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BankofMarquis (1832 KP) rated The Florida Project (2017) in Movies
Feb 18, 2018
Not Strong Enough To Keep My Attention
THE FLORIDA PROJECT is one of those "slice of life" films, shot on a low budget that doesn't really have a plot but exposes the audience to 2 hours of what it would be like to live the life of someone - usually a disaffected fringe group. There is no real plot, so the film needs to hang itself onto how interesting the characters - and the situation they find themselves - are.
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
These types of films are not usually my cup of tea, and this film was no exception.
THE FLORIDA PROJECT, conceived, written and directed by Sean Baker (who did a similar-type of film about the transgender community, TANGERINE), is about the community of people living just at the poverty line in the shadow of Walt Disney World. These people are constantly scrambling to earn money to eat and live and to pay rent at one of the seedy, rundown motels boarding just outside "the happiest place on earth".
We see this world through the eyes of Moonee - a "precocious" (I would say farel) youth who lives at one of these hotels with her mother, Halley. Moonee runs wild all day, doing whatever she wants and just 'living her life" while her mother hustles to make ends meet - all under the watchful eye of the motel's Manager, Bobby.
There is no real plot to this film. We just follow Moonee and her pals Scooty, Dicky and Jancey as they go about their day getting into misadventures. 6 year old Brooklyn Prince (in her film debut) stars as Moonee and she is an engaging enough presence, but not nearly strong enough to keep my attention for the entire 2 hours of the film - and that's the issue with this film. It relies heavily on the audience's fascination with this 6 year old and I wasn't fascinated enough to watch her for 2 hours.
Much more interesting to me to watch was another new actress, Bria Vinaite as her mother, Halley. I said she spends the film hustling - and I mean that in every sense of the word. Every interaction with another person is laced with the thought "what can I get out of this". She is always working an angle, looking for the quick score. She was a fascinating character, and I would have preferred that she would be the focus of this story.
Overseeing these two - and the other denizen's of his Motel - is Willem DaFoe playing against type as the kindly, caring Manager, Bobby. DaFoe is nominated for an Oscar for his work in this film - and it is strong work (it's good to see DaFoe with something to sink his teeth into), but is it enough for an Oscar? I don't think so. Much like Mary J. Blige in MUDBOUND, I think it is a very good performance, but I kept waiting for the "Academy Award" scene from him, and it just didn't come.
Ultimately, a labor of love for Sean Baker. It looks like a film that was made on a shoestring budget - and I'm sure that was intentional. The look and feel of this film mimics the circumstance that the characters find themselves in - including some "guerilla" filmmaking at Disney's Magic Kingdom itself. He made the type of film he wanted to make.
It just isn't the kind of film I wanted - or am interested - in seeing.
Letter Grade: C+
5 (out of 10) stars and you can take that to the Bank(ofMarquis)
Goddess in the Stacks (553 KP) rated Wintersong in Books
Dec 27, 2018
So I knew this was inspired by Jim Henson's Labyrinth. That's partially why I picked it up, as I love that movie and David Bowie as the Goblin King. I didn't expect to get, basically, Labyrinth fanfiction. That was my first impression. As the book carries on, though, and especially as you get into the second book, it's more like a musician's fever-dream of their favorite childhood movie. There are so many elements taken from the movie, but they are deconstructed and put back together in such unexpected ways.
You'll recognize a line or two from the movie. The fairies still bite. The Goblin King is still beautiful and angular and strange. Liesl's after a stolen sibling. But Liesl and her family live in rural, probably 18th century Bavaria. She is not a spoiled, baby-sitting half-sister. Her grandmother has taught her the old stories, and unbeknownst to her, she's played music for The Goblin King her entire childhood.
The first book concerns Liesl's first foray into the Underground to save her sister when The Goblin King steals her to be his bride. This is where the acid trip starts. If you're familiar with Labyrinth, remember the ballroom scene? With people whirling about and appearing and disappearing and mirrors and the sense of disorientation as it all falls apart? Yeah, that's basically the entire time in the Underground. Though there is a ball scene, and it is especially trippy.
While Liesl manages to save her sister (that's a spoiler, but it isn't much of one), she has a harder time saving herself. Whether she actually does or not could be debated.
The second book of the duology, Shadowsong, has an interesting author's note in the front of it. The author first gives a content warning for self-harm, suicidal ideations, addiction, and reckless behaviors. She goes on to say Liesl has bipolar disorder, and further, that so does she. (The author.) She says Wintersong was her bright mirror, and Shadowsong her dark one. I can see that. Wintersong is a much happier book than Shadowsong, but the story would be incomplete without both books. Wintersong does end in a satisfactory conclusion, but Shadowsong just completes the tale in a way that I, at least, really enjoyed.
Shadowsong also contains more throwbacks to the movie - she falls and is caught by goblin hands; goblins form a giant face that talks to her about the old laws. These things don't happen in the same scene, though.
I loved the elements of music woven throughout the story; Liesl is a composer, and music - her music - is almost a character in its own right. It's definitely a huge plot element. It's in her connection to her brother, and her connection to The Goblin King. It's her way into the Underground, and her way out, and her way to reach back in.
It's an enchanting duology; I don't know if it would be as good for someone who didn't love Labyrinth the way I do. If you dislike the movie, I would probably advise against reading these. But if you like it or have simply never seen it, these would be good, atmospheric books to read in the dead of winter.
You can read all my reviews at http://goddessinthestacks.com
You'll recognize a line or two from the movie. The fairies still bite. The Goblin King is still beautiful and angular and strange. Liesl's after a stolen sibling. But Liesl and her family live in rural, probably 18th century Bavaria. She is not a spoiled, baby-sitting half-sister. Her grandmother has taught her the old stories, and unbeknownst to her, she's played music for The Goblin King her entire childhood.
The first book concerns Liesl's first foray into the Underground to save her sister when The Goblin King steals her to be his bride. This is where the acid trip starts. If you're familiar with Labyrinth, remember the ballroom scene? With people whirling about and appearing and disappearing and mirrors and the sense of disorientation as it all falls apart? Yeah, that's basically the entire time in the Underground. Though there is a ball scene, and it is especially trippy.
While Liesl manages to save her sister (that's a spoiler, but it isn't much of one), she has a harder time saving herself. Whether she actually does or not could be debated.
The second book of the duology, Shadowsong, has an interesting author's note in the front of it. The author first gives a content warning for self-harm, suicidal ideations, addiction, and reckless behaviors. She goes on to say Liesl has bipolar disorder, and further, that so does she. (The author.) She says Wintersong was her bright mirror, and Shadowsong her dark one. I can see that. Wintersong is a much happier book than Shadowsong, but the story would be incomplete without both books. Wintersong does end in a satisfactory conclusion, but Shadowsong just completes the tale in a way that I, at least, really enjoyed.
Shadowsong also contains more throwbacks to the movie - she falls and is caught by goblin hands; goblins form a giant face that talks to her about the old laws. These things don't happen in the same scene, though.
I loved the elements of music woven throughout the story; Liesl is a composer, and music - her music - is almost a character in its own right. It's definitely a huge plot element. It's in her connection to her brother, and her connection to The Goblin King. It's her way into the Underground, and her way out, and her way to reach back in.
It's an enchanting duology; I don't know if it would be as good for someone who didn't love Labyrinth the way I do. If you dislike the movie, I would probably advise against reading these. But if you like it or have simply never seen it, these would be good, atmospheric books to read in the dead of winter.
You can read all my reviews at http://goddessinthestacks.com
Goddess in the Stacks (553 KP) rated Shadowsong (Wintersong #2) in Books
Dec 27, 2018
So I knew this was inspired by Jim Henson's Labyrinth. That's partially why I picked it up, as I love that movie and David Bowie as the Goblin King. I didn't expect to get, basically, Labyrinth fanfiction. That was my first impression. As the book carries on, though, and especially as you get into the second book, it's more like a musician's fever-dream of their favorite childhood movie. There are so many elements taken from the movie, but they are deconstructed and put back together in such unexpected ways.
You'll recognize a line or two from the movie. The fairies still bite. The Goblin King is still beautiful and angular and strange. Liesl's after a stolen sibling. But Liesl and her family live in rural, probably 18th century Bavaria. She is not a spoiled, baby-sitting half-sister. Her grandmother has taught her the old stories, and unbeknownst to her, she's played music for The Goblin King her entire childhood.
The first book concerns Liesl's first foray into the Underground to save her sister when The Goblin King steals her to be his bride. This is where the acid trip starts. If you're familiar with Labyrinth, remember the ballroom scene? With people whirling about and appearing and disappearing and mirrors and the sense of disorientation as it all falls apart? Yeah, that's basically the entire time in the Underground. Though there is a ball scene, and it is especially trippy.
While Liesl manages to save her sister (that's a spoiler, but it isn't much of one), she has a harder time saving herself. Whether she actually does or not could be debated.
The second book of the duology, Shadowsong, has an interesting author's note in the front of it. The author first gives a content warning for self-harm, suicidal ideations, addiction, and reckless behaviors. She goes on to say Liesl has bipolar disorder, and further, that so does she. (The author.) She says Wintersong was her bright mirror, and Shadowsong her dark one. I can see that. Wintersong is a much happier book than Shadowsong, but the story would be incomplete without both books. Wintersong does end in a satisfactory conclusion, but Shadowsong just completes the tale in a way that I, at least, really enjoyed.
Shadowsong also contains more throwbacks to the movie - she falls and is caught by goblin hands; goblins form a giant face that talks to her about the old laws. These things don't happen in the same scene, though.
I loved the elements of music woven throughout the story; Liesl is a composer, and music - her music - is almost a character in its own right. It's definitely a huge plot element. It's in her connection to her brother, and her connection to The Goblin King. It's her way into the Underground, and her way out, and her way to reach back in.
It's an enchanting duology; I don't know if it would be as good for someone who didn't love Labyrinth the way I do. If you dislike the movie, I would probably advise against reading these. But if you like it or have simply never seen it, these would be good, atmospheric books to read in the dead of winter.
You can read all my reviews at http://goddessinthestacks.com
You'll recognize a line or two from the movie. The fairies still bite. The Goblin King is still beautiful and angular and strange. Liesl's after a stolen sibling. But Liesl and her family live in rural, probably 18th century Bavaria. She is not a spoiled, baby-sitting half-sister. Her grandmother has taught her the old stories, and unbeknownst to her, she's played music for The Goblin King her entire childhood.
The first book concerns Liesl's first foray into the Underground to save her sister when The Goblin King steals her to be his bride. This is where the acid trip starts. If you're familiar with Labyrinth, remember the ballroom scene? With people whirling about and appearing and disappearing and mirrors and the sense of disorientation as it all falls apart? Yeah, that's basically the entire time in the Underground. Though there is a ball scene, and it is especially trippy.
While Liesl manages to save her sister (that's a spoiler, but it isn't much of one), she has a harder time saving herself. Whether she actually does or not could be debated.
The second book of the duology, Shadowsong, has an interesting author's note in the front of it. The author first gives a content warning for self-harm, suicidal ideations, addiction, and reckless behaviors. She goes on to say Liesl has bipolar disorder, and further, that so does she. (The author.) She says Wintersong was her bright mirror, and Shadowsong her dark one. I can see that. Wintersong is a much happier book than Shadowsong, but the story would be incomplete without both books. Wintersong does end in a satisfactory conclusion, but Shadowsong just completes the tale in a way that I, at least, really enjoyed.
Shadowsong also contains more throwbacks to the movie - she falls and is caught by goblin hands; goblins form a giant face that talks to her about the old laws. These things don't happen in the same scene, though.
I loved the elements of music woven throughout the story; Liesl is a composer, and music - her music - is almost a character in its own right. It's definitely a huge plot element. It's in her connection to her brother, and her connection to The Goblin King. It's her way into the Underground, and her way out, and her way to reach back in.
It's an enchanting duology; I don't know if it would be as good for someone who didn't love Labyrinth the way I do. If you dislike the movie, I would probably advise against reading these. But if you like it or have simply never seen it, these would be good, atmospheric books to read in the dead of winter.
You can read all my reviews at http://goddessinthestacks.com
Purple Phoenix Games (2266 KP) rated It's a Wonderful World in Tabletop Games
Oct 30, 2021
When choosing board games to either play or purchase, how much importance should one put on box cover art? It is important to ME, but I lump that all in with the components and art/art style of the whole package. Why do I bring this up in the intro today? Well, I have to admit that I had really not had any interest in checking out It’s a Wonderful World until now because I judged the game by its cover, and the cover art told my brain that this would be some type of wargame. I am not entirely sure how I connected the two, but I did, and it turned me off right away. But! I was able to get this played at a local board game lounge, and boy was I wrong.
It’s a Wonderful World is a card drafting, economic, civilization building game with variable player powers (with a dash of campaign mode sprinkled on top). In it, players are attempting to build their civilization faster and better than their competitors. However, for this review, I will be playing the vanilla non-scenario solo mode.
DISCLAIMER: I was able to play this and several other games at The Table in Cookeville, TN. If you are ever in the neighborhood, check them out, and tell Nathaniel that I say hello.
To setup, put together the main board and place the round marker on Round 1. Lay out all the resources on their specific places upon the board and shuffle the deck of cards. Deal out eight stacks of five cards each and place them as mini-decks somewhere on the table. Choose a starting civilization (or just randomly choose one). The solo game is ready to play!
Typically, It’s a Wonderful World is a card drafting game, a la 7 Wonders, where players choose one card from the deck passed to them and pass it along to the next player until all cards have been drafted. In the solo mode, however, the player chooses one of the face-down mini-decks as their starting hand. Upon viewing the cards, the player may choose to place any or all of them in their Construction Area, or discard the cards for their Recycle Bonus (typically a type of resource), and/or discard two card from the mini-deck to draw five cards from the top of the main deck. From these drawn cards, the player may choose one to keep and discard all others. The kept card may be placed into the Construction Area or discarded for its Recycle Bonus resource.
Cards placed in the Construction Area require resources to be earned and placed on them in order to complete its build process. Each round the player will receive resources based on which cards have been built and placed above their starting civ card. Some cards, once completely built, will also offer more VP at game end, or supply a VP modifier.
After the first mini-deck has been played completely, the player will choose a second mini-deck and run through the same process. After this second mini-deck has been completed the round ends and play moves to the next round. Play continues in this fashion until all four rounds have been played (so all eight mini-decks). At game end the player counts up all their VP and compares it to the table in the rulebook to arrive at their final tier. My first game resulted in the rulebook calling me a Rooky. So be prepared to be humiliated by a rulebook.
Components. Aside from being bamboozled by the aggressive artwork on the cover, this is not a wargame. In fact, I very much like the artwork and the styling of this game. The cards are all laid out very well, and the iconography makes sense. The resource cubes are translucent colored (except the grayish white is opaque) and are fine quality. Overall the components are great and the art style has grown on me quite a bit.
I can see why so many people compare this to 7 Wonders. Essentially, the multiplayer game is quite similar. Card drafts (of 7 cards, no less) lead to needing resources in order to build, lead to being able to produce more resources to fuel other cards, and bonus points are awarded for having a nice card profile. Now, this being a solo review, I have to say that I much prefer It’s a Wonderful World to its forefather 7 Wonders because it comes packaged with a solo mode already in the box. This isn’t the only reason I prefer it, though. I find it easier to pick up and easier to teach to beginning gamers. Also, there is no card chaining, which seems to be a difficult concept for newer gamers to grasp initially. It’s a Wonderful World has nothing like this, and cards just work. 7 Wonders has been such a hit with my family, and I know they will greatly appreciate a more streamlined game experience with this one.
So here’s my recommendation with this one. If you are a fan of 7 Wonders but find it to be difficult to get others into it, check out It’s a Wonderful World. I feel that it is superior in many ways, and the solo mode is just icing. The solo mode gives me a great play experience, even though I typically am not a fan of games challenging you to beat your own high score. I will live with it here because the game is just so enjoyable. While 7 Wonders was my favorite game of all time for quite a while, it has since dropped out of my Top 10, and I think will be replaced entirely by It’s a Wonderful World. If your tastes are similar to mine, then do yourself a big favor and grab a copy of this one right away. It has several expansions out there, and I believe you will fall in love with drafting again. Now, where did I put my Wind Turbines…
It’s a Wonderful World is a card drafting, economic, civilization building game with variable player powers (with a dash of campaign mode sprinkled on top). In it, players are attempting to build their civilization faster and better than their competitors. However, for this review, I will be playing the vanilla non-scenario solo mode.
DISCLAIMER: I was able to play this and several other games at The Table in Cookeville, TN. If you are ever in the neighborhood, check them out, and tell Nathaniel that I say hello.
To setup, put together the main board and place the round marker on Round 1. Lay out all the resources on their specific places upon the board and shuffle the deck of cards. Deal out eight stacks of five cards each and place them as mini-decks somewhere on the table. Choose a starting civilization (or just randomly choose one). The solo game is ready to play!
Typically, It’s a Wonderful World is a card drafting game, a la 7 Wonders, where players choose one card from the deck passed to them and pass it along to the next player until all cards have been drafted. In the solo mode, however, the player chooses one of the face-down mini-decks as their starting hand. Upon viewing the cards, the player may choose to place any or all of them in their Construction Area, or discard the cards for their Recycle Bonus (typically a type of resource), and/or discard two card from the mini-deck to draw five cards from the top of the main deck. From these drawn cards, the player may choose one to keep and discard all others. The kept card may be placed into the Construction Area or discarded for its Recycle Bonus resource.
Cards placed in the Construction Area require resources to be earned and placed on them in order to complete its build process. Each round the player will receive resources based on which cards have been built and placed above their starting civ card. Some cards, once completely built, will also offer more VP at game end, or supply a VP modifier.
After the first mini-deck has been played completely, the player will choose a second mini-deck and run through the same process. After this second mini-deck has been completed the round ends and play moves to the next round. Play continues in this fashion until all four rounds have been played (so all eight mini-decks). At game end the player counts up all their VP and compares it to the table in the rulebook to arrive at their final tier. My first game resulted in the rulebook calling me a Rooky. So be prepared to be humiliated by a rulebook.
Components. Aside from being bamboozled by the aggressive artwork on the cover, this is not a wargame. In fact, I very much like the artwork and the styling of this game. The cards are all laid out very well, and the iconography makes sense. The resource cubes are translucent colored (except the grayish white is opaque) and are fine quality. Overall the components are great and the art style has grown on me quite a bit.
I can see why so many people compare this to 7 Wonders. Essentially, the multiplayer game is quite similar. Card drafts (of 7 cards, no less) lead to needing resources in order to build, lead to being able to produce more resources to fuel other cards, and bonus points are awarded for having a nice card profile. Now, this being a solo review, I have to say that I much prefer It’s a Wonderful World to its forefather 7 Wonders because it comes packaged with a solo mode already in the box. This isn’t the only reason I prefer it, though. I find it easier to pick up and easier to teach to beginning gamers. Also, there is no card chaining, which seems to be a difficult concept for newer gamers to grasp initially. It’s a Wonderful World has nothing like this, and cards just work. 7 Wonders has been such a hit with my family, and I know they will greatly appreciate a more streamlined game experience with this one.
So here’s my recommendation with this one. If you are a fan of 7 Wonders but find it to be difficult to get others into it, check out It’s a Wonderful World. I feel that it is superior in many ways, and the solo mode is just icing. The solo mode gives me a great play experience, even though I typically am not a fan of games challenging you to beat your own high score. I will live with it here because the game is just so enjoyable. While 7 Wonders was my favorite game of all time for quite a while, it has since dropped out of my Top 10, and I think will be replaced entirely by It’s a Wonderful World. If your tastes are similar to mine, then do yourself a big favor and grab a copy of this one right away. It has several expansions out there, and I believe you will fall in love with drafting again. Now, where did I put my Wind Turbines…
Emma @ The Movies (1786 KP) rated Underwater (2020) in Movies
Mar 5, 2020
Underwater was in my top picks for February, it looked like a cross between Deep Rising, Alien and a selection of Doctor Who episodes... I was definitely in.
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
Down on a drilling station in the Mariana Trench the researchers and crew are thrown into chaos as an earthquake rips through the facility. Desperately trying to get to their escape pods the handful of remaining crew gather to assess their options. They're short on equipment and their best hope appears to be making it to another part of the complex, the only problem? It's 2 miles across the ocean floor... in the pitch black... without a craft. Oh, and unbeknownst to them, they're not alone.
The film does a great job of its opening, diagrams, reports and images of the station and their mission give us instant background which allows us to drop right into (what feels like) the middle of a scene. It reminds me of various monster movies with some of the recent Godzilla ones having similar montages, I like it because there's always something new to pick up when you watch the film again. The other thing the opening does is use sound in a very interesting way, the music builds and when we land in the station it instantly cuts and gives you a feeling of isolation. Sandwich that with the chaos of the earthquake soon after and it gives you a very odd and almost uncomfortable feeling.
While I was impressed by the opening I was also confused. There's a moment where you see a massive horror trope that doesn't actually go anywhere, it was like some strange red herring. It felt like a deliberate misdirect, but I have no idea what the purpose would have been for it.
My mixed feelings didn't end there, in the ensuing chaos we get a slow-motion shot of Stewart flying backwards in an explosion... it didn't fit with any of the style around it and was the last effect I expected to see.
Shortly after this I was dealt another blow when they access the last transmission from another part of the station. These are peak creature feature moments, cast get to gasp and scream in distress and it gives us a sneak peek of what's to come... what we got wasn't clear and wasn't intriguing. Underwater is a film filled with classic tropes of multiple genres and yet it doesn't seem to carry through with any of them.
As the cast get out into the water the film does start to pick up. Cutting from helmet cam footage to inside the suits with the characters starts to build some of that intrigue that's been missing. It gets a little more claustrophobic and finally feels like the films I'd been hoping for.
This whole section is filled with great moments because we're finally becoming aware of a presence with them. In some ways it reminds me of Blair Witch, it does well to hide from us what they're actually up against, it's just a shadow or a movement on the edge of the light. That really got me back on board.
But these feelings were fleeting. All the tension was broken again. I do wonder if someone went "the tension should come in waves... because... water". The constant up and down didn't work for me.
From this point on I didn't feel much for the film. It's clear from the building of the story how the film is going to end, and even the big reveal moments weren't exciting.
Kristen Stewart has been appearing in a lot of things recently and I've never been a big fan but I was looking forward to her in this off the back of the last couple of films I saw her in. The most I can say is it was fine, there weren't any moments I hated, there weren't any that wowed me. The same is true for most of the cast in fact. I enjoyed T.J. Miller's comedic role but the light-heartedness it brought also became a little frustrating as the scripting seemed unnecessarily crass at time.
I can't fault the effects, it felt right and the magnitude of what they created underwater, and how they filmed it felt solid. With a little less underwater and a little more creature though, I think they would have been on to something.
The rollercoaster ride this story went on left me exhausted. The momentum was repeatedly lost and the intrigue wasn't there to hook me in. I can tell you that I will watch it again though. I know, after I just moaned about it and everything! There's definitely something in this film and I'm still struggling as to the reasons why it didn't click more with me, it feels like this is one that might benefit from a second viewing.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/underwater-movie-review.html
KittyMiku (138 KP) rated What I've Done in Books
May 23, 2019
Contains spoilers, click to show
As with the previous books in the Morgan Dane series, we are able to see the romance grow between Lance and Morgan, have the suspense of the case and the ever lying danger that awaits our characters as they investigate for the truth. I found that it was enjoyable to see some more of Sharp's past as well. After all, he is the one character you don't see a whole lot about and to have a case that gives you some insight to the man behind a lot of support to Morgan and Lance is always a bonus. I enjoyed how characters in the book, though creepy, gave off how some people think and act in times of chaos. To see how everything plays out when you have psychopaths and innocents involved is always interesting.
In this particular book, I enjoyed how technology, though doesn't always help, was used to manipulate people's images and how some people react. Though, Haley, the woman being convicted for murder, was ill and traumatized, I enjoyed the strength she was given to protect herself and those who are close to her. To watch her struggle through discovering the guy she liked to be dead, while she slept and have no recollection how it happened, was truly heart wrenching. Then to watch her have nightmares about it because she couldn't remember what happened was able to show how post-traumatic stress disorder can affect after a traumatic event, made it harder but kept you wondering if her nightmares were memories resurfacing in an unpleasant way. With so many potential suspects coming and going in the book, you can't help but to continuously wonder what is causing the nightmares and if they are memories or not. It definitely kept you question until the very end.
It was also made clear how easy it is to cause people to doubt someone's skill or distort their image through social media. I thoroughly enjoyed, seeing this aspect. After all, though it isn't nice or even ethical, it happens all the time to people who do what they are good, and sometimes bad, at for a living. Though meme's and gifs are made to amuse and create laughter and joy, too often is it used to hurt someone without a whole lot of people truly understanding the whole meaning behind it. To have something aimed at Morgan, to make a threat and humiliate her, caused me to get angry. I enjoyed it in the aspect it raises the issue of gifs and memes being used to hurt and humiliate other, rather than spread joy. This particular piece, though not extremely important, had indeed stuck with me through out the whole book, I couldn't shake the feeling that it happens to us all at some point, even if we never see it. It had also brought up how hard it was to contain something once it goes viral. To track down the source can be impossible when everyone is sharing it on their social medias.
To get away with a crime doesn't mean to repeat it, but it you are never caught, wouldn't you be tempted to do it again? That was a question raised about some characters in this book. The crime doesn't have to illegal to be a crime. Disrespecting people's privacy, trust, and tampering with drinks are just a few crimes that aren't always caught, or even punishable. However, What I've Done, highlighted how people who may have gotten away with a crime once (whether punishable or not), they often feel they can repeat it and never get caught. Even though we all know eventually you will get caught, it was quite nice to see it highlighted in the fictional world as well. It was just a nice surprise that some of the characters thought and felt that way.
However, my absolute favorite thing was the ending. This I will not even attempt to spoil, but I will say that this ending left me wanting so much more. I expect the next book to give us some juicy information about our favorite characters, Lance, Sharp, and Morgan. I do look forward to it. I would definitely rate this book 5 stars out of 5 stars. It was entertaining, highlighted things that not everyone pay attention to, and kept me turning the pages.
In this particular book, I enjoyed how technology, though doesn't always help, was used to manipulate people's images and how some people react. Though, Haley, the woman being convicted for murder, was ill and traumatized, I enjoyed the strength she was given to protect herself and those who are close to her. To watch her struggle through discovering the guy she liked to be dead, while she slept and have no recollection how it happened, was truly heart wrenching. Then to watch her have nightmares about it because she couldn't remember what happened was able to show how post-traumatic stress disorder can affect after a traumatic event, made it harder but kept you wondering if her nightmares were memories resurfacing in an unpleasant way. With so many potential suspects coming and going in the book, you can't help but to continuously wonder what is causing the nightmares and if they are memories or not. It definitely kept you question until the very end.
It was also made clear how easy it is to cause people to doubt someone's skill or distort their image through social media. I thoroughly enjoyed, seeing this aspect. After all, though it isn't nice or even ethical, it happens all the time to people who do what they are good, and sometimes bad, at for a living. Though meme's and gifs are made to amuse and create laughter and joy, too often is it used to hurt someone without a whole lot of people truly understanding the whole meaning behind it. To have something aimed at Morgan, to make a threat and humiliate her, caused me to get angry. I enjoyed it in the aspect it raises the issue of gifs and memes being used to hurt and humiliate other, rather than spread joy. This particular piece, though not extremely important, had indeed stuck with me through out the whole book, I couldn't shake the feeling that it happens to us all at some point, even if we never see it. It had also brought up how hard it was to contain something once it goes viral. To track down the source can be impossible when everyone is sharing it on their social medias.
To get away with a crime doesn't mean to repeat it, but it you are never caught, wouldn't you be tempted to do it again? That was a question raised about some characters in this book. The crime doesn't have to illegal to be a crime. Disrespecting people's privacy, trust, and tampering with drinks are just a few crimes that aren't always caught, or even punishable. However, What I've Done, highlighted how people who may have gotten away with a crime once (whether punishable or not), they often feel they can repeat it and never get caught. Even though we all know eventually you will get caught, it was quite nice to see it highlighted in the fictional world as well. It was just a nice surprise that some of the characters thought and felt that way.
However, my absolute favorite thing was the ending. This I will not even attempt to spoil, but I will say that this ending left me wanting so much more. I expect the next book to give us some juicy information about our favorite characters, Lance, Sharp, and Morgan. I do look forward to it. I would definitely rate this book 5 stars out of 5 stars. It was entertaining, highlighted things that not everyone pay attention to, and kept me turning the pages.
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Lottie disney bookworm (1056 KP) rated Go the Distance: A Twisted Tale in Books
Jun 17, 2021
What if Meg had to become a Greek God?
Following on immediately from the end of the much loved Hercules film, Jen Calonita is back with a twisted tale starring our favourite D.I.D: Damsel in Distress.
Now, I LOVE sarcasm and sass so Meg has always been a firm favourite of mine. I was thrilled when I heard she would finally be getting her own story and did Calonita disappoint? No she did not!
Go The Distance is told entirely from Meg’s point of view: immersing the reader immediately in her thoughts and feelings whilst ascending to Mount Olympus with Hercules. I loved how in tune Jen Calonita was with her protagonist, right from the first few pages: there is literally SO much pomp and circumstance surrounding Meg, she is stood on a cloud for goodness sake! But does that stop her doubting herself? Doubting the budding relationship with Herc? Not a chance!
It will come as no surprise to regular readers of twisted tale novels that Calonita quickly tanks our hopes of a happy ending (makes sense- we’re only in the first few pages) as Zeus refuses Hercules’ request to be with Meg on Earth: the lightning-wielding god and his wife have waited too long for their son to re-join them, to lose him this easily. However, Hera can see how happy this mortal makes her son and so makes Meg a once-in-a-lifetime offer, complete a hero’s quest in 10 days and stay with Herc on Mount Olympus as a god for eternity.
Obviously Meg accepts- it would be a short story if she passed this opportunity up- and embarks upon an adventure like no other. As well as having to navigate the underworld, negotiate with Hades and face her ex, Meg battles monsters, befriends Gods and learns her most important lesson: that love is a strength, not a weakness.
Joining Meg on her journey are characters we know and love, such as Phil, Pegasus and Hades. It would be so easy for Jen Calonita to play it safe with these iconic characters but I am pleased to say that these guys get their own little developments too: particularly Hades as we see the character of Persephone and her impact upon his life.
Calonita also introduces us to a host of new characters, two of which are pivotal to both the reader understanding how key events in her life have created this tough armour that Meg wears so well. These are Thea, Meg’s mother and Aegeus, the man who Meg gave up her soul for. Aegeus is a bit wet in my opinion (he’s no Wonder Boy!) but the relationship Calonita creates between Meg and Thea is something precious: the reader can see the struggles faced by both women and can immediately identify where Meg got her fiery nature from.
But of course our heroine is the one who shines in this twisted tale: Meg was already a brilliant character but Calonita opens her up a little bit more and manages to break down some of her walls: along her quest Meg almost embraces her vulnerability, she learns to trust and learns that it is not a weakness to ask for and accept help. After that her quest seems to become easier- which is saying a lot in the underworld!
I also really admired that Meg doesn’t go weak at the knees at the prospect of spending eternity with Hercules, in fact she isn’t sure she wants eternity, she just wants the chance to find out! This made the underlying love story real rather than fairytale. Herc and Meg argue, they say things they regret but ultimately, they show up for each other and that’s what is important in the end.
I have seen other reviewers slating the character of Meg, saying that she is too rash and hot-headed in this twisted tale and bears little resemblance to the animated character we love. I have to say I completely disagree with these views: yes, as her quest nears its deadline then Meg becomes increasingly rash but hello, the girl gave up her soul to Hades! You can’t tell me she doesn’t have previous form for diving head-first into a situation?!
Go The Distance is an adorable novel about embracing your vulnerability and trusting those who want to help you. It teaches us that independence does not necessarily mean facing everything alone, love does not necessarily come from one stand-out moment and that it is never too late to forgive. This twisted tale is not as dark as other retellings in the series but Jen Calonita is an expert in middle-grade literature and so this is not a surprise nor a criticism.
“Two thumbs, way way up for our leading lady!”
Following on immediately from the end of the much loved Hercules film, Jen Calonita is back with a twisted tale starring our favourite D.I.D: Damsel in Distress.
Now, I LOVE sarcasm and sass so Meg has always been a firm favourite of mine. I was thrilled when I heard she would finally be getting her own story and did Calonita disappoint? No she did not!
Go The Distance is told entirely from Meg’s point of view: immersing the reader immediately in her thoughts and feelings whilst ascending to Mount Olympus with Hercules. I loved how in tune Jen Calonita was with her protagonist, right from the first few pages: there is literally SO much pomp and circumstance surrounding Meg, she is stood on a cloud for goodness sake! But does that stop her doubting herself? Doubting the budding relationship with Herc? Not a chance!
It will come as no surprise to regular readers of twisted tale novels that Calonita quickly tanks our hopes of a happy ending (makes sense- we’re only in the first few pages) as Zeus refuses Hercules’ request to be with Meg on Earth: the lightning-wielding god and his wife have waited too long for their son to re-join them, to lose him this easily. However, Hera can see how happy this mortal makes her son and so makes Meg a once-in-a-lifetime offer, complete a hero’s quest in 10 days and stay with Herc on Mount Olympus as a god for eternity.
Obviously Meg accepts- it would be a short story if she passed this opportunity up- and embarks upon an adventure like no other. As well as having to navigate the underworld, negotiate with Hades and face her ex, Meg battles monsters, befriends Gods and learns her most important lesson: that love is a strength, not a weakness.
Joining Meg on her journey are characters we know and love, such as Phil, Pegasus and Hades. It would be so easy for Jen Calonita to play it safe with these iconic characters but I am pleased to say that these guys get their own little developments too: particularly Hades as we see the character of Persephone and her impact upon his life.
Calonita also introduces us to a host of new characters, two of which are pivotal to both the reader understanding how key events in her life have created this tough armour that Meg wears so well. These are Thea, Meg’s mother and Aegeus, the man who Meg gave up her soul for. Aegeus is a bit wet in my opinion (he’s no Wonder Boy!) but the relationship Calonita creates between Meg and Thea is something precious: the reader can see the struggles faced by both women and can immediately identify where Meg got her fiery nature from.
But of course our heroine is the one who shines in this twisted tale: Meg was already a brilliant character but Calonita opens her up a little bit more and manages to break down some of her walls: along her quest Meg almost embraces her vulnerability, she learns to trust and learns that it is not a weakness to ask for and accept help. After that her quest seems to become easier- which is saying a lot in the underworld!
I also really admired that Meg doesn’t go weak at the knees at the prospect of spending eternity with Hercules, in fact she isn’t sure she wants eternity, she just wants the chance to find out! This made the underlying love story real rather than fairytale. Herc and Meg argue, they say things they regret but ultimately, they show up for each other and that’s what is important in the end.
I have seen other reviewers slating the character of Meg, saying that she is too rash and hot-headed in this twisted tale and bears little resemblance to the animated character we love. I have to say I completely disagree with these views: yes, as her quest nears its deadline then Meg becomes increasingly rash but hello, the girl gave up her soul to Hades! You can’t tell me she doesn’t have previous form for diving head-first into a situation?!
Go The Distance is an adorable novel about embracing your vulnerability and trusting those who want to help you. It teaches us that independence does not necessarily mean facing everything alone, love does not necessarily come from one stand-out moment and that it is never too late to forgive. This twisted tale is not as dark as other retellings in the series but Jen Calonita is an expert in middle-grade literature and so this is not a surprise nor a criticism.
“Two thumbs, way way up for our leading lady!”
Heather Cranmer (2721 KP) rated Between the Lines in Books
Jun 7, 2018
I was given Between the Lines by Jodi Picoult & Samantha Van Leer by the PR company in England who is promoting it in exchange for an honest review.
The book is written by the best selling author Jodi Picoult and her teenage daughter Samantha Van Leer. The idea for this book was actually Van Leer's, and what a fantastic idea it was!
What happens after you close a book? What happens to the characters in the book? What if they actually had their own lives which went on after a book was closed?
Oliver is a character in a children's fairy tale. However, he wonders if there's something more out there. He wants to escape into the Otherworld which is the reader's world. He is sick of being stuck in a fairy tale doing the same things over and over with the same people.
Delilah is a 15 year old girl who just doesn't fit in. She daydreams about falling in love with her prince charming. However, her prince charming is a character in a children's fairy tale.
To sum up the plot, Delilah and Oliver try to find a way to get Oliver out of his fairy tale book. You are shown the struggles of which they try to do this. Will Delilah ever get to be with her prince?
I loved this book. Everything about it was great. The plot was well thought out and very original. I actually felt like I was part of the story. What also makes it great is it kind of feels like you are getting two stories for the price of one. The reader is told the actual fairy tale for the most part as well as the actual story.
The actual story is told from Oliver and Delilah's point of view which I love! That way you can get how each character is feeling.
Also, the other character is this book are very well thought out and say some amazing things! My favourite supporting character was the trusty steed Socks. He was always worrying about how he looked and would come out with some funny lines!
One other thing I enjoyed about this book was the illustrations. They are beautifully drawn, and I believe it makes this book that much more interesting.
If you are looking for something a bit different to read, don't pass up this book. It is amazing, and you won't be disappointed.
I give it a 5 out of 5.
(This review is also posted on my blog).
The book is written by the best selling author Jodi Picoult and her teenage daughter Samantha Van Leer. The idea for this book was actually Van Leer's, and what a fantastic idea it was!
What happens after you close a book? What happens to the characters in the book? What if they actually had their own lives which went on after a book was closed?
Oliver is a character in a children's fairy tale. However, he wonders if there's something more out there. He wants to escape into the Otherworld which is the reader's world. He is sick of being stuck in a fairy tale doing the same things over and over with the same people.
Delilah is a 15 year old girl who just doesn't fit in. She daydreams about falling in love with her prince charming. However, her prince charming is a character in a children's fairy tale.
To sum up the plot, Delilah and Oliver try to find a way to get Oliver out of his fairy tale book. You are shown the struggles of which they try to do this. Will Delilah ever get to be with her prince?
I loved this book. Everything about it was great. The plot was well thought out and very original. I actually felt like I was part of the story. What also makes it great is it kind of feels like you are getting two stories for the price of one. The reader is told the actual fairy tale for the most part as well as the actual story.
The actual story is told from Oliver and Delilah's point of view which I love! That way you can get how each character is feeling.
Also, the other character is this book are very well thought out and say some amazing things! My favourite supporting character was the trusty steed Socks. He was always worrying about how he looked and would come out with some funny lines!
One other thing I enjoyed about this book was the illustrations. They are beautifully drawn, and I believe it makes this book that much more interesting.
If you are looking for something a bit different to read, don't pass up this book. It is amazing, and you won't be disappointed.
I give it a 5 out of 5.
(This review is also posted on my blog).
365Flicks (235 KP) rated Ice Guardians (2016) in Movies
Nov 20, 2019
Speaking from my own personal perspective, Ice Guardians is one of the most interesting gripping documentary’s I have watched recently. Full Disclosure first… I am a Brit, a little Englander if you will so my knowledge of Ice Hockey and the world of that sport is very limited to the Mighty Ducks movies. However I love a good personal Documentary that can engage me in something I know little about. Ice Guardians covers that for me so lets do this.
Director Brett Harvey carefully and passionately explores one of the most controversial and provocative positions in the history the National Hockey League, the Enforcer.
This movie is the Story of the most controversial positions in the world of sport, from its birth (out of little policing by the refs in the game) to today. ‘The Enforcer’ this is a position that has been talked about through the decades. Is it needed? Is it Necessary? Who the hell would take this role in a game of Ice Hockey?. Essentially the role is to be an “Ice Boxer” hit harder and faster than the guy on the opposite side, be such a menace that everyone on your team is safe because the opposition are scared Shit-less to start something because you will get them.
Of course my simplistic analysis above is that of a man before watching this movie. Watch as giants of the game and some of the hardest son of bitches in the position, strip everything back to bare all on the role they play, why they play it and the sheer scrutiny they are are faced with on a day to day basis. I will honestly say I was moved by this Documentary at times, these men are looked at like caged beasts, Unhinged if you want. However these men are exactly that ‘MEN’ with more Honor, Integrity and way more Loyalty than most Sportsmen.
Written by Harvey and Scott Dodds, the film features interviews with NFL greats such as Dave “The Hammer” Schultz, Clark Gillies and Dave Semenko.
We at 365 Highly recommend this Documentary and hope you will it a chance because it is engaging as hell and gives you a deep insight into the role of the Enforcer from the Enforcers point of view. Its not as black and white as you may think and I truly think you will take something away to think from this flick.
I want you all to watch this movie its wonderfully made and deals with a subject like this carefully and with the respect it deserves.
Director Brett Harvey carefully and passionately explores one of the most controversial and provocative positions in the history the National Hockey League, the Enforcer.
This movie is the Story of the most controversial positions in the world of sport, from its birth (out of little policing by the refs in the game) to today. ‘The Enforcer’ this is a position that has been talked about through the decades. Is it needed? Is it Necessary? Who the hell would take this role in a game of Ice Hockey?. Essentially the role is to be an “Ice Boxer” hit harder and faster than the guy on the opposite side, be such a menace that everyone on your team is safe because the opposition are scared Shit-less to start something because you will get them.
Of course my simplistic analysis above is that of a man before watching this movie. Watch as giants of the game and some of the hardest son of bitches in the position, strip everything back to bare all on the role they play, why they play it and the sheer scrutiny they are are faced with on a day to day basis. I will honestly say I was moved by this Documentary at times, these men are looked at like caged beasts, Unhinged if you want. However these men are exactly that ‘MEN’ with more Honor, Integrity and way more Loyalty than most Sportsmen.
Written by Harvey and Scott Dodds, the film features interviews with NFL greats such as Dave “The Hammer” Schultz, Clark Gillies and Dave Semenko.
We at 365 Highly recommend this Documentary and hope you will it a chance because it is engaging as hell and gives you a deep insight into the role of the Enforcer from the Enforcers point of view. Its not as black and white as you may think and I truly think you will take something away to think from this flick.
I want you all to watch this movie its wonderfully made and deals with a subject like this carefully and with the respect it deserves.