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Lee (2222 KP) rated Ready Player One (2018) in Movies
Mar 20, 2018
A dazzling, geeky feast for the eyes!
I don't really do books. In the last twenty years or so, I've probably only read one book from start to finish, and that book was Ready Player One. And I absolutely loved it, reading it pretty much non stop until I'd completed it. As anyone else who has read the book knows, there's a hell of a lot in there for someone to try and incorporate into any movie adaptation that gets undertaken, not to mention all the rights needing to be obtained for the vast wealth of famous characters, movies and video games that it features and recreates in such intricate geeky detail. Steven Spielberg is probably about a good a choice as any for tackling something like this though, and to say I was excited heading in to the preview screening of this would be a serious understatement.
The movie covers a lot of detail up front in a fairly brisk, but very effective introduction in order to set the scene. It's 2045, and our hero is Wade Watts, living high up in 'The Stacks', towers of trailers crudely stacked and held up together by metal beams in a densely populated urban area of Columbus. As Wade descends from his home, he passes his neighbours, many of whom are wearing some kind of VR headsets, involved in different kinds of online activity that we can't see. Wade tells us that at some point in the past people just stopped trying to fix lifes problems and learnt to just live with them instead. And to make things easier, they have the OASIS. The virtual world that his neighbours, and billions of people around the world, all connect to in order to escape the daily grind of the real world. In the OASIS you can be anyone you want to be, do anything you want to do. There are different worlds you can visit, and coins to be earned in order to upgrade your experience. Wade has all his equipment for connecting to the OASIS hidden away among the nearby piles of scrap cars, and when he puts on his headset, we are introduced to his online avatar, Parzival. He tells us about James Halliday, creator of the OASIS, who died five years ago. He left behind a message, informing the world that within the OASIS he'd hidden an Easter egg. Anyone who could find the three keys needed to unlock the door to that Easter egg, would inherit his entire fortune, and gain complete control of the OASIS. Since then, nobody has even got their hands on the first key. Nobody has their name up on the high score board. So... Ready Player One...
And so it kicks off, in dazzlingly glorious fashion, with a crazy multi-vehicle race through New York city in order to get to the finish line and grab the first key. It's like Mario Kart on steroids, with jumps and hazards throughout. Wrecking balls smashing the road, a T-Rex causing havoc and Kong jumping from building to building, smashing things up and taking players out of the game. But nobody can make it to the finish line. It's a fantastic, dizzy assault on the senses, and the first of many scenes where you find yourself frantically scouring the screen to see how many famous cars and characters you can spot. Parzival himself is driving a DeLorean, obviously. We're also introduced to fellow racer, and legend within the OASIS, Art3mis, who after being rescued by Parzival, becomes a close friend. Along with Art3mis, Parzival has a number of other close friends within the OASIS - Aech, Daito and Shoto, none of whom he has met in real life. As Parzival finds the first key, and begins sharing that knowledge with his friends in order to work together for the rest of the keys, they become known as the High Five, in recognition of their names being top of the scoreboard.
The bad guy of the movie is Nolan Sorrento, who used to work for Halliday. He, along with his army of employees, are out to try and take over the OASIS for monetary gain and will do whatever it takes in order to make that happen. When Sorrento discovers the real world identity of Parzival, things begin to get very difficult for the High Five who now have to struggle to not only find the keys first, but also evade capture in the real world.
I don't remember all of the details from the book, so I can't comment too much on what's been missed. But I do know that the puzzles surrounding the keys differ in the movie from those in the book. There are also some pretty big elements which don't feature in the book at all, but the main thing for me was that the overall spirit of the book definitely carries over to the movie. There is some occasional second half drag, but that's inevitable when there are so many prolonged moments of eye-popping visuals on display in-between. One thing I do remember well from the book is the final act, where Wade calls upon an army of OASIS users to help him and the high five fight Sorrento and his army in order to gain access to the final key. It's something I always imagined while reading as being absolutely epic if it were ever to be recreated on screen. Luckily, it is. Wow, just wow!! And once again, like with much of this movie overall, I sat there, wide eyed and with a big gormless geeky grin on my face.
The movie covers a lot of detail up front in a fairly brisk, but very effective introduction in order to set the scene. It's 2045, and our hero is Wade Watts, living high up in 'The Stacks', towers of trailers crudely stacked and held up together by metal beams in a densely populated urban area of Columbus. As Wade descends from his home, he passes his neighbours, many of whom are wearing some kind of VR headsets, involved in different kinds of online activity that we can't see. Wade tells us that at some point in the past people just stopped trying to fix lifes problems and learnt to just live with them instead. And to make things easier, they have the OASIS. The virtual world that his neighbours, and billions of people around the world, all connect to in order to escape the daily grind of the real world. In the OASIS you can be anyone you want to be, do anything you want to do. There are different worlds you can visit, and coins to be earned in order to upgrade your experience. Wade has all his equipment for connecting to the OASIS hidden away among the nearby piles of scrap cars, and when he puts on his headset, we are introduced to his online avatar, Parzival. He tells us about James Halliday, creator of the OASIS, who died five years ago. He left behind a message, informing the world that within the OASIS he'd hidden an Easter egg. Anyone who could find the three keys needed to unlock the door to that Easter egg, would inherit his entire fortune, and gain complete control of the OASIS. Since then, nobody has even got their hands on the first key. Nobody has their name up on the high score board. So... Ready Player One...
And so it kicks off, in dazzlingly glorious fashion, with a crazy multi-vehicle race through New York city in order to get to the finish line and grab the first key. It's like Mario Kart on steroids, with jumps and hazards throughout. Wrecking balls smashing the road, a T-Rex causing havoc and Kong jumping from building to building, smashing things up and taking players out of the game. But nobody can make it to the finish line. It's a fantastic, dizzy assault on the senses, and the first of many scenes where you find yourself frantically scouring the screen to see how many famous cars and characters you can spot. Parzival himself is driving a DeLorean, obviously. We're also introduced to fellow racer, and legend within the OASIS, Art3mis, who after being rescued by Parzival, becomes a close friend. Along with Art3mis, Parzival has a number of other close friends within the OASIS - Aech, Daito and Shoto, none of whom he has met in real life. As Parzival finds the first key, and begins sharing that knowledge with his friends in order to work together for the rest of the keys, they become known as the High Five, in recognition of their names being top of the scoreboard.
The bad guy of the movie is Nolan Sorrento, who used to work for Halliday. He, along with his army of employees, are out to try and take over the OASIS for monetary gain and will do whatever it takes in order to make that happen. When Sorrento discovers the real world identity of Parzival, things begin to get very difficult for the High Five who now have to struggle to not only find the keys first, but also evade capture in the real world.
I don't remember all of the details from the book, so I can't comment too much on what's been missed. But I do know that the puzzles surrounding the keys differ in the movie from those in the book. There are also some pretty big elements which don't feature in the book at all, but the main thing for me was that the overall spirit of the book definitely carries over to the movie. There is some occasional second half drag, but that's inevitable when there are so many prolonged moments of eye-popping visuals on display in-between. One thing I do remember well from the book is the final act, where Wade calls upon an army of OASIS users to help him and the high five fight Sorrento and his army in order to gain access to the final key. It's something I always imagined while reading as being absolutely epic if it were ever to be recreated on screen. Luckily, it is. Wow, just wow!! And once again, like with much of this movie overall, I sat there, wide eyed and with a big gormless geeky grin on my face.
Hazel (1853 KP) rated Montpelier Parade in Books
May 24, 2017
Sylvia Plath-esque
I received this book for free through Goodreads First Reads.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Set in the not-so-distant-past in Dublin, Ireland lives Sonny, a schoolboy with not much hope of succeeding in life. Living on the poverty line, Sonny has no choice but to work at a butcher’s shop after school, and with his gambling father, a builder, at the weekend. On one such occasion, whilst working on a posh house on Montpelier Parade, Sonny meets the enigmatic Vera, whose beauty leaves him speechless. It only takes another encounter, and Sonny is infatuated with this elusive lady.
Montpelier Parade is a melancholy love story, describing the dangerous relationship between Sonny and Vera. Not only is it wrong for schoolchild and adult to have such an intimate connection, Sonny finds himself powerless to deal with Vera’s depression. Vera’s Sylvia Plath-esque demeanour results in events that go above and beyond what an adolescent boy ought to be dealing with – especially as he has his own problems, too.
Karl Geary has written this novel in the second person, placing the reader directly into Sonny’s position. “You say,” “She turned and looked at you.” – we, as the reader, become Sonny. This makes it easier to imagine the hardships he is facing at school, at home, and with Vera. We imagine ourselves in his position, thus making everything feel so real.
Montpelier Parade is not an easy book to read. Depression and suicide are very delicate topics to deal with. Combine that with underage sexual relationships with an adult, and you have got a particularly uncomfortable journey ahead. Then, to top it all off, the narrative is riddled with foul language.
A comparison with wealth and poverty, life and death, and love, Montpelier Parade will attract many readers. Sadly, the story was a bit too crude for myself to enjoy. That said, I can understand why many will enjoy it, or even relate to it, however be aware, it is quite a serious, dark story.
Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Lee (2222 KP) rated Creed II (2018) in Movies
Dec 1, 2018
An Outstanding Sequel
The first Creed movie breathed fresh life into the tired Rocky franchise, introducing Michael B Jordan as the son of Apollo Creed and having Rocky Balboa mentor him through to becoming a professional boxer. All the familiar key elements were there from previous Rocky movies - the training montages, the love interest, the opponent you can't wait to see defeated. But this new take on it all worked well, resulting in a hugely enjoyable movie, and a sequel was inevitable.
With Creed 2, we get even more ties to the Rocky movies. In a bleak looking Ukraine, Ivan Drago lives with son Viktor. In Rocky IV, Ivan was the man responsible for killing Apollo Creed in a boxing match, before suffering defeat at the hands of Rocky in his hometown of Russia in the epic finale. In terms of cinematic experiences, Rocky IV was the absolute peak of the franchise. So intense, drawing unified cheers and applause from the audience I was watching it with, something you don't very often get in the cinema.
That defeat in mother Russia brought shame on Ivan and he and Viktor now live a simple life, with Viktor being trained daily by Ivan and participating in small local boxing matches, pummeling his opponents and drawing the attention of an American boxing promoter. When Adonis Creed wins the heavyweight title over in America, you can almost see the dollar signs flashing in the promoters eyes, and bringing these two together to settle old scores forms the basis of the rest of the movie.
Those familiar plot beats I described earlier, they're all here again, but that's not to say that they're any less enjoyable than when we've seen them before. At times they're even more exciting, with the added intensity coming from knowing that this is a fight that's been over 30 years in the making.
Despite the traditional halfway lull, with our hero experiencing a period of doubt and self reflection, this is once again another intense and uplifting movie. Brilliant.
With Creed 2, we get even more ties to the Rocky movies. In a bleak looking Ukraine, Ivan Drago lives with son Viktor. In Rocky IV, Ivan was the man responsible for killing Apollo Creed in a boxing match, before suffering defeat at the hands of Rocky in his hometown of Russia in the epic finale. In terms of cinematic experiences, Rocky IV was the absolute peak of the franchise. So intense, drawing unified cheers and applause from the audience I was watching it with, something you don't very often get in the cinema.
That defeat in mother Russia brought shame on Ivan and he and Viktor now live a simple life, with Viktor being trained daily by Ivan and participating in small local boxing matches, pummeling his opponents and drawing the attention of an American boxing promoter. When Adonis Creed wins the heavyweight title over in America, you can almost see the dollar signs flashing in the promoters eyes, and bringing these two together to settle old scores forms the basis of the rest of the movie.
Those familiar plot beats I described earlier, they're all here again, but that's not to say that they're any less enjoyable than when we've seen them before. At times they're even more exciting, with the added intensity coming from knowing that this is a fight that's been over 30 years in the making.
Despite the traditional halfway lull, with our hero experiencing a period of doubt and self reflection, this is once again another intense and uplifting movie. Brilliant.
Gareth von Kallenbach (980 KP) rated A Million Ways to Die in the West (2014) in Movies
Aug 6, 2019
In 2012, comedy writer/director/actor Seth MacFarlane created and introduced the world to basically a “live action” episode of his hit show Family Guy with the film Ted. I originally thought that film looked stupid. However as absurd as it was, it was still hilarious. Something about a talking “grown up” Teddy Bear was charming enough, but also required you to completely suspend disbelief and just go with whatever ridiculousness what was shown on screen. It was the success of that film that caused me to have higher expectations for MacFarlane’s new film A Million Ways to Die in the West. Sadly, he is a victim of his own success.
Seth MacFarlane takes on the “leading man” role this time around and unfortunately, he is not a leading man. His constant diatribes about how the west can kill you are delivered in his typical long-winded over intelligent style. Only they feel out of place as the rest of the characters and film do not take themselves remotely serious. Truthfully, I found myself not caring about him at all and was more interested in the other characters. Neil Patrick Harris is a standout as a “mustache man” who steals MacFarlane’s girlfriend and the rest of the cast pull off their cookie cutter western characters well.
That is not to say that this film is not funny. It has its funny parts. However they are far between and few are memorable. Because they try to play this movie a bit more “straight” than Ted, it just doesn’t work as well. Perhaps it is because we have seen it all from MacFarlane before and it is just more of the same.
In the end, if you are a MacFarlane fan and go into this film will medium to low expectations, you won’t be disappointed and will probably enjoy this film. But if you are looking for the next best comedy of the summer or something to make you constantly laugh, best you go check out Neighbors as this film is not near as funny.
Seth MacFarlane takes on the “leading man” role this time around and unfortunately, he is not a leading man. His constant diatribes about how the west can kill you are delivered in his typical long-winded over intelligent style. Only they feel out of place as the rest of the characters and film do not take themselves remotely serious. Truthfully, I found myself not caring about him at all and was more interested in the other characters. Neil Patrick Harris is a standout as a “mustache man” who steals MacFarlane’s girlfriend and the rest of the cast pull off their cookie cutter western characters well.
That is not to say that this film is not funny. It has its funny parts. However they are far between and few are memorable. Because they try to play this movie a bit more “straight” than Ted, it just doesn’t work as well. Perhaps it is because we have seen it all from MacFarlane before and it is just more of the same.
In the end, if you are a MacFarlane fan and go into this film will medium to low expectations, you won’t be disappointed and will probably enjoy this film. But if you are looking for the next best comedy of the summer or something to make you constantly laugh, best you go check out Neighbors as this film is not near as funny.
Jesters_folly (230 KP) rated the PC version of Beat Saber in Video Games
Sep 14, 2019
Beat Saber is a rhythm/dance game for PC VR. The premise is quite simple, you are armed with two Sabers, one red & one blue (Although some levels have different colours) and you have to hit blocks of the corresponding colour in time to music. Sounds easy right but, the blocks have arrows on them to tell you which direction you have to hit them in, you also have to avoid hitting bombs and avoiding walls. Being a VR game the blocks come towards you and you are free to swing the Sabers in any direction (Just make sure you’re not going to hit anything/one in reality.) and, to avoid the walls you do actually need to move and duck to get out of the way.
There is a good selection of songs available with (at the time of writing) three albums and one ‘extras’ track list for free and two albums to buy as expansion packs. One of the expansions is a pack by Imagine Dragons so I hold hopes that more bands will release official content. If you don’t like the tracks provided then you have two options; the game has an inbuilt level editor so you can make your own game maps or, if you don’t feel creative then beat Saber does support modding, although not through Steam and there are a large number of songs available this way, not to mention different Sabers, effects and other little treats.
Each song has anything from one to five levels of difficulty and some of the mods do seem harder than the level advertised.
The one thing a lot of people say is missing it multi player. There is a mode where one player has a turn then passes the headset to the nest player and you compare scores but you can’t currently play directly against someone else although I believe this function is being worked on.
There is a good selection of songs available with (at the time of writing) three albums and one ‘extras’ track list for free and two albums to buy as expansion packs. One of the expansions is a pack by Imagine Dragons so I hold hopes that more bands will release official content. If you don’t like the tracks provided then you have two options; the game has an inbuilt level editor so you can make your own game maps or, if you don’t feel creative then beat Saber does support modding, although not through Steam and there are a large number of songs available this way, not to mention different Sabers, effects and other little treats.
Each song has anything from one to five levels of difficulty and some of the mods do seem harder than the level advertised.
The one thing a lot of people say is missing it multi player. There is a mode where one player has a turn then passes the headset to the nest player and you compare scores but you can’t currently play directly against someone else although I believe this function is being worked on.
Lyndsey Gollogly (2893 KP) rated Scarred Warrior (Dark Warrior Alliance book 7) in Books
Oct 20, 2021
173 of 250
Kindle
Scarred Warrior ( Dark Warrior Alliance book 7)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Being a Dark Warrior and protecting others has been the only focus in Gerrick Haele's life for centuries, until he receives the shock of his life when one of the females he rescues from the archdemon's clutches ignites an arousal that hints at her being his Fated Mate. Problem is, Gerrick's Fated Mate was murdered four hundred years earlier and you are only ever given one mate in a lifetime. Questions of Dark magic and deception carry him down a path involving time travel, serums and fights to the death. Can he set aside his doubt and be the male Shae needs him to be, or will his past come back to haunt him and history repeat itself? Shae Mitchell has spent the last seven months being tormented, raped and tortured by vile archdemons and just wants her suffering to end. She is on the verge of giving up completely when Gerrick sweeps in to rescue her. Her relief at being liberated is short-lived when she realizes the demons have sunk their claws far deeper than the scars on her neck. As she fights to rid her mind of the archdemon's influence, she discovers that the explosive heat she shares with the sexy Dark Warrior threatens to consume her whole.
These get better and better each book! This was Gerricks and Shaes story which was just so well put together. We had the trapped females finally free from cages as well as a fated pair come together. Some catch ups with familiar faces and some exciting news for the king and queen. I have to say this every book I just love Mack more and more. One demon down and one to go before they unleash all hell. Really enjoyed this one.
Kindle
Scarred Warrior ( Dark Warrior Alliance book 7)
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Being a Dark Warrior and protecting others has been the only focus in Gerrick Haele's life for centuries, until he receives the shock of his life when one of the females he rescues from the archdemon's clutches ignites an arousal that hints at her being his Fated Mate. Problem is, Gerrick's Fated Mate was murdered four hundred years earlier and you are only ever given one mate in a lifetime. Questions of Dark magic and deception carry him down a path involving time travel, serums and fights to the death. Can he set aside his doubt and be the male Shae needs him to be, or will his past come back to haunt him and history repeat itself? Shae Mitchell has spent the last seven months being tormented, raped and tortured by vile archdemons and just wants her suffering to end. She is on the verge of giving up completely when Gerrick sweeps in to rescue her. Her relief at being liberated is short-lived when she realizes the demons have sunk their claws far deeper than the scars on her neck. As she fights to rid her mind of the archdemon's influence, she discovers that the explosive heat she shares with the sexy Dark Warrior threatens to consume her whole.
These get better and better each book! This was Gerricks and Shaes story which was just so well put together. We had the trapped females finally free from cages as well as a fated pair come together. Some catch ups with familiar faces and some exciting news for the king and queen. I have to say this every book I just love Mack more and more. One demon down and one to go before they unleash all hell. Really enjoyed this one.
When We Were Innocent
8.0
Rate It
Book
“Dad, you have to tell me the truth. Are you who they say you are? Because I know you can’t be....
LeftSideCut (3778 KP) rated Scream (2022) in Movies
Jan 16, 2022
Creepy telephone calls, a will-they-won't-they romance between Gale Weathers and Deputy Dewey, a killer that falls over a lot, on-the-nose meta dialogue, and copious amounts of stabbing and blood, can only mean one thing - Scream is back and dammit, it feels good.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
The key to the quality of the franchises 5th entry is balance. For a start, it tickles that nostalgia button just the right amount. It's certainly a chronological sequel to all of the 4 movies that came before, but it mainly serves as a love letter to the first. Saying too much could be considered as spoilers, so all I'll say is, the obvious call backs to the original don't feel forced, and make sense in a narrative manner. It doesn't feel like a cash grab. It feels like a film made by fans, for the fans.
Another noticeable balance is found in the characters. With a new Ghostface comes a new set of doomed teenagers. They're just about tolerable enough, but are well written, and aren't over reliant on the legacy characters to get by. Seeing Sidney Prescott, Gale, and Dewey all back together again is, of course, a delight, like a warm embrace from an old friend, but they're utilised in a precise manner. They don't stifle the new cast but their presence is unmistakably notable throughout.
The horror is well realised. Scream is a whole bag of fun, but is also suitably tense. The violence on display is quite brutal and unflinching. Ghostface once again feels menacing and threatening, and the mystery of their identity ticks along until the final moments. Like all of these movies, the reveal is a "I knew it!" moment before realising that you could have said that about anyone. Everybody is a suspect after all.
Radio Silence have done a cracking job of bringing a beloved horror series back to the big screen. I've seen plenty of people saying that Wes Craven would be proud, and I completely agree. Long live Scream.
Kristy H (1252 KP) rated The Widow's House in Books
Dec 24, 2017
crazy (1 more)
fascinating
Jess and Clare Martin met at Bailey College, in the Hudson River valley, but have been living in New York for years. Jess wrote a successful first novel not long after graduation, but that money has long been spent. He's been working on his second book for ages; it's long overdue, and he needs a new muse. So the two decide to move back to the Hudson River area, where Jess can focus on the book without distractions. They take on duties as caretakers at Riven House, the home of their former college professor, Monty. They can live in a nearby cottage in exchange for helping the elderly Monty with chores. But the setup has its own issues: it's Monty, after all, who wrote a review of Jess' first book that torments him to this day. And as they settle in, Clare begins to hear a baby crying at night and see shadowy figures around the pond of Monty's property. As she investigates local history, she thinks what she sees may be tied to the house's tormented past. The locals say the place is haunted and destroys everyone who stays there. Are Clare and Jess next?
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.
You know how sometimes you start a novel and immediately know, from the first page, that you'll enjoy it? THE WIDOW'S HOUSE was that way for me. It sucked me in immediately and kept me interested throughout; I read it in about 24 hours. The book is filled with complicated characters, starting with Clare. You start to realize she's the ultimate unreliable narrator, but are never able to tell exactly how much. She appears unhappy with her selfish author husband and her marriage. She had a rough childhood--growing up in the Hudson Valley not far from Monty's estate, which has clearly affected the way she sees the world. The entire story is told from her point of view, and we're stuck with all events being filtered through her lens. It's genius really, and it is a refreshing change from so many novels lately that change narrators and time periods. You find yourself working and guessing with Clare as she unravels local history and the events unfolding at Riven House.
The novel is certainly told in the Gothic tradition. I first fell for Goodman via her excellent novel, The Lake of Dead Languages, and this book reminded me of that one in some ways. Unlike some Gothic novels, you do not have to suspend much disbelief as the creepy events unfold around Clare and Jess. There are parts of this book that are incredibly spooky, and it's quite well-done. I loved that I was frantically flipping the pages, constantly second guessing everything and wondering what was happening. There are some great twists that shock you, even as you're still trying to figure things out in you're head (much like Clare). This novel will leave you guessing. It's crazy and confusing, but fascinating and incredibly hard to put down. It's completely enjoyable and stays with you after you've finished it, going over various plot points. Highly recommend.