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Between Two Shores
8
8.0 (1 Ratings)
Book Rating
It's been some time since I read a Jocelyn Green novel, and let me tell you this....it was so refreshing to get back to her books. This book, filled with beautiful historical detail, took me on a journey to Montreal, and kept me hooked until the last page was reached. 

Catherine, Samuel, Bright Star, and the amazing characters truly became a part of my soul. I loved following them on their journey. The rich detail of the French and Indian War was depicted beautifully. It came to life for me, making me feel a part of Catherine and Samuel's lives. 

If you love history, hope, longing and mercy, then grab this book up. It's tenderly written, and will wrap you up as you read through these pages. As a reader, the emotions will flow through you the further into the story that you get. I highly recommend this with 4 stars and two thumbs up. 

I received a complimentary copy of this book from Bethany House Publishers and was under no obligation to post a review, positive or negative.
  
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Michael Korda recommended Paths of Glory (1957) in Movies (curated)

 
Paths of Glory (1957)
Paths of Glory (1957)
1957 | Classics, Drama, War

"All right, Stanley Kubrick was a genius, the master of the big, ambitious film that stuns the senses, like 2001: A Space Odyssey. But Paths of Glory is one of the last great triumphs of black-and-white filmmaking. It is also a tribute to the talent of Kirk Douglas, who here takes on the role of a French colonel in the trenches of the First World War with such explosive energy that one realizes how many films (and directors) were unworthy of Kirk’s genius as an actor—his first acting role, by the way, was onstage as the servant in Chekhov’s The Three Sisters, with Catherine Cornell, Judith Anderson, and my mother as the sisters and Ruth Gordon as the dreadful sister-in-law. Nobody has ever captured the First World War better on film (except perhaps for Jean Renoir in Grand Illusion, which is in a class by itself). A heartbreaking giant of a film, not a bad shot or a wasted frame in it; perfect filmmaking."

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Get Out (2017)
Get Out (2017)
2017 | Horror, Thriller
Get Out is an incredibly strong directorial debut from Jordan Peele and is easily in the top tier of horror/thriller movies in the last few years.

He manages to craft a film that has an underlying sense of unease throughout, an aspect of the film that hardly lets up at any point.

The plot revolves around Rose (Allison Williams) taking her African-American boyfriend Chris (Daniel Kaluuya) away for the weekend to meet her very white family. Chris has reservations, understandably, due to the fact that casual racism is a thing that unfortunately exists. As the weekend draws on, Chris begins to realise that his worries perhaps aren't that unfounded. The only other black people around are house servants, and are acting strange, and it's doesn't take too long before a truly disturbing truth is discovered. To say any more would spoil the narrative, but it's a great plot, with a ridiculous twist.
Layered underneath the madness of the horror is a strong social commentary about race divides, and how a lot of white people perceive others. It's executed brilliantly, and is absorbing as much as it is uncomfortable.

The cast are terrific, especially Daniel Kaluuya, Allison Williams, Betty Gabriel, and LaKeith Stanfield.
Catherine Keener is another highlight - I'm so used to seeing her play good people, that the sinister nature of her character in Get Out is so unnerving, and adds even more the experience.

With both Get Out, and last year's Us, Jordan Peele has started his career in horror on a hot streak, and I can't wait to see what he brings to the table next.