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Global a Go-Go by Joe Strummer / Joe Strummer & The Mescaleros
Global a Go-Go by Joe Strummer / Joe Strummer & The Mescaleros
2001 | Rock
(0 Ratings)
Album Favorite

"I remember hearing Johnny Appleseed and being like, ‘Yo! This is another level.’ It’s got like this Caribbean rhythm, acoustic guitars and simple harmonies, and him talking about everything from ’49 Buicks – which I knew everything about – to Martin Luther King tand even the old folklore of Johnny Appleseed. I really related to everything he was saying. When he asks in the song ‘Do you hear what I’m saying?’ I was like ‘Yeah dude, I do hear what you’re saying.’ There’s that question that he poses, too: ‘Is what was once true now no longer so?’ I still carry that line around with me today. That song shaped another facet of me as well, because it showed me that you could still play music with punk energy but you don’t have to play punk songs. It showed me that you could be political and social and talk about relationships or whatever, and still have the forcefulness of punk rock without playing aggressive music. And I don’t have no time to spike my hair up. That’s more show to me. At the time I was like, ‘I can only afford one shirt. Why the hell would I rip it up? If I rip it up and it rains then I’m gonna get wet.’ I’ve always tried to stay in that thing that it’s not about what you look like: it’s about what you do. You have to believe it and you have to mean it."

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Pirates of the Caribbean: Dead Men Tell No Tales (2017)
Pirates of the Caribbean: Dead Men Tell No Tales (2017)
2017 | Action, Adventure, Fantasy
Here we go again
I can’t be the only one surprised that the Pirates of the Caribbean franchise has managed to withstand five films. Created on a whim by Disney in 2003, the first film propelled Johnny Depp into the lives of movie fans like never before.

However, come 2017 and Depp’s star is sinking faster than the Black Pearl. After three pretty dreadful sequels, the cast reunites for Salazar’s Revenge. But does a change in directors herald a new and exciting path for the plucky pirates?

Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow (Depp) feels the winds of ill-fortune blowing strongly when ghost sailors led by his nemesis, evil Captain Salazar (Javier Bardem), escape from the Devil’s Triangle. Jack’s only hope lies in seeking out the legendary Trident of Poseidon, but to find it, he must forge an uneasy alliance with a brilliant and beautiful astronomer (Kaya Scodelario and a headstrong young man in the British navy (Brenton Thwaites).

Newcomer directors Joachim Rønning and Espen Sandberg craft a film that is magnificent to look at and stunning to listen to, but features all of the same problems as its predecessors. The time really is up on this franchise.

Of the cast, only Javier Bardem’s snarling Salazar makes any sort of lasting impact. In fact, he’s probably the best antagonist the series has ever had and makes for a menacing presence throughout. Depp looks like he’s on autopilot, almost as bored of Jack Sparrow’s drunken antics as we are, and the normally excellent Kaya Scodelario (Skins, Maze Runner) plays a particularly bland female lead during the films running time.

Speaking of which, at 142 minutes, this is one migraine inducing slog. All four previous films have suffered from being overstuffed, and with the extra abundance of characters this time around, it’s even more painful. There simply is no need to create a film that’s nearly two and a half hours long, especially considering the plot is as paint-by-numbers as you can get.

Nevertheless, to look at, Salazar’s Revenge really is breath-taking. The action is filmed confidently and the sets are fantastically detailed using some exceptional practical effects. There are ghost sharks, glistening islands and the motion capture used on Javier Bardem and his crew is seamless. Only the CGI-heavy finale lets the film down. The music is also sublime. Geoff Zanelli’s thunderous melody features the trademark theme-tune mixed with some really lovely orchestral music.

Overall, Pirates of the Caribbean: Salazar’s Revenge kicks off a summer season filled to the brim with sequels and after the previous film’s poor reception, expectation was almost as low as it is for Transformers: the Last Knight.

What we’ve ended up with is a bit of a double-edged sword then. It’s certainly better than the previous three sequels and almost up to the standard of the 2003 original; the problem is, that film wasn’t particularly good in the first place.


https://moviemetropolis.net/2017/05/26/here-we-go-again-pirates-of-the-caribbean-salazars-revenge-review/
  
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