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LeftSideCut (3778 KP) rated Rambo: Last Blood (2019) in Movies
Mar 25, 2020
Honestly, I'm not a massive fan of the Rambo franchise. I don't hate them...the first movie is enjoyable enough, but anything else I can give or take.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Rambo: Last Blood, the fifth and (apparently) last chapter in this "saga" is no different.
The plot takes a fair while to really kick into gear. The set up heavily focuses on sex trafficking. It's not a pleasant subject by any means, and to Last Blood's credit, it doesn't glamourise this horrible avenue of humanity, much like the previous film doesn't glamourise war in Burma. It's gritty and horrible, and the film pulls no punches in what's it's willing to put on camera.
John Rambo is old, and still haunted by everything he's seen over the years, a plot point that the movie likes to beat us over the head with, and when his adopted daughter is abducted into the aforementioned sex trafficking nastiness, it's up to Rambo to get her back.
Sylvester Stallone looks damn tired at this point. He's still weirdly stacked, and it's still hard work trying to understand what the hell he is saying, but that's all part of the fun, I guess?
The second half is where it becomes 'business as usual'. A load of dudes come to fuck up Rambo, and gratuitous violence takes places. The ensuing carnage relishes in how over the top it is, and is undeniably fun to watch. It's difficult at times to look past the sub par CGI gore, but there's still enough moments to make you wince. Carrying the torch of Rambo 4 then...
Rambo: Last Blood is absolute nonsense, and I say that with enthusiastic certainty, but if you're willing to switch off abit, then there's enough to enjoy for a one off watch.
Hazel (2934 KP) rated The Curator in Books
May 31, 2020
Wow ... just wow!!
Why have I not read any of this series before? Where have I been living to have missed them? I must have been walking around with my eyes closed given this is the 3rd instalment!! I have probably missed the development of the main characters and their backstories but it certainly didn't take anything away from my enjoyment of this book so can safely say it can be read as a standalone.
I won't go into the plot as it's all in the blurb but what I will say is that despite it being complex, the writing is such that it isn't a hard read and although it's a dark and gritty story, the sarcasm and wit lightens it somewhat especially as it feels natural and not forced. The pace is perfect and the setting is spot on ... not that I'm biased or anything given that I live in Cumbria.
The characters are believable and just brilliant. Washington is a breath of fresh air, he is a bit grumpy but likeable nonetheless and someone you definitely want to be on your side. I absolutely adore Tilly - I need her in my life and would love her to spend just one day in my office - oh the carnage! I will never eat a bar nut again!!
Well you've probably already guessed that I enjoyed this book but just in case I haven't been clear ... it is absolutely brilliant and is one of those books that you tell people to read because it's that good.
My thanks must go to Little, Brown Book Group and NetGalley for my copy in return for an honest review. I am so grateful I was one of the chosen ones and I await the next instalment with impatience.
Why have I not read any of this series before? Where have I been living to have missed them? I must have been walking around with my eyes closed given this is the 3rd instalment!! I have probably missed the development of the main characters and their backstories but it certainly didn't take anything away from my enjoyment of this book so can safely say it can be read as a standalone.
I won't go into the plot as it's all in the blurb but what I will say is that despite it being complex, the writing is such that it isn't a hard read and although it's a dark and gritty story, the sarcasm and wit lightens it somewhat especially as it feels natural and not forced. The pace is perfect and the setting is spot on ... not that I'm biased or anything given that I live in Cumbria.
The characters are believable and just brilliant. Washington is a breath of fresh air, he is a bit grumpy but likeable nonetheless and someone you definitely want to be on your side. I absolutely adore Tilly - I need her in my life and would love her to spend just one day in my office - oh the carnage! I will never eat a bar nut again!!
Well you've probably already guessed that I enjoyed this book but just in case I haven't been clear ... it is absolutely brilliant and is one of those books that you tell people to read because it's that good.
My thanks must go to Little, Brown Book Group and NetGalley for my copy in return for an honest review. I am so grateful I was one of the chosen ones and I await the next instalment with impatience.
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Warriorborn (The Cinder Spires 1.5)
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From the #1 New York Times –bestselling author of the Dresden Files comes an all-new,...
Scott Tostik (389 KP) rated Brightburn (2019) in Movies
Aug 16, 2019
!!!!! WOW!!!!!
The last SONY production I saw was Venom... And while it was alright, it could've been so much better.
So lets just say I went into BRIGHT BURN with a little hesitation....
Was I ever wrong to hesitate...
Brandon Brier is a weird kid... Not well liked by his peers, the only friends he has are his parents and his aunt and uncle... And he just doesn't seem to understand what's going on within himself... Puberty can be a mother fucker...
While most normal kids grow hair in funny places and start thinking about girls, Brandon can shoot 5 million degree lasers from his eyes and stop lawnmower blades with his wrists... Did I mention he could fly??? Well... He can fly too...
Soon Brandon starts using his amazing gifts as weapon s to get back at the people who try and stop him from his ultimate goal... Take The World.
Oh... And I also forgot to mention he came to earth kind of like Superman... Landed on a farm in BrightBurn, Kansas... Was adopted by a struggling couple trying to have kids... And raised as their own... But Fucking KAL-El this little bastard is not...
He proceeds to off a shit ton of people in various manners... Even picking a pick up truck up with his mind and sending it crashingto the ground in one of the best practical effects I have seen in almost a decade...
We go through the motions like most super hero films, but these motions include glass to an eyeball, shattered fingers and wrists, a half decap hold the soy milk latte and so on and so forth.
BrightBurn is an impressive little film that kept me wanting more... You did it this time SONY... You kept me engaged and interested... And I can't wait to see what you come up with next.... (Psst... Psst... CARNAGE Sony... Fuck Venom....)
So lets just say I went into BRIGHT BURN with a little hesitation....
Was I ever wrong to hesitate...
Brandon Brier is a weird kid... Not well liked by his peers, the only friends he has are his parents and his aunt and uncle... And he just doesn't seem to understand what's going on within himself... Puberty can be a mother fucker...
While most normal kids grow hair in funny places and start thinking about girls, Brandon can shoot 5 million degree lasers from his eyes and stop lawnmower blades with his wrists... Did I mention he could fly??? Well... He can fly too...
Soon Brandon starts using his amazing gifts as weapon s to get back at the people who try and stop him from his ultimate goal... Take The World.
Oh... And I also forgot to mention he came to earth kind of like Superman... Landed on a farm in BrightBurn, Kansas... Was adopted by a struggling couple trying to have kids... And raised as their own... But Fucking KAL-El this little bastard is not...
He proceeds to off a shit ton of people in various manners... Even picking a pick up truck up with his mind and sending it crashingto the ground in one of the best practical effects I have seen in almost a decade...
We go through the motions like most super hero films, but these motions include glass to an eyeball, shattered fingers and wrists, a half decap hold the soy milk latte and so on and so forth.
BrightBurn is an impressive little film that kept me wanting more... You did it this time SONY... You kept me engaged and interested... And I can't wait to see what you come up with next.... (Psst... Psst... CARNAGE Sony... Fuck Venom....)
JT (287 KP) rated The Gentlemen (2020) in Movies
Mar 3, 2020
Guy Richie back to doing what he does best (1 more)
Excellent cast
Twists, turns and carnage
Since Snatch Guy Richie hasn’t covered himself in glory with some of his recent films. The likes of Swept Away, Revolver and King Arthur: Legend of the Sword did little to enhance his street cred.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
While Sherlock Holmes and The Man From U.N.C.L.E were certainly enjoyable romps they didn’t have the cutting edge to what Richie does best, the gangster flick. Thankfully The Gentlemen provides everything you could want from that genre and Richie is back on familiar ground.
Mickey Pearson (Matthew McConaughey) is looking to retire from his current criminal life and plans to sell off his highly profitable marijuana empire in London. However, when rival gangs get wind of his plans there is blackmail, bribery and double-crossing aplenty.
One of the stars of the film is Hugh Grant, who for once is not playing a bumbling English gentry. Instead, he plays a slimy cockney called Fletcher with inside knowledge of what Mickey’s plans are and attempts to use them for his own financial gain.
Grant adds a subtle level of humour to the proceedings and spends most of the time in dialogue with Ray (Charlie Hunnam) Mickey’s right-hand man, who actually delivers a half-decent performance.
The Gentlemen has Richie’s aggressive dialogue which is bathed in neat action set pieces. It’s foul-mouthed and the characters all have their own unique and very distinct personalities. From Colin Farrell’s Coach to Henry Golding’s psychotic Dry Eye they can stand happily alongside some of the greats from Lock, Stock and Two Smoking Barrels and Snatch.
The film has a cool swagger about it where everything clicks nicely. There are a few twists and turns along the way which is expected from the British director and it is filled with his trademarks that hit the right notes at the right time. For me, this is by far and away his best film for quite some time.
JT (287 KP) rated Rec 3: Genesis (2012) in Movies
Mar 10, 2020
If you enjoyed the success of the first two [Rec] films in which a reporter and camera crew where stuck in a apartment block over run with flesh eating tenants as a result of a strange virus then you’ll probably still enjoy this. The sequel followed on after the events of the first film and for this the location has changed from apartment block to a glamorous Spanish wedding.
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?
The opening twenty minutes are shot from the viewpoint of a handheld camera by one of the guests as well as the occasional cut shot to the official wedding videographer. For Clara (Leticia Dolera) and Koldo (Diego Martín) this is the happiest day of their lives and we witness everything from the arrival of the guests, service and the wedding breakfast. The film then suddenly turns on its head when one of the guests starts showing the signs of a strange illness, then the shit hits the fan.
The handheld camera shot is abruptly dropped in a neat edit that adds in the title sequence, although we still get glimpses of flesh eating carnage from security cameras scattered around the venue. Clara and Koldo the pair are separated amidst all the mayhem and they have to fight their way back together, how romantic.
The first film’s apartment block location had the effectiveness of delivering high tension in a relatively enclosed and tight space, with Génesis the location is more vast and so at times it doesn’t feel as gripping, given also that some of the occurances happen in broad daylight.
Once the film gets going the gore is ramped up a few more levels, and when Clara turns into some sort of bridezilla complete with ripped wedding dress and chainsaw any more scares are lost in the comedy of death scenes for the unlucky few who choose to get in her way. It is certainly not the best of the three but it offers enough to keep the connections of the story-line going, perhaps even for one more film?
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