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James Koppert (2698 KP) rated Cassandra Darke in Books

Oct 29, 2019 (Updated Oct 29, 2019)  
Cassandra Darke
Cassandra Darke
Posy Simmonds | 2018 | Comics & Graphic Novels, Crime, Thriller
9
9.0 (2 Ratings)
Book Rating
A mix of formats, not straight up graphic novel (0 more)
The shape of the book makes it awkward for shelves (0 more)
Cassandra Dark
This is not just entertainment this is a savvy social statement. Not only that but it's got a hidden meaning of one person you don't discover until the last page. That person will remain with me forever because I know there are hundreds of her out there today. I want to do something to help her and I wish there was something in the back that tells me how I can. Despite all that I imagine this being shown in ITV as one of their gripping well plotted crime dramas. It's just absolute perfection in plot and character and deserves to be remembered as a masterpiece. Now I am going to Google charities and fund out what I can do.
  
Clockwork Princess (The Infernal Devices, #3)
Clockwork Princess (The Infernal Devices, #3)
Cassandra Clare | 2013 | Paranormal, Science Fiction/Fantasy, Young Adult (YA)
10
9.0 (27 Ratings)
Book Rating
Clockwork Princess is the stunning conclusion to Cassandra Clare’s the Infernal Devices trilogy. The pacing of the third book is much brisker than its predecessor and immediately drags you into the plot. There are also significantly more scenes with action in them, which help to break up the scenes that steadily move the story along. As with the previous books, the story is very character-driven and continues to bring further depth to each character’s personality.

Will continues to be my favourite focus of any scene with his witty comments and sense of humour. It was nice to see him play off his sister at times, because normally only Tessa can manage Will. Although they have been apart for many years they still have a wonderfully authentic relationship, like how easily she is able to get under his skin. Will and Jem’s parabatai relationship, as it was in the previous books, is so real that you can easily imagine the love they have for one another, the pain each feels when the other is hurt, and how they would do anything for each other.

It was nice to see the continued development of characters that we’ve grown to love, as well as the new faces that have joined the familiar at the Institute. The number of important characters does not ever feel overwhelming or confusing, as each has been given the time to become established and grow in the world that Cassandra Clare has created. I love each and every one of the characters because they are not only true but integral to the story as a whole.

Despite having read this entire series before and knowing what will happen – it is still so brilliantly written that it elicits myriad emotions throughout. Each character feels real and their lives affect your own. A tear slips down my face as one character experiences unbearable pain, while another comes at the thought of losing a character I’ve grown to love so much. A grin overtakes my face in light of the overwhelmingly happy news. The books that I have grown to love are the ones that speak to you, change you, and will forever stay with you.

Clockwork Princess is quite possibly the best series finale that I have read and certainly the best final book in a trilogy. Despite the book causing me to cry, multiple times, I never felt dissatisfied with the conclusion. The story comes to a climactic end, then Cassandra Clare takes the final chapter to pull everything together and the prologue to make me cry again. I loved re-reading this series so much and hope that you are inspired to read it as well.
  
Promising Young Woman (2020)
Promising Young Woman (2020)
2020 | Crime, Drama, Thriller
Powerful
Emerald Fennell’s feature length motion picture Directing debut, PROMISING YOUNG WOMAN, is a difficult film to categorize. Is it a Dark Comedy? A RomCom? A family drama? A portrait of a character’s descent? A hard critique of sexism and sexual predators? A revenge fantasy?

The answer is - it is ALL of these and thanks to a wonderful script (by Fennell), strong Direction (again, by Ferrell) and a terrific, Oscar-worthy performance in the lead role (by Carey Mulligan) it is a very effective, very powerful film.

PROMISING YOUNG WOMAN tells the tale of Cassandra who we are introduced to at a bar, obviously drunk, getting picked up (and taken advantage of) by a “nice guy” at the bar. Once back at his place, it is clear that she is NOT drunk and she confronts the “nice guy”.

To say anything else would spoil this wonderful film.

At the center of this film is Carey Mulligan (deservedly) Oscar nominated turn as Cassandra. This is a tortured soul who is looking for some sort of catharsis from a previous trauma and seeks various ways to achieve this. You see an intelligence and sadness in Cassandra at every turn and Mulligan’s performance seemed rooted in reality and was, ultimately, an effective, chillingly and (yes) sad character brought to life. It is the type of performance that I will be rooting for in the Oscar race, it’s that good.

Most of the other characters in this film fleet in and out of Cassandra’s life but all are strong performances, seemingly willing to bring their “A” game to match Mulligan’s performance and the strong script. Kudos to Jennifer Coolidge, Alison Brie, Laverne Cox, Bo Burnham, Christopher Mintz-Plasse (yes, a McLovin’ sighting!), Alfred Molina, Moly Shannon, Connie Britton and, especially, the great Clancy Brown. They all enhanced the film with their performances, working off of Mulligan effectively.

But, credit to all of this must go to Writer/Director Emerald Fennell (probably best known for playing Camilla Parker Bowles in THE CROWN) who's script is smart and thought-provoking and who’s Direction is crisp and sure. She clearly had a certain type of film in her head - the type of film that does not easily lend itself to definition/classification and packs a powerful punch at it’s conclusion. Without spoiling anything, she “ups her game” at the end of this film and I sat in thoughtful silence as the end credits ran.

Fennell is up for the Oscar for both Best Director and Best Original Screenplay and I, for one, would vote for her Screenplay hands-down.

An intriguing film that is sticking with me a few days later…always a mark of quality.

Letter Grade: A

9 Stars (out of 10) and you can take that to the Bank(ofMarquis)