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Matthew Krueger (10051 KP) rated Star Wars: Episode IV - A New Hope (1977) in Movies
May 5, 2020
May The Force Be With You: The Beginning
A New Hope- man this movie is a classic. A real classic. Everything about this movie is great. The plot, the action, the sci-fi, the death-star, Dark Vader and of course R2-D2. Its only downfall is that its slow at some points. But other than thats its a excellent movie.
The plot: The Imperial Forces -- under orders from cruel Darth Vader (David Prowse) -- hold Princess Leia (Carrie Fisher) hostage, in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford), captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) to rescue the beautiful princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
The film has been reissued multiple times with Lucas's support—most significantly with its 20th-anniversary theatrical "Special Edition"—incorporating many changes including modified computer-generated effects, altered dialogue, re-edited shots, remixed soundtracks and added scenes. This is also its downfall, cause its not the oringal film, its the speical edition.
AFI 100 Years... series:
AFI's 100 Years...100 Movies (1998) – #15
AFI's 100 Years...100 Thrills (2001) – #27
AFI's 100 Years...100 Heroes & Villains (2003): Han Solo – #14 Hero
Obi-Wan Kenobi – #37 Hero
AFI's 100 Years...100 Movie Quotes (2004):
"May the Force be with you." – #8
AFI's 100 Years of Film Scores (2005) – #1
AFI's 100 Years...100 Cheers (2006) – #39
AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13
AFI's 10 Top 10 (2008) – #2 Sci-Fi Film
Like i said before its a excellent sci-fi action adventure movie.
May The Force Be With You.
The plot: The Imperial Forces -- under orders from cruel Darth Vader (David Prowse) -- hold Princess Leia (Carrie Fisher) hostage, in their efforts to quell the rebellion against the Galactic Empire. Luke Skywalker (Mark Hamill) and Han Solo (Harrison Ford), captain of the Millennium Falcon, work together with the companionable droid duo R2-D2 (Kenny Baker) and C-3PO (Anthony Daniels) to rescue the beautiful princess, help the Rebel Alliance, and restore freedom and justice to the Galaxy.
The film has been reissued multiple times with Lucas's support—most significantly with its 20th-anniversary theatrical "Special Edition"—incorporating many changes including modified computer-generated effects, altered dialogue, re-edited shots, remixed soundtracks and added scenes. This is also its downfall, cause its not the oringal film, its the speical edition.
AFI 100 Years... series:
AFI's 100 Years...100 Movies (1998) – #15
AFI's 100 Years...100 Thrills (2001) – #27
AFI's 100 Years...100 Heroes & Villains (2003): Han Solo – #14 Hero
Obi-Wan Kenobi – #37 Hero
AFI's 100 Years...100 Movie Quotes (2004):
"May the Force be with you." – #8
AFI's 100 Years of Film Scores (2005) – #1
AFI's 100 Years...100 Cheers (2006) – #39
AFI's 100 Years...100 Movies (10th Anniversary Edition) (2007) – #13
AFI's 10 Top 10 (2008) – #2 Sci-Fi Film
Like i said before its a excellent sci-fi action adventure movie.
May The Force Be With You.
Hearts in Atlantis
7.0
Rate It
Book
Five interconnected, sequential narratives, set in the years from 1960 to 1999. Each story is deeply...
MaryAnn (14 KP) rated A Song of Home: A Novel of the Swing Era (Pearl Spence #3) in Books
Mar 5, 2019
A Song of Home is the third novel in the Pearl Spence series In this novel we find Pearl living in Bliss with her father and Ray, leaving the thoughts of Red River Oklahoma and her mama far behind her.
Pearl settles into a new routine of school, helping Aunt Carrie at the farm, hanging out with Ray or getting lost in a good book and then Opal shows her how to dance. But things change when Mama comes home unexpectedly and pregnant! It isn’t the happy return that Pearl had wished for.
This is a delightful story of the great depression and the swing era. In this novel deals with a couple of issues; one is forgiveness and the other is the racial conflict that was happening at that time.
This book teaches us to reach out with love and to treat others as we would want to be treated; whether we are poor, the color of our skin or the choices we have made in life.
The author has an ability to bring the characters to life and make you feel like you are right there amongst the characters. Ms. Finkbeiner has done a brilliant job bringing the characters to life. I love how she writes the story through Pearl's eyes and makes us realize that our actions have consequences, our children watch what we do and how we react.
A very good book and a great ending to this series. This novel can be read alone by itself, but I highly recommend that the whole series be read.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Pearl settles into a new routine of school, helping Aunt Carrie at the farm, hanging out with Ray or getting lost in a good book and then Opal shows her how to dance. But things change when Mama comes home unexpectedly and pregnant! It isn’t the happy return that Pearl had wished for.
This is a delightful story of the great depression and the swing era. In this novel deals with a couple of issues; one is forgiveness and the other is the racial conflict that was happening at that time.
This book teaches us to reach out with love and to treat others as we would want to be treated; whether we are poor, the color of our skin or the choices we have made in life.
The author has an ability to bring the characters to life and make you feel like you are right there amongst the characters. Ms. Finkbeiner has done a brilliant job bringing the characters to life. I love how she writes the story through Pearl's eyes and makes us realize that our actions have consequences, our children watch what we do and how we react.
A very good book and a great ending to this series. This novel can be read alone by itself, but I highly recommend that the whole series be read.
I received this book free from the publisher. I was not required to write a positive review and the opinions I have expressed are my own. I am disclosing this in accordance with the Federal Trade Commission’s 16 CFR, Part 255 : “Guides Concerning the Use of Endorsements and Testimonials in Advertising.
Natari (73 KP) rated Midnight's Daughter (Dorina Basarab, #1) in Books
Jul 19, 2019
I adore the Dorina Basarab series. To truly appreciate them I recommend reading alongside Karen's other major series the Cassie Palmer series.
Dorina is a 500 year old dhampir with some serious memory problems from most of her life, so while she has experience and fun stories to tell she is still very modern and youthful. An outcast to both vampire and human world's, and repeatedly mocked and attacked by them too, Dory shows how 500 years helps build a thick skin. But deep down we still get a sassy, strong woman than Chance is known for writing.
The reason I love Dory starts in Midnight's Daughter but grows in the series. And that is because Dory is relateable. She is strong. She knows she is strong. She is confident in her strength. She knows her limitations. But she is also afraid. This internal dialogue you read is so very real and lifelike.
She is also hilarious and Karen chance style of writing will have you laughing as well as scream for the safety of for favourite characters.
Midnight Daughter as a book is well writte . With attention to detail throughout the history and action scenes that you will be holding for more at the stench or getting rather flustered at some romantic encounters. There is a good balance and it is infused with emotion and sensation so you aren't just stuck with a dry sex scene, it is romance not boring bedrooms with flat description or over the top swooning.
The romance plays key files in the plot and not just the sake of it being a romance. Much like in the Caddie Palmer series.
The storyline is very much a scene setter for the rest of the books. While a lot happens it is breaking the mold set by Carrie Palmer.
All in all a fun battle in both bar brawls and bedrooms with deep undercurrents of isolation, stigma and abandonment covered. Read it. Read it now.
Dorina is a 500 year old dhampir with some serious memory problems from most of her life, so while she has experience and fun stories to tell she is still very modern and youthful. An outcast to both vampire and human world's, and repeatedly mocked and attacked by them too, Dory shows how 500 years helps build a thick skin. But deep down we still get a sassy, strong woman than Chance is known for writing.
The reason I love Dory starts in Midnight's Daughter but grows in the series. And that is because Dory is relateable. She is strong. She knows she is strong. She is confident in her strength. She knows her limitations. But she is also afraid. This internal dialogue you read is so very real and lifelike.
She is also hilarious and Karen chance style of writing will have you laughing as well as scream for the safety of for favourite characters.
Midnight Daughter as a book is well writte . With attention to detail throughout the history and action scenes that you will be holding for more at the stench or getting rather flustered at some romantic encounters. There is a good balance and it is infused with emotion and sensation so you aren't just stuck with a dry sex scene, it is romance not boring bedrooms with flat description or over the top swooning.
The romance plays key files in the plot and not just the sake of it being a romance. Much like in the Caddie Palmer series.
The storyline is very much a scene setter for the rest of the books. While a lot happens it is breaking the mold set by Carrie Palmer.
All in all a fun battle in both bar brawls and bedrooms with deep undercurrents of isolation, stigma and abandonment covered. Read it. Read it now.
Collections Care and Stewardship: Innovative Approaches for Museums
Book
Collections Care and Stewardship: Innovative Approaches for Museums considers best practices and...
Sex and the City and Us: How Four Single Women Changed the Way We Think, Live, and Love
Book
By the bestselling author of Seinfeldia, a fascinating retrospective of the iconic and award-winning...
Cyn Armistead (14 KP) rated By Blood We Live in Books
Mar 1, 2018
This thing is an <b>enormous</b> tome! I don't know if it has been released in hardback or not, but if it has, that version has to be anchor-worthy. I requested it from the library because Elizabeth Bear and Sarah Monette had stories in it, and I'll read pretty much anything either of those worthies publish. I didn't expect to care for most of the rest, and didn't plan to do much more than flip through them.
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
As it happens, I read most of the other stories, and there were many surprises. I did skip some of the reprints, such as the Anne Rice story (I wouldn't have read it the first time it was published, and I wasn't about to read it simply because she was in good company now). I had read Carrie Vaughn's "Life Is the Teacher" before, but for some reason my eyes just fell into reading it again, and I felt well rewarded for doing so. On the other hand, while I had enjoyed "Twilight" by Kelley Armstrong the first time I read it a few years back, I wasn't moved to repeat the experience.
I believe my favorite story may have been "Finders, Keepers" by L.A. Banks, as I still remember it clearly and with pleasure. I've only read one of Banks' Vampire Huntress novels and didn't find it interesting at all, so I haven't read any more of her work, but I may seek out more of her short fiction in the future.
"Mama Gone" by Jane Yolen felt fresh, as Yolen's work so often does. Garth Nix's contribution, "Infestation," was a little bit predictable, but that may be due to overexposure to the genre.
I found myself returning to the cover art by David Palumbo again and again, intrigued by the fascinating faces he gave the figures there. They aren't classically alluring, and most aren't hideous—most would look perfectly at home on any street. But they also have that, that something, an element you can't quite put your finger on, an element of the other. Take a look and I believe you'll see what I mean.
Have fun!
Sarah (7798 KP) rated Star Wars: Episode IX - The Rise of Skywalker (2019) in Movies
Jan 10, 2020
Finally it's over
When the Star Wars films first came out again I was super excited, especially as The Force Awakens and Rogue One were quite good. But after the total letdowns that were Last Jedi and Solo, I've completely lost interest in all things Star Wars and am really quite bored of it all. I went into Rise of Skywalker not feeling particularly interested, and I came out feeling pretty much the same.
Overall this looks good which shouldn't be a surprise ,although there are some dodgy CGI moments with Luke and Leia. There are some great nods to the original episodes and some returning characters too, which are a refreshing sight as I really think putting Carrie Fisher in this was a bad idea. Leia has no purpose whatsoever and looks out of place, and you can really see how badly they've cobbled her part together. The droids prove very welcome in every scene they're in, which is good as without them I wouldn't have been able to cope. The majority of returning characters in this suffer a lot: Finn, Poe, Rose, Chewie etc, they barely have anything to do. Whilst Kylo Ren has a decent storyline and character arc, and I loved his development the most (despite that terrible ending), this film is basically the Rey show. And 3 films in, I'm pretty sick of it. The reveal of Rey's heritage is laughable, and the ending for her is just so ridiculous. I found her a very irritating character and I'm just so bored of the back and forth between her and Kylo.
The plot itself is basic and seems very similar to every other Star Wars film that has come before it. There are a lot of unexplainable character actions, and some moments where you're surprised (pleasantly) about what has happened only to find out not very long later that it isn't what you thought. Bummer.
I was going to rate this lower, but I appreciate my general negativity towards Star Wars at the moment may have impacted on my review. Still I didn't particularly enjoy this and i really don't think it's a fitting final part. I'm so glad this is the last Star Wars film we'll see (for now).
Overall this looks good which shouldn't be a surprise ,although there are some dodgy CGI moments with Luke and Leia. There are some great nods to the original episodes and some returning characters too, which are a refreshing sight as I really think putting Carrie Fisher in this was a bad idea. Leia has no purpose whatsoever and looks out of place, and you can really see how badly they've cobbled her part together. The droids prove very welcome in every scene they're in, which is good as without them I wouldn't have been able to cope. The majority of returning characters in this suffer a lot: Finn, Poe, Rose, Chewie etc, they barely have anything to do. Whilst Kylo Ren has a decent storyline and character arc, and I loved his development the most (despite that terrible ending), this film is basically the Rey show. And 3 films in, I'm pretty sick of it. The reveal of Rey's heritage is laughable, and the ending for her is just so ridiculous. I found her a very irritating character and I'm just so bored of the back and forth between her and Kylo.
The plot itself is basic and seems very similar to every other Star Wars film that has come before it. There are a lot of unexplainable character actions, and some moments where you're surprised (pleasantly) about what has happened only to find out not very long later that it isn't what you thought. Bummer.
I was going to rate this lower, but I appreciate my general negativity towards Star Wars at the moment may have impacted on my review. Still I didn't particularly enjoy this and i really don't think it's a fitting final part. I'm so glad this is the last Star Wars film we'll see (for now).