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Kristy H (1252 KP) rated Just One Look in Books
Aug 12, 2021
A slightly bland thriller
After an incident at the law firm where she works, Cassie Woodson finds herself temping. She's reviewing correspondence for a fraud case--several tiers removed from her life as a lawyer. While going through the tedious emails, she discovers a series of exchanges between one of the firm partners, Forest Watts, and his wife Annabelle. Cassie can't help but read them, fixating on the way Forest seems to love and adore his wife. But when she finds a way to "accidentally" meet Forest, her fixation with the Watts turns into a full blown obsession.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
"He has no idea that I have access to every corner of his life. Even the dusty ones."
This was a perfectly fine thriller, though I found it a little bland. I think it's because I'm so over unreliable alcoholic narrators. For me, that trope is just done. I lose sympathy for the protagonist at that point and just stop caring. Cassie is just an insane train wreck of a character. The whole book felt like watching one, honestly. The premise here is that she's abandoned by her mother at a young age, hence making her unstable and leading to a series of incidents (including the one where she came unglued at her law firm). But I could never quite buy why she became so obsessed with Forest Watts and his wife.
"Eyes aren't the windows to the soul. Emails are."
Most of the book focuses on Cassie's preoccupation with Forest--starting with the emails and then branching out into real life. The girl is committed, I will give you that. She creates a binder on the Watts and everything. If only she was that dedicated to something more productive. There's also a subplot with her temp co-worker, Dalton. Then with about 10 to 15% of the book left, the plot takes a complete turn and things get more exciting. However, nothing that happened previously really seemed to gel with that plot twist, so I found it all a little odd. It was a strange, out of left field turn.
Overall, I found this book interesting enough that I kept reading, so I'm still giving it 3 stars. But it was a strange ride, to say the least. Others liked it more than me, so take my review with a grain of salt.
I received a copy of this book from Random House - Ballantine and Netgalley in return for an unbiased review.
Merissa (11935 KP) rated Survaine (Gen-Heirs: The Guardians of Sziveria #6) in Books
Jun 13, 2023
SURVAINE is the sixth book in the Gen-Heirs: The Guardians of Sziveria series and we finally get Ramsey's story! Oh boy, but I've been waiting for this one. She is smart and sassy, with a strong sense of right and wrong. Due to her circumstances, she has been protected by her brother as much as he can. But unknown to Jonathan, she met Caiden one night when things were bad. A connection formed and he returned to her when she needed him most, even if she wasn't aware of it!
I love this series. Honestly, each book is great in its own way. This one - it was Ramsey and Caiden that were the stars for me. I mean, obviously, it should be; it's their book. It doesn't always work that way though. I loved how Ramsey was uncomfortable and even a little whiny as she dealt with things she'd never had to do before.
It was also good to catch up with others from this series - Sean and Katria plus Jonathan and Sylphine - to see what's going on with them. Others are mentioned as this story moves the story arc along in a big way, which although needed is one of the reasons I felt a little disconnected from Ramsey and Caiden. Take them as separate characters and they are both outstanding. Both of them are strong but not infallible. They draw strength from each other and have an attraction to top the charts - BUT - I felt as though something was missing.
After thinking it over, I've come to the conclusion that it's because this is such an action-packed book. And I know it's necessary and helped move it along, but they never got any downtime. When we're with them, it's either action or wannabe sexy times. There was little in the way of just 'them.' And I missed that as, in the bits we did get, Caiden was so caring and attentive, with Ramsey being so strong and cheeky, I wanted more.
All in all, this was a fantastic read and a wonderful addition to the series. I can't wait to read Deklan's story and I'm really hoping Ryan and Delanee get one too! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2023
I love this series. Honestly, each book is great in its own way. This one - it was Ramsey and Caiden that were the stars for me. I mean, obviously, it should be; it's their book. It doesn't always work that way though. I loved how Ramsey was uncomfortable and even a little whiny as she dealt with things she'd never had to do before.
It was also good to catch up with others from this series - Sean and Katria plus Jonathan and Sylphine - to see what's going on with them. Others are mentioned as this story moves the story arc along in a big way, which although needed is one of the reasons I felt a little disconnected from Ramsey and Caiden. Take them as separate characters and they are both outstanding. Both of them are strong but not infallible. They draw strength from each other and have an attraction to top the charts - BUT - I felt as though something was missing.
After thinking it over, I've come to the conclusion that it's because this is such an action-packed book. And I know it's necessary and helped move it along, but they never got any downtime. When we're with them, it's either action or wannabe sexy times. There was little in the way of just 'them.' And I missed that as, in the bits we did get, Caiden was so caring and attentive, with Ramsey being so strong and cheeky, I wanted more.
All in all, this was a fantastic read and a wonderful addition to the series. I can't wait to read Deklan's story and I'm really hoping Ryan and Delanee get one too! Definitely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 13, 2023
LeftSideCut (3778 KP) rated American Horror Story - Season 4 in TV
Nov 18, 2019 (Updated Nov 18, 2019)
Season 4 of AHS, subtitled 'Freak Show' gets a bad wrap in my opinion.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
It doesn't reach the lofty heights of the first two seasons, but there's plenty to love and it tries something new.
The bulk of the series revolves around Elsa Mars (Jessica Lange) and her group of travelling sideshow performers, all who have some sort of abnormality. As they arrive in 1951 Florida to set up shop and make a living amongst a world that fears and targets them, they are also being eyed up by Richard Spencer (Denis O'Hare), a shady businessman attempting to profit from their misfortune, and Dandy Mott (Finn Wittrock), who harbours an unhealthy obsession with the Freak Show, and in particular, conjoined twins Bette and Dot Tattler (Sarah Paulson).
All the while, a murderous and sinister clown called Twisty (John Carroll Lynch) is on the loose, causing the finger to be pointed at another Freak Show member, Jimmy Darling (Evan Peters).
All of these plot lines running at once actually run side by side pretty smoothly, making for an engaging narrative, with plenty of plot twists along the way.
The Twisty plot line is proper classic slasher horror, and is unfortunately tied up pretty quickly, but it makes way for a surprisingly touching story about family, and what it means to be different.
I found myself caring about almost everybody during Freak Show. It's very well written.
The cast are as usual, pretty great. As well as the cast members mentioned above, we have returning AHS in the likes of Kathy Bates, Francis Conroy, Emma Roberts, Angela Bassett, and Naomi Grossman, as well as some new blood in the form of Michael Chiklis, Erika Ervin, Mat Fraser, Wes Bentley, and Neil Patrick-Harris.
Sarah Paulson is the undisputed highlight during this season, playing two characters at once, with some fantastic effects work going on.
The only character I really struggled to get on board with here was Elsa, which is a shame as she's front and centre. No fault of the great Jessica Lange of course.
The season drags for a while in the mid section, but with so many likable characters, it's not a huge issue.
Freak Show is also the first season that has a concrete connection to other seasons in the AHS story, confirming finally that all the seasons take place in the same universe, which is incredibly exciting, and opens the door for a lot of possibilities.
The gore effects and horror elements continue to be a big plus for AHS, and as always, the anthology format keeps it feeling fresh. Another win for Ryan Murphy and co.
Gareth von Kallenbach (974 KP) rated Side Effects (2013) in Movies
Aug 7, 2019
Steven Soderbergh has been toying with the notion of retirement for a couple of years now, and has said that “Side Effects” will be his final film. I certainly hope not.
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
As its title intones, “Side Effects” is a movie about what can happen when prescription medications, such as anti-depressants, can do at their worst, leading to anyone who taking them wishing they weren’t. The movie certainly starts out looking like a propaganda-film about how Doctor’s push these drugs onto patients as they are paid by pharmaceutical representatives to test their drugs. It seems that everyone in the film is taking meds of some form or another. The cast for the film should be a recipe for success: Jude Law, Rooney Mara, Catherine Zeta-Jones and Channing Tatum. But because of this perception, the first two-thirds of the film nearly put me to sleep. And then a twist happened that the made the plot extremely complex and worth watching. In many ways, the less said about “Side Effects,” the better. This may produce a better experience for you than I had. But here’s the basic idea of the movie:
Emily Taylor, played by Rooney Mara, is introduced when she is visiting her husband Martin (Tatum), a man convicted of insider trading who is about to be released after four years behind bars. Martin’s discharge happens uneventfully, but adjusting to the new life of poverty rehashes the depression that first plagued Emily when her husband’s prison term started. This leads to Emily crashing her car head-on into the wall of the garage in her apartment building. While in the hospital, rules force her to see psychiatrist Jonathan Banks (Law).
Up until this point, I had trouble connecting with Mara’s character. While it is revealed that she had mental problems prior to this episode, you don’t really completely grasp what it is until later in the movie. Mara seemed to be very stiff, and way too much like her emotionless character from “The Girl with the Dragon Tattoo.” But then we enter Jude Law. Law’s character, Banks, is friendly, approachable and caring. He is what first drew me deeper into the movie. Though, you soon discover that he is a doctor who believes in the power of drugs. This character kept me interested because I couldn’t quite nail if he was going to be an antagonist or protagonist.
Of course our dear Dr. Banks prescribes some medications to Emily and she begins showing some disturbing side effects and… The side effects lead to really terrible, bloody things which ruins careers, lives, and even drive people to madness. Or does it?
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