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Daniel Boyd (1066 KP) rated Who Built The Moon? by Noel Gallagher / Noel Gallagher's High Flying Birds in Music
Nov 28, 2017 (Updated Nov 28, 2017)
A new direction from Noel (1 more)
Some unexpectedly bold creative choices are made
A Breath Of Fresh Air
Who Built The Moon? was released on Friday 24/11/17 and has already proved to be the most divisive album that Noel has ever been a part of. I personally love it. I think if Noel had dropped another record in the now expected style of the first two HFB's records, we would be rolling our eyes. Instead he is trying something new, a bold step for a man of 50 who has been making music publicly for the last quarter of a century.
Working with notorious industry producer, David Holmes, this record possesses a whole new sound for Noel, his lyrics and vocals are obviously instantly recognisable, but the instrumentation and production on the record is like something we have never heard him do before. Now it's all well and good trying something new, but is it any good? Well, it is actually.
The record opens with a stomping instrumental called Fort Knox. A track reminiscent of George Harrison meets the Gorillaz, that you can't help but at least nod along to. This isn't the first time that Noel has opened a record with an instrumental, (2000's Standing On The Shoulders of Giants opened with Fuckin' In The Bushes,) but I think it may be his best instrumental to date.
Next up is the record's lead single; Holy Mountain. This track carries on the pace set by Fort Knox and contains elements of Slade and Bowie to boot. Much has already been said about the comparison to She Bangs, but it doesn't bother me, this is a fantastic song and I feel like it was a solid choice for the album's first single. Having Paul Weller playing the organ on it doesn't hurt much either.
Following this is one of my favourite songs on the record, Keep On Reaching. I actually heard Noel talking about this song in an interview before I heard the track itself and from what he was describing, I didn't think I was going to care for it. Well my preconceptions were whacked away once I got around to listening to the track. Absolutely brilliant song that feels uplifting and triumphant.
The next song is called It's A Beautiful World and I have to admit I found it to be a bit of a grower. I first heard the track played live on Jools Holland and didn't love it, then I heard the album track and liked it a bit more, then I listened to it again and wasn't feeling it as much. Now six or seven listens later, I love this song. There are a few odd choices made here and I can understand why people would initially be put off, but I think this track works perfectly, especially within the context of the rest of the album.
After this we hear She Taught Me How To Fly, which is probably my least favourite track on the record. Again though I have to admit that this has grown on me since I first heard it. Hearing it live for the first time on Jools Holland, combined with seeing that scissor player for the first time was a bit much for me and to be honest I really wasn't a fan of the track. While I still don't love the track, I do enjoy it within the context of the album and I much prefer it now to when I initially heard it.
Track six is called Be Careful What You Wish For and for me, it falls into the same category as She Taught Me How To Fly, in that it is good, but not great. I'd say that these two songs are definitely the 'filler' section of the album. On any other record, these songs would be highlights, but on a Noel Gallagher record, they only qualify as filler in my opinion. They do add to the album as a whole though and are absolutely necessary if you are looking to experience the album all the way through from start to finish, which is also definitely the best way to experience this album.
The record picks up again with Black & White Sunshine. A roaring rock n' roll stomper that definitely sounds the most like Oasis over anything else on the album. The song's upbeat tone and slightly melancholy lyrics match up with Noel's signature writing style and it works just as well here as it did in the Oasis days. It's nice to hear something that feels slightly more familiar in amongst all of the other more experimental stuff on this record.
After hearing Fort Knox, I was really excited to hear the other instrumental on this album, Wednesday - Part 1. Unfortunately it's nowhere near as good as Fort Knox and it's been split into two parts. It's still a decently enjoyable piece of music that helps the album plod along into it's final stretch, but if like me you were hoping this to be just as good as Fort Knox, you will be left disappointed.
Next up is what is perhaps my favourite track on the record; If Love Is The Law. This glorious banger of a tune adds so much to the record overall and sounds mega through a good set of headphones. Johnny Marr's unmistakable guitar playing works awesomely on this track, as does his harmonica work. The lyrics are top notch, Noel's voice sounds great and it is a brilliant tune from start to finish.
The last official track on the album is the title track, The Man Who Built the Moon. This song tells the story of a cowboy full of regrets, using all sorts of interesting metaphors it is definitely the most narrative track on the album. The tone of the song slightly reminds me of The Ballad Of The Mighty I, the closing track from Noel's last record. It is a great song and works fantastically as a way to end this record.
Lastly we have Wednesday - Part 2, which is simply a continuation of Wednesday - Part 1, not much else to say here really.
Finally, we have a bonus track called Dead In The Water. This was recorded live during a session Noel did on an Irish radio station while promoting his previous album. Noel apparently didn't even know he was being recorded at the time while he was singing, which I think makes this song even more special. Allegedly, David Holmes was reluctant to put this on the record, as he felt it was out of place with the rest of the songs on the record, but I am so glad that Noel convinced him otherwise. Noel's voice here, sounds pure and frankly astonishing and the lyrics are fantastic too. The tone sounds similar to Talk Tonight and it is definitely one of the album's best moments.
The one gripe I have about this album, is that while this is a fresh new direction for Noel, it's not a style that hasn't been done before by other bands and arguably been done better. The Gorillaz' records or any of the late Beatles albums serve as a good example of this. Then again, Noel is well known from 'borrowing,' song elements from other artists, so maybe this is as original as it gets for him and we should be grateful for that.
Regardless, as a long time Oasis, (and particularly Noel Gallagher,) fan, I am glad that Noel is doing something new. I am also glad that with both Gallagher brothers now producing music, we won't be getting two extremely similar sounding albums. This is exciting for Oasis fans and can maybe serve as a step forward for fans who are still stuck in the past, in finally getting over their favourite band breaking up - it only took 8 years.
Working with notorious industry producer, David Holmes, this record possesses a whole new sound for Noel, his lyrics and vocals are obviously instantly recognisable, but the instrumentation and production on the record is like something we have never heard him do before. Now it's all well and good trying something new, but is it any good? Well, it is actually.
The record opens with a stomping instrumental called Fort Knox. A track reminiscent of George Harrison meets the Gorillaz, that you can't help but at least nod along to. This isn't the first time that Noel has opened a record with an instrumental, (2000's Standing On The Shoulders of Giants opened with Fuckin' In The Bushes,) but I think it may be his best instrumental to date.
Next up is the record's lead single; Holy Mountain. This track carries on the pace set by Fort Knox and contains elements of Slade and Bowie to boot. Much has already been said about the comparison to She Bangs, but it doesn't bother me, this is a fantastic song and I feel like it was a solid choice for the album's first single. Having Paul Weller playing the organ on it doesn't hurt much either.
Following this is one of my favourite songs on the record, Keep On Reaching. I actually heard Noel talking about this song in an interview before I heard the track itself and from what he was describing, I didn't think I was going to care for it. Well my preconceptions were whacked away once I got around to listening to the track. Absolutely brilliant song that feels uplifting and triumphant.
The next song is called It's A Beautiful World and I have to admit I found it to be a bit of a grower. I first heard the track played live on Jools Holland and didn't love it, then I heard the album track and liked it a bit more, then I listened to it again and wasn't feeling it as much. Now six or seven listens later, I love this song. There are a few odd choices made here and I can understand why people would initially be put off, but I think this track works perfectly, especially within the context of the rest of the album.
After this we hear She Taught Me How To Fly, which is probably my least favourite track on the record. Again though I have to admit that this has grown on me since I first heard it. Hearing it live for the first time on Jools Holland, combined with seeing that scissor player for the first time was a bit much for me and to be honest I really wasn't a fan of the track. While I still don't love the track, I do enjoy it within the context of the album and I much prefer it now to when I initially heard it.
Track six is called Be Careful What You Wish For and for me, it falls into the same category as She Taught Me How To Fly, in that it is good, but not great. I'd say that these two songs are definitely the 'filler' section of the album. On any other record, these songs would be highlights, but on a Noel Gallagher record, they only qualify as filler in my opinion. They do add to the album as a whole though and are absolutely necessary if you are looking to experience the album all the way through from start to finish, which is also definitely the best way to experience this album.
The record picks up again with Black & White Sunshine. A roaring rock n' roll stomper that definitely sounds the most like Oasis over anything else on the album. The song's upbeat tone and slightly melancholy lyrics match up with Noel's signature writing style and it works just as well here as it did in the Oasis days. It's nice to hear something that feels slightly more familiar in amongst all of the other more experimental stuff on this record.
After hearing Fort Knox, I was really excited to hear the other instrumental on this album, Wednesday - Part 1. Unfortunately it's nowhere near as good as Fort Knox and it's been split into two parts. It's still a decently enjoyable piece of music that helps the album plod along into it's final stretch, but if like me you were hoping this to be just as good as Fort Knox, you will be left disappointed.
Next up is what is perhaps my favourite track on the record; If Love Is The Law. This glorious banger of a tune adds so much to the record overall and sounds mega through a good set of headphones. Johnny Marr's unmistakable guitar playing works awesomely on this track, as does his harmonica work. The lyrics are top notch, Noel's voice sounds great and it is a brilliant tune from start to finish.
The last official track on the album is the title track, The Man Who Built the Moon. This song tells the story of a cowboy full of regrets, using all sorts of interesting metaphors it is definitely the most narrative track on the album. The tone of the song slightly reminds me of The Ballad Of The Mighty I, the closing track from Noel's last record. It is a great song and works fantastically as a way to end this record.
Lastly we have Wednesday - Part 2, which is simply a continuation of Wednesday - Part 1, not much else to say here really.
Finally, we have a bonus track called Dead In The Water. This was recorded live during a session Noel did on an Irish radio station while promoting his previous album. Noel apparently didn't even know he was being recorded at the time while he was singing, which I think makes this song even more special. Allegedly, David Holmes was reluctant to put this on the record, as he felt it was out of place with the rest of the songs on the record, but I am so glad that Noel convinced him otherwise. Noel's voice here, sounds pure and frankly astonishing and the lyrics are fantastic too. The tone sounds similar to Talk Tonight and it is definitely one of the album's best moments.
The one gripe I have about this album, is that while this is a fresh new direction for Noel, it's not a style that hasn't been done before by other bands and arguably been done better. The Gorillaz' records or any of the late Beatles albums serve as a good example of this. Then again, Noel is well known from 'borrowing,' song elements from other artists, so maybe this is as original as it gets for him and we should be grateful for that.
Regardless, as a long time Oasis, (and particularly Noel Gallagher,) fan, I am glad that Noel is doing something new. I am also glad that with both Gallagher brothers now producing music, we won't be getting two extremely similar sounding albums. This is exciting for Oasis fans and can maybe serve as a step forward for fans who are still stuck in the past, in finally getting over their favourite band breaking up - it only took 8 years.
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Acanthea Grimscythe (300 KP) rated The Roanoke Girls in Books
May 15, 2018
Contains spoilers, click to show
Wow, this review has taken longer than I expected to get around to – mostly because of my hospital stay and subsequent recovery from acute pancreatitis. Needless to say, but I’m mostly back to normal and I hope to be resuming my reviews more regularly. Also, this will be my final review for Blogging for Books, as the site will be closing down next month. Now, onto the important stuff!
Will someone please tell me what the hell I read? The only thing original about The Roanoke Girls by Amy Engel is its plot, which boldly goes where no book I’ve ever read has gone before.
The Roanoke Girls lacks original characters, which is the first of my many complaints regarding this book. Everyone is beautiful and perfect, and the one person that isn’t is described as a meth-head (which I find to be an insult to the average Janes and Joes out there). There’s not a single character, aside from the aforementioned meth-head, that isn’t a Mary Sue appearance wise. And the main character? There’s not a single thing likable about her. She’s a bitch to everyone around her, and yet somehow she still has guys fawning all over her. This is not realistic, folks.
Plot? Do you really want to get me started on that? First, let’s take a moment to discuss the fact that this book hops all over the place. One moment it is present, the next it is past, and after that, it’s some random character of little importance – just so we can learn how they died and why. Because, y’know, there’s something wrong with the fact they are all sleeping with their grandfather/brother/father/uncle/etc. Yes, I just gave a major spoiler away, but hey! I warned y’all. The only thing about this book that isn’t overly done is the fact that its main subject is INCEST. Yates Roanoke has a thing for every single woman in his family. And somehow, for some god awful reason, all these girls (save one) think it is absolutely okay/are heartbroken when things don’t quite work out.
Furthermore, all that jumping around? It’s done intentionally to drive the story forward because a straightforward account is sooo extremely drab and boring in this book that it has to jump. It has to give cliffhangers of some sort, and then make you wait another chapter or two, because otherwise it would simply drag on.
I would not recommend The Roanoke Girls to anyone. I did receive a review copy of this book free of charge and this has been my unbiased opinion. Thanks to Blogging for Books for the novel.
Will someone please tell me what the hell I read? The only thing original about The Roanoke Girls by Amy Engel is its plot, which boldly goes where no book I’ve ever read has gone before.
The Roanoke Girls lacks original characters, which is the first of my many complaints regarding this book. Everyone is beautiful and perfect, and the one person that isn’t is described as a meth-head (which I find to be an insult to the average Janes and Joes out there). There’s not a single character, aside from the aforementioned meth-head, that isn’t a Mary Sue appearance wise. And the main character? There’s not a single thing likable about her. She’s a bitch to everyone around her, and yet somehow she still has guys fawning all over her. This is not realistic, folks.
Plot? Do you really want to get me started on that? First, let’s take a moment to discuss the fact that this book hops all over the place. One moment it is present, the next it is past, and after that, it’s some random character of little importance – just so we can learn how they died and why. Because, y’know, there’s something wrong with the fact they are all sleeping with their grandfather/brother/father/uncle/etc. Yes, I just gave a major spoiler away, but hey! I warned y’all. The only thing about this book that isn’t overly done is the fact that its main subject is INCEST. Yates Roanoke has a thing for every single woman in his family. And somehow, for some god awful reason, all these girls (save one) think it is absolutely okay/are heartbroken when things don’t quite work out.
Furthermore, all that jumping around? It’s done intentionally to drive the story forward because a straightforward account is sooo extremely drab and boring in this book that it has to jump. It has to give cliffhangers of some sort, and then make you wait another chapter or two, because otherwise it would simply drag on.
I would not recommend The Roanoke Girls to anyone. I did receive a review copy of this book free of charge and this has been my unbiased opinion. Thanks to Blogging for Books for the novel.
BankofMarquis (1832 KP) rated At Eternity's Gate (2018) in Movies
Feb 16, 2019
A slow meditation of the last days of a tortured artist
he artist as a tortured soul.
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
How many films have been made on this subject? Too many to count. Add AT ETERNITY'S GATE to this list as it tells the tale of the tortured final days of Vincent Van Gogh - including cutting his own ear off - so perhaps no one deserves the title of "tortured artist" more than he.
Directed by Julian Schnabel (THE DIVING BELL AND THE BUTTERFLY) and starring Willem DaFoe (AQUAMAN) in an Oscar nominated turn as Van Gogh, AT ETERNITY'S GATE follows Van Gogh in the final weeks of his life. Since it is a film by Schnabel, you get an introspective, languid, haunting, beautifully shot meditation on life, art, madness and misunderstanding. Which, of course, is both the blessing and the curse of the film. Schnabel trains his camera - sometimes for long stretches - on the mundane...Van Gogh walking through a field, Van Gogh looking out at a landscape, Van Gogh thinking and, most importantly. Van Gogh painting...and painting...and painting...
Do you know how exciting it is to WATCH someone paint? About as exciting as watching paint dry.
Thank goodness DaFoe is mesmerizing as Van Gogh, for he really holds the film - and attention - throughout. His Academy Award nomination is justified for he brings a haunted, world weariness quality to his portrayal. - check this film out just for this performance. Rupert Friend, Oscar Isaac, Mads Mikkelson and Mathieu Amalric all show up in glorified cameos to punch a little dialogue and forward momentum into this narrative. But, mostly, we watch DaFoe - as Van Gogh - walk and think and look and paint and paint and paint...
I know I am repeating myself, but I felt the film repeated itself over and over again as well. I think there is about 1/2 of interesting film in this 1 hour 54 minute movie. The rest is just "art" and "artistic expression" of images on the screen by Schnabel. If that sort of thing is up your alley, you'll enjoy this. For the rest , it will just become repetitive and boring.
I will say, however, that after seeing this film, I have a greater appreciation for Van Gogh's work, how he made them and how his style differs from ANYBODY else. I am now going to make it a point to find a museum that shows some of his works and check it out.
So, I guess, that's a good thing.
Letter Grade: B- (it is a well made and acted film)
6 (out of 10) stars and you can take that to the Bank(ofMarquis)
Sassy Brit (97 KP) rated Stray Magic in Books
Jun 5, 2019
Stray Magic is a fun, spirited second chance story that comes with a supernatural twist – in the shape of a two-foot tall, wish-granting leprechaun called Vincent.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.
You’d think with a wish-granting leprechaun rooting for the man of your dreams to walk into your life, there’d be no hitches, right?
But when the and get all muddled up, poor Cara doesn’t know whether to believe this cheeky little imp, or send him packing. But when he keeps magically appearing in Cara’s bathroom and taking her dog for a ride, (as Leprecahaun’s do) she decides to believe in his power and wait for the magic to happen – just in case it works and her dream guy walks into her place of work and whisks her off her feet – as promised by the little green fella.
Behind this doggy story, which is suitable for listeners of all ages, is a really entertaining plot. We hear not only about Cara’s love-life woes, but we are also privy to her relationship with her grownup daughter, and how she gets on in her job working for a horrible boss of whom takes all the credit for her hard work without any thanks. Even Cara’s beloved Corgi has something to say, and in no way did I think I’d enjoy a talking dog story. If you’d asked me before, I’d have said that sounded silly. Talking animals never go as planned in books, but this was heaps of fun.
Alongside this, we discover even Vincent has a heartbreaking story to tell. I mean, how can he have the love of his life, if he keeps botching up his magic for others. By his own omission he turned up at Cara’s house twelve years late. Just think about that? If he’d turned up on time Cara’s true love would have been with her for twelve years already. ?
The narrator of this story, Aisling Gray, has a great voice, and could really do the different characters well. Originally from Texas (I think) she has a whole array of accents, and they all sounded spot on, making a great story even better to listen to. In addition, there were quite a few funny, laugh out loud moments, during which I literally laughed out loud unexpectedly. Wherever I was. Yep, embarrassing at times! But well worth it.
This easily listening, magical story was a lighthearted treat for me, and I thoroughly enjoyed all the hours I was plugged in listening to this.
Disclosure: I listened to this story via a free audible token, so thank you to the author, narrator and publisher for this opportunity. This is my own opinion and not biased in any way.
Gareth von Kallenbach (980 KP) rated the PlayStation 4 version of Gravel in Video Games
Jun 19, 2019
Last year at the start of PAX West; Genevieve, Joseph, and myself were invited to get a look at the pending racing game GRAVEL in a private meeting at a suite near the convention. What made this even more exciting was that the meeting took place a day before the convention opened so since we were in the area to run errands and pick up our press passes; this was a very appealing way to see a game and get the jump on our convention coverage.
I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.
GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.
While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.
http://sknr.net/2018/03/10/gravel/
I do want to say at the start that I am horrible at driving games. My preferred method of braking often is using the wall, other cars, and obstacles to redirect my vehicle or slow down, but it does not stop my appreciation for them.
GRAVEL is a very fast paced and enjoyable game that mixes online and offline racing and allows players to use and customize trucks and cars as they race on tracks and outdoor courses. Everything from the Pacific to Alaska and Africa come into play and there are even some amazingly difficult night races where you have to make your way with only your headlights to keep you on the ever changing off-road course.
I had hoped for a few more locales, but there are variations on each locale and you can expect more maps and possibly modes will come down the road.
The graphics are fantastic and playing the game on a PS4 Pro with a 4K television brought the visuals of the game into amazing focus as it was easy to become immersed in the game from the very start.
The menus do take a bit of getting used to as it was at times unclear what form of racing I was about to embark on but I was up to speed in no time.
Matchmaking was fairly easy but it did seem to match me with drivers of a far superior ability time and again which makes it hard to see anything other than a last place finish should I make one mistake on the course.
While the game may not have the depth of other racing games, I found it to be instantly engaging and very fun which is saying quite a bit considering I usually do not play many racing games. Joseph is a fan of racing games and he was able to successfully complete many of the races in our PAX West meeting with no issues and often in the top position.
In the end GRAVEL is a fun entry for those looking to dip their toes into some off road racing or for diehards, but some hardcore racers may want more depth and variety.
http://sknr.net/2018/03/10/gravel/
Hazel (1853 KP) rated Unremembered (Unremembered, #1) in Books
Dec 17, 2018
<i>Unremembered</i> is the first in a young adult, science-fiction trilogy by American author, Jessica Brody. Set in current day California, <i>Unremembered</i> is told from the point of view of a sixteen-year-old girl, Seraphina, who has no memories of anything prior to the first page of the book.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
Whilst it may be imagined that a first person narrative of someone who does not know anything may hinder the telling of the story, it actually connects the audience with the main character. As readers we also have no knowledge of what happened before the first page of the story. We learn everything as Seraphina does, the only difference being that we are aware of what certain items are – particularly technological ones – as well as being able to communicate and understand other people, not just through words but also with sarcasm and body language.
What we learn at the start is that there has been a plane crash into the Pacific Ocean with only one survivor, an unidentifiable girl with serious amnesia. Further on it transpires that there was never any record of her being on the plane in the first place. This is where all the question and mysteries begin. Temporarily given the name Violet, she is placed with a foster family, the Carson family, whose thirteen-year-old son Cody is intimidated by her flawless beauty. He begins to connect with her more after it emerges that she is a mathematical genius. So yet another question arises, how comes she can remembered how to solve complicated equations yet cannot even remember who she is?
There are also mysteries surrounding a peculiar tattoo on her wrist; a boy named Lyzender who keeps appearing, claiming to know who Violet, or should we say Sera, is; her uncanny ability to speak fluently in a range of languages; and the number 1609. What is the significance of this number? Not only is it the year Sera believes it is after recovering from the crash, it is also engraved onto a locket she was wearing along with the initials “S + Z”.
<i>Unremembered</i> is a fast paced novel whose mysteries get solved at the same time as more questions develop. It shows us how people with no experience of the modern world would struggle to understand the things we take for granted. It also poses the question of what it truly makes a human human.
I definitely recommend this novel and believe that it is something young adult girls would certainly enjoy. I am looking forward to reading the next book in the trilogy to find out what happens to Seraphina next.
Becs (244 KP) rated Shadow and Bone (The Grisha #1) in Books
Aug 23, 2019
Captivating story that leaves you enthralled
You can also find this review along with others on my blog: bookingwayreads.wordpress.com
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
TRIGGER WARNINGS: violence, manipulation, death, blood, absent of parent(s), emotional abuse, anger issues, anxiety – panic attacks, talk of hallucinations
Review:
Firstly, I did not realize that Shadow and Bone was set in Russia or should I say – based on Russia and spun into a fantasy filled folklore novel. It starts off strong in the prologue and holds that captivating appeal throughout. I was enthralled with the whole basis of the story.
The one thing that knocked half of a star off of this review is the extremely overused trope of “the main character is ordinary and then finds out that they are extraordinary.” In Leigh Bardugo’s doing, this trope works perfectly well with the plot line of this story. But it made me really dislike the main character, Alina, quite a lot. Behind that awful trope, lies a girl who is not only strong, but shows intelligence and loyalty. Alina was also extremely relatable through her sarcastic perceptiveness but there was something else about her that I couldn’t put my finger on and found rather annoying.
The Darkling on the other hand was this morally gray character that fascinated me. For example: how he is willing to be ruthless just to pursue his goal of freeing Ravka from the Shadow Fold. His sarcasm that outwits Alina’s. His good looks and charms. I love to hate him! Plus that one scene had me heated from head to toe. If only The Darkling were real…
Overall, all of the characters were multidimensional and extremely interesting! The pacing of Shadow and Bone was done excruciating well and I was absorbed in this fantastical world of magic and war, love and mystery. Finding out more of who the Grisha truly were, kept me turning page after page. The chemistry between characters was even amazing! There was a bit of a love triangle style of trope, yet it wasn’t quite that exactly. All in all, Leigh did an excellent job with giving Alina more than one love interest but showing how vastly different feelings she feels for each.
The plot was extremely engaging and continued on, even after the climax. It enthralled the reader, calling them with a whisper that is interwoven with a dark energy, seeking to break your heart. I did not notice any spelling and/ or grammatical errors that took away from the story. I do however want to know more of not only Alina’s and Ravkas fate, but The Darklings as well.
Leigh Bardugo, why do you do cruel things to me…
“What is infinite? The universe and the greed of men.”
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