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Acanthea Grimscythe (300 KP) rated The Haunting of Hill House in Books
May 16, 2018
Several years ago, I watched The Haunting (1999). It was not an intentional watching of the movie and I actually forgot that I had watched it shortly after. Now and then, I would recall a scene and try to remember where it was from without much luck. At that time, I was not aware that it was an adaptation of Shirley Jackson's novel, The Haunting of Hill House. In fact, it wasn't until more recently that I returned to my long forgotten passion for the written word. In a way, I'm a bit glad that I read the book - or in this case, listened to it.
One of the largest determining factors for me when I'm listening to an audio book is the quality of the narration, and in this case I highly suggest the version narrated by David Warner over Bernadette Dunne. Warner's voice is far gentler on the ears and his heavy English lends an utterly unique feeling to the story. I only listened to a sample of Dunne's version and found it very painful on my ears. Warner's reading is published by Phoenix, whereas Dunne's is from Blackstone Audio. Considering that I use audiobooks in order to help me relax along the hour long commute to and from work, the quality of the recording is vital to whether or not I am capable of stomaching the book (and for this reason, I nearly dropped House).
The Haunting of Hill House was published in 1959 by Viking, six years before Shirley Jackson's death. <a href="https://en.wikipedia.org/wiki/Shirley_Jackson"; target="new">The book itself is lauded as a classic example of haunted house fiction, earning praise from my all time favorite author, Stephen King.</a> It is a story in which four individuals take up summer residence in the famed Hill House, where they embark upon an unexpectedly brief journey to learn more about the supernatural - and perhaps even about their own selves. Each character is riddled with their own flaws and, to my great surprise, are not filled with the incessantly needy yearning for romance that is so common in other books.
I can also admit that none of the characters are particularly likable. The character that I find most tolerable is Eleanor Vance, our star for this read who clearly suffers from mental illness. Given the time in which the book takes place, it is almost heartbreaking how little others are able to pick up regarding her mental state and, when they finally do, the disdain they treat her with is extremely painful to watch. My least favorite of the cast is Mrs. Montague and her planchette. Mrs. Montague seems rather incapable of caring about anyone other than herself and goes to great lengths to undermine her husband. Her short fuse makes her utterly unbearable and, were I to cross paths with her, I can't promise that I wouldn't want to throttle her.
As far as the haunting of the manse itself goes, there's very little to it. While Jackson's prose is meticulous and gorgeous to behold, at no point did I feel any sense of unease. Much of what is meant to be unsettling is not supernatural in origin, but derived from the interactions of the characters. In a way, the reader is simply a passenger along for the ride in Eleanor's descent into madness, and it is from this that unease can be felt than by anything ethereal.
I enjoyed The Haunting of Hill House and I find it to be a pleasant read (or in this case, listen), but it is not among my favorites when it comes to horror. I felt no real need to keep going and none of the edge-of-your-seat anxiety that horror fans like myself thrive on. It is certainly a beautiful book and Hill House has a hauntingly sad past, but other than that I did not find the story to be overly impressive. While some of this could be attributed to the fact that I had seen the movie in the past, I don't really feel that is the case - especially since I seem to be in agreement with several other readers.
One of the largest determining factors for me when I'm listening to an audio book is the quality of the narration, and in this case I highly suggest the version narrated by David Warner over Bernadette Dunne. Warner's voice is far gentler on the ears and his heavy English lends an utterly unique feeling to the story. I only listened to a sample of Dunne's version and found it very painful on my ears. Warner's reading is published by Phoenix, whereas Dunne's is from Blackstone Audio. Considering that I use audiobooks in order to help me relax along the hour long commute to and from work, the quality of the recording is vital to whether or not I am capable of stomaching the book (and for this reason, I nearly dropped House).
The Haunting of Hill House was published in 1959 by Viking, six years before Shirley Jackson's death. <a href="https://en.wikipedia.org/wiki/Shirley_Jackson"; target="new">The book itself is lauded as a classic example of haunted house fiction, earning praise from my all time favorite author, Stephen King.</a> It is a story in which four individuals take up summer residence in the famed Hill House, where they embark upon an unexpectedly brief journey to learn more about the supernatural - and perhaps even about their own selves. Each character is riddled with their own flaws and, to my great surprise, are not filled with the incessantly needy yearning for romance that is so common in other books.
I can also admit that none of the characters are particularly likable. The character that I find most tolerable is Eleanor Vance, our star for this read who clearly suffers from mental illness. Given the time in which the book takes place, it is almost heartbreaking how little others are able to pick up regarding her mental state and, when they finally do, the disdain they treat her with is extremely painful to watch. My least favorite of the cast is Mrs. Montague and her planchette. Mrs. Montague seems rather incapable of caring about anyone other than herself and goes to great lengths to undermine her husband. Her short fuse makes her utterly unbearable and, were I to cross paths with her, I can't promise that I wouldn't want to throttle her.
As far as the haunting of the manse itself goes, there's very little to it. While Jackson's prose is meticulous and gorgeous to behold, at no point did I feel any sense of unease. Much of what is meant to be unsettling is not supernatural in origin, but derived from the interactions of the characters. In a way, the reader is simply a passenger along for the ride in Eleanor's descent into madness, and it is from this that unease can be felt than by anything ethereal.
I enjoyed The Haunting of Hill House and I find it to be a pleasant read (or in this case, listen), but it is not among my favorites when it comes to horror. I felt no real need to keep going and none of the edge-of-your-seat anxiety that horror fans like myself thrive on. It is certainly a beautiful book and Hill House has a hauntingly sad past, but other than that I did not find the story to be overly impressive. While some of this could be attributed to the fact that I had seen the movie in the past, I don't really feel that is the case - especially since I seem to be in agreement with several other readers.
Kristy H (1252 KP) rated After the Fall in Books
Feb 13, 2018
There are all sorts of falls.
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. <i>I adored this book so much.</i> I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended. A beautiful 4.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
For Honor, it is an actual fall. An intelligent, proud woman, Honor raised her son, Stephen, alone. But Stephen married and then unexpectedly passed away, and Honor lives by herself. A fall down the stairs of her stately home lands her in the hospital with a broken hip and her pride deeply wounded. Suddenly, Honor is at the mercy of her former daughter-in-law, Jo, who was Stephen's wife, to help care for her.
For Jo, her fall may not be physical, but she feels as if she's always trying to catch up. Perpetually optimistic, Jo is constantly cheerful for those around her, but she cannot always hide her own doubts about where her life is headed, or if she's doing right by her three children. She's a busy mom to Lydia, Oscar, and Iris, and recently divorced from Oscar and Iris' father. She also fears she may be falling... for another man.
And for Lydia, she too has fallen in love. But she's also a teenager, who lost her father young, and she's dealing with the trials of school and exams. Lydia has a secret, as well: one that threatens her ability to blend in at school and home.
This book, oh this book. <i>I adored this book so much.</i> I fell for these characters (so sorry for that awful pun) hard. From the moment I started reading about feisty Honor, cheery Jo, and teenage Lydia, I loved them. I loved their problems, their sense of humor, and their family. This novel is beautifully written, achingly touching, and often laugh out loud funny.
It alternates between the points of view of our three main women: Honor, Jo, and Lydia. Honor and Jo have never been close, as Honor resented Jo marrying her son, and Jo felt intimidated by the intelligent and strong Honor. But after Honor's fall, she's forced to move in with Jo, her granddaughter Lydia, and Jo's young children with her second husband. The book slowly unfolds the details of how Stephen (Honor's son) passed away and the effect it had on all three women. The entire novel, really, is about little life details and how each they've impacted the three in various ways. In fact, you learn that while we are hearing these stories from three connected people, they really don't know each very well at all. Cohen captures so well how much they need each other, but can't admit it.
As such, there is a poignancy to the novel, as we watch the women navigate life and keep a variety of secrets and hidden sadness from each other. But unlike so many novels, where I want to just scream at the characters to communicate, or where it seems like the entire plot could have been avoided by someone simply talking to another character, this novel is real and true. For instance, Lydia's teen angst and the trials of her adolescence are also so beautifully (although heartbreakingly) portrayed.
It also captures the trials of having children so perfectly. There are some hilarious scenes as Jo navigates caring for her two younger children. Even better are the moments of prickly Honor interacting with young Iris and Oscar. You cannot help but laugh. There is a moment with Oscar and Honor that made me laugh and nearly cry; it was just so funny and touching. The novel is filled with many of these wonderful and witty moments.
I loved how these characters never failed to surprise me. Yes, there were some plot points you could see coming, but they didn't diminish my joy for the book or the depth of the characters. Nothing felt too cliche, and I remained captivated and intrigued. I felt a part of their story and lives. The novel really makes you think; its plot is not just "fluff."
By the end, I still loved all three so much, and my only disappointment was that the book ended. A beautiful 4.5+ stars.
I received a copy of this novel from the publisher and Netgalley (thank you!) in return for an unbiased review.
<center><a href="http://justacatandabookatherside.blogspot.com/">Blog</a>; ~ <a href="https://twitter.com/mwcmoto">Twitter</a>; ~ <a href="https://www.facebook.com/justacatandabook/">Facebook</a>; ~ <a href="https://plus.google.com/u/0/+KristyHamiltonbooks">Google+</a></center>;
BankofMarquis (1832 KP) rated It (2017) in Movies
Feb 14, 2018
IT is very good
I met the clown and IT is...fascinating, gripping, thrilling, humorous, intense and good.
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
But...is it scary? Sure...scary enough, but this adaptation of Stephen King's bestseller is much, much more than a scary movie.
One of the best screen adaptations of a Stephen King book, ever, IT tells the story of a group of13 year olds in Derry, Maine (one of the main towns featured in a variety of King's stories). It is 1989 and children have been going missing at an alarming rate. The adults in the town seem impassive about this, and when the younger brother of one of the gang goes missing, this "Loser's Club" investigates. What they find is a horrifying evil at the center of it all.
Like the plot of this film, there is much, much more going on in this film than what that last paragraph suggests, for this story is not only about the mystery of the missing children, it is a loving look back at childhood, friendship, caring and bonding. Think of this film as STAND BY ME meets...well...a killer clown.
And the clown IS killer. As played by Bill Skarsgard (TV's THE CROWN), Pennywise The Dancing Clown is slyly sinister, drawing the children in as a spider would a fly. It is only when the children are close (and alone) does he drop the guise of niceness and pounce. This is an intense and terrifyingly terrific performance, keeping the fine line between realism and camp (a line that Tim Curry trounced all over in the TV Mini-series version of this material in the 1980's).
I'm a big fan of Stephen King's writing (having read nearly all of his books and short stories) and I walked out of the theater thinking "finally, someone figured out the right way to make a Stephen King thriller work on the screen" and that someone is Director Andy Muschietti (MAMA). He guides this film with a strong hand, not wavering in his vision or sense of purpose as to where (and how) he wants this story to go. He let's the young actor's lead this story, with Skargard's clown pouncing every now and then. This works well, especially when infusing something that is sorely lacking, typically, in these types of films - humor.
And the humor, mostly, falls into the hands of Richie Tozier (Finn Wolfhard, STRANGER THINGS). He is an absolute bright spot injecting just the wrong (or maybe it is right?) comment in a tense situation, just as a 13 year old boy would do. As part of the "Loser's Club", he holds a bright spot in keeping things together when the mood threatens to get too grim or dire. And grim and dire is what is following this set of "Loser's", a veritable "who's who" of loser stereotypes. There is the "fat kid", Ben Hanscome (Jeremy Ray Taylor, ANT-MAN, in a sweet performance), the "always sick kid with the overbearing mother", Eddie Kasbrak (Jack Dylan Grazer), the "Jewish kid", Stanley Uris (Wyatt Oleff) and the "Black Kid", Mike Hanlon (Chosen Jacobs).
But the heart and sole of this film is the two main leads of the "Loser's Club", Bill Denbrough (Jaeden Lieberher, star of two criminally under-viewed gems MIDNIGHT SPECIAL and ST. VINCENT) and Beverly Marsh (Sophia Lillis, a relative newcomer that bears watching in the future). Both are harboring deep, emotional scars - Bill blames himself for the death of his brother by Pennywise and Beverly is (wrongly) viewed as a 13 year old slut by school rumor and innuendo and is sexually harassed by her father. The relationship between these two and the rest of the Loser's Club is the real treat of this film and the actor's are up to the challenge to draw us in and care about what happens to them when they are, ultimately, separated and confronted by Pennywise.
I was surprised by how little graphic gore there was in this film (though there is plenty of blood) and there is a little too many "jump scares" for my taste, but these are quibbles for a very good, very intense "scary film".
I floated out of the cinema after seeing this film You'll float too.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank (ofMarquis)
Heather Cranmer (2721 KP) rated King of Bad (Super Villain Academy #1) in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
This book has been on my TBR (to be read) list for awhile. It sounded very intriguing, so when I was offered the chance to review it, I automatically said yes. Luckily, the book didn't disappoint.
I think the title is an excellent fit for this book. Even Jeff's sister refers to him as the king of bad at one point. It's also an ironic fit for Jeff as we soon discover. (And don't worry, that wasn't a spoiler).
The cover is alright. I like the whole fire and ice thing going on with the cover which fits nicely with the book. I just wish there was less person and more scenery in the forefront.
I loved the world building! It made me wish I was part of it. Strand does a fantastic job of making the world of King of Bad seem like it's a real thing. The setting takes place in the United States although there are super villain and super hero academies all around the world. I like that Strand kept her novel set in the real world instead of some made up fantasy world. It makes it feel more real. The only thing I found confusing was the end. To me, it just felt a bit rushed, and just left me scratching my head wondering what had just happened.
The pacing is very enjoyable, and I found myself becoming more and more immersed with what was and what would happen to Jeff. Like the world building, the pacing does speed up a bit too much towards the end for my liking. Personally, I felt that things should've been better explained.
I loved the plot! It's about time we see the perspective of the world from a super villain! All too often, books tend to focus on the super hero. I liked the idea of a Super Villain Academy and seeing how the children were all trained to be bad. When a super hero academy attacks Jeff's school, I was actually rooting for the bad guys although it didn't feel wrong. There is a plot twist which I really enjoyed. There's no cliff hangers in this book that I noticed, so it can be read as a stand alone.
The characters were fantastic. It was hard not to love Jeff. He had fantastic manners for a baddie, and he was also very sarcastic which was my favorite thing about him. Source was probably my favorite character. I loved his nerdiness, and I could totally relate to him feeling that he didn't really fit in although Jeff felt that way as well. Oceanus came across as conflicted which I believe was intentional. She didn't want Jeff to think of her as a nice girl because she was supposed to be a villain. However, I did like Oceanus very much, and I kept rooting for her and Jeff to get together. Mystic is a fantastic character, and I never really trusted her. The author does a fantastic job in making the reader feel conflicted about Mystic which is also intentional. She had the power of suave which I thought was a fantastic ability. She also comes across as a caring and sweet girl for the most part.
The dialogue and character interactions flow very smoothly. Nothing ever felt forced or awkward writing wise. There is some swearing in this book as well as some sexual references and violence in case that isn't your thing.
Overall, King of Bad is an enjoyable and original read. My favorite thing about this book were the characters and reading about super villains as opposed to super heroes.
I'd recommend this book to those aged 15+ who are feeling a little bit bad although they're really good. If you enjoy great characters and a fantastic plot, then this is the book for you!
(I received this ebook for free from the tour host in exchange for a fair and honest review).
This book has been on my TBR (to be read) list for awhile. It sounded very intriguing, so when I was offered the chance to review it, I automatically said yes. Luckily, the book didn't disappoint.
I think the title is an excellent fit for this book. Even Jeff's sister refers to him as the king of bad at one point. It's also an ironic fit for Jeff as we soon discover. (And don't worry, that wasn't a spoiler).
The cover is alright. I like the whole fire and ice thing going on with the cover which fits nicely with the book. I just wish there was less person and more scenery in the forefront.
I loved the world building! It made me wish I was part of it. Strand does a fantastic job of making the world of King of Bad seem like it's a real thing. The setting takes place in the United States although there are super villain and super hero academies all around the world. I like that Strand kept her novel set in the real world instead of some made up fantasy world. It makes it feel more real. The only thing I found confusing was the end. To me, it just felt a bit rushed, and just left me scratching my head wondering what had just happened.
The pacing is very enjoyable, and I found myself becoming more and more immersed with what was and what would happen to Jeff. Like the world building, the pacing does speed up a bit too much towards the end for my liking. Personally, I felt that things should've been better explained.
I loved the plot! It's about time we see the perspective of the world from a super villain! All too often, books tend to focus on the super hero. I liked the idea of a Super Villain Academy and seeing how the children were all trained to be bad. When a super hero academy attacks Jeff's school, I was actually rooting for the bad guys although it didn't feel wrong. There is a plot twist which I really enjoyed. There's no cliff hangers in this book that I noticed, so it can be read as a stand alone.
The characters were fantastic. It was hard not to love Jeff. He had fantastic manners for a baddie, and he was also very sarcastic which was my favorite thing about him. Source was probably my favorite character. I loved his nerdiness, and I could totally relate to him feeling that he didn't really fit in although Jeff felt that way as well. Oceanus came across as conflicted which I believe was intentional. She didn't want Jeff to think of her as a nice girl because she was supposed to be a villain. However, I did like Oceanus very much, and I kept rooting for her and Jeff to get together. Mystic is a fantastic character, and I never really trusted her. The author does a fantastic job in making the reader feel conflicted about Mystic which is also intentional. She had the power of suave which I thought was a fantastic ability. She also comes across as a caring and sweet girl for the most part.
The dialogue and character interactions flow very smoothly. Nothing ever felt forced or awkward writing wise. There is some swearing in this book as well as some sexual references and violence in case that isn't your thing.
Overall, King of Bad is an enjoyable and original read. My favorite thing about this book were the characters and reading about super villains as opposed to super heroes.
I'd recommend this book to those aged 15+ who are feeling a little bit bad although they're really good. If you enjoy great characters and a fantastic plot, then this is the book for you!
(I received this ebook for free from the tour host in exchange for a fair and honest review).
Heather Cranmer (2721 KP) rated Delirium in Books
Jun 7, 2018
Review from my blog <a href="http://themisadventuresofatwentysomething.blogspot.co.uk">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>.
I really, really, really wanted to like this book. In fact, I wanted to love it, but it just didn't happen. I just couldn't get into it at all no matter how hard I tried. It's gotten some rave reviews so maybe there's just something wrong with me.
Lena is a seventeen year old girl who doesn't challenge anything about her government. She's too scared of the consequences. In a few months, on her 18th birthday, she'll be cured of the disease, the disease of love. She's looking forward to the day she can be cured of love. In fact, she's counting down the days. However, everything changes when she meets the gorgeous Alex, an invalid (another name for someone who is uncured after their 18th birthday). Now she doesn't want to be cured as Alex has opened her eyes to this disease called love. Lena is wondering if love was ever really a disease at all. Lena is putting herself at risk to be with Alex. Will she have her happy ever after or will she be cured?
The world building isn't bad. The story takes place in Portland. The author does a great job of trying to make the reader believe in a world where love is banned. It is quite believable.
I don't think the cover suits the book at all. Lauren Oliver has a habit of just putting faces on the covers of her books. However, I think this is the easy way out. Putting a photo of a face on a book doesn't really tell us anything about the book. I wish Ms. Oliver would consider changing her covers to make them relevant to the actual story.
The title, however, definitely suits the book. Love is seen as a type of delirium. It's banned, and the government wants everyone to believe how love will make you delirious. It's a great title for the book.
I found the pacing to be too slow for my liking. Don't get me wrong, it's written quite nicely, but it's just too slow. I had to force myself to read the book most of the time. I just couldn't get into it, and I found myself not really caring about the characters. There is one good bit, and it's only about two or three chapters towards the middle of the book.
The dialogue is easy to understand and is written beautifully. There are a few swear words however. (Lena drops the f-bomb a couple of times and the s word is used a couple of times as well). The good thing is this book isn't littered with swear words which is nice.
I just couldn't relate to any of the characters. Lena drove me crazy!! She was too much of a goody goody and too scared throughout the book. It especially annoyed me when she couldn't tell the difference if she was crying or sweating. I've never had a problem telling the difference!! And Alex, nothing really annoyed me about him, but I just couldn't feel him if you know what I mean. I basically found that I couldn't give a toss about what happened to Lena and Alex. I did like Hana as she was more of a free spirit and willing to take risks. I liked how full of life she was. She was the only character I kind of cared about, but she wasn't a main character, nor was she mentioned as much as I would've liked her to be.
Throughout most of the book I just felt really bored with the book which made me kind of sad because I really wanted to enjoy this book after reading some reviews about how great this book was. It was a challenge for me to get through the book, save for two or three chapters. This book just didn't really do anything for me, and I won't be reading the rest of the series as I don't really care what happens.
I wouldn't recommend this book to anyone. It's just too boring and is lacking something.
Overall, I'd rate Delirium by Lauren Oliver a 2.5 out of a 5.
I really, really, really wanted to like this book. In fact, I wanted to love it, but it just didn't happen. I just couldn't get into it at all no matter how hard I tried. It's gotten some rave reviews so maybe there's just something wrong with me.
Lena is a seventeen year old girl who doesn't challenge anything about her government. She's too scared of the consequences. In a few months, on her 18th birthday, she'll be cured of the disease, the disease of love. She's looking forward to the day she can be cured of love. In fact, she's counting down the days. However, everything changes when she meets the gorgeous Alex, an invalid (another name for someone who is uncured after their 18th birthday). Now she doesn't want to be cured as Alex has opened her eyes to this disease called love. Lena is wondering if love was ever really a disease at all. Lena is putting herself at risk to be with Alex. Will she have her happy ever after or will she be cured?
The world building isn't bad. The story takes place in Portland. The author does a great job of trying to make the reader believe in a world where love is banned. It is quite believable.
I don't think the cover suits the book at all. Lauren Oliver has a habit of just putting faces on the covers of her books. However, I think this is the easy way out. Putting a photo of a face on a book doesn't really tell us anything about the book. I wish Ms. Oliver would consider changing her covers to make them relevant to the actual story.
The title, however, definitely suits the book. Love is seen as a type of delirium. It's banned, and the government wants everyone to believe how love will make you delirious. It's a great title for the book.
I found the pacing to be too slow for my liking. Don't get me wrong, it's written quite nicely, but it's just too slow. I had to force myself to read the book most of the time. I just couldn't get into it, and I found myself not really caring about the characters. There is one good bit, and it's only about two or three chapters towards the middle of the book.
The dialogue is easy to understand and is written beautifully. There are a few swear words however. (Lena drops the f-bomb a couple of times and the s word is used a couple of times as well). The good thing is this book isn't littered with swear words which is nice.
I just couldn't relate to any of the characters. Lena drove me crazy!! She was too much of a goody goody and too scared throughout the book. It especially annoyed me when she couldn't tell the difference if she was crying or sweating. I've never had a problem telling the difference!! And Alex, nothing really annoyed me about him, but I just couldn't feel him if you know what I mean. I basically found that I couldn't give a toss about what happened to Lena and Alex. I did like Hana as she was more of a free spirit and willing to take risks. I liked how full of life she was. She was the only character I kind of cared about, but she wasn't a main character, nor was she mentioned as much as I would've liked her to be.
Throughout most of the book I just felt really bored with the book which made me kind of sad because I really wanted to enjoy this book after reading some reviews about how great this book was. It was a challenge for me to get through the book, save for two or three chapters. This book just didn't really do anything for me, and I won't be reading the rest of the series as I don't really care what happens.
I wouldn't recommend this book to anyone. It's just too boring and is lacking something.
Overall, I'd rate Delirium by Lauren Oliver a 2.5 out of a 5.
Heather Cranmer (2721 KP) rated The Midnight Side in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).
When I read the blurb for The Midnight Side by Natasha Mostert, I thought I was in for a scary ghost story. However, it's not really scary, and there's not much ghost in it. While it wasn't a fantastic read, it was still a decent one.
Isabelle (Isa for short) and Alette are cousins who have always been fairly close. As children, they would lucid dream together. When Alette dies in a car accident, Isabelle flies over from South Africa to England since she was Alette's sole beneficiary. Alette leaves three envelopes for Isabelle asking her for to do a big favor. Things become a bit more complicated when Isabelle develops romantic feelings for Alette's ex. Unknowingly, Alette has put Isabelle in danger. Will Isabelle make it out alive or will she suffer the same fate as Alette?
I don't really get the title. To me, it doesn't really seem to fit the book at all. Nothing special takes place at midnight, so the title is a bit misleading and confusing.
I'm not a fan of the cover at all. Besides showing Big Ben which is in London where the story takes place, the cover doesn't relate to the book at all.
I felt the world building was believable. There's been documented cases of lucid dreaming and receiving telephone calls from the dead. Besides the supernatural aspects, the rest of the world building was believable as well. The only thing I found a bit hard to believe was that Isabelle would develop romantic feelings for Alette's ex after she told her how he treated her. Plus, Alette was not only Isabelle's cousin, but they were like best friends. I suppose it does happen in real life, but it was a bit too instant to be 100% believable.
The pacing was a bit hit and miss throughout the first two-thirds of the book, but when it got to the last third of the book, the pacing steadied out, and I was hooked until the very end of the book.
I was a little bit confused with the story line. In my opinion, it was as if the book couldn't decide if it wanted to be more of a paranormal story or a psychological thriller. Alette leaves Isabelle instructions on how to bring her ex-husband's company crashing down. Isabelle must decide if she wants to comply with her deceased cousin's wish or listen to her heart. During this, Isabelle keeps receiving calls from Alette from the other side as well as Alette appearing in her dreams during lucid dreaming. There is a plot twist that I never saw coming. There's also no cliff hanger ending.
I thought the characters were all well developed. Even if Alette was a bit selfish, I still admired her determination. Isabelle is more of a follower instead of a leader which is why she does what Alette wants her to do. I started off not liking Justin, but by the middle of the book or so, I realized what a large heart he really had. Michael seemed like a good friend, but to me, he seemed to be a bit too...caring if that makes sense.
As for the dialogue, I felt that it flowed very well. In fact, I wish there would've been more dialogue instead of description. I think that having more dialogue would've made this book a bit better. I don't remember any swearing in this book, and the violence is mild.
Overall, The Midnight Side is a decent read. I think it would've been better with more dialogue and less description. I would've also liked more paranormal elements in the book, but that's just a personal preference.
I'd recommend this book to those aged 18+ who are fans of the psychological thriller as horror fans probably won't be too impressed.
<b>I'd give The Midnight Side by Natasha Mostert a 3.5 out of 5.</b>
(I received a free ecopy of this title from the publisher through Netgalley in exchange for a fair and honest review).