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BankofMarquis (1832 KP) rated Greyhound (2020) in Movies
Mar 11, 2021
Hanks Does It Again
Tom Hanks interest in the men who fought in WWII is well known. From his starring role as Capt. Miller is what is (arguably) the definitive film about D-Day, SAVING PRIVATE RYAN, to his Executive Producing role in, arguably, the best mini-series ever produced about WWII, BAND OF BROTHERS, Hanks has brought a face to the nameless heroes who fought in the middle of the last century.
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Add his latest film GREYHOUND, to the list of films that brings a face to a heretofore unknown (at least to me) group of heroes.
Based on the book THE GOOD SHEPHERD by C.S. Forester and adapted for the screen by Hanks himself, GREYHOUND tells the story of a Commander of a U.S. Navy escort ship, helping cargo ships cross the Atlantic Ocean - an Ocean filled with enemy submarines.
Hanks, of course, plays Commander Ernest Krause, Captain of the USS Keeling, code named “Greyhound”, who is on his first mission. As one might imagine, Hanks imbues Krause with a common decency and you inherently trust Krause’s instincts as he makes split second decision after split second decision. What surprised me about Hanks in this role is his “steely resolve” in dealing with the problems. You can see his brain working as he makes pragmatic decision after pragmatic decision - sometimes not the most “human” decisions - but the right decisions after all.
This is both the strength and the problem with this film - Hanks’ character is NEVER wrong, so after awhile, the tension on the Bridge with Capt. Krause being questioned on his decisions, is never really there.
But, that is a “nit” in this film for Director Aaron Schneider has constructed a taunt and tight thriller that is non-stop action from start to finish. He wisely decided to keep the film at a tight 90 minutes and keep the action flying (versus putting in a couple of “character building scenes” that could have stretched the runtime). He does shoehorn in a flashback scene between Krause and his lady love (played by Elisabeth Shue), a scene that is not really needed, but besides this he focuses his attention on the Greyhound and it’s mission and this is a smart move that the film benefits from.
Director Schneider relies, heavily, on the Special F/X recreating the Atlantic sea battles and, for the most part, it succeeds. BUT…from time-to-time I felt like I was watching a video game - and not a film. The F/X (at times) was just not feature film quality that drew me away from the emotion and the action on the screen.
With the Global Pandemic, this film’s theatrical release was cancelled and it was put on Apple TV+(where you can find it today), so I can forgive the lower F/X results…but just a little.
All-in-all a fun thrill ride, with a terrific central performance, in a film that shows an aspect of WWII I had not previously scene portrayed on film before.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (971 KP) rated Deuce Bigalow: European Gigolo (2005) in Movies
Aug 14, 2019
Europe. The very name brings up images of rich traditions, centuries-old stunning architecture, fine cuisine, historic artwork, and of course culture and sophistication. Europe has endured wars, plagues, and hordes of unruly soccer fans and has remained intact. Perhaps its greatest challenge is about to arrive in the form of Deuce Bigalow, pool cleaner, fish lover, and male Gigolo.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Rob Schneider returns as Deuce, who has given up his man-whoring ways and married the girl of his dreams. As the film opens, we learn that Deuce was widowed on his honeymoon and has carried a torch for his departed wife for years. The fact that the torch in question is actually her artificial limb is a creepy sentiment that further isolates Deuce from those around him.
After a day at the beach goes horribly wrong, Deuce happily accepts an invitation from his friend T.J. (Eddie Griffin), and travels to Amsterdam for some time away. With the artificial limb in tow, Deuce arrives and learns that a mysterious killer has been dispatching Europe’s top gigolos and before you can say “space cake” T.J. is implicated in the murders and on the run, forcing Deuce to go back to his man-whoring in an effort to learn who is behind the killings.
Since Deuce witnessed the aftermath of a recent killing, he is convinced that the killer is a woman and that only by dating those clients of the recently departed can he find the proof needed to free T.J.
Of course Deuce doesn’t get the cream of society. His clients are a mixed bag that makes his Janes from the first film seem normal. There is the lady with the gaping hole in her throat, a lady whose ears put Dumbo’s to shame, a giant with an infant fetish, and a woman with a male sex organ for a nose.
It is against this backdrop that Deuce meets Eva (Hanna Verboom), an artist with Obsessive Compulsive Disorder and the daughter of the police inspector
investigating the case. Deuce is taken with the charming Eva which leads to even more conflict for the widowed Deuce.
As if his life could not get any worse, Deuce is at odds with the European Society of Man Pimps who constantly go out of their way to taunt Deuce and his inclusion in their profession.
Over the next 90 minutes a constant barrage of crude jokes ensues ranging from the gross to the juvenile. Yet despite the ongoing crude and sophomoric humor, I found myself laughing as did the majority of the audience at my screening.
While I can see how many critics will not like this film due to a very basic story, thin characters and crudeness, the film works very well as a mindless comedy.
The characters are not expanded from their roles in the original and do not need to be. We know that Deuce is an easy going loser with a heart of gold and that is all we need to know.
Schneider and Griffin work well with one another and the constant euphemisms such as Mangina, He-Hoe and Hegina flow often only to be followed by new and even more creative phrases.
If you are a fan of the original and do not get offended easily than this is going to be your film. It isn’t trying to break new ground, it is trying to make you laugh, and for this critic, despite the films flaws, I laughed constantly throughout, and in many cases harder than I have at any film in recent years.
Heather Cranmer (2721 KP) rated The Repossession (Repossession, #1) in Books
Jun 7, 2018
This review can also be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
First off, I just wanted to say that I found it extremely cool that the outer edges of all the pages were blue!! Super cool!! Pointless but still super cool!
The Repossession is a YA sci-fi story. It centers mainly around the characters of 15 year old Genie and 15 year old Rian. Genie's mother and most of the town of Spurlake believe Genie is possessed by the devil thanks to Reverend Schneider. Genie is imprisoned in her room and treated worst than an actual prisoner. Enter Rian, Genie's boyfriend, to save the day and rescue her. After she escapes her home, she must avoid Reverend Schneider as he wants to take Genie to a place called the Fortress where strange experiments are happening to local kids.
I loved the character of Genie. I felt sorry for her as the way she was being treated in the beginning of the book is horrible. I found Genie to be a very strong character. I loved the fact that the author didn't write her off to be some poor little damsel in distress. Genie could definitely hold her own.
Rian was also a great character! I could feel the love he had for Genie coming through the pages. I liked the fact that he never tried to hold Genie back. He felt real and not like just some character in a book. Rian is also a very strong character.
I'm divided on the cover though. I like it, but then again, I don't. Part of me finds it too plain, but the other part of me thinks that with anything else on the cover, it would make it too cluttered. However, the cover definitely suits the book!! At first the cover didn't make sense to me, but as I read more into the story and learned the major plot (yes, I'm deliberately trying to avoid mentioning it so you can learn what it is yourself), it made total sense! The same about the title although I had to think more about why it was so aptly named "The Repossession."
This book had excellent pacing. It was slow in the places that needed to be paced a bit more slowly and fast in the bits that it were meant to be fast. In fact, it was so hard to stop reading this book. I always think pacing plays a major part in me not wanting to put a book down...well, that and the plot of course!
The only thing that I didn't like was the scientific mumbo jumbo mostly because I didn't understand what was meant. However, this was only for about a chapter or two. If you're in to your science, this probably wouldn't bother you, but I am not scientific oriented at all! In fact, I struggled through science in high school.
I'd definitely recommend The Repossession to others. It was such a thrilling read!!!! It is part of a series, and because I loved the first book so much, I've already bought the sequel The Hunting.
Lyndsey Gollogly (2893 KP) rated The Girl Thief in Books
Apr 24, 2024
76 of 220
Book sirens arc
The Girl Thief
By J.A. Schneider
⭐️⭐️⭐️⭐️
Kate Tilden reaches her delicate, manicured hand next to mine, and I turn to her, startled. She's unsteady, and there's a stain on the bodice of her strappy party dress. Wine, probably. Her big blue eyes are red-rimmed and imploring me, just a caterer's assistant, for help up the stairs. That startles me more… but so it begins.
Kate and her husband Griffin are a troubled glamor couple with dangerous secrets. Some I know because I have researched them, never dreaming that gaining access to them would be this easy. Has it been too easy? That gives me pause, but I feel kind of sorry for Kate. Online gossips say she's miserable, and she took to me the last time I worked here. She even insists that I'd be a good live-in companion just to talk to, help with her problems. The pay would be better. Would I please stay awhile? Maybe longer?
The irony stuns me, because this is what I've long wanted. I have a secret too, something Griff and Kate Tilden could never guess. My only fear, besides being alone with them in this vast, isolated house, is that Griff is reputedly dangerous.
Well, I can be dangerous too. They don't know my real reason for infiltrating their lives…
This was really good I enjoyed it from start to finish. I did see the ending coming but it didn’t really take away from it being a pretty good read. Well written and decently paced. I will be reading more from this author the writing style is right up my street.
I received an advance review copy for free, and I am leaving this review voluntarily.
Book sirens arc
The Girl Thief
By J.A. Schneider
⭐️⭐️⭐️⭐️
Kate Tilden reaches her delicate, manicured hand next to mine, and I turn to her, startled. She's unsteady, and there's a stain on the bodice of her strappy party dress. Wine, probably. Her big blue eyes are red-rimmed and imploring me, just a caterer's assistant, for help up the stairs. That startles me more… but so it begins.
Kate and her husband Griffin are a troubled glamor couple with dangerous secrets. Some I know because I have researched them, never dreaming that gaining access to them would be this easy. Has it been too easy? That gives me pause, but I feel kind of sorry for Kate. Online gossips say she's miserable, and she took to me the last time I worked here. She even insists that I'd be a good live-in companion just to talk to, help with her problems. The pay would be better. Would I please stay awhile? Maybe longer?
The irony stuns me, because this is what I've long wanted. I have a secret too, something Griff and Kate Tilden could never guess. My only fear, besides being alone with them in this vast, isolated house, is that Griff is reputedly dangerous.
Well, I can be dangerous too. They don't know my real reason for infiltrating their lives…
This was really good I enjoyed it from start to finish. I did see the ending coming but it didn’t really take away from it being a pretty good read. Well written and decently paced. I will be reading more from this author the writing style is right up my street.
I received an advance review copy for free, and I am leaving this review voluntarily.
Gareth von Kallenbach (971 KP) rated Dredd (2012) in Movies
Aug 7, 2019
The mid 90’s was a strange time for movies. Sure, there were quite a few remembered fondly (just like with any era) but there were also many movies that are forgotten due to their ridiculousness. It was a time that gave us the style of adaptions on par with Alien 3 and Alien Resurrection, or the two Joel Schumacher Batman films. Likewise, there was a Judge Dredd film right in the middle of that time period.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.
It was a mess. It exemplified everything wrong with many adaptions in the 90’s. Big name actors, over-the-top designs, cheesy dialogue. It tried very hard to be akin to the original Total Recall but instead succeeded at only being a movie fun to laugh at. It featured Sylvester Stallone and Rob Schneider. That is all that needs to be said about that film. So, when Hollywood comes along and decides to make a new adaption, of course the original’s ridiculousness looms over the whole affair. Not helping is the fact that most of the cast and crew are relatively obscure, and its source material (the Judge Dredd comics) is not as well-known as most of Marvel’s or DC’s pantheon. Yet, this brand new adaption, Dredd 3D, soars much higher than the original and manages to be one of those well-hidden gems of Fall 2012. I don’t imagine this film breaking box office records, but it is a wholly worthwhile piece of screen entertainment, even if it has some notable flaws and is overshadowed by past outings in the franchise.
The future America is an irradiated waste land known as the Cursed Earth. On the east coast of North America lies Mega-City One, a vast, violent metropolis containing 800 million residents, where 17,000 crimes are reported daily and “Slo-Mo”, an addictive new drug that slows the user’s perception of time, has been introduced. The only force of order is the Judges, who act as police, judge, jury and executioner. Judge Dredd (Karl Urban) is tasked by the Chief Judge (Rakie Ayola) with evaluating rookie Judge Cassandra Anderson (Olivia Thirlby), a psychic who has failed the tests to become a full Judge. They become involved in a raid upon a crime and Slo-Mo ridden apartment complex known as Peach-Trees, which is ruled by a vicious crime boss Ma-Ma (Lena Heady).
You can guess from the title that the movie is meant to be watched in 3D. But that is where personal opinions of 3D come into play. For me personally, I cannot ding the film’s use of 3D because it uses it well enough that it becomes unnoticeable, which is to say it does not obnoxiously remind you at all times it is meant to be watched in 3D by throwing random things at the camera. But I will say that, although somewhat gimmicky, the “Slo-Mo” segments (which are shot from the perspective of those on the mind-altering drug ‘Slo-Mo’) do use 3D very well and manage to be some of the most visually striking and beautiful shots in the entire film.
The plot is simple to understand and straight forward. There are not huge twists and turns, and manages to be tightly written. It is not extremely memorable for plot standards, but it does not need to be. The story is held up by focusing on three major characters, which some good additional characterization of two more side characters. In that sense, the plot and characters do not pop off the screen into greatness, yet they are still tightly written enough that both elements (plot and characters) are not muddled or confusing. The simple plot, and the fact it all takes place in one apartment complex, makes it easier to focus on action and visuals.
While the visuals are all extremely well-done, the action could use some work. The setting of Mega-City One is extremely well established, as opposed to the original Judge Dredd adaption. It seems like it could be a real place not far off in the future, as it is set up with a realistic visual design – just with added grittiness and subtle science fictional elements. Also, there is not a huge amount of CG and the Judge uniforms especially look like iconic yet possibly realistic futuristic police suits. But the action could use some work, as stated. I could not help but constantly compare it to the recently released film, “The Raid: Redeption”, the Indonesian martial arts police film centering on a single police raid on an apartment complex. The similarities are there.
Both movies have very similar locations and plots, but the difference is that while Dredd has more interesting setting and science fiction elements (and arguably more interesting characters), The Raid: Redemption’s action is far more entertaining and engrossing. The real problem with Dredd is that there are never any real amazing feats of heroics on part of Judge Dredd. They set up the film in a sort of “’Die Hard’ in the future vibe” but that requires the hero to barely overcome overwhelming odds. As it stands, it never really feels like Judge Dredd is in a ton of danger. There are some cool shooting moments, and some even more interesting usage of Judge Anderson’s psychic powers. But at the end of the day, there simply are not many memorable action moments.
Overall, it does not ruin the film at all. It still manages to be an entertaining and interesting movie regardless of memorable action sequences. It has a tightly plotted narrative with fairly well done characters, not muddled by overuse of complexity or plot twists. It manages to be visually excellent with interesting science fictional elements, but never does it soar with its action set-pieces. It would have benefitted with some better use of gunplay or more clever feats of heroics on Judge Dredd’s part. But at least it takes itself seriously enough to not have anything akin to Rob Schneider following Sylvester Stallone around in a cheesy script.
Gareth von Kallenbach (971 KP) rated Grandma's Boy (2006) in Movies
Aug 14, 2019
Life for video game tester is often filled with long hours, countless repetition and ever looming deadlines as the rush to get the latest games done and on budget is a key factor in the gaming industry. Often testers, much like the game coders toil away in obscurity with only their fellow gamers and personality quirks as their only companions. One such individual is a man named Alex (Allen Covert), a 36 year old professional game tester who suddenly finds himself out of his home thanks to a roommate who spends months of rent money at a local brothel.
Undaunted, Alex drifts from friend to friend often with disastrous results as he attempts to take stock of his situation and avoid the unpleasant alternative of moving in with his Grandmother (Doris Roberts) and her friends. With a deadline looming for his company’s latest game, a producer named Samantha (Linda Cardellini) is brought in to get the team on task. Faced with the reality of sleeping at his desk thanks to a rather embarrassing incident at a friend’s house, Alex is forced to reluctantly take refuge at his grandmothers.
Since Alex is the old man amongst the early 20’s testers who want nothing better than to break his unbeaten streak in head to head game challenges, Alex is forced to tell his co-workers that he spends his nights with three women and they wear him out. The sad truth is that Alex is worn out from 6:00 AM wakeups followed by three hours of chores before going to work. As if life was not complicated enough for Alex, the head game designer J.P. (Joel Moore), becomes more and more eccentric and this is only fueled by his interest in Samantha and his knowledge that Alex is attracted to her.
With a premise like this “Grandma’s Boys” has all of the ingredients to be a fun comedy that continues in the tradition of Adam Sandler’s comedies since his company produced the film. Sadly the film despite a few laughs becomes utterly predictable and drags in many places. The cast is enjoyable enough, but the jokes are too far between leaving the cast to carry the story which sadly is not strong enough to support the down time between jokes.
This is not to say that there are not some funny moments in the film as I can think of at least a half dozen good laughs. The issue is that when you have to wait 15-20 minutes between then in a film that is just over an hour and a half, it does tend to make the film drag. Also, much of the humor is derived from drug use. While it is funny in spots, the constant use of drugs, being stoned, and so on becomes old fast and makes the film seem like a one trick pony.
Covert who co wrote the film does his best in the film, but seems best suited as a supporting character as his character while likeable does not really connect with the audience the same way that one would with say Sandler, Schneider, or even Stiller. There are some good cameos in the film and Shirley Jones, Ms. Partridge herself is good as the older lady with a healthy libido, but I just could not help think that this film could have, and should have been much better than it was.
In the end, despite some good moments, there simply was not enough of them to save the film as the thin story, repetitive themes, and long gaps between good jokes ultimately sinks the film. It was nice to see a film about game testers as it is a group that is rife with comedic potential to be exploited, but sadly Grandma’s Boys barely scratches the surface.
Undaunted, Alex drifts from friend to friend often with disastrous results as he attempts to take stock of his situation and avoid the unpleasant alternative of moving in with his Grandmother (Doris Roberts) and her friends. With a deadline looming for his company’s latest game, a producer named Samantha (Linda Cardellini) is brought in to get the team on task. Faced with the reality of sleeping at his desk thanks to a rather embarrassing incident at a friend’s house, Alex is forced to reluctantly take refuge at his grandmothers.
Since Alex is the old man amongst the early 20’s testers who want nothing better than to break his unbeaten streak in head to head game challenges, Alex is forced to tell his co-workers that he spends his nights with three women and they wear him out. The sad truth is that Alex is worn out from 6:00 AM wakeups followed by three hours of chores before going to work. As if life was not complicated enough for Alex, the head game designer J.P. (Joel Moore), becomes more and more eccentric and this is only fueled by his interest in Samantha and his knowledge that Alex is attracted to her.
With a premise like this “Grandma’s Boys” has all of the ingredients to be a fun comedy that continues in the tradition of Adam Sandler’s comedies since his company produced the film. Sadly the film despite a few laughs becomes utterly predictable and drags in many places. The cast is enjoyable enough, but the jokes are too far between leaving the cast to carry the story which sadly is not strong enough to support the down time between jokes.
This is not to say that there are not some funny moments in the film as I can think of at least a half dozen good laughs. The issue is that when you have to wait 15-20 minutes between then in a film that is just over an hour and a half, it does tend to make the film drag. Also, much of the humor is derived from drug use. While it is funny in spots, the constant use of drugs, being stoned, and so on becomes old fast and makes the film seem like a one trick pony.
Covert who co wrote the film does his best in the film, but seems best suited as a supporting character as his character while likeable does not really connect with the audience the same way that one would with say Sandler, Schneider, or even Stiller. There are some good cameos in the film and Shirley Jones, Ms. Partridge herself is good as the older lady with a healthy libido, but I just could not help think that this film could have, and should have been much better than it was.
In the end, despite some good moments, there simply was not enough of them to save the film as the thin story, repetitive themes, and long gaps between good jokes ultimately sinks the film. It was nice to see a film about game testers as it is a group that is rife with comedic potential to be exploited, but sadly Grandma’s Boys barely scratches the surface.
Chris Sawin (602 KP) rated Lars and the Real Girl (2007) in Movies
Jun 18, 2019
Writer Nancy Oliver (Six Feet Under, True Blood) wrote the script for Lars and the Real Girl in 2002 after stumbling onto the website RealDoll.com. Directed by Craig Gillespie (the 2011 Fright Night remake, I, Tonya), Lars and the Real Girl is a much more tender and thoughtful comedic drama than you may be expecting. Ryan Gosling portrays Lars Lindstrom; a socially awkward yet decent guy. His brother, Gus (Paul Schneider, The Flowers of War), and his wife, Karen (Emily Mortimer, Transsiberian), worry about him since he spends so much time alone.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
Lars not only has a shy and stand-offish demeanor he also tends to avoid people and social interactions altogether. If a woman happens to speak to him, Lars is incapable of responding. Physical contact from anyone seems to physically hurt Lars, but that doesn’t stop his friends and family from encouraging him to get a girlfriend. One fateful day, Lars is shown a peculiar website by a co-worker that sells love dolls. Although Lars is reluctant at first, he eventually warms up to the idea of a love doll as his companion. Bianca soon becomes an especially important part of Lars’ life and her presence not only changes Lars, but the town that he lives in for the better.
It took nearly a year to finally see Lars and the Real Girl after its theatrical release; a statistic that seems like a luxury ten years later when seeing and promoting new releases seems to lose steam after its opening weekend. The concept for Lars and the Real Girl is a strange one. A sex doll tagging along with an extreme introvert doesn’t sound all that appealing at first, but Lars is easy to understand as a character especially if you’re an introvert yourself or have had trouble with the opposite sex at some point in your life. Dating was always this massive hurdle that only seemed to expand and grow with each failed first date or cancellation. With those experiences and that mentality where you find yourself retreating into your own constructed sanctuary, Lars is strangely easy to relate to.
It’s not that Ryan Gosling hasn’t been a part of big budget films, but Lars and the Real Girl was released at a time in his career when he was catering more towards the independent side of things. This is pre-Drive yet post-Notebook Ryan Gosling here; films like Half Nelson and Blue Valentine solidified how talented Gosling is as an actor without all the bells and whistles of a huge cast or blockbuster film. Lars and the Real Girl is the film that made a lot of people realize that Gosling was more than a teenage heartthrob and former Mouseketeer.
Gosling fits the Lars Lindstrom role perfectly as he’s capable of portraying quirks that are as awkward as they are charming. How he’s able to talk to a doll for over an hour and not only make it believable, but also entertaining is incredibly impressive. Part of that is attributed to Bianca being treated like an actual person with her own trailer, getting dressed in private, and only being on set when she was in the scene, but Gosling also contributed quite a bit as well. Gosling improvised the CPR on Margo’s teddy bear sequence and the scene before he and Bianca enter the party.
The film fits that independent film mold a bit too well as it has humor that’s funny but not laugh out loud funny and is dramatic and heartfelt enough to make you invested in something you likely never would without the context of the film. The film shares elements from films like Her, The Perks of Being a Wallflower, and Lost in Translation; that sensation of being lost in what is considered to be normal society but finding something unorthodox that makes you belong and feel comfortable and whole. There’s this overwhelming sense of charm and sentimentality that can only be found in films like this.
Lars and the Real Girl is a comedic drama that relies on awkward situations or even one rare occurrence that triggers unusual peculiarities as it focuses on people’s reactions to these situations that occur. It’s worth seeing if you’ve ever felt like an outcast and to witness Lars’ odd behavior and the snowball effect that it causes. Introverts will likely enjoy it more than the average film lover, but Lars and the Real Girl takes something that seems taboo on the surface and molds it into this genuine motion picture experience that is strangely beautiful.
Lars and the Real Girl is currently available to stream on Amazon Prime, YouTube, Google Play, and Vudu for $2.99 and iTunes for $3.99. It’s also available to stream for free on Amazon Prime if you have Starz with Prime Video channels. The DVD is $8.51 and the Multi-Format Blu-ray is $7.68 on Amazon. On eBay, the DVD is $7.98 and the Blu-ray is $7.95 (or best offer) while both are in brand new condition and both have free shipping.
