"This was the great danger of me picking these records - that they'd all come from 1974, but that was when I was most enthusiastic about buying records. And Marquee Moon… I just played it over and over and over again. I just love it. US punk was very different [to UK punk]; over here, the concept of it was absolutely fantastic, and that was the whole thing that got me into it, but it was a bit one dimensional. The Ramones were great, but they were kind of a caricature - a cartoon band. And a lot of punk over here seemed to go for that, as a backlash against over sophistication. I just felt that Marquee Moon and the stuff from New York was odd, and it was different, and it was weird - and I always liked weird thing. It still had a lot of energy; I liked Marquee Moon in preference to, say, Patti Smith's Horses… it was just contrived enough. Any further and it would be too pretentious. It's still great today; as soon as I put it on and hear those first few bars of 'See No Evil', it reminds me of when it first came out and I played it non-stop. Although imagine my disappointment when I bought Adventure on the red vinyl and tried desperately to like 'Foxhole', and it didn't happen."