Transformer movie worth talking about. Fans of the franchise will not be disappointed, and probably like myself, will be naming the numerous Transformers on the screen, by how they look…not by what they are called. In the famous words of Optimus Prime…Autobots Roll-out, and go see Bumblebee, coming to theaters on December 21st.
Gareth von Kallenbach (980 KP) rated Joe (2014) in Movies
Aug 6, 2019
So, officially … spring is here although it still feels like winter to your friendly
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
neighborhood freelance photographer but according to the calendar it’s spring.
Another indicator that it might be spring? Nicolas Cage has a new film out.
Seriously, he does .. and it’s actually a dark, heavy-duty drama.
‘Joe’ is based on the 1991 novel of the same name written by author Larry Brown.
Directed by David Gordon Green who’se credits include comedies like 2008’s
‘Pineapple Express’ and the HBO t.v. series ‘Eastbound & Down’ … ‘Joe’is certainly
no comedy.
Starring Nicolas Cage, Tye Sheridan, and Ronnie Gene Belvins ‘Joe’ is a dark, gritty
film that tells the story of Joe Ransom. An angry ex-con who befriends Gary, a teenager
from an abusive, broken home who approaches Joe looking for work with his ‘tree poinsoning’
crew. Impressed by Gary’s stubborness and determination Joe gives him a job (and later
his truck) and attempts to set Gary on ‘the right path’ and becomes an unlikely rolemodel
for him. At home though, Gary’s family life is slowly spiraling at of control due to
his alcholic father and the situation points to a dark, violent confrontation.
I can honestly say that this is one of Nic Cage’s best and ‘sincere’ performances in a
while and due to the darkness of the film, it will most likely go unrecognized. The film
doesn’t hold back. It’s in-your-face, gritty, and violent. The minute you don’t think it
can get more disturbing, it does just that. As the viewer, the experience was like an
old-fashioned pinball machine only you, the viewer, ARE the pinball.
I don’t recommend this as a ‘date movie’ but if you like Nicolas Cage’s work and you’re
looking for a good drama, this is defintely one to see. If this movie is any indication,
I imagine it won’t be too long before Nic Cage has another great performance under his belt
so keep an eye out. ‘Joe’ is rated ‘R’ and you can catch it in theaters on April 11th.
I give the film 4 out of 5 stars.
TacoDave (4066 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Feb 5, 2020 (Updated May 6, 2020)
Special Effects (1 more)
Music
The force is weak with this one...
You've either already seen "The Rise of Skywalker" or you probably don't care too much about it. I won't go into major spoilers, except to say this: this movie is swiss cheese. It has so many holes and unexplained plot points that it would be futile to try to list them all. But here are a few:
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
We are told in the very beginning that the Emperor is still alive. Why? How? The last time we saw him, Darth Vader was throwing him over a railing to a definitive death. But they don't bother to explain it, other than some vague "This isn't the logic you're looking for..." hand-waving.
Apparently there are tons of new Force powers that nobody knew about. Like, for example, how Kylo Ren can not only see what Rey is seeing, but he can actually physically reach into her physical space and grab something. Even though he's not really there...? And if you think "Sure would be nice for a Jedi to be able to heal things. It could have saved so many characters over the years!" then you're in for a treat when Rey learns to heal a giant worm. How? Who knows? Cuz she's a badass chick, that's how! Shut up, misogynist!
There's this knife, see, and it contains a map, just like the doubloon in The Goonies, and the map points to one of only two thingamabobs that somehow lead to the secret hidden Sith planet. Don't ask why someone made the knife. Or why it was hidden where it was. Or how they knew where the thingamabob was. Or why they hid the map to the Sith planet that sounds like "Icicle" when people say it but is actually something like "Exegol."
Han Solo is dead. We know that from The Force Awakens. Except here he is, except not really, but possibly he is. He's at least talking to Kylo Ren. Or is he? Is he in Kylo's head? Is the guy hallucinating? "Don't know, don't care," say the writers. Just be happy you can see Harrison Ford's face again!
Apparently thousands of Sith have been hiding on a planet building hundreds (thousands?) of old-school star destroyers. How did that work? Where did they get the material? How many people does it take to build and run those ships and with that many people, how did they feed themselves? What resources do they have on Icicle to make clothes, weapons, etc.? It looks like a dark, empty, lightning-filled place and I didn't see any grocery stores or McDonald's. But somehow those millions of people are there and they survive ... somehow. Don't question it.
I think that's enough. You get the point. This movie is fun to watch, but it is a mess. You have to turn off your brain to enjoy it.
Kirk Bage (1775 KP) rated Marriage Story (2019) in Movies
Mar 3, 2020
To say I found this hard to watch could not be more understated. Any adult that has risked their whole life on a true love that runs its course and then fails must surely feel the same. It happens to most of us once or twice in a lifetime, and resonates forever. Such is the level of truth and sadness on display in Noah Baumbach’s beautifully written and directed tale of two people in turmoil, whose biggest obstacle is not one another, but the dispassion and ineffectiveness of legality, and even friends and family, to resolve big issues of a personal nature.
As with the obvious reference point of the seminal take on divorce, Robert Benton’s 1979 Oscar winner Kramer Vs. Kramer, the point is not at all about taking sides and choosing a winner… because everyone loses in a break-up. The only thing you can hope is that it doesn’t tear the child / children apart, and that at least some memory of the love that once was isn’t entirely forgotten. You also hope that you will survive, once you realise you are not part of a whole any more, and you must now figure out who you are and where to go. Even the grief of death is sometimes not as devastating. And this beyond mature film acknowledges that.
Not that it is all doom and gloom. There is some real humour and joy wrapped up inside the detail of Marriage Story’s script. As you would expect from the guy who gave us the massively under-rated The Squid and the Whale, from 2005. It assumes an emotional intelligence similar to the best films of Woody Allen, with which he clearly shares some sense of creative style and sensibility. But let’s not open that can of worms at this juncture.
The idea that Scarlett Johansson can even be thought of as a double Oscar nominee this year may be galling to some naysayers, but it comes as no surprise to me at all. Despite a career touching on the lighter side of cinema, there are some bold artistic choices in there too, and personally I have always seen that potential. As Nicole, she not only creates a fully rounded character different from anything I have ever seen her do; believable and interesting in every way, but also holds her own against one of the major talents working in film today – Mr Adam Driver. And that is no mean feat! Another balance comparison that can be made to the epic battle of Streep Vs Hoffman, decades before. And as with Streep before her, there are moments where we entirely see her side of things and stop questioning male vs female politics and just see the person battling underneath it all.
However, and not remotely because I am likely to relate to the male point of view, the work Adam Driver is doing here is close to transcendent! I have made no secret of wanting Joaquin Phoenix to win every accolade going for his turn in Joker. And what a shame the two have to be compared, because Driver’s work here is second to none! I find it so completely exciting for the future of cinema that he is out there doing his thing – evidently, it is about as breath-taking as screen acting has ever been!
It is not only his ability to convey vulnerability and humanity in every role he takes on; it his control that really impresses. To such an extent that I begin to wonder if there is anything he could not do better than 99% of anyone working today, if well cast. Make no mistake, at any level, this is one of hell of a talent, making the right choices in the roles he does at almost every crossroads. Consider the latest Star Wars trilogy without him, and ponder what weak popcorn fare it might have been without him?
Marriage Story as a complete piece is worthy of dissection and multiple re-watches. I am happy to say that, only hours after seeing it myself. There simply isn’t a doubt. As a serious commentary on break-ups then it may be, at the moment, tertiary in my mind to both the aforementioned Kramer Vs Kramer and the sickeningly sad Blue Valentine. But, it is perhaps more real than either of those, and will certainly build in my psyche as time passes.
In conclusion: Yes! I have no inclination to fault it. And may have more to say at a different point…
As with the obvious reference point of the seminal take on divorce, Robert Benton’s 1979 Oscar winner Kramer Vs. Kramer, the point is not at all about taking sides and choosing a winner… because everyone loses in a break-up. The only thing you can hope is that it doesn’t tear the child / children apart, and that at least some memory of the love that once was isn’t entirely forgotten. You also hope that you will survive, once you realise you are not part of a whole any more, and you must now figure out who you are and where to go. Even the grief of death is sometimes not as devastating. And this beyond mature film acknowledges that.
Not that it is all doom and gloom. There is some real humour and joy wrapped up inside the detail of Marriage Story’s script. As you would expect from the guy who gave us the massively under-rated The Squid and the Whale, from 2005. It assumes an emotional intelligence similar to the best films of Woody Allen, with which he clearly shares some sense of creative style and sensibility. But let’s not open that can of worms at this juncture.
The idea that Scarlett Johansson can even be thought of as a double Oscar nominee this year may be galling to some naysayers, but it comes as no surprise to me at all. Despite a career touching on the lighter side of cinema, there are some bold artistic choices in there too, and personally I have always seen that potential. As Nicole, she not only creates a fully rounded character different from anything I have ever seen her do; believable and interesting in every way, but also holds her own against one of the major talents working in film today – Mr Adam Driver. And that is no mean feat! Another balance comparison that can be made to the epic battle of Streep Vs Hoffman, decades before. And as with Streep before her, there are moments where we entirely see her side of things and stop questioning male vs female politics and just see the person battling underneath it all.
However, and not remotely because I am likely to relate to the male point of view, the work Adam Driver is doing here is close to transcendent! I have made no secret of wanting Joaquin Phoenix to win every accolade going for his turn in Joker. And what a shame the two have to be compared, because Driver’s work here is second to none! I find it so completely exciting for the future of cinema that he is out there doing his thing – evidently, it is about as breath-taking as screen acting has ever been!
It is not only his ability to convey vulnerability and humanity in every role he takes on; it his control that really impresses. To such an extent that I begin to wonder if there is anything he could not do better than 99% of anyone working today, if well cast. Make no mistake, at any level, this is one of hell of a talent, making the right choices in the roles he does at almost every crossroads. Consider the latest Star Wars trilogy without him, and ponder what weak popcorn fare it might have been without him?
Marriage Story as a complete piece is worthy of dissection and multiple re-watches. I am happy to say that, only hours after seeing it myself. There simply isn’t a doubt. As a serious commentary on break-ups then it may be, at the moment, tertiary in my mind to both the aforementioned Kramer Vs Kramer and the sickeningly sad Blue Valentine. But, it is perhaps more real than either of those, and will certainly build in my psyche as time passes.
In conclusion: Yes! I have no inclination to fault it. And may have more to say at a different point…
MisterMovieDude (2 KP) rated Downsizing (2017) in Movies
Dec 29, 2017 (Updated Dec 29, 2017)
Hong Chou (3 more)
The concept
The SFX
Has heart
Every actor except Hong Chou (2 more)
Run time
Pacing issues
Big Concept, comes up short
Contains spoilers, click to show
Going into Downsizing I was excited. I had seen all of Alexander Payne’s previous work, but couldn’t necessarily call myself a fan, but I had respect for him as a filmmaker. I had a feeling that this was going to feel more like stranger than fiction, or everything must go than the trailers and tv spots were making it seem. Unfortunately, I was right.
First off, the movie is obnoxiously long. I saw this and Jumanji as a double feature and while Jumanji was 15 minutes shorter, Downsizing felt like it lasted for about 5 hours too long. The pacing was way off as well. It felt like the movie was going pretty well, and then it just slowed to a crawl at times. I get why, because the writer and director were trying to set up story and tell an awards caliber story, but that was really unnecessary. We have a movie about shrinking people down to 5 inches and placing them into a whole new community. That is a great concept, and a concept that would have made a great comedy. It didn’t make a great dramedy.
Second, the acting was bad, well for everyone except Hong Chou. I don’t know who she is but I fell in love with her in this movie. They say that beauty is In the eye of the beholder, and man, she starts out rough, but by the end she ends up this sweet, beautiful soul. It was truly a “shes all that” type of situation, but internally, if that makes any sense. The other actors just played themselves. Damon played himself, Christoph played the same character as he did in the Green Hornet(I know, we all wish we can forget he was in that too). Jason Sudeikis and NPH were in it for literally two seconds a piece, which was unfortunate, and once Wiig leaves the movie, it slows to a crawl.
I didn’t hate the movie. It had its moments, but I feel like the could have told the same movie and leave out the downsizing concept, and have two pretty decent movies with them being separate. What this is, is matt Damon finding himself after his wife backed out. Thats it. How he copes with his irreversible decision, and his story in “Liesure Land”, the community he lives in after being down sized.
Jokes don’t land, it’s too long and its poorly acted, but Hong, she is something special. I’ve never left a movie I hated before and still wanted to see a sequel because I wanted to see more of her characters story, so for that reason I recommend this movie.
There won’t be a sequel, but it’s already basically a prequel to the borrowers. You’ll see why, if you see it.
First off, the movie is obnoxiously long. I saw this and Jumanji as a double feature and while Jumanji was 15 minutes shorter, Downsizing felt like it lasted for about 5 hours too long. The pacing was way off as well. It felt like the movie was going pretty well, and then it just slowed to a crawl at times. I get why, because the writer and director were trying to set up story and tell an awards caliber story, but that was really unnecessary. We have a movie about shrinking people down to 5 inches and placing them into a whole new community. That is a great concept, and a concept that would have made a great comedy. It didn’t make a great dramedy.
Second, the acting was bad, well for everyone except Hong Chou. I don’t know who she is but I fell in love with her in this movie. They say that beauty is In the eye of the beholder, and man, she starts out rough, but by the end she ends up this sweet, beautiful soul. It was truly a “shes all that” type of situation, but internally, if that makes any sense. The other actors just played themselves. Damon played himself, Christoph played the same character as he did in the Green Hornet(I know, we all wish we can forget he was in that too). Jason Sudeikis and NPH were in it for literally two seconds a piece, which was unfortunate, and once Wiig leaves the movie, it slows to a crawl.
I didn’t hate the movie. It had its moments, but I feel like the could have told the same movie and leave out the downsizing concept, and have two pretty decent movies with them being separate. What this is, is matt Damon finding himself after his wife backed out. Thats it. How he copes with his irreversible decision, and his story in “Liesure Land”, the community he lives in after being down sized.
Jokes don’t land, it’s too long and its poorly acted, but Hong, she is something special. I’ve never left a movie I hated before and still wanted to see a sequel because I wanted to see more of her characters story, so for that reason I recommend this movie.
There won’t be a sequel, but it’s already basically a prequel to the borrowers. You’ll see why, if you see it.
Kyera (8 KP) rated City of Glass (The Mortal Instruments, #3) in Books
Jan 31, 2018
City of Glass sent me on an emotional rollercoaster. You know characters are well written when you viscerally feel the emotions that they are experiencing, you connect with them as if they are real people and cannot help but be completed enamoured with the story. Of course, to get this experience you need to follow the characters on their journey from the first book, City of Bones. This is not a book that you could read by itself and fully understand the immersive and expansive world that Cassie has built.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.
Even though I may usually not be consciously thinking about the fact that I’m going to review a book – I believe having been writing reviews much more frequently I am more cognizant of the aspects of a book. I am now subconsciously more aware of a book, especially with a re-read or an author I’m familiar with. I’m so used to having spent the last decade with the characters from the Mortal Instruments, that I feel I had forgotten who they were at the start. You don’t realize just how much they’ve grown until you re-read the books.
Each character learns so much over the course of the books that we get to know them and watch them evolve. The Clary I think of is artistic, strong, passionate, fiercely loyal and loving, brave and capable – so it is strange seeing her when she is new to the Shadow World. You can see the potential, although she has not grown and matured into that person yet. In City of Glass, I was amazed to be reminded just how whiny, child-like, quick to anger and throw temper tantrums, and reckless she could be.
I’ve mentioned it before, but I am continually impressed with and in awe of how much Cassandra Clare’s writing has improved over the years. Just the level of growth each principle character experiences over the course of the novels is fantastic. There were also so many emotional or action-filled scenes that the plot just raced by, but not in a bad it. I just fell completely into the story and didn’t want to put it down.
The fact that, even three books later, Cassie continues to expand the world she builds is incredible. I love when a fictional world, even one set within our own with hidden depth, is so real that you feel like you could live there. You understand the way of the world and its nuances. It was wonderful getting to see the Shadowhunters’ home country, Idris and the city of Alicante.
I can’t really discuss more without there being spoilers from the first two books or City of Glass, so all I have left to say is please read this series. If you give it a chance, even if it’s not perfect at first, I hope you will fall in love with it just like I did.