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Gareth von Kallenbach (980 KP) rated Horrible Bosses (2011) in Movies
Aug 7, 2019
We have all had them at some point in our life. You may even have one now. That’s right, I am talking about horrible bosses. So I was more than happy to go see Horrible Bosses, mostly to get suggestions on how to treat my subordinates. What? I never said that I was a great boss. But enough about me, the movie is about three friends whose superiors are making their lives unbearable, so they decide to murder their horrible bosses.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
The three friends:
Nick Hendricks (Jason Bateman) has spent years being the dedicated, hard-working employee. He is the first to arrive at work and the last to leave. But for some reason his boss, the company president, Dave Harken (Kevin Spacey) feels the need to torment him on a daily basis. The one thing that has kept Nick going was the promotion to Vice President of Sales that his boss has been telling him that he would get. But when the day comes Dave decides that he will absorb the VP of Sales position within his own.
Dale Arbus (Charlie Day) is a caring dental hygienist who loves his job, with the one exception of his boss Dr. Julia Harris D.D.S. (Jennifer Aniston) who sexually harrasses him constantly. Now, personally, if I had a boss that looked like his boss she could sexually harass me all she wanted and I would be begging for overtime. However Dale is engaged to a wonderful woman, Stacy (Lindsay Sloane), and Dr. Harris demands that either Dale sleeps with her by the end of the week or else she will tell Stacy that Dale has been sleeping with her. Dr. Harris even has incriminating photos that she took of herself and Dale in questionable poses (of course he was unconscious during dental surgery when the pictures were taken but that’s beside the point).
Kurt Buckman (Jason Sudeikis) is an accountant at Pellit & Sons Chemical Plant. He’s dedicated, hard-working and actually loves his job and boss. But when his boss Jack Pellit (Donald Sutherland) suddenly passes away, Jack’s deranged coke-head son, Bobby (Colin Farrell) takes over and all he cares about is making as much money possible until he runs the company into the ground.
Now you may be asking “Why don’t they just quit their jobs?” They thought about that but then they bump into an old High School buddy of theirs, Kenny Sommerfeld (P.J. Byrne), and they see first-hand how hard it is to find a job.
The decision to murder:
Dale thought he had a fantastic plan on how to murder their bosses and it was rather inexpensive but that gets flushed down the toilet. Nick and Kurt were pissed at Dale for a while but luckily the GPS navigation system in Kurt’s car leads them to Dean ‘MF’ Jones (Jamie Foxx). Dean becomes their Murder Consultant and he gives them a wealth of information on how to go about getting away with murder, as well as the idea that they should murder each other’s bosses. Thus the three friends embark on an epic adventure to kill each other’s bosses and save the world.. well, at the very least, save their sanity.
The onscreen chemistry between Jason Bateman, Jason Sudeikis and Charlie Day was so amazing you would think they have been a comedy team for years and friends for even longer. It really seemed very genuine. Walking out of the theatre I overheard some people discussing who out of the three main actors did the better job and I have to agree with pretty much what they said. Though they all did great jobs Charlie Day rocked the screen just a little harder than either Jason did.
Kevin Spacey, Jennifer Aniston & Colin Farrell were phenomenal. They brought such unique flair and realism to their characters. Kevin Spacey will always be the worst boss ever, Colin Farrell will always be the guy I want to party with and Jennifer Aniston is the boss I would love to have. I will be honest, I was guilty of type casting Jennifer but after seeing her in this role, I can safely say I have learned my lesson and I will not make that mistake again. (Psst, film industry, you can learn this lesson too).
While the screen time for Donald Sutherland, Jamie Foxx, Julie Bowen, Wendell Pierce, Ron White and Bob Newhart may have been shorter than I would have preferred, those scenes were still great. There’s even a really short scene with Isaiah Mustafa (fun fact: he attended the Seattle Seahawks’ training camp in 2000) and even though he was fully clothed in the scene I swear I heard “Yum” whispered by most of audience.
There were a couple of things in the movie that I felt could have been done better unfortunately to list those parts would be a major spoiler. But overall, the movie delivered what I expected and more. It was consistently funny, relatable, highly enjoyable, clever with some twists I didn’t see coming and all the actors (regardless of screen time) shined brightly as the stars they are.
colin... (64 KP) rated Portrait of a Lady on Fire (2019) in Movies
Sep 30, 2020
How is one to critique a film as intimate as this? It is so gorgeous, brilliant in its spectacle, yet it is just a moment in the grand scheme of life shared between two people just like you and I. A lover remembered in the shadows of everyone else you will ever meet, a bond as deep as the ocean can push itself. Tears welling over a singular piano note that makes you think of a brief moment where shoulders grazed, which eventually turned into fingers, which eventually turned into lips, and so on and so forth. And although the welling is constant, the tears never come, for you must never let anyone else know that you have felt love of such magnitude, as they will try to strip it away from you with all of their might. They think that those emotional are vulnerable, yet you prove them wrong time and time again with every second reminiscing that you are greater than feelings. Plus, you will have an eternity to spend with them wherever your souls may roam, for your life is only a speck of the world, and your love transcends that speck. Time is only quantifiable if you let it be, otherwise you can let it acquiesce to your every whim. If the month you spend together feels like a lifetime, then don't let anything stop you from making it your lifetime. They say all good things come to an end, but that is not necessarily true. All good things come to a pause, and you can pick them up whenever you please.
Love,
Colin
Love,
Colin
Louise (64 KP) rated Sunflowers in February in Books
Jun 28, 2018
First and foremost thank you to readers first for supplying me a copy of this book, it truly looks better in the flesh.
This is a UK YA debut novel by Phyllida Shrimpton and very reminiscent of the lovely bones by Alice Sebold. When I read the synopsis of this book I knew that I was going to have to read it. The exploration of life after death fascinates me, are there spirits? is there really life after death? This book had depth to it and has some very important messages, it covers a lot on grief and guilt.
Our story starts out pretty much as the synopsis states…Lily is 15 years old and is on a bank of grass and has no idea how she got there. The first thing she notices is her purple converse laying in a puddle, her mum is going to be so mad that she has ruined them especially as she begged and pleaded with her for them. Thankfully the Police turn up just in time, hopefully they will be able to take her home, It’s only when they ignore her that she starts becoming alarmed, she can’t seem to touch them or communicate with them. One of the policemen radio in that they have found her, but it can’t be her as they keep ignoring her, when she looks in the same direction as the Police she sees herself lying in a ditch DEAD! For some reason Lily is still around in spirit, she stands next to her mother and father when they identify her body, she even attends her funeral. Being a spirit is pretty lonely, watching everyone grieving for her not being able to console them but worst of all is being emotionally numb, it’s only one evening when her twin brother has an out-of-body experience in the night that she finds she can actually communicate to the outside world. She wants one chance to say goodbye to everyone properly and then maybe she will finally rest in peace.
This was a very ambitious concept to try to pull off for a debut novel and I think she might have just done it. There were some aspects of this book that I was sceptical of, but other than that it was an enjoyable read. I liked how much grief was tackled and the ways in which people cope.The way she was drawn to people when they were thinking about her was a nice touch which meant we got to see several characters which broke any monotony up. This did delve in the stages of grief. We had Denial, anger,guilt,depression and acceptance and you could see each of these stages in the characters throughout the book. I also liked the message of not taking things for granted because you never know when your life might end and you wish you could have done things differently. Lily could see her family falling apart and her mission was to stop that from happening – they needed to be together and move on with their lives but she also need to learn to forgive so she too could move on.
Overall I enjoyed this book it had a lot of important messages and dealt with a delicate subject pretty well. I would say this is the YA of ‘The Lovely Bones’.
This is a UK YA debut novel by Phyllida Shrimpton and very reminiscent of the lovely bones by Alice Sebold. When I read the synopsis of this book I knew that I was going to have to read it. The exploration of life after death fascinates me, are there spirits? is there really life after death? This book had depth to it and has some very important messages, it covers a lot on grief and guilt.
Our story starts out pretty much as the synopsis states…Lily is 15 years old and is on a bank of grass and has no idea how she got there. The first thing she notices is her purple converse laying in a puddle, her mum is going to be so mad that she has ruined them especially as she begged and pleaded with her for them. Thankfully the Police turn up just in time, hopefully they will be able to take her home, It’s only when they ignore her that she starts becoming alarmed, she can’t seem to touch them or communicate with them. One of the policemen radio in that they have found her, but it can’t be her as they keep ignoring her, when she looks in the same direction as the Police she sees herself lying in a ditch DEAD! For some reason Lily is still around in spirit, she stands next to her mother and father when they identify her body, she even attends her funeral. Being a spirit is pretty lonely, watching everyone grieving for her not being able to console them but worst of all is being emotionally numb, it’s only one evening when her twin brother has an out-of-body experience in the night that she finds she can actually communicate to the outside world. She wants one chance to say goodbye to everyone properly and then maybe she will finally rest in peace.
This was a very ambitious concept to try to pull off for a debut novel and I think she might have just done it. There were some aspects of this book that I was sceptical of, but other than that it was an enjoyable read. I liked how much grief was tackled and the ways in which people cope.The way she was drawn to people when they were thinking about her was a nice touch which meant we got to see several characters which broke any monotony up. This did delve in the stages of grief. We had Denial, anger,guilt,depression and acceptance and you could see each of these stages in the characters throughout the book. I also liked the message of not taking things for granted because you never know when your life might end and you wish you could have done things differently. Lily could see her family falling apart and her mission was to stop that from happening – they needed to be together and move on with their lives but she also need to learn to forgive so she too could move on.
Overall I enjoyed this book it had a lot of important messages and dealt with a delicate subject pretty well. I would say this is the YA of ‘The Lovely Bones’.
LilyLovesIndie (123 KP) rated A Tumble Through Time in Books
Nov 5, 2018
A Tumble Through Time is a wonderful frolic in the Wild West. When everything is going wrong for Anna, she suddenly finds herself in Kansas, 1870. A slow burning love for the town Marshal, Wes, develops and before you know it, it's love, but for how long?
I was provided a complimentary copy of this book by the author in return for an honest review, and I'm pretty certain Callie Hutton is going to be pretty pleased with it! But firstly, I must thank her for offering me this book to read as it was an absolute delight from start to finish.
Let's start with the plot, time travel meets romance, meets a bit of tragedy, meets a lovely ending. Hutton is spot on with her pace, plot development, writing style and story. It ambles at a lovely easy read pace, and has the feel of a book that you can easily slip in and out of, just like a pair of old jeans! But at times, the drama in the story picks up the pace and makes for irresistible reading. However, for me, the most important point to make is how familiar it feels when you return to the book after a short reading break (and believe me when I say short!) as it feels like you never put the book down. As someone who is frequently interrupted whilst reading, that's a really important thing for me.
Next, we have the characters. Anna and Wes are a delight to read, their love isn't cheesy or over the top, and the sex scenes are incredibly well written. The characters are believable and that makes it so easy to invest your emotions and time into reading about their lives, even if Anna is a bit of a 'modern woman', it's just lovely to see the contrast of times and upbringing completely demolished by their love for each other. In fact, if anything, it made me feel 'loved up' because I was bathed in their happy glow.
One of the final things I feel needs to be pointed out is how historically accurate the book is. This area of history is one of great interest to me, and I like my books to be accurate. Whether it's 'Indian Territory' or Kansas, it's clear how much effort has gone into researching this story, especially the accents. The dialects are fantastically well written, and it was easy to find yourself actually hearing the cowboys and little familiar ditties you've all heard in the classic Wild West movies, and it all adds to how believable the tale is, developing the atmosphere to such an extent you actually think you're there in Denton.
Finally, I suppose there's nothing else to say apart from go and get yourself a copy of this book. It's a delight from cover to cover, and I cannot honestly recommend it highly enough. If you like a bit of romance, a bit of action, a bit of time travel or even just something nice and easy to read sat by the poolside on your holiday then look no further. Callie Hutton is a fantastic and very talented author and I look forward to reading more of her work.
I was provided a complimentary copy of this book by the author in return for an honest review, and I'm pretty certain Callie Hutton is going to be pretty pleased with it! But firstly, I must thank her for offering me this book to read as it was an absolute delight from start to finish.
Let's start with the plot, time travel meets romance, meets a bit of tragedy, meets a lovely ending. Hutton is spot on with her pace, plot development, writing style and story. It ambles at a lovely easy read pace, and has the feel of a book that you can easily slip in and out of, just like a pair of old jeans! But at times, the drama in the story picks up the pace and makes for irresistible reading. However, for me, the most important point to make is how familiar it feels when you return to the book after a short reading break (and believe me when I say short!) as it feels like you never put the book down. As someone who is frequently interrupted whilst reading, that's a really important thing for me.
Next, we have the characters. Anna and Wes are a delight to read, their love isn't cheesy or over the top, and the sex scenes are incredibly well written. The characters are believable and that makes it so easy to invest your emotions and time into reading about their lives, even if Anna is a bit of a 'modern woman', it's just lovely to see the contrast of times and upbringing completely demolished by their love for each other. In fact, if anything, it made me feel 'loved up' because I was bathed in their happy glow.
One of the final things I feel needs to be pointed out is how historically accurate the book is. This area of history is one of great interest to me, and I like my books to be accurate. Whether it's 'Indian Territory' or Kansas, it's clear how much effort has gone into researching this story, especially the accents. The dialects are fantastically well written, and it was easy to find yourself actually hearing the cowboys and little familiar ditties you've all heard in the classic Wild West movies, and it all adds to how believable the tale is, developing the atmosphere to such an extent you actually think you're there in Denton.
Finally, I suppose there's nothing else to say apart from go and get yourself a copy of this book. It's a delight from cover to cover, and I cannot honestly recommend it highly enough. If you like a bit of romance, a bit of action, a bit of time travel or even just something nice and easy to read sat by the poolside on your holiday then look no further. Callie Hutton is a fantastic and very talented author and I look forward to reading more of her work.
LeftSideCut (3776 KP) rated Aladdin (2019) in Movies
Jan 28, 2020
Pleasantly Surprising
As I've mentioned before, I grew up during the 90s, and therefore, the Disney movies I have the fondest memories of run between Beauty & the Beast and Mulan. The original Aladdin's release in 1992 places it firmly it that era, and as such, is one that I lived as a kid. Couple this with the fact that I haven't particularly liked any of the live action Disney remakes so far, and this was one I was prepared to loathe.
But, dammit, Guy Ritchie wasn't going to let that happen! Aladdin is an adaption that is full with to the brim with positives.
The cast for one thing. Mena Massoud and Naomi Scott (as Aladdin and Jasmine) are likeable leads and carry the main bulk of the story with minimal effort. They share good chemistry and are instantly charming.
Will Smith was obviously the big talking point before the films release. I though he did a great job at bringing Genie to life. He doesn't try to imitate what Robin Williams did back in 1992, and manages to stop short of turning into a full blown Will Smith vehicle, and this results in a respectful and fun portrayal of one of Disney's most beloved characters.
Jafar (Marwan Kenzari) was fine - he never really goes full Disney villain and felt quite subdued. Both a little underwhelming, but maybe a bit more grounded?
Even the CGI characters of Apu and The Magic Carpet have a respectable amount of personality!
The CGI is actually (and maybe predictably) where one of the few negatives stems from. The CG effects use in Will Smith when he's in full blown genie mode are pretty jarring at first. I feel myself getting used to it, and accepting that it actually looked fine seeing as he is a magical being and all, but then there another close up of his face and it's terrifying again. The infamous carpet ride hand a few dodgy moments as well, but other than that, it was all pretty good. The wider shots of Agrabar looked stunning and full of colour, and the film is gorgeous looking for the most part.
I've also mentioned before that I'm not a massive musical fan, but the nostalgia in me give films like Aladdin a bit of a pass. The songs here are all fine (if you ignore the autotune here and there) and the cast all seem like they can sing mostly unaided. I didn't care much for the new song they put in - it absolutely reeked of Frozen, right down to Jasmine's posturing - and added nothing to the narrative, even if the message is an empowering one.
The film also gets a bit carried away during the pre-credits, with it's reliance on the audiences tolerance for the songs.
Other than that handful of gripes, I would say that Aladdin is safely the best of the bunch so far when it comes to these live action Disney remakes. It actually feels like that cast and crew care about what they're doing, and it's doesn't come across as a money grab anywhere near as much as say The Lion King.
If you haven't yet given it a chance due to your fondness for the original, try not to worry about that and enjoy it for what it is. It could have been a lot worse!
But, dammit, Guy Ritchie wasn't going to let that happen! Aladdin is an adaption that is full with to the brim with positives.
The cast for one thing. Mena Massoud and Naomi Scott (as Aladdin and Jasmine) are likeable leads and carry the main bulk of the story with minimal effort. They share good chemistry and are instantly charming.
Will Smith was obviously the big talking point before the films release. I though he did a great job at bringing Genie to life. He doesn't try to imitate what Robin Williams did back in 1992, and manages to stop short of turning into a full blown Will Smith vehicle, and this results in a respectful and fun portrayal of one of Disney's most beloved characters.
Jafar (Marwan Kenzari) was fine - he never really goes full Disney villain and felt quite subdued. Both a little underwhelming, but maybe a bit more grounded?
Even the CGI characters of Apu and The Magic Carpet have a respectable amount of personality!
The CGI is actually (and maybe predictably) where one of the few negatives stems from. The CG effects use in Will Smith when he's in full blown genie mode are pretty jarring at first. I feel myself getting used to it, and accepting that it actually looked fine seeing as he is a magical being and all, but then there another close up of his face and it's terrifying again. The infamous carpet ride hand a few dodgy moments as well, but other than that, it was all pretty good. The wider shots of Agrabar looked stunning and full of colour, and the film is gorgeous looking for the most part.
I've also mentioned before that I'm not a massive musical fan, but the nostalgia in me give films like Aladdin a bit of a pass. The songs here are all fine (if you ignore the autotune here and there) and the cast all seem like they can sing mostly unaided. I didn't care much for the new song they put in - it absolutely reeked of Frozen, right down to Jasmine's posturing - and added nothing to the narrative, even if the message is an empowering one.
The film also gets a bit carried away during the pre-credits, with it's reliance on the audiences tolerance for the songs.
Other than that handful of gripes, I would say that Aladdin is safely the best of the bunch so far when it comes to these live action Disney remakes. It actually feels like that cast and crew care about what they're doing, and it's doesn't come across as a money grab anywhere near as much as say The Lion King.
If you haven't yet given it a chance due to your fondness for the original, try not to worry about that and enjoy it for what it is. It could have been a lot worse!
Becs (244 KP) rated Restorations in Books
May 22, 2019
Rather interesting and intriguing read
I received a copy of Restorations by Charles Strickler to read and review from Smith Publicity. Everything I say is one hundred percent my own opinions.
I'm generally not a fan of Historical Fictions but my attention was gripped by this intriguing novel. Charles Strickler's writing style is very informative and it doesn't have that "boring history" tone to it. It was rather light and flowed like water. You can also tell that Charles Strickler did a ton of research prior to writing Restorations and it honestly shows.
Restorations follows Miles' journey in recovering a 1928 Stutz Black Hawk Boat Tail Roadster he bought from an auction. There is a mysterious aura around the Black Hawk and Miles is set on getting answers. This journey he takes includes a pretty woman, a few near death experiences, the mafia, and surprisingly loads of action. You're not going to want to miss this!!
"Stop living in your father's shadow."
Characters:
Miles West - the main character who buys the Black Hawk. Nothing overall special that needs to be pointed out about him.
Bramley Ann Fairchild - the auctioneer who sold Miles the car. She ends up helping him figure out the mystery behind the Black Hawk.
Ms. Gardner - basically the mother figure for Miles and she is dead set on trying to get Miles and Bramley together.
Mr. Howe - the lawyer of Carlo Bello. He seems to be absolutely terrified of Bello.
Carlo Bello - a mob leader who will do anything to get what he wants. He's trying to get the Black Hawk from Miles.
Maximilian "Lefty" Webber - the original owner of the Black Hawk that Miles purchased, deceased.
Wil - the repair man.
Reasons why I rated it 4 stars:
1. The plot:
The plot flowed pretty smoothly, minus a few bumps and turns. I did notice a few spots where the plot jumped and there wasn't story/ character development. But overall, it wasn't the worst thing I've read.
2. My enjoyment:
I really enjoyed reading Restorations and would most defiantly reread. I actually sent the review copy I received to a good friend as she is a fan of the mafia and this style of books. (Fingers crossed she enjoys it as well)
3. Character and story development:
There were a few parts where the reader could have used a bit more character and story development/ background, as it lacked. But it really was a great debut novel, especially for it being in Historical Fiction!
4. Grammar and spelling:
Charles Strickler is a great writer and I did not notice any major grammatical or spelling errors. I did find a few that are usually overlooked but they didn't take away from the overall story.
5. The overall story:
I rather enjoyed reading Restorations and would reread. I just wish the parts that seemed to be lacking where able to be added too.
"Accidents happen all the time."
I'm generally not a fan of Historical Fictions but my attention was gripped by this intriguing novel. Charles Strickler's writing style is very informative and it doesn't have that "boring history" tone to it. It was rather light and flowed like water. You can also tell that Charles Strickler did a ton of research prior to writing Restorations and it honestly shows.
Restorations follows Miles' journey in recovering a 1928 Stutz Black Hawk Boat Tail Roadster he bought from an auction. There is a mysterious aura around the Black Hawk and Miles is set on getting answers. This journey he takes includes a pretty woman, a few near death experiences, the mafia, and surprisingly loads of action. You're not going to want to miss this!!
"Stop living in your father's shadow."
Characters:
Miles West - the main character who buys the Black Hawk. Nothing overall special that needs to be pointed out about him.
Bramley Ann Fairchild - the auctioneer who sold Miles the car. She ends up helping him figure out the mystery behind the Black Hawk.
Ms. Gardner - basically the mother figure for Miles and she is dead set on trying to get Miles and Bramley together.
Mr. Howe - the lawyer of Carlo Bello. He seems to be absolutely terrified of Bello.
Carlo Bello - a mob leader who will do anything to get what he wants. He's trying to get the Black Hawk from Miles.
Maximilian "Lefty" Webber - the original owner of the Black Hawk that Miles purchased, deceased.
Wil - the repair man.
Reasons why I rated it 4 stars:
1. The plot:
The plot flowed pretty smoothly, minus a few bumps and turns. I did notice a few spots where the plot jumped and there wasn't story/ character development. But overall, it wasn't the worst thing I've read.
2. My enjoyment:
I really enjoyed reading Restorations and would most defiantly reread. I actually sent the review copy I received to a good friend as she is a fan of the mafia and this style of books. (Fingers crossed she enjoys it as well)
3. Character and story development:
There were a few parts where the reader could have used a bit more character and story development/ background, as it lacked. But it really was a great debut novel, especially for it being in Historical Fiction!
4. Grammar and spelling:
Charles Strickler is a great writer and I did not notice any major grammatical or spelling errors. I did find a few that are usually overlooked but they didn't take away from the overall story.
5. The overall story:
I rather enjoyed reading Restorations and would reread. I just wish the parts that seemed to be lacking where able to be added too.
"Accidents happen all the time."
Debbiereadsbook (1487 KP) rated Defenders, Sons of Olympia Reverse HaremSeries in Books
Apr 3, 2018 (Updated Apr 3, 2018)
love these!
I was asked to read this book, that I write a review was not required.
However! When a book pulls you in and grabs you so much so you nearly missed your time stamp at work, you really should say a few words, shouldn't you??
This is book 2 in the Sons of Olympia trilogy, but you don't NEED to have read book one, Ravens, first. You SHOULD, because I said so, but not necessary. Both stand alones, but Brenna does pop in this one, on her own journey.
Lauren finds herself tied to a tree, in the middle of the woods, by the local high school bullies. That they aren't in high school anymore doesn't matter to them. Faced with spending her last days as such, Lauren doesn't expect to be rescued, not least by THREE guys who seem to know her! She doesn't feel afraid in their company, these men who tell her they know her SOUL from years gone by. Jasper, Zander and Greg are Spartan, of the 3oo warriors of legend. And since time began, they have loved Lauren, or a version of her, until one day she did not come home. And now, they really don't want to let her go.
Different from book one, in that, once Lauren is told who the guys are, and what they mean to her, and what she means to them, she does NOT run. She seeks them out, each time going to the woods by herself and her newly arrived puppy. She looks for their gifts each day, knowing that accepting them brings her closer to the men who are creeping their way into her heart. She faces a big decision, when her aunt and uncle tell her their news, but really, it's not a difficult decision, not when she knows who she wants.
I gave Ravens 5 stars cos it was hot hot HOT. While this one is also a 5 star read, I did find it not as explicit as book one. Sexy, yes, hot, yes, but quite as much as book one. Not a bad thing, not at all, just needed to mention it! I'm still harbouring some jealousy that these ladies can find THREE guys when I can't even bag one!
The Ravens are mentioned, when Lauren goes to talk to Jade about local legends, and the Brenna is having problems with them, but they play no part here. Also not a bad thing! The Ravens are also different in that they shift, the Spartans here do not.
Again I read this straight through without stopping and it didn't seem as long as Ravens, and when checking there is some hundred page difference.
I am assuming that book three, Architects, will be Jade's story. I hope so. I hope I get to read it, to see if she embraces those legends her grandma used to tell her.
Thank you, Ms Perry, for my copy.
5 full and shiny stars
**same worded review will appear elsewhere**
However! When a book pulls you in and grabs you so much so you nearly missed your time stamp at work, you really should say a few words, shouldn't you??
This is book 2 in the Sons of Olympia trilogy, but you don't NEED to have read book one, Ravens, first. You SHOULD, because I said so, but not necessary. Both stand alones, but Brenna does pop in this one, on her own journey.
Lauren finds herself tied to a tree, in the middle of the woods, by the local high school bullies. That they aren't in high school anymore doesn't matter to them. Faced with spending her last days as such, Lauren doesn't expect to be rescued, not least by THREE guys who seem to know her! She doesn't feel afraid in their company, these men who tell her they know her SOUL from years gone by. Jasper, Zander and Greg are Spartan, of the 3oo warriors of legend. And since time began, they have loved Lauren, or a version of her, until one day she did not come home. And now, they really don't want to let her go.
Different from book one, in that, once Lauren is told who the guys are, and what they mean to her, and what she means to them, she does NOT run. She seeks them out, each time going to the woods by herself and her newly arrived puppy. She looks for their gifts each day, knowing that accepting them brings her closer to the men who are creeping their way into her heart. She faces a big decision, when her aunt and uncle tell her their news, but really, it's not a difficult decision, not when she knows who she wants.
I gave Ravens 5 stars cos it was hot hot HOT. While this one is also a 5 star read, I did find it not as explicit as book one. Sexy, yes, hot, yes, but quite as much as book one. Not a bad thing, not at all, just needed to mention it! I'm still harbouring some jealousy that these ladies can find THREE guys when I can't even bag one!
The Ravens are mentioned, when Lauren goes to talk to Jade about local legends, and the Brenna is having problems with them, but they play no part here. Also not a bad thing! The Ravens are also different in that they shift, the Spartans here do not.
Again I read this straight through without stopping and it didn't seem as long as Ravens, and when checking there is some hundred page difference.
I am assuming that book three, Architects, will be Jade's story. I hope so. I hope I get to read it, to see if she embraces those legends her grandma used to tell her.
Thank you, Ms Perry, for my copy.
5 full and shiny stars
**same worded review will appear elsewhere**
Emma @ The Movies (1786 KP) rated Herself (2020) in Movies
Oct 6, 2020
I was keen to see this from recommendations I'd spotted online, but I wasn't overly enthused by the description... boy am I glad that the internet has great taste in movies.
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Sandra is trying to keep her life together for her two daughters after she escapes from her abusive husband. Feeling isolated, overworked and living in a terrible situation Sandra has an off the wall idea that seems like a pipe dream. With the help of those around her she makes a true home for her girls and regains pieces of herself she'd lost.
Herself has some very serious topics in it, domestic violence and childhood trauma being at the top of the list, so that's definitely something to keep in mind if you're thinking of watching it. These topics are very effectively done and those feelings jumped out and affected me in a way I really didn't expect... I cried through a significant amount of the film, so probably just as well I was sitting in my living room and not a crowded cinema.
An interesting discovery on this was that one of the writers was Clare Dunne who plays the lead role of Sandra. I don't know what the process was between her and Malcolm Campbell but that involvement undoubtedly helps Dunne relay the true intent of the script, which I felt was incredibly well written.
Dunne's performance blew me away, barely minutes into the film you realise just what you're in for, it was such a brutal switch that my jaw nearly hit the floor. At every tense moment Dunne's acting is flawless and she conveys the emotions to a T. She does it so well that you get caught up in her anxiety, I found myself waiting for the bad things she was living in fear of and it was agonising... in a good way.
Along with her performance they use footage so well to help convey the story. When Sandra has an anxiety attack they cut clips into the scene, the quick changing back and forth between memory and present day brings the unsettling familiarity of panic and brings about a deeply emotional moment in the film. It might not conjure the exact same feeling as your own personal anxiety attack but it was closer than any other films I've seen it in.
Herself is a strong reminder that the vulnerable have the power within them to overcome anything through the right support and people who care. And sadly, it also reminds us that the system is a little messed up. I'm so pleased that I got the opportunity to see this, it's a well crafted film and I can say without a doubt it's already one of the highlights of this year's LFF.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/10/herself-movie-review.html
Emma @ The Movies (1786 KP) rated Military Wives (2020) in Movies
Feb 17, 2020
Even having just seen the trailer I knew I would cry at this, it's classic tear-fodder.
On-base life can be difficult for the wives and partners of soldiers serving abroad. Lisa has inherited the job of organising the wives while everyone is deployed but it's not an activity she's keen on, she'd rather just make it through to the other side and have her husband back. Luckily [though it seems anything but] for her Kate wants to take on a role in those duties, she's a veteran wide and has a very proper way of looking at how they should conduct themselves. The two women take an instant dislike for the other's attitude making life stressful in the social circle.
This doesn't change once they pick an activity the group are all interested in and they struggle to find a rhythm together. Can the pair separate their differences for the wellbeing of the group and each other?
Military Wives is something that we seem to be able to churn out consistently over here. You want an emotionally uplifting (while devastating) drama? The Brits have got you covered. I cried over Wild Rose, Finding Your Feet, Fisherman's Friends and Juliet, Naked, all have that similar quality to them that makes them a surprisingly comforting watch.
At the centre we focus on Kate and Lisa, both women are looking to forget and just get through it all for different reasons. The two are chalk and cheese and Kristin Scott Thomas and Sharon Horgan thrive in their roles against one another. You can feel the agony they both suffer with and yet it's quite difficult to sympathise with either when for most of the film they are quite dislikable.
Even when we see Lisa interact with the other wives she's still grumpy and brash, it fits with what the character is going through on the inside but challenging to like. The same goes for Kate, her position afforded to her by her husband's position and her take charge attitude reminds me of that one person who always wants it their way, and that feeling instantly overrides everything else that's happening.
That's not to say that you don't feel for them, you definitely do towards the end, but getting there is a struggle.
We have a lot of peripheral characters who come in for both drama and comedy, they're all handled nicely for the most part and the nature of the story means that they can come and go quite easily without many issues. The emotion from Amy James-Kelly as Sarah was great but there's a point where it really feels like a scene is cut n the middle as the tone changes, Laura Checkley as Maz was very funny and Gaby French as Jess comes in with humour and impact in her choir lead. There was just one notable oddity and that was the character of Dawn played by Roxy Faridany. The shy and quiet member of the choir gets brought up a couple of times and yet doesn't feature in any of the foreground scenes properly. This again felt like we were missing scenes where she featured more. Bringing in the soldier contingent we have Jason Flemyng (I love him, he needs to be in more things) who is the base commander (I'm not up on my ranks so I apologise if I got it wrong) and though it's not a large role it's a funny one. The look on his face in the scene under the bridge was a picture. He fits into the cast nicely and it was a good balance of screen time within the story.
Military Wives is a story of personal struggle and friendship at its core, and as expected I spent a significant amount of time with tears streaming down my face. It handles the grieving and coping struggles in a respectful way and the interactions between characters felt very real. The uncertainty, the hatred, the feat and horror, it was all there in the actors' performances. The film takes a long time to get to what you might say is the pay off, but the journey is well thought out and it comes together for a charming and emotional watch.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/military-wives-movie-review.html
On-base life can be difficult for the wives and partners of soldiers serving abroad. Lisa has inherited the job of organising the wives while everyone is deployed but it's not an activity she's keen on, she'd rather just make it through to the other side and have her husband back. Luckily [though it seems anything but] for her Kate wants to take on a role in those duties, she's a veteran wide and has a very proper way of looking at how they should conduct themselves. The two women take an instant dislike for the other's attitude making life stressful in the social circle.
This doesn't change once they pick an activity the group are all interested in and they struggle to find a rhythm together. Can the pair separate their differences for the wellbeing of the group and each other?
Military Wives is something that we seem to be able to churn out consistently over here. You want an emotionally uplifting (while devastating) drama? The Brits have got you covered. I cried over Wild Rose, Finding Your Feet, Fisherman's Friends and Juliet, Naked, all have that similar quality to them that makes them a surprisingly comforting watch.
At the centre we focus on Kate and Lisa, both women are looking to forget and just get through it all for different reasons. The two are chalk and cheese and Kristin Scott Thomas and Sharon Horgan thrive in their roles against one another. You can feel the agony they both suffer with and yet it's quite difficult to sympathise with either when for most of the film they are quite dislikable.
Even when we see Lisa interact with the other wives she's still grumpy and brash, it fits with what the character is going through on the inside but challenging to like. The same goes for Kate, her position afforded to her by her husband's position and her take charge attitude reminds me of that one person who always wants it their way, and that feeling instantly overrides everything else that's happening.
That's not to say that you don't feel for them, you definitely do towards the end, but getting there is a struggle.
We have a lot of peripheral characters who come in for both drama and comedy, they're all handled nicely for the most part and the nature of the story means that they can come and go quite easily without many issues. The emotion from Amy James-Kelly as Sarah was great but there's a point where it really feels like a scene is cut n the middle as the tone changes, Laura Checkley as Maz was very funny and Gaby French as Jess comes in with humour and impact in her choir lead. There was just one notable oddity and that was the character of Dawn played by Roxy Faridany. The shy and quiet member of the choir gets brought up a couple of times and yet doesn't feature in any of the foreground scenes properly. This again felt like we were missing scenes where she featured more. Bringing in the soldier contingent we have Jason Flemyng (I love him, he needs to be in more things) who is the base commander (I'm not up on my ranks so I apologise if I got it wrong) and though it's not a large role it's a funny one. The look on his face in the scene under the bridge was a picture. He fits into the cast nicely and it was a good balance of screen time within the story.
Military Wives is a story of personal struggle and friendship at its core, and as expected I spent a significant amount of time with tears streaming down my face. It handles the grieving and coping struggles in a respectful way and the interactions between characters felt very real. The uncertainty, the hatred, the feat and horror, it was all there in the actors' performances. The film takes a long time to get to what you might say is the pay off, but the journey is well thought out and it comes together for a charming and emotional watch.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/02/military-wives-movie-review.html
Emma @ The Movies (1786 KP) rated Widows (2018) in Movies
Sep 25, 2019
Before I'd even seen anything beyond the plot and a poster I was confused. It really just felt like the poster was designed to catch people. "Look, we've got these big names! Come and watch it!" I know that's what posters are meant to do, but considering the movie is about these women taking up the reins of their dearly departed I'd have had more respect for a poster that focused on them.
Widows has every chance to be great. Based on Lynda La Plante's Widows, with the screenplay written by Gillian Flynn and Steve McQueen, as well as being directed by the latter. Those three names should guarantee a success, and while it seems to be very popular among viewers it has left me some what cold.
The idea is a solid one that you would expect from La Plante's repertoire, and it's worked before. Unfortunately that could not bring it back from the brink for me.
I can't think of another film that has given me such an instant feeling of dislike. The opening scene made me cringe, and having it quickly change pace into a violently loud action scene and back again was jarring to watch.
The first inkling that something is awry comes fairly early on and even without much more you can see where the plot is going. I'm impressed that the trailers managed to stay away from anything obvious.
We have an interesting assortment of baddies and there are two perfectly contrasting ones in Jamal (Brian Tyree Henry) and Jatemme (Daniel Kaluuya) Manning. The former is charismatic and subtly scary, whereas the latter has no likable qualities (apart from a clear love of reading) and is extremely vicious. The other difference is that Jamal in enjoyable to watch and Jatemme isn't. Usually even the most loathed of villains is good to watch on screen, not in this case. Jamal comes out on top in the villain stakes even with the dog incident.
Normally I wouldn't think much beyond what you're presented with in each scene of the movie, but I quickly found myself wondering about a lot of things. Linda's interaction with Delia's husband was strange and one of many things that felt unnecessary. And while I'll happily believe that women could successfully execute a heist, I'm not really sure I can believe that THESE women could do it, I don't care how well documented his notebook was.
Something that seems to a popular device in this is "the flashback". At the beginning it lays up the backstory of the two crews quickly and gives you a good sense of the people, even though I feel the way it was executed on screen wasn't so hot. When the film starts to round up and these scenes give you the missing story at just the right point. The one's I didn't like were between Veronica and Harry. Not all of them were flashbacks, some were Veronica dealing with Harry's death. They seemed more on the dramatic side and didn't feel in-keeping with the rest of the film. (I will say that this film is listed on IMDb as "crime, drama, romance"... Romance seems like a bit of a stretch, and crime and drama as two separate things are very different to a "crime drama". I'll admit that it's a very slight difference, but I think it's still there.)
I'm not sure how the characters worked in the book, but I would assume that some liberties had to be taken to change the setting, and obviously when you're turning a book into a film then you're going to have to tie up some loopholes with jiggery-pokery. What was left were some characters with potential that never seemed to be filled and others that were so throwaway I had already forgotten about them when I read through the cast list after I'd seen it.
What you should do
I'd wait until this one is streaming. It doesn't require a big screen and I always think films like this are better if you can talk to the screen while you're watching them. "Why are you doing that?!" "Yeah, let's see how far that gets you!" and the like. It's got enough reasonable moments to watch it at least once.
Movie thing you wish you could take home
Obviously the giant piles of money are always appealing, but I'm very tempted to go for Linda's store. I'd love to work all day in a shop selling fantastical dresses and tiaras watching people's faces light up when they found the right one. It's like the Disney Princess dream come to life!
Widows has every chance to be great. Based on Lynda La Plante's Widows, with the screenplay written by Gillian Flynn and Steve McQueen, as well as being directed by the latter. Those three names should guarantee a success, and while it seems to be very popular among viewers it has left me some what cold.
The idea is a solid one that you would expect from La Plante's repertoire, and it's worked before. Unfortunately that could not bring it back from the brink for me.
I can't think of another film that has given me such an instant feeling of dislike. The opening scene made me cringe, and having it quickly change pace into a violently loud action scene and back again was jarring to watch.
The first inkling that something is awry comes fairly early on and even without much more you can see where the plot is going. I'm impressed that the trailers managed to stay away from anything obvious.
We have an interesting assortment of baddies and there are two perfectly contrasting ones in Jamal (Brian Tyree Henry) and Jatemme (Daniel Kaluuya) Manning. The former is charismatic and subtly scary, whereas the latter has no likable qualities (apart from a clear love of reading) and is extremely vicious. The other difference is that Jamal in enjoyable to watch and Jatemme isn't. Usually even the most loathed of villains is good to watch on screen, not in this case. Jamal comes out on top in the villain stakes even with the dog incident.
Normally I wouldn't think much beyond what you're presented with in each scene of the movie, but I quickly found myself wondering about a lot of things. Linda's interaction with Delia's husband was strange and one of many things that felt unnecessary. And while I'll happily believe that women could successfully execute a heist, I'm not really sure I can believe that THESE women could do it, I don't care how well documented his notebook was.
Something that seems to a popular device in this is "the flashback". At the beginning it lays up the backstory of the two crews quickly and gives you a good sense of the people, even though I feel the way it was executed on screen wasn't so hot. When the film starts to round up and these scenes give you the missing story at just the right point. The one's I didn't like were between Veronica and Harry. Not all of them were flashbacks, some were Veronica dealing with Harry's death. They seemed more on the dramatic side and didn't feel in-keeping with the rest of the film. (I will say that this film is listed on IMDb as "crime, drama, romance"... Romance seems like a bit of a stretch, and crime and drama as two separate things are very different to a "crime drama". I'll admit that it's a very slight difference, but I think it's still there.)
I'm not sure how the characters worked in the book, but I would assume that some liberties had to be taken to change the setting, and obviously when you're turning a book into a film then you're going to have to tie up some loopholes with jiggery-pokery. What was left were some characters with potential that never seemed to be filled and others that were so throwaway I had already forgotten about them when I read through the cast list after I'd seen it.
What you should do
I'd wait until this one is streaming. It doesn't require a big screen and I always think films like this are better if you can talk to the screen while you're watching them. "Why are you doing that?!" "Yeah, let's see how far that gets you!" and the like. It's got enough reasonable moments to watch it at least once.
Movie thing you wish you could take home
Obviously the giant piles of money are always appealing, but I'm very tempted to go for Linda's store. I'd love to work all day in a shop selling fantastical dresses and tiaras watching people's faces light up when they found the right one. It's like the Disney Princess dream come to life!