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Apache Spark in 24 Hours, Sams Teach Yourself
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Apache Spark is a fast, scalable, and flexible open source distributed processing engine for big...
Joe Goodhart (27 KP) rated Batman: Detective Comics, Volume 7: Batmen Eternal in Books
Nov 30, 2020
Well, boys and girls (and all non-gender folks as well), I have made to the last entry in James Tynion IV's run on DETECTIVE COMICS! Wowwowwoweeewow! What an amazing run it was!!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Following the beginnings of "Rebirth", I was excited, as it was doing away with much of the New52 stuff that was just crap, helping to restructure the DCU. Unfortunately, my initial excitement was partially crushed by Tom King, as he left me, for want of a better word, <i><b>hating</i></b> the Dark Knight!
That was the general feeling until I read Scott Snyder's BATMAN run (OMG! The Court of Owls is such a cool concept! I could totally see Faction Paradox involving themselves with the Court!) and then Tynion's run on DETECTIVE! Both writers have helped me to remember why I always liked the character of Batman, and what goes into making him cool and interesting!
This final volume, BATMAN ETERNAL, brings all of the plotlines together: the stuff with Tim Drake, angst-y Steph Brown/Spoiler (who, actually, was less angst-y, so that was great) and all her issues, Batman "vs." Batwoman, the Belfry, Cassandra Cain/Orphan and her role in the world going forward, as well as what became of [Spoiler!]. The answers given were well-thought out and fitting to the whole arc overall. Everything Tynion presented made sense, and really helped to restore Batman to being a great character, with depth and emotion. Definitely a better Batman than in the Tom King-helmed BATMAN book!
All the artists, even Eddy Barrows (who, normally, I kinda like, but the last two volumes he felt off), were top notch! Perfectly suited to the mood, environment running through this final Tynion 'TEC arc! So, let me just give a hearty applause for all their effort to Javier Fernandez, Eddy Barrows, Alvaro Martinez, Philippe Briones, Scot Eaton, Raul Fernandez, Eber Ferreira, and Wayne Faucher! Brilliant work, lads, absolutely brilliant!
Yes, I recommend this book, but more than that, I recommend you read all seven of the volumes of DETECTIVE COMICS! Some of the best, most Batman-like Batman stuff you will read!
Songs of Love and Death: All-Original Tales of Star-Crossed Love
8.0
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N this star-studded cross-genre anthology, seventeen of the greatest modern authors of fantasy,...
Kevin Wilson (179 KP) rated the PlayStation 4 version of Dragon Age Inquisition in Video Games
Jan 28, 2019
Incredible characters (4 more)
Writing and dialogue well written
Beautiful and varied locations
A great tactical mode
Fun party banter
A couple of glitches (1 more)
I spent too long in the first area
1 of the best games of tnis generation
This is by far my favourite Dragon Age so far. The first game had the amazing story, the 2nd had the fun combat and this i felt combined the 2. The combat is fun and fast paced but a welcome addition was the tactical mode where you can just put a pause on everything and analyse your surroundings, tell companions where to go and what to do and then watch your work unfold.
It has a beautiful score but the environments are breathtaking. Every location felt unique and the size of each was insane. With so much to do and see, you can easily spend over 100 hours in this game. I did. The only problem i had with a location was the Hinterlands. It contains so many fetch quests and grew boring over time but what the game doesnt tell you is this is basically a tutorial location for you to practice. You should leave when you can. You wont regret it. I did keep going back because i am a completionest but thats just me.
The characters are so well written and fun and great partybanter when your out travelling. My favourites by far are sera, iron bull and cassandra and their interations with each other made me laugh. To this day i have played this game 4 times to listen to the various combinations of companions and i have not gotten bored once.
Once i started following the story, i found i was just being pulled in and blown away. There is so much humour and shocks that i would play this for hours and hours each day. There are a few glitches here and there but since i played it they have been fixed but i have to judge this on when i played it. This is a typical bioware game and thats a great thing. You have the usual pick your own path and romance who you want and that is what keeps you invested and makes you fall in love with this world and with these characters.
It has a beautiful score but the environments are breathtaking. Every location felt unique and the size of each was insane. With so much to do and see, you can easily spend over 100 hours in this game. I did. The only problem i had with a location was the Hinterlands. It contains so many fetch quests and grew boring over time but what the game doesnt tell you is this is basically a tutorial location for you to practice. You should leave when you can. You wont regret it. I did keep going back because i am a completionest but thats just me.
The characters are so well written and fun and great partybanter when your out travelling. My favourites by far are sera, iron bull and cassandra and their interations with each other made me laugh. To this day i have played this game 4 times to listen to the various combinations of companions and i have not gotten bored once.
Once i started following the story, i found i was just being pulled in and blown away. There is so much humour and shocks that i would play this for hours and hours each day. There are a few glitches here and there but since i played it they have been fixed but i have to judge this on when i played it. This is a typical bioware game and thats a great thing. You have the usual pick your own path and romance who you want and that is what keeps you invested and makes you fall in love with this world and with these characters.
CG
Complete Guide to Open Source Big Data Stack
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This book describes the creation of an actual generic open source big data stack, which is an...
The Fourth Talisman
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Nocturne, a wilderness of eternal night. Solis, a wasteland of endless day. It’s been a...
Kyera (8 KP) rated The Mortal Instruments 1: City of Bones in Books
Jan 31, 2018
City of Bones is the book that started the phenomenon that is the Shadowhunters world and fandom. The book introduces us to a beloved cast of characters and the fascinating Shadow World that will be developed over the course of the future novels. We discover the world through the eyes of Clary Fray, a girl who always thought she was normal but discovers that she is actually part of a race of people who are part-angel and spend their days fighting back the demon hordes.
Clary and her best friend Simon are thrust into a world full of werewolves, vampires, warlocks, fairies and demons. They meet three Shadowhunters around their age: Jace, Izzy and Alec who live in the New York Institute. The first book has a number of different action scenes, but I think it shines most in the world-building department. Cassandra Clare develops an intricate world that you can easily imagine and yet is infinitely more complex than our own familiar one.
While there is some character development, the book only takes place over a period of two weeks. We are just getting to know the characters and that development or growth will come in later books. For now, we are learning about these characters and their secrets. Having read the series before, I am already in love with certain characters so it's strange seeing their early personas. They grow so much over the course of the six books that there are some that I don't particularly connect to, yet absolutely adore them later on.
Although I relate most to Clary, Jace is by far my favourite character in the series. He is witty, sarcastic and has the best lines in any scene. Some of the other characters have hilarious, memorable lines as well because Cassie writes fantastic dialogue - but Jace is the star. He can cause you to laugh out loud, which might garner you strange looks if you're in public reading.
This book is fantastic, but you can definitely see the difference in writing quality between this book and Cassie's most recent series. I think the writing is well done, the world building is immersive and the characters are relatable. I adore this book because it is what introduced me to the Shadow World and my beloved Shadowhunters, but I can admit that her writing has come so far in the last ten years. Regardless, I cannot recommend this series more to young adult/teen fans of fantasy, books with unique and immersive world building and if you're willing to continue with it fantastic character building throughout the series.
Clary and her best friend Simon are thrust into a world full of werewolves, vampires, warlocks, fairies and demons. They meet three Shadowhunters around their age: Jace, Izzy and Alec who live in the New York Institute. The first book has a number of different action scenes, but I think it shines most in the world-building department. Cassandra Clare develops an intricate world that you can easily imagine and yet is infinitely more complex than our own familiar one.
While there is some character development, the book only takes place over a period of two weeks. We are just getting to know the characters and that development or growth will come in later books. For now, we are learning about these characters and their secrets. Having read the series before, I am already in love with certain characters so it's strange seeing their early personas. They grow so much over the course of the six books that there are some that I don't particularly connect to, yet absolutely adore them later on.
Although I relate most to Clary, Jace is by far my favourite character in the series. He is witty, sarcastic and has the best lines in any scene. Some of the other characters have hilarious, memorable lines as well because Cassie writes fantastic dialogue - but Jace is the star. He can cause you to laugh out loud, which might garner you strange looks if you're in public reading.
This book is fantastic, but you can definitely see the difference in writing quality between this book and Cassie's most recent series. I think the writing is well done, the world building is immersive and the characters are relatable. I adore this book because it is what introduced me to the Shadow World and my beloved Shadowhunters, but I can admit that her writing has come so far in the last ten years. Regardless, I cannot recommend this series more to young adult/teen fans of fantasy, books with unique and immersive world building and if you're willing to continue with it fantastic character building throughout the series.
Kyera (8 KP) rated Clockwork Prince in Books
Jan 31, 2018
The Infernal Devices continues with the second book in the series, Clockwork Prince. The story continues not long after the events of Clockwork Angel and takes place in the now familiar London. In retrospect, I realize that there is not a lot of action in these books. While there are some fantastically written scenes, there are a lot less active, fighting elements than in her other series. For example, you frequently see the characters of the Dark Artifices either training or fighting demons - yet that doesn't happen very often in the Infernal Devices.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
As I've re-read this series, I've come to appreciate just how character driven these novels are. While there is action, most of the scenes focus on the characters themselves. You delve deeper into Will's psyche as he continues to push everyone away and wonders if the mask he wears will soon become who he is. You watch as Jem struggles with his illness and how much those around him mean to him. You understand Tessa's struggle to understand who, and what, she is. You feel for Charlotte's struggle for the Institute and the distraction of her husband.
Even though the series is a work of fiction, it just feels real and I believe that that is the mark of a fantastic novel. You connect with the characters and go on this emotional journey with them. As they learn about themselves, grow, change, learn, love and lose - you also feel that you have been affected. Each and every character is further developed in this novel, which I think is the strongest aspect of Clockwork Prince. Tessa, Jem and Will are some of my favourite fictional characters from all of the books that I've read.
I do feel that this book falls prey, to a small degree, to the curse of the second book - which being a bridge between the first and final books in the series can be lacking. Cassandra Clare moved the plot along, allowed us and the characters to discover new information, but overall not a lot happened. I still loved this book, but it was not quite as good as Clockwork Angel and likely won't be anywhere near as good as Clockwork Princess (proclaimed by many to be the best conclusion).
I highly recommend this series to fans of fantasy, who enjoy character driven plots and immerse worlds. Of course, you must read Clockwork Angel first as this is a series and the book would not entirely make sense otherwise.
Life is not going well for Harley Quinn (Margot Robbie). She has recently
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
split from the Joker and is wallowing in self-pity and trying to find a
new focus in her life. As a further complication; the protection she
enjoyed under the Joker has vanished and now everyone with a grudge is
gunning for her.
Fate has Harley cross paths with a young Pickpocket named Cassandra (Ella
Jay Basco), who comes into possession of a diamond that happens to hold a
very valuable secret. Before Harley knows what has hit her; she is on the
run not only from all manner of thugs but the very dangerous Roman Siona
(Ewan Mc Gregor) has upped the stakes for their heads and will stop at nothing to get it.
Throw in a disgruntled Detective (Rose Perez) a jaded singer (Jurnee
Smollett-Bell), and a mysterious assassin (Mary Elizabeth Winstead) and
you have a very interesting and dangerous mix.
Sadly the film becomes jumbled at the start as the film will go down certain paths only to abruptly stop, rewind, go down another path, and resume.
This comes off as a disjointed mess at times and while I took it to help symbolize the mental state of Harley; it made connecting with the character and stories difficult.
This combined with the over the top
characters and routine story underminded the potential of the film.
While it entertained in parts, I do have to wonder if Director Cathy Yan
was in over her head. Yan had previously done four shorts and an Art Film
and seemed to be unsure of the pacing, action, and visual effects at times
as it certainally showed.
It is rumored that the head of the John Wick
stunt team was brought in to oversee reshoots for the film but Yan has
claimed this was simply for Second Unit work.
The film does have a strong theme of empowerment and I liked how it
emphasized that a woman does not need anyone to be strong and that they
have limitless potential. This is a very strong message that worked
wiell. Sadly the story offered no real variation from what we have seen
many times before in action and comic films and underscores how DC and
Warner Bros constantly come up lacking in this genrre where Marvel soars
time and again.
There isome entertainment in the film and Robbie is the perfect embodiyment of the character, sadly this Bird never really takes
flight.
2.5 out of 5
JT (287 KP) rated Dredd (2012) in Movies
Mar 10, 2020
From the opening slow motion bullet to the face and exit wound that leaves a spray of deep red across the screen, it’s clear to see that this Dredd reboot is all about eradicating the memory of Stallone. It also does its best to stay true to the graphic novels in which this Judge Dredd leaves his helmet on for the entirety.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.
Karl Urban steps into the boots for this outing and complete with grizzled voice that echoes of Clint Eastwood’s Dirty Harry he goes up against female villain Ma-Ma (Headey) who is as nasty as she is ruthless.
Mega City one, set on the East Coast and running from Boston to Washington DC is the Judges stomping ground and its being overrun by a new drug called SLO-MO in which users experience reality at a fraction of the speed. When a routine homicide leads Dredd and rookie Judge Cassandra Anderson (Thirlby) to The Peach Trees, a 200-storey slum tower block (wait, another tower block?), they must fight their way through the scum to get to the top and bring down the prostitute turned drug lord.
The film is certainly grittier and bloodier than its almost comic predecessor, and director Travis does not shy away from this.
An early encounter in which Dredd and Anderson infiltrate a drug house is slowed right down, maybe in some way to mirror the feeling the SLO-MO drug has on its users. Bullets and blood fly as the casualties and body count rise significantly, Dredd quips the occasional one liner with deadpan expression “negotiation’s over. Sentence is death.”
Those that saw The Raid would have been mesmerized by the action which was none stop from start to finish, sadly Dredd doesn’t live up to those high expectations but does its best to stay with mainstream carnage, of which there is plenty to satisfy.
It’s all about the facial expression
Thirlby’s psychic abilities prove useful but almost disappointing that she can second guess her opponents, a mutant, she’d probably fit in well with the X-Men. She’s the sense of reason to Dredd’s brute force, although most of the time he’s right in what he does, after all he is the law. The film is stripped back, humour is used when needed, and the action set pieces are exceptional. Urban a long time supporting actor now gets a chance to be front and centre in a franchise that can really go places.