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My Sunday Best: 101 Curious Contemplations on Modern Life - The Telegraph

Matthew Pritchett and Oliver Pritchett

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Book

A witty compendium of musings on modern life from two of Britain's best-loved humourists: Oliver and...

Kevin Phillipson (10018 KP) rated Tom and Jerry (2021) in Movies

May 19, 2021

Tom and Jerry (2021)

2021 | Animation, Family

6.4

(9 Ratings)

Movie Rating

Tom and jerry (1 more)

Chloe grace morertz

Not enough Ken jeong (0 more)

My first cinema review in 7 months glad to be back okay not my first choice due to the film I was meant to see having technical issues but never mind there's always tomorrow
On to the movie itself people of certain age would remember watching old tom and Jerry cartoons including me and I used to love them as child always cheering on Jerry mouse trying to escape tom the cat and always exceeding.
So watching the movie brought memories of those Saturday mornings the humor the slapstick the pain on Tom's face as he's hit by some object or being chased by spike the bulldog all there. And there's the human acting not so great saving grace for me is chloe grace moretz who steals the show for me but there wasn't enough Ken jeong for me just needed a bit more then I would have been happy. Overall glad to be back In my local cineworld again

Kudos

Giles's War

Timothy S. Benson

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Book

Few contemporaries captured Britain's indomitable wartime spirit as well or as wittily as the...

Michael Stuhlbarg recommended Cabaret (1972) in Movies (curated)

Cabaret (1972)

1972 | Classics, Drama, Musical

7.7

(9 Ratings)

Movie Favorite

"Cabaret from Mr. Fosse, initially, as well as Lenny — those two films seem to have made a very big impression on me. With Cabaret — I got a glimpse of it again on an airplane; it was offered in the classics section in the airplane that I was traveling in. And there were moments in that film where it seems he has created painting. For not even an entire second — or an entire half a second — you capture a glimpse of a “creature” that seemed to exist only in the world of a night club in Berlin in 1931. And it was still, but there was smoke coming up from the creature’s cigarette. Like the cartoons of George Grosz, there was a grotesqueness to some of the laughter, and he mixed what seemed to be an almost documentary-like reality combined with a very private story and also a kind of fantastical theatrical reality as well. The camera was always in fascinating spots, the sound creeped in, in ways that captured the subconscious level."

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