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The Festival of Insignificance
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Casting light on the most serious of problems and at the same time saying not one serious sentence;...
LeftSideCut (3776 KP) rated Drag Me to Hell (2009) in Movies
Mar 12, 2021
I'll say one thing for certain, Drag Me to Hell is so unnecessarily and gratuitously gross at times (the old woman has the poor girls entire chin in her disgusting mouth on more than one occasion) and in that regard, it's a warm welcome back to over the top horror for Sam Raimi. His signature style is plastered all over the place, and it's great.
The cheesiness isn't a complete positive however. In terms of dialogue, it can take you out of the story a bit. Lead Alison Lohman and co star Justin Long (both actors who I like) suffer from this a bit, and are occasionally comical in a movie that plays it straight for the most part.
Some of the effects are a little iffy as well. There's some good practical stuff going on but a few digital effects are dodgy. It's not enough to severely impact anything, and there a few decent jump scares scattered throughout.
It's a perfectly fine slice of horror, that is elevated by a ballsy as fuck ending, that makes Drag Me to Hell a film worth revisiting now and again. Would love to see a sequel someday!
The cheesiness isn't a complete positive however. In terms of dialogue, it can take you out of the story a bit. Lead Alison Lohman and co star Justin Long (both actors who I like) suffer from this a bit, and are occasionally comical in a movie that plays it straight for the most part.
Some of the effects are a little iffy as well. There's some good practical stuff going on but a few digital effects are dodgy. It's not enough to severely impact anything, and there a few decent jump scares scattered throughout.
It's a perfectly fine slice of horror, that is elevated by a ballsy as fuck ending, that makes Drag Me to Hell a film worth revisiting now and again. Would love to see a sequel someday!
Tyondai Braxton recommended Beautiful Rewind by Four Tet in Music (curated)
David McK (3562 KP) rated Truckers (Bromeliad Trilogy, #1) in Books
Dec 13, 2020
First book of Terry Pratchett's so-called Bromeliad trilogy (consisting of this, Diggers and Wings) which, I believe, was turned into a stop motion kids TV series in the early 90s.
This follows a race of tiny people known as 'Nomes' from another planet, who have crash landed on planet Earth thousands of years ago and have now all but forgotten their own past, with some living in the fields where they are preyed upon by wildlife and others in a large department store and refusing to believe there is such a thing as 'outside' ('did not Arnold Bros., est 1905, say "everything under one roof" ...')
This belief is put to the test when Masklin - one of the outside Nomes - arrives in the store leading a ragtag group of (mostly older) Nomes, just before said store is about to be demolished, and having to hatch a plan to rescue as many Nomes as he can and get back home safely, aided by 'The Thing' (what we would term a black box computer) that has been dormant for many centuries in (again, what we would term) power-saving mode.
This follows a race of tiny people known as 'Nomes' from another planet, who have crash landed on planet Earth thousands of years ago and have now all but forgotten their own past, with some living in the fields where they are preyed upon by wildlife and others in a large department store and refusing to believe there is such a thing as 'outside' ('did not Arnold Bros., est 1905, say "everything under one roof" ...')
This belief is put to the test when Masklin - one of the outside Nomes - arrives in the store leading a ragtag group of (mostly older) Nomes, just before said store is about to be demolished, and having to hatch a plan to rescue as many Nomes as he can and get back home safely, aided by 'The Thing' (what we would term a black box computer) that has been dormant for many centuries in (again, what we would term) power-saving mode.
Sarah (7800 KP) rated Robin Hood: Men in Tights (1993) in Movies
Jul 29, 2020
Probably the best Robin Hood film?
Let's be honest, Robin Hood has been done on screen more times than we can count & potentially aside from the animated Disney film, it's probably safe to say Men in Tights is by far the best Robin Hood film out there.
They don't make films like this anymore. It looks terrible, and well that's the point. You really can't beat a good spoof/parody. Cary Elwes makes a wonderful Robin Hood (with a English accent as the film so rightly points out) and the rest of the cast too camp it up to the max. Admittedly this film hasn't aged particularly well and some of the humour isn't quite as funny as I remember, but you can't go wrong with a Mel Brooks film. Man is a genius and the fact that he also appears as Rabbi Tuckman is a brilliant move. Also the Men in Tights song is absolutely hilarious.
It really is a shame they dont make films like this anymore as they'd make the world of cinema a brighter and happier place. Need more writers like Mel Brooks that's for sure!
They don't make films like this anymore. It looks terrible, and well that's the point. You really can't beat a good spoof/parody. Cary Elwes makes a wonderful Robin Hood (with a English accent as the film so rightly points out) and the rest of the cast too camp it up to the max. Admittedly this film hasn't aged particularly well and some of the humour isn't quite as funny as I remember, but you can't go wrong with a Mel Brooks film. Man is a genius and the fact that he also appears as Rabbi Tuckman is a brilliant move. Also the Men in Tights song is absolutely hilarious.
It really is a shame they dont make films like this anymore as they'd make the world of cinema a brighter and happier place. Need more writers like Mel Brooks that's for sure!
LeftSideCut (3776 KP) rated Parasite (2019) in Movies
Aug 24, 2020
There's not a huge amount I can say about Parasite that hasn't been said already - it's pretty damn good.
Bong Joon Ho's tragicomedy is sometimes sad, sometimes hilarious, and bursting with tension when it needs to be.
The cast are excellent, especially Woo-sik Choi and So-dam Park.
The plot beats about class discrimination are the heart of Parasite, and provides the bulk of the film's entertainment, whilst still being hard hitting and grounded in unfortunate reality.
This is aided by some truly inspired cinematography, full of nice touches. An example that springs to mind is the wealthy Park family residence, sitting up high. The Kim family resides practically underground. In one scene, the Kim family descend through the city level by level during a violent storm to get back home, a motif for how the poor constantly live in the shadows of those better off. It's a shot that has stuck with me since viewing.
The screenplay is full of wit and strong character development leading to a genuinely thrilling climax that had me on the edge of my seat.
Parasite is absolutely worth your time, easily one of my top films of 2019.
Bong Joon Ho's tragicomedy is sometimes sad, sometimes hilarious, and bursting with tension when it needs to be.
The cast are excellent, especially Woo-sik Choi and So-dam Park.
The plot beats about class discrimination are the heart of Parasite, and provides the bulk of the film's entertainment, whilst still being hard hitting and grounded in unfortunate reality.
This is aided by some truly inspired cinematography, full of nice touches. An example that springs to mind is the wealthy Park family residence, sitting up high. The Kim family resides practically underground. In one scene, the Kim family descend through the city level by level during a violent storm to get back home, a motif for how the poor constantly live in the shadows of those better off. It's a shot that has stuck with me since viewing.
The screenplay is full of wit and strong character development leading to a genuinely thrilling climax that had me on the edge of my seat.
Parasite is absolutely worth your time, easily one of my top films of 2019.
For Batter or Worse
10.0
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The Fairy Tale Cupcake crew must discover the truth behind a death sprinkled with suspicion before...
A Wedding and A Killing (Mac Faraday Mystery #8)
7.0
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Book
When Mac Faraday decides to do something, there’s no stopping him … even murder! Not wanting...
Murder Murder Mystery Mystery Crime Audiobook Paperback
5 Minute Movie Guy (379 KP) rated If I Stay (2014) in Movies
Jun 28, 2019
The film's "live or die" premise is dumb, dangerous, and downright offensive. (4 more)
A totally lousy and illogical love story that lacks any heart.
The dialogue is almost as bad as Adam's 8-year-old-grade-level music lyrics.
It's far too frustrating and bland to be emotionally effective. The only pity I felt was for myself for having to sit through it for two hours.
If I Stay is unforgivable and reprehensible garbage. It should be avoided like the plague.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. If I Stay disappoints and offends on nearly every conceivable level.
Imagine yourself in a situation where your whole life is turned upside-down in an instant, and nothing will ever be the same again. That’s the troubling position young Mia Hall is faced with in If I Stay, after her and her family are involved in a terrible car accident. Mia wakes up from the crash, only to discover that she’s having some sort of transcendental experience, where she sees her own lifeless body being treated by paramedics. In her ghost-like form, no one is able to see or hear her, leaving her helpless as she watches her tragedy unfold. The devastating crash put her into a comatose state, and as she teeters on the verge of life and death, she’s informed by her nurse that whether or not she lives is entirely predicated on her will to survive. Based on the young adult novel by Gayle Forman, If I Stay asks us if life is still worth living even when all hope appears to be lost. Whether it’s really even worth it to endure life’s cruel hardship and heartache, and to muster the courage to face another day.
Well, if you answered that question with a resounding “yes!”, then like me, you’ll probably find this movie to be pretty darn stupid. Actually, regardless of your opinion on the matter, I think it would be hard for anyone to escape the fact that this movie is pretty darn stupid. However, as much as I find the central question of the movie to be absurd and even offensive, it didn’t detract from my interest in seeing the film. So let’s not make the assumption that I disliked this movie from the get-go, because that’s really just not true. Even though I may disagree with it, I can certainly sympathize with the idea of a teenager who is experiencing a life-shattering trauma and is afraid to continue living on afterward. However, I would personally argue that she hasn’t actually experienced any of that at all. She’s living in an extra dimensional safe-zone. Her horror can’t be real unless she makes it real by returning to life to face it. To look at it another way, couldn’t we say that if she chose death instead, that she never would have experienced the tragedy at all since she was stuck in a coma, and that she would be dead without ever knowing the fate of her family? That’s what I think, though I’ll admit it’s rather complicated as it draws upon unanswerable questions. To be frank, it’s a bogus scenario for a bogus movie that isn’t even worthy of that much thought, and clearly wasn’t ever given that much thought.
Before I digress on this topic, I’d like to look into a few of its implications, because I think it’s sending a terrible and dangerous message to its viewers, particularly the teenagers it’s targeted to. Basically, I believe the film is implying that death is a perfectly okay alternative to facing an undesirable change. I find that very idea to be immoral, irresponsible, and horribly atrocious. “Sorry your dad died, Timmy. If you can’t bear to live another day and want to end it all right here, well that’s okay with us. We understand and we won’t judge!” Are you kidding me? What kind of a message are they trying to send here? “Bad day? Just give up! Things are great here in Heaven! Join us today!” Is that really what they’re trying to tell us? How is anyone possibly okay with this? The film is essentially preaching that killing yourself is a perfectly acceptable option when life gets hard, and I have a really big problem with that. Whether we want to think about it or not, suicide is always an option we have in life, but that doesn’t mean that we should encourage it or try to pretend that it’s ever a favorable opportunity. Mia doesn’t even know what life will be like if she wakes up because she hasn’t lived it yet. Her fears are fully based off of negative assumptions. Yeah, maybe things will be really hard if she comes out of her coma. Maybe she’ll wish she was dead. Or maybe she’ll go through some difficult times, but then maybe things will get better and she’ll pick up the pieces and end up living a wonderful and happy life. Had she actually endured this new life and struggled with thoughts about suicide, I think it would have made for a far more compelling narrative, rather than all of this hypothetic nonsense. Either way, good or bad, life goes on. It’s up to us to adapt to it. Where there is hope, there is always possibility. With all that said, I would still contend that If I Stay’s premise is only the tip of the iceberg of its problems. This supposed tear-jerked failed to stir up any sympathy or sadness from me, and there are a few major reasons why.
First of all, it completely fails as a love story. The film is almost entirely devoid of romance, and has no believable connection between Mia and her boyfriend, Adam. Rather than being a Prince Charming type, Adam’s mostly just a jerk that she shouldn’t be wasting her time with in the first place. Yet the movie tries to make you believe that it’s love, and that this is what all normal relationships are like. It’s a complete crock. Movies like this give girls a false understanding of what love should be, and I find that to be an unforgivable offense. Adam’s the local hot shot rocker who falls for Mia, the talented young cello player who aspires to go to the renowned music school Julliard in New York. Adam manages to win her heart and the two of them start dating. Unfortunately though, their relationship can be pretty unpleasant to watch. Adam’s living the life of a local rock star and is blindly dragging Mia along for the ride, introducing the sweet, young girl to a world of parties, sex, and alcohol. Adam’s utterly oblivious to her disinterest in such a lifestyle and he rarely shows any concern for her feelings anyway. Yet she’s so foolishly committed to him that she follows this path of corruption, all for a guy who only thinks about himself. I thought this was supposed to be a love story, but it’s severely lacking in the love department. Just because Adam occasionally does something nice, we’re supposed to think he’s a good guy and forgive him for the majority of the time when he’s a lousy boyfriend and a loser? Of course, how romantic! Their whole relationship is lifeless and immensely frustrating. If living with him was my alternative to death, believe me, I’d choose death without hesitation.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. Even with my friend there, I still thought about leaving, then had a good laugh about the film’s title being so perfectly appropriate, as I contemplated to myself whether or not I should go. As much as I wanted to leave, I stuck it out all the way to the end. Then the entire audience ended up laughing at the ending, which goes to show I was far from the only one that thought this movie was a complete joke and waste of time. I had more than a few laughs at the film’s expense, from its dumb and derivative dialogue, to the way Chloe Grace Moretz slightly crosses her eyes whenever she’s upset. While I think I still remained open-minded about the film despite my issues with the story, I really don’t think the film itself was any good, nor does it appear to serve any purpose. Seriously, what’s the point of this movie? To give people hope that you can overcome obstacles in life? To justify suicide? I don’t know. Halfway through the movie, I was so disengaged from it that I was imagining how fun it would be to do cartwheels in the theater. That must be the lesson that I learned from all this. Well, that and to steer clear of crummy musicians, I suppose. While I’ve heard a lot of praise about the film’s soundtrack, I thought Adam’s band was quite horrendous. They do have a moment of redemption when they cover a Smashing Pumpkins song, which may have been the only good moment in this otherwise pitiful movie. I also found the lyrics of that song to be unusually appropriate to my misery when they said, “I’ll rip my eyes out, before I get out.” It’s almost funny that this might have been the only moment of the movie I could actually relate to: the thought of ripping my eyes out before being able to leave.
If I Stay is a movie that disappoints and offends on nearly every conceivable level. The saddest thing about this film is that garbage like this actually exists. Its pro-death agenda is just plain horrible and ill-conceived. It also troubles me greatly to think that teenage girls might watch this film and think that Mia and Adam’s tumultuous relationship is a desirable model of love. Lastly, I’d like to note that the If I Stay novel does have a follow-up book titled Where She Went. Wherever she goes, I sure hope it’s not back to theaters. If I have to sit through another If I Stay movie, I might just give up on life myself.
(This review was originally posted at 5mmg.com on 9.5.14.)
Well, if you answered that question with a resounding “yes!”, then like me, you’ll probably find this movie to be pretty darn stupid. Actually, regardless of your opinion on the matter, I think it would be hard for anyone to escape the fact that this movie is pretty darn stupid. However, as much as I find the central question of the movie to be absurd and even offensive, it didn’t detract from my interest in seeing the film. So let’s not make the assumption that I disliked this movie from the get-go, because that’s really just not true. Even though I may disagree with it, I can certainly sympathize with the idea of a teenager who is experiencing a life-shattering trauma and is afraid to continue living on afterward. However, I would personally argue that she hasn’t actually experienced any of that at all. She’s living in an extra dimensional safe-zone. Her horror can’t be real unless she makes it real by returning to life to face it. To look at it another way, couldn’t we say that if she chose death instead, that she never would have experienced the tragedy at all since she was stuck in a coma, and that she would be dead without ever knowing the fate of her family? That’s what I think, though I’ll admit it’s rather complicated as it draws upon unanswerable questions. To be frank, it’s a bogus scenario for a bogus movie that isn’t even worthy of that much thought, and clearly wasn’t ever given that much thought.
Before I digress on this topic, I’d like to look into a few of its implications, because I think it’s sending a terrible and dangerous message to its viewers, particularly the teenagers it’s targeted to. Basically, I believe the film is implying that death is a perfectly okay alternative to facing an undesirable change. I find that very idea to be immoral, irresponsible, and horribly atrocious. “Sorry your dad died, Timmy. If you can’t bear to live another day and want to end it all right here, well that’s okay with us. We understand and we won’t judge!” Are you kidding me? What kind of a message are they trying to send here? “Bad day? Just give up! Things are great here in Heaven! Join us today!” Is that really what they’re trying to tell us? How is anyone possibly okay with this? The film is essentially preaching that killing yourself is a perfectly acceptable option when life gets hard, and I have a really big problem with that. Whether we want to think about it or not, suicide is always an option we have in life, but that doesn’t mean that we should encourage it or try to pretend that it’s ever a favorable opportunity. Mia doesn’t even know what life will be like if she wakes up because she hasn’t lived it yet. Her fears are fully based off of negative assumptions. Yeah, maybe things will be really hard if she comes out of her coma. Maybe she’ll wish she was dead. Or maybe she’ll go through some difficult times, but then maybe things will get better and she’ll pick up the pieces and end up living a wonderful and happy life. Had she actually endured this new life and struggled with thoughts about suicide, I think it would have made for a far more compelling narrative, rather than all of this hypothetic nonsense. Either way, good or bad, life goes on. It’s up to us to adapt to it. Where there is hope, there is always possibility. With all that said, I would still contend that If I Stay’s premise is only the tip of the iceberg of its problems. This supposed tear-jerked failed to stir up any sympathy or sadness from me, and there are a few major reasons why.
First of all, it completely fails as a love story. The film is almost entirely devoid of romance, and has no believable connection between Mia and her boyfriend, Adam. Rather than being a Prince Charming type, Adam’s mostly just a jerk that she shouldn’t be wasting her time with in the first place. Yet the movie tries to make you believe that it’s love, and that this is what all normal relationships are like. It’s a complete crock. Movies like this give girls a false understanding of what love should be, and I find that to be an unforgivable offense. Adam’s the local hot shot rocker who falls for Mia, the talented young cello player who aspires to go to the renowned music school Julliard in New York. Adam manages to win her heart and the two of them start dating. Unfortunately though, their relationship can be pretty unpleasant to watch. Adam’s living the life of a local rock star and is blindly dragging Mia along for the ride, introducing the sweet, young girl to a world of parties, sex, and alcohol. Adam’s utterly oblivious to her disinterest in such a lifestyle and he rarely shows any concern for her feelings anyway. Yet she’s so foolishly committed to him that she follows this path of corruption, all for a guy who only thinks about himself. I thought this was supposed to be a love story, but it’s severely lacking in the love department. Just because Adam occasionally does something nice, we’re supposed to think he’s a good guy and forgive him for the majority of the time when he’s a lousy boyfriend and a loser? Of course, how romantic! Their whole relationship is lifeless and immensely frustrating. If living with him was my alternative to death, believe me, I’d choose death without hesitation.
Had I not seen this film with a friend, it would have been the first movie I’ve ever walked out of. I haven’t hated a movie this much all year. Even with my friend there, I still thought about leaving, then had a good laugh about the film’s title being so perfectly appropriate, as I contemplated to myself whether or not I should go. As much as I wanted to leave, I stuck it out all the way to the end. Then the entire audience ended up laughing at the ending, which goes to show I was far from the only one that thought this movie was a complete joke and waste of time. I had more than a few laughs at the film’s expense, from its dumb and derivative dialogue, to the way Chloe Grace Moretz slightly crosses her eyes whenever she’s upset. While I think I still remained open-minded about the film despite my issues with the story, I really don’t think the film itself was any good, nor does it appear to serve any purpose. Seriously, what’s the point of this movie? To give people hope that you can overcome obstacles in life? To justify suicide? I don’t know. Halfway through the movie, I was so disengaged from it that I was imagining how fun it would be to do cartwheels in the theater. That must be the lesson that I learned from all this. Well, that and to steer clear of crummy musicians, I suppose. While I’ve heard a lot of praise about the film’s soundtrack, I thought Adam’s band was quite horrendous. They do have a moment of redemption when they cover a Smashing Pumpkins song, which may have been the only good moment in this otherwise pitiful movie. I also found the lyrics of that song to be unusually appropriate to my misery when they said, “I’ll rip my eyes out, before I get out.” It’s almost funny that this might have been the only moment of the movie I could actually relate to: the thought of ripping my eyes out before being able to leave.
If I Stay is a movie that disappoints and offends on nearly every conceivable level. The saddest thing about this film is that garbage like this actually exists. Its pro-death agenda is just plain horrible and ill-conceived. It also troubles me greatly to think that teenage girls might watch this film and think that Mia and Adam’s tumultuous relationship is a desirable model of love. Lastly, I’d like to note that the If I Stay novel does have a follow-up book titled Where She Went. Wherever she goes, I sure hope it’s not back to theaters. If I have to sit through another If I Stay movie, I might just give up on life myself.
(This review was originally posted at 5mmg.com on 9.5.14.)