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Jurassic Dinosaur Hunter Simulator 3D
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Jurassic Dinosaur Hunter Simulator 3D is the most realistic hunting simulation featuring fast-paced...
Monkey Island Tales 1
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8.0
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Start your adventure! NOTE: This app is compatible with an iPhone 3GS or third generation...
Red Dragon (Hannibal Lecter #1)
8.1
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A quiet summer night...a neat suburban house...and another innocent, happy family is shattered - the...
crime fiction
Andrew Thomas (363 KP) rated Santa's Slay (2004) in Movies
Aug 12, 2020 (Updated Aug 14, 2020)
Santa Claus is a slasher villain...nuff said!
Contains spoilers, click to show
Santa's Slay was a direct to video selection on the shelf at my local video store that I normally would have walked right by...yet I was compelled to check it out. I was expecting it to be terrible, but it turned out to be in the category of "so bad but fun"
First you have wrestler Bill Goldberg as Santa and oddly enough...he's perfect in this particular interpretation of the character. He plays Santa as an unrepentant badass who loves death and destruction...and he does it with such relish.
Second, while this particular approach to making an evil version of Santa Claus is pretty silly, it is an interesting backstory nonetheless and they give the obligatory exposition scene a touch of nostalgia by using stop motion animation that's on par with holiday classics like Santa Claus is Coming to Town or Frosty the Snowman.
Third, the wholesale carnage that Santa perpetrates is nothing if inventive. In the opening scene he completely annihilates an entire family of aholes...using everything on the dinner table. Not even the local strip club is safe from Santa's wrath as he turns a stripper pole into a weapon.
Santa's Slay is not the kind of movie you watch for an engaging story or great acting. It's a movie that you can laugh at and forget your worries for an hour or so.
First you have wrestler Bill Goldberg as Santa and oddly enough...he's perfect in this particular interpretation of the character. He plays Santa as an unrepentant badass who loves death and destruction...and he does it with such relish.
Second, while this particular approach to making an evil version of Santa Claus is pretty silly, it is an interesting backstory nonetheless and they give the obligatory exposition scene a touch of nostalgia by using stop motion animation that's on par with holiday classics like Santa Claus is Coming to Town or Frosty the Snowman.
Third, the wholesale carnage that Santa perpetrates is nothing if inventive. In the opening scene he completely annihilates an entire family of aholes...using everything on the dinner table. Not even the local strip club is safe from Santa's wrath as he turns a stripper pole into a weapon.
Santa's Slay is not the kind of movie you watch for an engaging story or great acting. It's a movie that you can laugh at and forget your worries for an hour or so.
DOOM Classic
Games and Entertainment
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Critical Acclaim for DOOM Classic: "Best of 2009" Top 10 Game, iTunes Rewind “For shooter...
LeftSideCut (3778 KP) rated Venom: Let There Be Carnage (2021) in Movies
Nov 9, 2021
I'm not the biggest fan of the first Venom but I'll happily admit that it's fun. This one is kind of the same - I actually think it's worse, but the pure schlock is entertaining enough to get by.
Woody Harrelson is a suitably over the top villain, and I was pleasantly surprised by how entertaining the big CGI moments were. Carnage was well realised and felt dangerous and almost unstoppable.
Unlike the first film however, it's outweighed by the bad. The comedic moments are laid on thick, and a lot of it doesn't land. The dialogue is fine for the most part, but noticeably plummets in the last third. In a world where so many blockbusters run between 2-3 hours, I'm not complaining about the brisk 90 minute runtime, but it actually felt like a lot was left on the cutting room floor. It ensures that it never gets boring, but it feels a bit haphazard as a result.
I understand that LTBC is supposed to be schlocky and silly, and to it's credit, it does bring it when it comes to the action, but something is missing with both of these films. Venom isn't as scary as I remember reading the comics as a kid, and I'm not overly keen on the whole anti-hero thing they have going on, but at the end of the day, it is what is, a loud and dumb action film that does exactly what you expect it to do.
Woody Harrelson is a suitably over the top villain, and I was pleasantly surprised by how entertaining the big CGI moments were. Carnage was well realised and felt dangerous and almost unstoppable.
Unlike the first film however, it's outweighed by the bad. The comedic moments are laid on thick, and a lot of it doesn't land. The dialogue is fine for the most part, but noticeably plummets in the last third. In a world where so many blockbusters run between 2-3 hours, I'm not complaining about the brisk 90 minute runtime, but it actually felt like a lot was left on the cutting room floor. It ensures that it never gets boring, but it feels a bit haphazard as a result.
I understand that LTBC is supposed to be schlocky and silly, and to it's credit, it does bring it when it comes to the action, but something is missing with both of these films. Venom isn't as scary as I remember reading the comics as a kid, and I'm not overly keen on the whole anti-hero thing they have going on, but at the end of the day, it is what is, a loud and dumb action film that does exactly what you expect it to do.
Hazel (2934 KP) rated The Lost (Jonah Colley #1) in Books
Nov 14, 2021
Oh my goodness!! This is one of my reads of 2021; it grabbed me round the neck from page 1 and didn't let go right to the very end.
This is one very, very clever and exceptionally good story that had me absolutely hooked from the beginning and devouring every page with a voracious appetite for more.
The characters are excellent, all of them have a part to play and all play it well. Of particular note are the main character of Jonah, who I quickly became attached to, and the investigating officer, DI Fletcher, who I quickly disliked (there's got to be a story there for a future book ?!?); I didn't feel there was one character that was surplus to requirements.
It's full of atmosphere, tension, suspense, anticipation and is totally gripping from the very start. I was desperate to find out if there was any connection to Jonah's missing son and the carnage Jonah discovers at the bleak Slaughter Quay and was extremely satisfied with the outcome and how it was reached.
I can't wait for the next instalment in this new series and have absolutely no hesitation in recommending this to lovers of crime thrillers but be warned, it is a difficult read in parts and there is violence and numerous scenes of peril so if you are of a nervous disposition, then this might not be the one for you but if not, go and buy it ... now!
Many, many thanks to Orion Publishing Group via NetGalley for my copy in return for an honest, unbiased and unedited review.
This is one very, very clever and exceptionally good story that had me absolutely hooked from the beginning and devouring every page with a voracious appetite for more.
The characters are excellent, all of them have a part to play and all play it well. Of particular note are the main character of Jonah, who I quickly became attached to, and the investigating officer, DI Fletcher, who I quickly disliked (there's got to be a story there for a future book ?!?); I didn't feel there was one character that was surplus to requirements.
It's full of atmosphere, tension, suspense, anticipation and is totally gripping from the very start. I was desperate to find out if there was any connection to Jonah's missing son and the carnage Jonah discovers at the bleak Slaughter Quay and was extremely satisfied with the outcome and how it was reached.
I can't wait for the next instalment in this new series and have absolutely no hesitation in recommending this to lovers of crime thrillers but be warned, it is a difficult read in parts and there is violence and numerous scenes of peril so if you are of a nervous disposition, then this might not be the one for you but if not, go and buy it ... now!
Many, many thanks to Orion Publishing Group via NetGalley for my copy in return for an honest, unbiased and unedited review.
Gareth von Kallenbach (980 KP) rated Death Race (2008) in Movies
Aug 14, 2019
In 1975, legendary B-movie producer Roger Corman showed audiences a look at the near future with a biting film that deftly blended action and political commentary and satire. The film was “Death Race 2000” and starred David Carradine and featured a pre-“Rocky” Sylvester Stallone as bitter rivals in a brutal cross country race where finishing first was second only to the amount of death and carnage a driver left in their wake.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
The film became a cult hit, and paved the way for films such as “Rollerball”, “Arena”, and countless other films that featured bloodlust sporting events for the masses a la Rome in the age of gladiators at the coliseum. Thirty-three years later, audiences are given the new and upgraded “Death Race” which benefits from a bigger budget with more carnage than the original film that inspired it ever dreamed of.
The film opens with an eerie warning of today’s troubled economic times, stating that the U.S.
economy collapses in 2012 and record unemployment and crime sweep the nation. With prisons overcrowded, corporations run correctional facilities for a profit and soon offer caged matches between inmates for the viewing pleasure of the nation. At first the matches are a huge success but soon lose their appeal to an audience that is eager for even bloodier sport.
In an effort to keep the cash flowing, the Death Race is created which pits convicts against one another in a brutal mix of speed, firepower, and death which in a few years surpasses even the Super Bowl as the most watched sporting event in the world.
Jason Statham stars as Jensen Ames, a former race driver who is framed for the murder of his wife and faces the prospect of life in prison while his daughter is raised by strangers. With the Death Race losing some if its audience, its creator, and warden of the prison, Hennessey (Joan Allen), offers Jensen a solution to both of their problems. If Jensen will pose as the masked Frankenstein for the race and win, he will be granted his freedom. It is learned that the real Frankenstein has finally succumbed to the numerous injuries he has incurred racing, and rather than risk losing his vast legions of fans who drive the ratings, it is easier to replace him than lose him, especially since recent races without Frankenstein had not garnered the same ratings as his past races.
It is explained that should a driver win five death races, they will be set free. Since Frankenstein has won four races, all Jensen has to do is win the race and stay alive to earn his freedom. Jensen is faced with an menacing list of adversaries including the deadly Machine Gun Joe (Tyrese Gibson), who is the biggest threat to Jensen with an absolute hatred for Frankenstein. Gun Joe is a cold-blooded killer who wants nothing more than two more race wins to earn his freedom and will stop at nothing to get it.
Jensen is assisted by the talented Coach (Ian McShane), who dispenses wisdom while overseeing the crew that outfits Jensen’s suped up, armor-plated, and very heavily armed racer. Assigned to ride with Jensen as his Navigator is Case (Natalie Martinez), a female prisoner who, like many of her fellow navigators, sees the race as a chance to earn their freedom and other special perks which makes risking their lives a worthwhile endeavor.
As the race unfolds in three stages, Jensen is tasked with not only surviving the threats Machine Gun Joe and the other racers aim his way, but surviving the twisted scheme that has him in its grasp.
The action of the film is fast, brutal, and unforgiving and is easily the highlight of the film. Sadly there are plenty of scenes with stiff and uninspired characters, numerous plot holes and leaps of logic, and clichés that bog the film down.
Statham is his usual soft talking hard man, a character he has made a career out of playing in such films as the “Crank” and the “Transporter” series. But unlike those films, he is not given much material to work with here. Statham has done solid work in the past but Jensen is a paper thin character who never fully given a chance to develop nor be embraced by the audience.
The same is true for the rest of the cast, a talented ensemble left to languish in want of better material. The film is directed by Paul W.S. Anderson of the “Resident Evil” series who once again shows that he has an eye for action, but still has issues with pacing and unsympathetic characters. This is a shame as the premise of the film is solid, but unlike the original, lacks the social and political commentary needed to balance the carnage and mayhem.
With a little more time in shop and tinkering, this could have been a solid action film, instead it stalls at the starting line badly in need of a tune up.
Task Force Patriot and the End of Combat Operations in Iraq
Book
Iraq in 2009 was a strange netherworld, not quite war but not yet peace. The country teetered on the...
