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Becoming Magic (Sleight of Hand #5)
Becoming Magic (Sleight of Hand #5)
Michelle Garren Flye | 2018 | Contemporary, Romance
6
6.0 (1 Ratings)
Book Rating
Not really one for me :-(
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.

I'm jumping straight in here, because this is one of those reviews that is going to be difficult to write!

Overall, I liked this book. Mostly.

It's reasonably well written, from both Carole and Connor's points of view, so that was good. I didn't see any spelling or editing errors to spoil my reading.

It just didn't grab me! I found myself wanting more, from Connor, about that break up with his ex-co-star. From Carole about what happened all those years ago in Hollywood. From them both, about each other, their feelings. . . . I. . . . just . . . .

Wanted MORE!!!! And I can't word just WHAT I wanted, and that's why this is a hard review to write, cos I cannot, for the life of me, find the right words, and you know how much that PAINS me!

It does deal with some difficult topics: being drugged and a sexual assault. It deals with these in a sensitive manner, but needs to be mentioned. I also found the assault story arc a little bit too much like what's going in the the REAL Hollywood right now, with the growing list of high powered Hollywood men being accused of various assaults. Maybe that's where the author got the inspiration from, I dunno, but I found it a little too much like it, you know??

This is book 5 in the Sleight of Hand series, and I have not read the others. I did not feel I was missing anything, by not reading them And although Sabrina and Walter (book4) play a huge part here, I didn't feel I HAD to have read their story before this one.

So, I'm sorry, but not one for me.

3 stars

**same worded review will appear elsewhere**
  
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Laura Doe (1350 KP) rated Mirrorland in Books

Jul 1, 2021  
Mirrorland
Mirrorland
Carole Johnstone | 2021 | Contemporary, Fiction & Poetry, Horror, Mystery, Thriller
10
9.5 (2 Ratings)
Book Rating
This book was not at all what I expected, but in the best way.

We start off with Cat flying back from America to Edinburgh after her twin sister El has gone missing. Cat goes back to Edinburgh to find that her twin and her husband, Ross, have moved back into El and Cat’s childhood home. Whilst there, memories of their shared past start to come back to Cat but she spends most of the time trying to work out if they’re real memories or memories of the fantasies that the girls made up and played out. The main part of the girls’ childhood was a place that they called Mirrorland, a hidden tunnel that led to a locked wash house that they used to play in most of their childhood. As more and more memories come back, Cat has to deal with the trauma that occurred during their childhood. At the same time, she also has to deal with her sister missing and presumed dead. Cat is adamant the whole time that El isn’t dead and that she would know if she was as she would “feel” it, being identical twins she could always feel her sister’s pain. Cat also has to deal with her feelings for Ross resurfacing as he was also a large part of their childhood and she has never got over her feelings for him.

There were so many twists and turns in this book, that I had a hard time telling what was real from what was fantasy and it really put me in the mindset of Cat and her struggle to separate the two. I thought for the last part of the book that I had it all figured out, but in the last couple of chapters Carole Johnstone really threw a spanner in the works and changed everything again. Whilst a little confusing at times, it was good because it did make you empathise with Cat and how she was remembering things that had happened in her past.

Thank you to Carole Johnstone and Pigeonhole for allowing me to read this book in return for an honest review, I loved it!
  
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Tom Chaplin recommended Tapestry by Carole King in Music (curated)

 
Tapestry by Carole King
Tapestry by Carole King
1971 | Pop, Rock, Singer-Songwriter

"I’ve started writing a lot of songs recently; I’ve always written but I put my writing on hiatus because Tim’s such a great songwriter for Keane and I think I felt a bit deflated by how good he was, but recently I’ve got back into it. Carole King, I don’t know why, but something about the way that she talks about her emotional world, I find really engaging. It’s romantic, in a way, in a broader sense, and just beautifully crafted. Every time I sit down and try and write a song, I have her somewhere in the back of my mind. The great songs have a real sense of precision, there’s no dead space, you know every bit’s there for a reason. I like 'So Far Away'; I grew up in a small town and I always found it annoying, even though I did this myself, that people would leave! Because they felt that’s what they had to do - I’m not annoyed with them, I’m annoyed that that’s the way of the world, you have to leave your roots. I suppose I did the same thing, it’s a necessity of modern society, but it frustrates me. I used to sit around thinking, "Where are all my old mates who used to live down the road?" And that song, its wistful longing for people to stay put in a world that’s growing so fast. It’s a timeless record"

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