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Kirk Bage (1775 KP) rated Eurovision Song Contest: The Story of Fire Saga (2020) in Movies
Aug 6, 2020
Much like Eurovision itself, this film shouldn’t be entertaining in any way, but after watching it for ten minutes it becomes a compelling car crash you kinda have to see out to the end. It doesn’t really matter what you think of the songs, you are watching it waiting for the one thing you can make fun of, rubbing your eyes in disbelief that anything so camp and lame can exist.
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
Will Ferrell understands this of course. There is so much about the weird world of Eurovision to make fun of. The naff music, the costumes, the lost in translation moments from obscure countries trying their best and mostly failing to realise how daft they look. Enjoying this film depends on how funny you find Ferrell, not on any love of cheesy pop songs. Fortunately, I find him usually hilarious.
Not that every joke lands, or even makes sense at all. It is as bizarre as the contest itself; you just have to leave your brain at the door and go with it. There is a lot to like. Not least the adorable and consistently watchable Rachel McAdams who seems the perfect choice to play Sigrit, the girl dreaming of having the world hear her sing and strive for her spirit note. There is also an odd turn from Pierce Brosnan, who makes no effort whatsoever to make it good, and comes full circle in being so bad it’s amazing.
The joke is that they are from Iceland, who never win the thing, or ever come close. The country itself doesn’t want to win, as they would have to pay for it next year, so, after a bizarre accident where every other candidate explodes, they turn to the naive duo of Fire Saga, who are guaranteed to be a joke. And they are. But of course we are on their side, as they live the dream and go for underdog glory. What can go wrong does, and every comedy trope in the book is trotted out, along with a huge dose of sentimentality.
Naturally there is music. Ranging from the excruciating to the actually not too bad, to the hmmm, I actual like that! One highlight is a montage piece in the middle, as all contestants jam at a pre-final party – just so much fun and a totally catchy song. I am not entirely ashamed to say that it kinda got me. The pathos leading up to the climax hit me in the vulnerable feels, as I lay on a Sunday morning helpfully hung-over and tender. This is the way to watch it, I feel, or, you know, with young kids, who will lap up the silliness and talent show sensibility.
Look, it’s terrible on any artistic or serious level. The script is a mess, the direction could have been phoned in by a chimp, and the plot serves to say nothing new or inciteful, but it doesn’t matter. Watch it, have a chuckle and then throw it away. I can think of many less innocent comedies that are far less worthy of attention. And at the very least, there is a bit with elves that had me pressing pause till I got all my laughs out.
Pick a day when you have no energy to fight the world or string two thoughts together and just enjoy it.
Decinemal Rating: 63
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TheDefunctDiva (304 KP) rated The Cooler (2003) in Movies
Sep 26, 2017
C is for Cash Money
Contains spoilers, click to show
As a tribute to Sue Grafton, I shall use the alphabet to inspire catchy titles. Because I am a nerd like that. Caution, ye land lubbers: ahead be spoilers. Proceed at your own risk.
The Cooler is a tale of contrast: good luck is pitted against bad luck, and old is seen in stark contrast to new. We are immediately introduced to Bernie Lootz, an individual with such phenomenally bad luck that it is actually contagious. Bound by obligation and a misguided sense of loyalty to his boss, Shelly Kaplow, Bernie works at the Golden Shangri-La Casino as a “cooler.” His presence at a table can cause a winning streak to instantaneously turn sour. The unfortunate Bernie is no stranger to pain: his boss and supposed friend, Shelly, once shattered his kneecap with a baseball bat. Bernie also has great difficulty with his other personal relationships. His estranged son, with whom Bernie hopes for reconciliation, immediately swindles the hapless fellow.
To make matters worse for Bernie, who wants nothing more than to be done with Vegas, Shelly is battling his own brand of misfortune. New management is suggesting a re-haul of the establishment he helmed for 16 years. Shelly argues for the casino to limp along as it is, and maintain the traditions originated by the mafia. He desperately and unfairly clings to Bernie, who remains an unwilling symbol of these old practices.
William H. Macy breaks my heart in every movie that I've seen him in. This film, where Macy expertly depicts the "unluckiest man in Vegas," offers no exception to that rule. There is a familiar vulnerability he lends to each facial expression that simultaneously earns my respect and pity. Bernie Lootz is a human being with a seemingly supernatural ability to receive, harness, and project bad luck. This requires some suspension of disbelief on the part of the viewer, and Macy is one of the few actors capable of making such a concept convincing.
Maria Bello is cast alongside Macy as a waitress and Bernie's love interest, Natalie. As often mentioned in the script, she seems entirely out of Bernie's league. And yet, the skilled actors created a romance which seemed entirely natural after the first evening's awkwardness. And as the two progress to love, Lootz's luck begins to change, as it does for the Casino patrons he comes into contact with. His presence becomes a blessing instead of a curse, putting his unwanted career path and his lady love in danger.
The man pulling the strings (or breaking the kneecaps, as it were) at the Golden Shangri-La is no other than Jack Donaghy...er, Alec Baldwin. Baldwin's performance rightfully garnered several awards and nominations, including an Oscar nod. Shelly is handsome, old school, and at times, utterly terrifying. He is resistant to change, often violently so. He cannot reconcile his ideals with the Vegas brand of commercialized progress, and he takes out his frustrations on friend and foe alike.
This film also featured a small but powerful role played by Paul Sorvino. Buddy Stafford has the voice of an angel, but a demon of a drug habit, and he provided an excellent foil for Shelly's beliefs in maintaining tradition.
The Cooler is too gritty a film to call "cute," but that's currently the only word coming to mind. It has something for the mob-lover and the romantic in everyone. And you should watch this little love story lest I should make things uncomfortable for you in the future, you know what I'm sayin'???
The Cooler is a tale of contrast: good luck is pitted against bad luck, and old is seen in stark contrast to new. We are immediately introduced to Bernie Lootz, an individual with such phenomenally bad luck that it is actually contagious. Bound by obligation and a misguided sense of loyalty to his boss, Shelly Kaplow, Bernie works at the Golden Shangri-La Casino as a “cooler.” His presence at a table can cause a winning streak to instantaneously turn sour. The unfortunate Bernie is no stranger to pain: his boss and supposed friend, Shelly, once shattered his kneecap with a baseball bat. Bernie also has great difficulty with his other personal relationships. His estranged son, with whom Bernie hopes for reconciliation, immediately swindles the hapless fellow.
To make matters worse for Bernie, who wants nothing more than to be done with Vegas, Shelly is battling his own brand of misfortune. New management is suggesting a re-haul of the establishment he helmed for 16 years. Shelly argues for the casino to limp along as it is, and maintain the traditions originated by the mafia. He desperately and unfairly clings to Bernie, who remains an unwilling symbol of these old practices.
William H. Macy breaks my heart in every movie that I've seen him in. This film, where Macy expertly depicts the "unluckiest man in Vegas," offers no exception to that rule. There is a familiar vulnerability he lends to each facial expression that simultaneously earns my respect and pity. Bernie Lootz is a human being with a seemingly supernatural ability to receive, harness, and project bad luck. This requires some suspension of disbelief on the part of the viewer, and Macy is one of the few actors capable of making such a concept convincing.
Maria Bello is cast alongside Macy as a waitress and Bernie's love interest, Natalie. As often mentioned in the script, she seems entirely out of Bernie's league. And yet, the skilled actors created a romance which seemed entirely natural after the first evening's awkwardness. And as the two progress to love, Lootz's luck begins to change, as it does for the Casino patrons he comes into contact with. His presence becomes a blessing instead of a curse, putting his unwanted career path and his lady love in danger.
The man pulling the strings (or breaking the kneecaps, as it were) at the Golden Shangri-La is no other than Jack Donaghy...er, Alec Baldwin. Baldwin's performance rightfully garnered several awards and nominations, including an Oscar nod. Shelly is handsome, old school, and at times, utterly terrifying. He is resistant to change, often violently so. He cannot reconcile his ideals with the Vegas brand of commercialized progress, and he takes out his frustrations on friend and foe alike.
This film also featured a small but powerful role played by Paul Sorvino. Buddy Stafford has the voice of an angel, but a demon of a drug habit, and he provided an excellent foil for Shelly's beliefs in maintaining tradition.
The Cooler is too gritty a film to call "cute," but that's currently the only word coming to mind. It has something for the mob-lover and the romantic in everyone. And you should watch this little love story lest I should make things uncomfortable for you in the future, you know what I'm sayin'???
Heather Cranmer (2721 KP) rated The Secret Diary of Sarah Chamberlain in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com/">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
When I read the blurb, I knew this was a book I wanted to read and review. I thought it'd be a YA (young adult) book since the main character is 15, but it read more like a MG (middle grade) book. Because it reminded me more of a MG read, I will be reviewing it as such. However, this was still a great read!
The title didn't catch my attention, but I think to a middle grade student, the title would be very catchy.
The cover is alright. It's nothing special, but I do feel it would appeal to a younger age group.
The world building was fantastic! Sarah Norkus does an awesome job at making the world building very believable. I'm no history buff, but Miss Norkus brings the Civil War era come alive. I enjoyed reading about life during the Civil War. It's obvious that Miss Norkus has done some research on this time period.
The pacing was slow at the very beginning. I really wanted to like this book, so I hung in there, and I was greatly rewarded. The pacing picks up when Em gets transported to Sarah Chamberlain's time, and after that, I was hooked on this book!
I loved the plot! Em finds a diary belonging to Sarah Chamberlain in an old house. When Em starts blaming God for everything, she is transported to the Civil War era. However, she ends up losing her memory and can't remember where she came from or anything from her modern life. Being Christian, I loved how the plot of this book had Christian themes.
I thought the characters were written fairly well. Em is supposed to be 15 years old, but I felt she acted and spoke like she was around 12 years old. I had to constantly remind myself that she was a 15 year old girl. Eventually, I just stopped reminding myself of her age and just thought of her as being 12. Em is a very likable girl even if she does act young. Sarah Chamberlain and Abby were both likable characters as well. I found them to both be very sweet natured. I loved how Moses was so protective of Sarah and her family and friends. My favorite character was Rachael. I loved how caring she was and how she would do anything for Sarah or for anyone for that matter. I constantly wanted to just hug her.
As I've said before, the dialogue suits a middle grade book more than it does a young adult book. I did find the way Em speaks, as in the words she uses, sometimes to be a little on the strange side. Other then that, the dialogue is good, and it does flow smoothly. It's just written a little young. There's no swearing and only some violence.
Overall, The Secret Diary of Sarah Chamberlain is a very enjoyable read. It could've been a bit better had the main character's age been lowered or if the writing had been more young adultish. It's a great story with a good message and interesting characters. Plus, there's a history lesson in it!
I'd recommend this book those aged between 10 - 14 although any age would enjoy it. Those who are interested in history and mysteries would enjoy this book the most.
I'd give The Secret Diary of Sarah Chamberlain by Sarah Norkus a 4.25 out of 5.
(I was provided with a free paperback copy of this title from the author in exchange for a fair and honest review).
When I read the blurb, I knew this was a book I wanted to read and review. I thought it'd be a YA (young adult) book since the main character is 15, but it read more like a MG (middle grade) book. Because it reminded me more of a MG read, I will be reviewing it as such. However, this was still a great read!
The title didn't catch my attention, but I think to a middle grade student, the title would be very catchy.
The cover is alright. It's nothing special, but I do feel it would appeal to a younger age group.
The world building was fantastic! Sarah Norkus does an awesome job at making the world building very believable. I'm no history buff, but Miss Norkus brings the Civil War era come alive. I enjoyed reading about life during the Civil War. It's obvious that Miss Norkus has done some research on this time period.
The pacing was slow at the very beginning. I really wanted to like this book, so I hung in there, and I was greatly rewarded. The pacing picks up when Em gets transported to Sarah Chamberlain's time, and after that, I was hooked on this book!
I loved the plot! Em finds a diary belonging to Sarah Chamberlain in an old house. When Em starts blaming God for everything, she is transported to the Civil War era. However, she ends up losing her memory and can't remember where she came from or anything from her modern life. Being Christian, I loved how the plot of this book had Christian themes.
I thought the characters were written fairly well. Em is supposed to be 15 years old, but I felt she acted and spoke like she was around 12 years old. I had to constantly remind myself that she was a 15 year old girl. Eventually, I just stopped reminding myself of her age and just thought of her as being 12. Em is a very likable girl even if she does act young. Sarah Chamberlain and Abby were both likable characters as well. I found them to both be very sweet natured. I loved how Moses was so protective of Sarah and her family and friends. My favorite character was Rachael. I loved how caring she was and how she would do anything for Sarah or for anyone for that matter. I constantly wanted to just hug her.
As I've said before, the dialogue suits a middle grade book more than it does a young adult book. I did find the way Em speaks, as in the words she uses, sometimes to be a little on the strange side. Other then that, the dialogue is good, and it does flow smoothly. It's just written a little young. There's no swearing and only some violence.
Overall, The Secret Diary of Sarah Chamberlain is a very enjoyable read. It could've been a bit better had the main character's age been lowered or if the writing had been more young adultish. It's a great story with a good message and interesting characters. Plus, there's a history lesson in it!
I'd recommend this book those aged between 10 - 14 although any age would enjoy it. Those who are interested in history and mysteries would enjoy this book the most.
I'd give The Secret Diary of Sarah Chamberlain by Sarah Norkus a 4.25 out of 5.
(I was provided with a free paperback copy of this title from the author in exchange for a fair and honest review).
Gareth von Kallenbach (971 KP) rated Two for the Money (2005) in Movies
Aug 14, 2019
The fall often brings the changing of the leaves and cooler weather, but for many men, fall is the start of Football season. For many, this time honored tradition that has given rise to terms such as “Football Widow”, “tailgating”, and “Super Bowl Party”, is a welcome diversion from the week, and something that is looked forward to all week.
There are also those who look forward to the games for other reasons, such as gambling. In a multi-billion dollar industry, gamblers spend hours looking over the injury reports, betting lines, and handicapping reports in an effort to gain any edge they can find.
In the new film Two for the Money, viewers are shown the highs, lows, and manipulations that can come from high stakes gambling. Brandon Lang (Matthew Mc Conaughey), a star Quarterback whose dreams of playing as a professional end due to a knee injury.
Reduced, to recording messages for a 900 service to make a living, Brandon is given the chance to record his projections for the coming weekend’s games. In no time, Brandon is racking up a very impressive win/loss record which draws the attention of Walter Abrams, (Al Pacino), who whisks Brandon to New York and wants to make him the cornerstone of his advising service.
In no time, Brandon is given a new look, a new stage name, and is center stage making the predictions. The wins start to pile up as does the money which causes bitterness amongst certain staff members who resent the lavish amounts of attention that Brandon is getting from Walter.
Brandon becomes caught up in the life of money, a fast car, and lavish living, and soon finds himself losing touch with his true self. It is at this point that things start to change in Brandon’s fortunes and he must find a way to get himself back on track, before his life spins horribly out of control.
The catchy premise of the film and strong cast starts out strong but looses its way as the film unfolds. Pacino is as effective as always, but his portrayal of Walter as a man obsessed with winning at all costs and his family is often sharply contrasted. In one scene we see him in a menacing light when things are going very well for him, yet when you think he should be going over the top in a time of crisis, he is restrained and unconcerned.
While the above is a good portrayal of the duality of the character, it does not make for high drama as he never does explode. The shoe never does drop, he shows menace, you wait for the moment, where he will turn on those around him, yet it never fully arises.
Rene Russo does a good job as the loyal wife who has mixed feelings about her life. She loves Walter and their daughter but hates gambling, and urges Brandon to walk away from it all. She is good in her scenes but she is not given enough to allow her to shine.
Mc Conaughey is good in his part as his character seems to be an interesting contrast in duality. He has no problem in asking people to bet thousands of dollars on his picks, yet his is unwilling to gamble. He likes the money and fame that comes with his position yet frets over not getting calls from his mother. The part starts strong but the character ultimately comes off bland and unsympathetic.
While not a bad film, Two for the Money ultimately is hindered by the pacing of the film which tends to drag, uneven characters, and a lack of tension. This becomes very clear and towards the last half of the film as much of the interest in the characters and their situations are lost.
There are also those who look forward to the games for other reasons, such as gambling. In a multi-billion dollar industry, gamblers spend hours looking over the injury reports, betting lines, and handicapping reports in an effort to gain any edge they can find.
In the new film Two for the Money, viewers are shown the highs, lows, and manipulations that can come from high stakes gambling. Brandon Lang (Matthew Mc Conaughey), a star Quarterback whose dreams of playing as a professional end due to a knee injury.
Reduced, to recording messages for a 900 service to make a living, Brandon is given the chance to record his projections for the coming weekend’s games. In no time, Brandon is racking up a very impressive win/loss record which draws the attention of Walter Abrams, (Al Pacino), who whisks Brandon to New York and wants to make him the cornerstone of his advising service.
In no time, Brandon is given a new look, a new stage name, and is center stage making the predictions. The wins start to pile up as does the money which causes bitterness amongst certain staff members who resent the lavish amounts of attention that Brandon is getting from Walter.
Brandon becomes caught up in the life of money, a fast car, and lavish living, and soon finds himself losing touch with his true self. It is at this point that things start to change in Brandon’s fortunes and he must find a way to get himself back on track, before his life spins horribly out of control.
The catchy premise of the film and strong cast starts out strong but looses its way as the film unfolds. Pacino is as effective as always, but his portrayal of Walter as a man obsessed with winning at all costs and his family is often sharply contrasted. In one scene we see him in a menacing light when things are going very well for him, yet when you think he should be going over the top in a time of crisis, he is restrained and unconcerned.
While the above is a good portrayal of the duality of the character, it does not make for high drama as he never does explode. The shoe never does drop, he shows menace, you wait for the moment, where he will turn on those around him, yet it never fully arises.
Rene Russo does a good job as the loyal wife who has mixed feelings about her life. She loves Walter and their daughter but hates gambling, and urges Brandon to walk away from it all. She is good in her scenes but she is not given enough to allow her to shine.
Mc Conaughey is good in his part as his character seems to be an interesting contrast in duality. He has no problem in asking people to bet thousands of dollars on his picks, yet his is unwilling to gamble. He likes the money and fame that comes with his position yet frets over not getting calls from his mother. The part starts strong but the character ultimately comes off bland and unsympathetic.
While not a bad film, Two for the Money ultimately is hindered by the pacing of the film which tends to drag, uneven characters, and a lack of tension. This becomes very clear and towards the last half of the film as much of the interest in the characters and their situations are lost.
Gareth von Kallenbach (971 KP) rated Smallfoot (2018) in Movies
Jul 2, 2019
The movie features Channing Tatum as Migo, James Corden as Percy,
Zendaya as Meechee, Common as Stonekeeper, LeBron James and Gwangi and
Danny DeVito and Dorgie, Migos father.
The movie is centered around a group of characters (the Yeti) and the
rules that surround their existence and are literally “set in stone” ,
carried around by (and, one surmises, enforced by) the Stonekeeper.
If it isn’t in the Stones, it just isn’t so.
Conversely, if it IS in the stones, it MUST be so, even if your eyes and
experiences tell you differently.
Each member of the village has a job, and even though the jobs are
monotonously repetitive, and even though at the bottom of it all, they
don’t really know the “why” behind what they are doing, all the Yeti
happily go about their days and participate to make the village run
smoothly.
Until, that is, Migo sees and chases down an airplane that crash lands
into their mountaintop sanctuary. There are legends of Smallfoot in the
Yeti’s folklore, but the stones emphatically state that Smallfoot do NOT
exist.
Migo brings his exciting news of the Smallfoot sighting back to the
village, only to be met by the Stonekeeper questioning whether Migo
could have ACTUALLY seen a Smallfoot, since the stones say they do not
exist. Migo does not let go of his story of seeing the Smallfoot, and is
subsequently banished from the village until he can “see the truth”.
(Maybe he REALLY saw a new breed of Yak!)
Migo leaves the village not knowing where his path should take him now,
and is intercepted by the members of the SES (Smallfoot Evidentiary
Society) who tell him that they believe him and show him the reasons
why, as backed by evidence that they have found over the years.
The three members of the SES are Meechee (Zendaya), who happens to be
the Stonekeepers daughter (!!), Kolka (Gina Rodriguez), Gwangi (LeBron
James), and Fleem (Ely Henry). The four encourage Migo to follow his
curiosity to find the Smallfoot and see what he can find out about them.
With trepidation, Migo heads down the mountain to see what he can find.
Once he has made his way down the mountain, Migo meets a videographer
named Percy, who has been lamenting his recent dismal ratings and lack
of viewers. Percy was going to go so far as to fabricate a story to get
“hits” online and to make a story go viral. Meeting Migo changes all
that and what follows is a heartwarming story about overcoming
differences, learning how to communicate, friendship & sacrifice.
The movie is colorful, and has great, catchy songs. The characters are
funny, there are lots of jokes, and I didn’t feel like there was any
“dead space” in the movie. The story was easy to follow but not boring.
I wouldn’t be surprised to hear about some sort of outcry raised by a
certain segment of the population, saying that the movie is
“anti-religious”, but I found it entirely refreshing for a kids movie to
send the message of not believing something someone tells you just
because “they say so” or just because “that’s the way its always been”,
or even “we do it this way for your own good (because you can’t be
trusted to think for yourself)” . Critical thinking skills are highly
lacking in today’s society, and I think that this movie is a great
example of finding out the truth by asking questions and not just
blindly following where you are told to.
My 10 year old son loved the movie, and I would go see it again in the
theatre, just to watch it again!
Zendaya as Meechee, Common as Stonekeeper, LeBron James and Gwangi and
Danny DeVito and Dorgie, Migos father.
The movie is centered around a group of characters (the Yeti) and the
rules that surround their existence and are literally “set in stone” ,
carried around by (and, one surmises, enforced by) the Stonekeeper.
If it isn’t in the Stones, it just isn’t so.
Conversely, if it IS in the stones, it MUST be so, even if your eyes and
experiences tell you differently.
Each member of the village has a job, and even though the jobs are
monotonously repetitive, and even though at the bottom of it all, they
don’t really know the “why” behind what they are doing, all the Yeti
happily go about their days and participate to make the village run
smoothly.
Until, that is, Migo sees and chases down an airplane that crash lands
into their mountaintop sanctuary. There are legends of Smallfoot in the
Yeti’s folklore, but the stones emphatically state that Smallfoot do NOT
exist.
Migo brings his exciting news of the Smallfoot sighting back to the
village, only to be met by the Stonekeeper questioning whether Migo
could have ACTUALLY seen a Smallfoot, since the stones say they do not
exist. Migo does not let go of his story of seeing the Smallfoot, and is
subsequently banished from the village until he can “see the truth”.
(Maybe he REALLY saw a new breed of Yak!)
Migo leaves the village not knowing where his path should take him now,
and is intercepted by the members of the SES (Smallfoot Evidentiary
Society) who tell him that they believe him and show him the reasons
why, as backed by evidence that they have found over the years.
The three members of the SES are Meechee (Zendaya), who happens to be
the Stonekeepers daughter (!!), Kolka (Gina Rodriguez), Gwangi (LeBron
James), and Fleem (Ely Henry). The four encourage Migo to follow his
curiosity to find the Smallfoot and see what he can find out about them.
With trepidation, Migo heads down the mountain to see what he can find.
Once he has made his way down the mountain, Migo meets a videographer
named Percy, who has been lamenting his recent dismal ratings and lack
of viewers. Percy was going to go so far as to fabricate a story to get
“hits” online and to make a story go viral. Meeting Migo changes all
that and what follows is a heartwarming story about overcoming
differences, learning how to communicate, friendship & sacrifice.
The movie is colorful, and has great, catchy songs. The characters are
funny, there are lots of jokes, and I didn’t feel like there was any
“dead space” in the movie. The story was easy to follow but not boring.
I wouldn’t be surprised to hear about some sort of outcry raised by a
certain segment of the population, saying that the movie is
“anti-religious”, but I found it entirely refreshing for a kids movie to
send the message of not believing something someone tells you just
because “they say so” or just because “that’s the way its always been”,
or even “we do it this way for your own good (because you can’t be
trusted to think for yourself)” . Critical thinking skills are highly
lacking in today’s society, and I think that this movie is a great
example of finding out the truth by asking questions and not just
blindly following where you are told to.
My 10 year old son loved the movie, and I would go see it again in the
theatre, just to watch it again!
Lee (2222 KP) rated Frozen II (2019) in Movies
Nov 25, 2019 (Updated Nov 25, 2019)
Just as enjoyable as the original
I'm sure you don't need me to tell you how big a hit 2013 movie Frozen was. For a long while after it was released, you couldn't go on social media, or even turn on a TV, without seeing mention of Frozen in some form. And you couldn't really avoid hearing somebody bash out their rendition of 'Let It Go', arguably one of the biggest and most recognisable songs of this decade. Frozen became the highest-grossing animated film ever and a sequel was always inevitable. But, with any sequel, there's always a high chance that they'll fail to live up to the original, simply coming across as nothing more than a cash grab. Frozen 2 had a lot to live up to!
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.
Following the events of the first Frozen movie, Arendelle is once again a calm, happy and carefree place. Elsa and Anna are close sisters once more. Anna and Kristoff are a couple, although in a running theme throughout the movie, Kristoff is now keen to try and propose to Anna. Meanwhile, some magic from Elsa means that Olaf now has a permafrost, no longer needing his own snow cloud and able to freely go around without fear of melting. He's also extremely keen to learn - becoming more thoughtful and aware of the world, asking existential questions, and sharing new found facts with his friends.
An early scene shows a young Elsa and Anna being told a bedtime story by their parents. The story involves an enchanted forest and their grandfather, who went to the forest as king in order to make peace with it's inhabitants, the Northuldra, and to sweeten the deal by building them a shiny new dam. But a betrayal caused the elemental forces of the forest - air, earth, fire and water - to become angered, resulting in a fierce battle and the entire forest being sealed for all time beneath a magical shield of mist. Clearly this story is being told in order to set the scene for a major plot point in this sequel, so it's not long before present day Elsa begins to hear voices - a mysterious siren, beckoning her with a beautiful melody. And when the terrifying elemental spirits strike the town of Arendelle, forcing its residents to flee for safety, she remembers the story we've just heard and heads off to the enchanted forest to look for answers and a resolution, closely followed by Anna, Kristoff, Sven and Olaf.
What follows is an epic adventure involving all of the main characters as they work together, or separately at times, to try and regain order and peace to this expanding world we're being introduced to. It becomes a quest to uncover the sisters ancestry and an attempt to undo damage caused by past generations with each character deals with their own personal transformation and growth. It's all beautifully animated, as you'd expect, full of peril, action and fun. And Olaf still manages to generate big laughs in pretty much every scene he's in!
Once again, Frozen 2 boasts an impressive soundtrack of songs. At least one is extremely powerful and catchy, knocking loudly at the door of 'Let It Go' in terms of memorability (admittedly, I've already listened to it a few times since leaving the cinema!), and there are more fun songs for Olaf to sing too. Kristoff comes up short though, getting dealt the worst of the songs, but that's not to say they're not still enjoyable.
Like Toy Story 4 earlier this year, Frozen 2 is a sequel that wasn't really necessary. But, as with Toy Story, it is still wonderful to be back in the company of such great characters. Having re-watched the original Frozen the day before seeing Frozen 2, I can honestly say that the sequel for me was just as enjoyable and entertaining as the first. Highly recommended.