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LeftSideCut (3778 KP) rated Saint Maud (2020) in Movies
May 28, 2021
A big chunk of the runtime is dedicated to the extremly authentic-feeling relationship between the titular Maud (Morfydd Clark), a live-in nurse and her patient Amanda (Jennifer Ehle), a retired dancer who is terminally ill with cancer. The sweet connection between the two of them is subtle but well realised, making it all the more uncomfortable when things take a sinister turn.
The religious premise is nothing new in this genre, and there is a bit of a Rosemary's Baby vibe going on, but it's execution is pretty much flawless. Maud's devotion to God is occasionlly terrifying, but her human doubt and her occasional shake in faith stops the narrative from going full blown religious fanatic, and instead touches upon mental health issues. For all of her preaching at Amanda, Maud is the one who is portrayed as lost and lonely, trying to suppress past trauma. Her character is certainly a sympathetic one.
95% of its runtime is a slow burn, one that is complimented by wonderful cinematography and a haunting music score. However, I'm struggling to think of a film in recent memory that escalates so severely in such a short space of time, when the other 5% finally hits. To say anymore would be stepping into spoiler territory, but I will say that it's beautifully horrifying to watch unfold, with a final shot that will be seared into my brain for a while.
Rose Glass has created a true horror masterpiece with Saint Maud. Her presence withing the horror genre is a welcome one, and I'm excited to see what she does next.
The first half, set in 1986, follows a group of friends who travel down to Manchester from their small Scottish town. Manchester is the epicentre of everything they believe to be cool. Best friends James and Tully decide that weekend to make something of their lives, and not to compromise. This part of the novel is full of nostalgia - even for me, and I was 13 in 1986, so nowhere near as independent as Tully, Jimmy and their friends. But I could empathise with their new-found freedom, their enthusiasm of good music, films and books, and their feelings about politics.
2017, and Jimmy gets a phone call from Tully asking him to come home from London and see him. Tully has terminal cancer and needs Jimmy to help him - this is the true test of their friendship.
I loved how this was written, and how it really brought home the power of friendship and the memories that you share with those friends. Tully and Jimmy are more brothers than friends, and this felt like a really genuine relationship. So much so, that I was close to tears on several occasions. This is NOT a book to read in your lunch break (I did - but just the once!), because once I started reading it, half an hour wasn’t enough. And walking in to a room full of three year olds after a particularly emotional part wasn’t my finest moment!
So would I recommend this? Yes, I most certainly would. And I listened to parts of this on Audible, read so well by the author, so I’d recommend this too!