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Movie Metropolis (309 KP) rated Black Panther (2018) in Movies
Jun 10, 2019 (Updated Jun 10, 2019)
Is the MCU all out of surprises?
The Marvel Cinematic Universe has become one of the most successful movie franchises ever made, and it’s easy to see why. Featuring incredible actors, up-and-coming directors and that trademark sense of humour, each film in the MCU has something to offer.
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
That doesn’t mean they’re perfect however. The MCU has a distinct lack of decent villains, strong female characters and characters from ethnic minorities. In the run-up to this year’s Infinity War, Black Panther aims to turn what we know about Marvel on its head. But has it succeeded?
After the death of his father, T’Challa (Chadwick Boseman) returns home to the African nation of Wakanda to take his rightful place as king. When a powerful enemy suddenly reappears, T’Challa’s mettle as king – and as Black Panther – gets tested when he’s drawn into a conflict that puts the fate of Wakanda and the entire world at risk. Faced with treachery and danger, the young king must rally his allies and release the full power of Black Panther to defeat his foes and secure the safety of his people.
The opening sequence of Black Panther is an absolute treat as the audience are given a brief history of Wakanda and the tribes from which it grew. It’s a great montage to kick off a film that’s packed with stunning visuals and gorgeous landscapes, even though some of the special effects are left wanting at times.
Cast wise, this is one of the strongest entries into the MCU. Chadwick Boseman absolutely embodies the young, naïve yet warm T’Challa beautifully and it’s nice to see his character given some reference points after his sudden inclusion in Captain America: Civil War. Elsewhere, Lupita Nyong’o is always a pleasure to see on screen and her love interest to Boseman keeps him grounded over the course of the runtime.
For me the standout character is Danai Gurira’s Okoye, leader of a group of female warriors ordered to protect Wakanda and its king no matter what the cost. She’s certainly not to be messed with and gets a pleasing arc throughout. The script also seems to work best when she’s on screen.
When it comes to the bad guy, director Ryan Coogler (Creed) gets it nearly spot on. After dozens of, shall we say, lacklustre villains, the MCU receives its best yet. Michael B. Jordan’s Killmonger is, despite his ridiculous name, absolutely brilliant. Menacing and oddly charming in equal measure, he does away with the tradition of bizarre villain motives in the MCU. In fact, his motives throughout feel entirely believable and the film feels more grounded because of this.
Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion
Martin Freeman’s Agent Ross is a strange addition to the cast, simply because his character isn’t essential to the plot. Freeman is always a magnetic presence but he really doesn’t have all that much to do. Finally, Andy Serkis reprises his role as arms dealer Ulysses Klaue and is great fun.
Looking at Wakanda itself, Coogler does a good job at creating a bustling and vibrant world, even if the special effects can sometimes bring you out of the illusion. It certainly feels more real than the hollow golden towers of Asgard (something thankfully fixed in last year’s Thor: Ragnarok), and Wakanda is a great addition to the many locations the Marvel Cinematic Universe has created.
So, I’ve mentioned disappointing special effects twice in this review and whilst they aren’t terrible, there are a few occasions where they are a little poor – especially evident in the film’s finale. For all his exciting filming style, Coogler’s shot choices occasionally jar with the uninspiring and lifeless CGI. Some of the landscapes also feel like a brochure for Disney’s upcoming The Lion King live-action remake.
I think it’s time to talk about film politics, because as much as Black Panther is a great addition to the MCU and a fine solo movie in itself, the legacy it will leave on the industry will be absolutely huge. With a majority black cast, strong female characters and a black director, it’s progressive and incredibly brave in its choices.
Any less of a story, director or cast wouldn’t have made it work and despite some poor CGI and slight pacing issues at the start, Black Panther is one of the best solo Marvel movies in years. Bring on Infinity War.
https://moviemetropolis.net/2018/02/15/black-panther-review-is-the-mcu-all-out-of-surprises/
Story: 42 starts with the history of baseball and how after World War II there was 400 players in the MLB and they were all white, the black players had their own league until 1947 when the number dropped to 399. Branch Rickey (Ford) wants to bring the first black man to the major leagues for the Brooklyn Dodgers against everything the world at the time suggests, that player is Jackie Robinson (Boseman).
Jackie must start in a feeder team and must put aside the segregation issues that is still going through America, Jackie and his wife Rachel (Beharie) must show they have the thick skin to deal with the abuse from the crowd, other players attitude and prejudices going through America to become a trailblazer for the African American Baseball players.
Thoughts on 42
Characters – Looking at the characters we are looking at real people this time and one Jackie Robinson who would stand up for what he believed in while making his name on the baseball field, he becomes the trailblazer given the chance to become the first black major league baseball player defining all the segregation problems going through America. Branch Rickey was a bible loving owner of the Brooklyn Dodgers who wants to make a difference in the game giving Jackie a chance to change the game so he could be owning a victorious team. Rachel is Jackie’s wife that stands by him through the discrimination he experiences.
Performance – Chadwick Boseman is fantastic in this role showing that he was going to be a huge name in the future. Harrison Ford gives us one of his best performances of his elder career that is outside his known franchises, with Nicole Beharie doing well with the character she has to work with.
Story – The story of Jackie Robinson is the stuff of legends on America, the trailblazer for African America baseball players fight on and off the field against the discrimination he faces to become the star of the season. We get to see how the country of America was so far behind the times with their equality that is still happening without being as serious as it once was. This is an important history lesson if you are a fan of baseball, sport and history in general.
Biography/Sports – Jackie Robinson is an icon of the sport of baseball, this shows how he fought off everything to become that icon.
Settings – Each setting shows us the different worlds that Jackie must walk into with different opinions on the difference in race.
Scene of the Movie – The team standing up for Robinson against ben Chapman.
That Moment That Annoyed Me – I don’t understand baseball.
Final Thoughts – When you look at sports biopics you will always see an icon born and this shows just how Jackie Robinson became the legend the game knows and is a must watch.
Overall: Must watch for sports fans.
https://moviesreview101.com/2019/05/27/42-2013/
Jackie must start in a feeder team and must put aside the segregation issues that is still going through America, Jackie and his wife Rachel (Beharie) must show they have the thick skin to deal with the abuse from the crowd, other players attitude and prejudices going through America to become a trailblazer for the African American Baseball players.
Thoughts on 42
Characters – Looking at the characters we are looking at real people this time and one Jackie Robinson who would stand up for what he believed in while making his name on the baseball field, he becomes the trailblazer given the chance to become the first black major league baseball player defining all the segregation problems going through America. Branch Rickey was a bible loving owner of the Brooklyn Dodgers who wants to make a difference in the game giving Jackie a chance to change the game so he could be owning a victorious team. Rachel is Jackie’s wife that stands by him through the discrimination he experiences.
Performance – Chadwick Boseman is fantastic in this role showing that he was going to be a huge name in the future. Harrison Ford gives us one of his best performances of his elder career that is outside his known franchises, with Nicole Beharie doing well with the character she has to work with.
Story – The story of Jackie Robinson is the stuff of legends on America, the trailblazer for African America baseball players fight on and off the field against the discrimination he faces to become the star of the season. We get to see how the country of America was so far behind the times with their equality that is still happening without being as serious as it once was. This is an important history lesson if you are a fan of baseball, sport and history in general.
Biography/Sports – Jackie Robinson is an icon of the sport of baseball, this shows how he fought off everything to become that icon.
Settings – Each setting shows us the different worlds that Jackie must walk into with different opinions on the difference in race.
Scene of the Movie – The team standing up for Robinson against ben Chapman.
That Moment That Annoyed Me – I don’t understand baseball.
Final Thoughts – When you look at sports biopics you will always see an icon born and this shows just how Jackie Robinson became the legend the game knows and is a must watch.
Overall: Must watch for sports fans.
https://moviesreview101.com/2019/05/27/42-2013/
LeftSideCut (3778 KP) rated Black Panther (2018) in Movies
May 19, 2019 (Updated Jun 8, 2019)
A by the numbers origin story, with some great performances that elevate
Black Panther was introduced into the MCU during Civil War, with little time for much backstory. And Ryan Cooglers efforts to illustrate said back story works for the most part.
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
This film is filled to the brim with vibrant colours, and an extremely likable cast.
Chadwick Boseman, Letitia Wright, Danai Gurira (literally throwing wigs at one point), Daniel Kaluuya, and Lulita Nyong'o are all great, and really paint a picture of the tribal togetherness that is Wakanda.
The two villains are where the cast really shines however, and of course, mainly Michael B. Jordan.
Here we have a layered Marvel villain, someone who you can truly sympathise with, whose backstory is fleshed out enough to almost side with him. Almost.
Jordan does a great job of bringing Killmonger to life.
Similar props to Andy Serkis. After a tiny roll in Age of Ultron, he gets a chance here to play Klaue like and absolute psychopath, and it's clear just how much fun he has in to roll.
A few negatives.... The way that Klaue's story arc is concluded is hugely unsatisfying.
The CGI is dodgy in parts, especially during then climatic battle.
The last battle itself is fun for the most part, but the fight between Black Panther and Killmonger falls into the age old MCU trope of 'the-hero-fighting-an-evil-version-of-themselves-in-a-similar-oufit' (see Iron Man, Iron Man 2, Ant-Man for reference)
Martin Freeman's character seems and largely unnecessary addition here, but it's always fun to see characters from other MCU movies.
All in all, Black Panther can be bland in places, but it's done the important part of finally establishing Wakanda in the MCU, and I for one am looking forward to what other stories will occur there (fingers crossed for a Sub-Mariner story line in a sequel!)
BankofMarquis (1832 KP) rated 21 Bridges (2019) in Movies
Sep 22, 2020
Direction and Lead Performances elevate a "so-so" script
The world lost a tremendous talent when 44 year old Chadwick Boseman lost his battle with cancer. Whether it was as Jackie Robinson in 42, Thurgood Marshall in THURGOOD or as T'Challa/Black Panther in the Marvel movies, Boseman's charm and charisma lept off the screen and drew you into whatever project he is in.
This charm and charisma is very much in evidence in the by-the-book cops chasing robbers action flick 21 BRIDGES. As the cop chasing "the fugitive", Boseman elevates the proceedings to a level above what this average script had to offer.
Set in NYC, 21 BRIDGES tells the tale of Detective Andre Davis (Bozeman) who must chase down a couple of thieves - and cop killers - before they can escape New York. Told in one night, Davis makes the call to close the "21 Bridges" of the island of Manhattan so the bad guys are stuck on the island.
And...that's the first disappointment with this film, it doesn't do anything with that premise. Do the bad guys try to escape on one of those "21 Bridges"? Nope. The bridges are never really mentioned again...so why call this film "21 Bridges"?
What does work is Boseman's performance. His Davis is competent, honest, smart and earnest and you are drawn into his work. As is the work of the person who is thrust into the action as his partner, Vice Cop Frankie Burns (Sienna Miller). You might roll your eyes when you hear Miller's name for her early career was more about being on the tabloid pages than it was about being on the screen, but she has morphed herself - and her career - into something quite interesting through turns in films like FOXCATCHER and AMERICAN SNIPER and she is as equally interesting as Bozeman in this film. The 2 make a good pair.
The rest of the supporting cast - Taylor Kitsch, Keith David and the great J.K. Simmons - are solid, if not spectacular. But there are 2 standouts. Alexander Siddig (Dr. Bashir in STAR TREK: DEEP SPACE 9) is interesting as the "money launderer" and Stephan James (IF BEALE STREET COULD TALK) is just as charming and charismatic as Bozeman as one of the the thieves on the run. If you are looking for a young, charismatic actor to fill the hole created by Bozeman's death, James could very well fit the bill.
I've mentioned that the script by Adam Mervis and Matthew Michael Carnahan is nothing special, but what is special is the Direction by Brian Kirk (a TV Director of such shows as GAME OF THRONES and LUTHER). This is his Major Motion Picture debut (as far as I could tell) and there were some VERY interesting shots and some taught, tense moments. He'll be a director to watch in the future.
While nothing too special, 21 BRIDGES is better than "good enough" - a cops 'n robbers film that will hold your interest for the relatively quick 1 hour and 39 minute running time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
This charm and charisma is very much in evidence in the by-the-book cops chasing robbers action flick 21 BRIDGES. As the cop chasing "the fugitive", Boseman elevates the proceedings to a level above what this average script had to offer.
Set in NYC, 21 BRIDGES tells the tale of Detective Andre Davis (Bozeman) who must chase down a couple of thieves - and cop killers - before they can escape New York. Told in one night, Davis makes the call to close the "21 Bridges" of the island of Manhattan so the bad guys are stuck on the island.
And...that's the first disappointment with this film, it doesn't do anything with that premise. Do the bad guys try to escape on one of those "21 Bridges"? Nope. The bridges are never really mentioned again...so why call this film "21 Bridges"?
What does work is Boseman's performance. His Davis is competent, honest, smart and earnest and you are drawn into his work. As is the work of the person who is thrust into the action as his partner, Vice Cop Frankie Burns (Sienna Miller). You might roll your eyes when you hear Miller's name for her early career was more about being on the tabloid pages than it was about being on the screen, but she has morphed herself - and her career - into something quite interesting through turns in films like FOXCATCHER and AMERICAN SNIPER and she is as equally interesting as Bozeman in this film. The 2 make a good pair.
The rest of the supporting cast - Taylor Kitsch, Keith David and the great J.K. Simmons - are solid, if not spectacular. But there are 2 standouts. Alexander Siddig (Dr. Bashir in STAR TREK: DEEP SPACE 9) is interesting as the "money launderer" and Stephan James (IF BEALE STREET COULD TALK) is just as charming and charismatic as Bozeman as one of the the thieves on the run. If you are looking for a young, charismatic actor to fill the hole created by Bozeman's death, James could very well fit the bill.
I've mentioned that the script by Adam Mervis and Matthew Michael Carnahan is nothing special, but what is special is the Direction by Brian Kirk (a TV Director of such shows as GAME OF THRONES and LUTHER). This is his Major Motion Picture debut (as far as I could tell) and there were some VERY interesting shots and some taught, tense moments. He'll be a director to watch in the future.
While nothing too special, 21 BRIDGES is better than "good enough" - a cops 'n robbers film that will hold your interest for the relatively quick 1 hour and 39 minute running time.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank(ofMarquis)
BankofMarquis (1832 KP) rated Ma Rainey's Black Bottom (2020) in Movies
Feb 12, 2021
Give Chadwick the Oscar
Pulitzer Prize winning Playwright August Wilson wrote 10 plays that he labeled his “Century Cycle” - one placed in each decade of the 20th century that depicts the Negro experience in America. Denzel Washington has pledged to produce a film for each one of these plays.
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
The first film, FENCES (2016), earned Viola Davis an Oscar and was nominated for Best Film. The 2nd film, MA RAINEY’S BLACK BOTTOM looks to be just as awarded.
Set in a recording studio in Chicago in the 1920’s (the only play of Wilson’s Century Cycle NOT set in Pittsburgh), MA RAINEY’S BLACK BOTTOM tells the story of a recording session for Ma Rainey and her band.
Nominated for the Tony for Best Play of 1984, MA RAINEY’S BLACK BOTTOM is the perfect stage play, for it takes place in one room - the recording studio. The problem with turning this into a film is that Director George C. Wolf felt compelled to “open things up” and added scenes, mostly at the beginning of the film, that takes you out of the studio. He also included Ma Rainey in some of these scenes, thus taking away the power of her entrance about 1/3 of the way into the story. These added scenes add nothing to the story and waters down some of the strength that being confined in one place brings.
But, oh, with performances and dialogue like this, those things are quickly forgotten.
Davis, of course, is stellar as Ma Rainey grabbing the spotlight and commanding the room with her presence. Ma Rainey (and Davis) are not to be trifled with and this is a powerhouse performance, so much so that I can forgive the film for having Davis’ voice dubbed for much of her singing performance.
But…Davis performance pales in comparison to the elite level work of Chadwick Boseman in the central role of trumpet player Levee who has some demons to unpack, demons that drive both his artistic and emotional self. This is a difficult character to root for, but Boseman’s charm shines through and mixed with his rage and sadness, makes for a potent combination and an interesting character to watch. Adding to the poignancy of the performance is the knowledge that this as Boseman’s last role before succumbing to cancer.
Colman Domingo (my favorite actor in FEAR THE WALKING DEAD) brings a strong grounding to the preceedings in the role of Cutler while veteran character actor Glynn Turman (who I remember from the 1970’s mini-series CENTENNIAL) is at a career best as another musician, Toledo. Most of the film (and play) consist of Cutler, Toledo and Levee talking, arguing, bantering and pontificating and these 3 are more than up to this challenge.
All of this, of course, would not be possible without the power of the original stage play script by August Wilson. This work was ably adapted to the screen by Ruben Santiago-Hudson (a shoo-in for an Oscar nomination).
A very strong, very interesting tale with some very moving performances makes MA RAINEY’S BLACK BOTTOM a worthy Oscar-type film that should be checked out by all.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(OfMarquis)
Goddess in the Stacks (553 KP) rated Black Panther (2018) in Movies
Feb 17, 2018
Diverse casting (no, seriously.) (6 more)
STRONG WOMEN
Subverting stereotypes all day long
Excellent soundtrack
Ambiguous "villain"
Representation
The seamless blending of tech and tradition
BEST. MARVEL. MOVIE.
Contains spoilers, click to show
OH my god. This was definitely the best Marvel movie yet. Chadwick Boseman was absolutely amazing as T'Challa. (Warning, SPOILERS AHEAD.)
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
I loved that the love interest was already established - there weren't any "falling in love butterflies" to distract from the plot. SO MANY STRONG WOMEN. All of T'Challa's support were strong, gorgeous women of color. His mother, his sister, his general, his love interest. The female guards. Absolutely fantastic.
The blending of technology and traditions was superbly done. People still tend crops and animals and tan hides and go to the marketplace in Wakanda - but they have vibranium armor and weapons, and technological wonders on their wrists that pop up virtual screens, and their medical care is the best in the world. Oh, and ships. Spaceships, basically.
THE CLOTHES. The dresses, the makeup, the armor, the weapons - the appearance of Wakanda was amazing.
And then the plot. The difference between "Well, we're Wakandan, and we look out for the Wakandan people" and "We should be looking out for ALL of our people (black people all over the world, not just Wakandans.)" That was where the real conflict arose in Black Panther - and it was interesting that the two leads, while opposing each other, actually felt the same about it. Just with different ideas of how to do so. (There's a lot to unpack about why they feel this way - some of it, I think, goes back to African-Americans having their nationalities forcibly stripped from them during the slave trade - so being black is the only thing white people left them with; while non-American Africans have their national identities to look to. So they might be Nigerian or Ethiopian instead of one unified black group. And the opposing lead was brought up in America.)
The differences between how the Wakandans viewed white people, and how the American prince viewed white people, are a very important conflict. You can watch the movie as just another superhero movie, and it'll be good. But watching it looking for the racial undertones makes it absolutely fantastic.
Also - the casting is diverse. Just because it's almost all black people doesn't mean it's not diverse. Again, that's a white American thing, looking at black people as one unified group. They're not. Also how many movies have been almost all white people with a token black guy? People complaining about "lack of diversity" in this movie need to take their white supremacist selves out of the theater and away from this amazing movie.
Bob Mann (459 KP) rated The Father (2020) in Movies
Jun 12, 2021
Dementia twists the strands of Anthony’s personal multiverse
Anthony (Anthony Hopkins) is elderly and living in his flat. His daughter Anne (Olivia Colman) keeps dropping by to check he is OK. But is this right? Strange things keep happening to him, from losing his watch to having strange people turn up at the flat. For Anthony is battling against dementia, and reality and fantasy are not quite as distinct as they once were.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
Positives:
- I was one of those disappointed that Chadwick Boseman didn’t posthumously win the Best Actor Oscar for “Ma Rainey’s Black Bottom”. But, boy oh boy, after seeing this I am fully supportive of the Academy’s position. Anthony Hopkins has delivered some astonishingly powerful performances during his career – from the tortured ventriloquist in “Magic”, to Hannibal Lector to the elderly pope in “The Two Popes”. But he really excels himself here, tapping both your emotions and your sympathies as the confused and terrified old man.
- The Oscar- and BAFTA-winning screenplay by Florian Zeller, based on his stage play, is devastating, subtly twisting the knife. It will be particularly telling/upsetting for those who are getting on in years and/or have/had elderly parents affected by dementia. I would personally not have included (being deliberately vague) the “Williams entry” scene in the trailer, since it is a jolt of a twist in the film. But there are so many other clever devices in the screenplay that you don’t see coming. The ending in particular is brutal on the emotions.
- The production design (an Oscar nomination for Peter Francis and Cathy Featherstone) is ingenious, as the set subtly and progressively transforms. Almost a ‘spot the difference’ in movie form.
- The score by Ludovico Einaudi uses atonal strings to great effect, as Anthony’s reality keeps shifting from under him.
Negatives:
- I’ve nothing here, hence my 10-bomb rating. I’ve seen some reviews that have thought that the movie was too “stagey” (which is a criticism I have levelled before at a bunch of “stage to screen” adaptations such as “Fences” and – more recently – “One Night in Miami” and “Ma Rainey’s Black Bottom“). But I really didn’t feel that way about “The Father”. The claustrophobic nature of the plot was well served I thought by the (largely) single set location.
Summary Thoughts on “The Father”: Dementia is a cruel and heartless disease that robs any affected elderly person of their memories, logic and – ultimately – their dignity. I thought the movie was extremely clever in reflecting this decline, anchored by the astonishing career-best performance from Sir Anthony Hopkins. But this in turns makes this a very hard watch indeed!
(For the full graphical review, check out the One Mann's Movies post here - https://bob-the-movie-man.com/2021/06/12/the-father-dementia-twists-the-strands-of-anthonys-personal-multiverse/ . Thanks.
BankofMarquis (1832 KP) rated Da 5 Bloods (2020) in Movies
Jun 19, 2020
Delroy Lindo shines in a mostly good film
Over the years, I have become a fan of Spike Lee. I think he has a singular vision as a filmmaker with his films putting a spotlight on the black experience and the prejudices and injustices that prevail.
DA 5 BLOODS - Lee's Vietnam War movie - is no exception.
Set in present(ish) day and in the memories of the main characters from their time "in country", DA 5 BLOODS tells the tale of 4 Vietnam Veterans who return to find the body of their squadron leader - and the gold that they buried under his body.
Part Vietnam war flick, part gold heist (and the cost of this theft on the hearts and minds of the participants) and part reflection on the treatment of the black soldiers, Lee reaches high to combine 3 separate - and complex - films into one (any one of which could have been a film of their own) and it is here that this films succeeds - and fails. For this film is at moments riveting, at moments unflinching and hard to watch, at moments confusing and at moments...surprisingly... dull. Spike had a lot of movie to tell and he took 2 and a 1/2 hours to tell it. He would have been better suited to cut some of this down to a more palatable 2-ish hour length. The film bogs down on itself at times.
But when it crackles - it crackles. Especially when the 4 veteran soldiers interact with each other. Led by the great Delroy Lindo (TV's THE GOOD FIGHT). I hope that this film gets a theatrical release sometime (to make it eligible for the Oscars) for Lindo's portrayal of MAGA Hat wearing, PTSD suffering Paul is powerful and captivating. I was riveted by his performance and I was willing to follow him to the ends of the Earth. Also standing out is Clarke Peters as Otis - the heart and soul of this group and Norm Lewis, the pigeon-toed Eddie who has a secret that he is hiding. Both of these characters shine at moments - but are not in the spotlight nearly often enough. The same can be said for Isaih Whitlock Jr as Melvin, a character that is undeserved until the end and by then I felt myself wanting more of him. (Side Note: Lee named these characters after members of THE TEMPTATIONS).
Lee makes an interesting choice in the flashback scenes of the war. Instead of casting younger actors or spending the $$ on "de-aging" the actors (Lee would say that the de-aging was "cost prohibitive"), Lee chooses to have these old guys just play their younger versions of themselves just as they are now, claiming that these are not flashbacks, but "memories" of these soldiers - and I gotta admit that this tactic works very, very well - especially when these 4 older gentlemen are in the Vietnam War scenes with their Platoon Leader played, charismatically, by the much younger Chadwick Boseman. His character is killed in action and since these scenes are memories, it works well that he is younger (he never got a chance to grow old) while all the others are older. Boseman has a an attraction to him that helps the audience buy into the fact that all these years later these 4 men still hold him front and center in their memories. Unfortunately, the combat scenes looks to me like they were done on a shoe-string budget, so Lee has to use "tricks" to pull these scenes off and these tricks bring these scenes down a peg.
As I've stated, this film is really 3 films in one and the effects of the gold on the men is the most interesting part of this film for me, it touches on the desires of the human soul and brings some of the strongest acting and emotions.
This being a Spike Lee joint, this film is peppered with scenes from the black experience - from Martin Luther KIng to Malcom X to "Hanoi Hannah" telling the black troops that their country is abandoning them. These are important events in the lives and psyche of these men (and African Americans) and Mr. Lee is uniquely positioned to bring the attention of the public to these events, and he does it well.
DA 5 BLOODS in now streaming on Netflix.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
DA 5 BLOODS - Lee's Vietnam War movie - is no exception.
Set in present(ish) day and in the memories of the main characters from their time "in country", DA 5 BLOODS tells the tale of 4 Vietnam Veterans who return to find the body of their squadron leader - and the gold that they buried under his body.
Part Vietnam war flick, part gold heist (and the cost of this theft on the hearts and minds of the participants) and part reflection on the treatment of the black soldiers, Lee reaches high to combine 3 separate - and complex - films into one (any one of which could have been a film of their own) and it is here that this films succeeds - and fails. For this film is at moments riveting, at moments unflinching and hard to watch, at moments confusing and at moments...surprisingly... dull. Spike had a lot of movie to tell and he took 2 and a 1/2 hours to tell it. He would have been better suited to cut some of this down to a more palatable 2-ish hour length. The film bogs down on itself at times.
But when it crackles - it crackles. Especially when the 4 veteran soldiers interact with each other. Led by the great Delroy Lindo (TV's THE GOOD FIGHT). I hope that this film gets a theatrical release sometime (to make it eligible for the Oscars) for Lindo's portrayal of MAGA Hat wearing, PTSD suffering Paul is powerful and captivating. I was riveted by his performance and I was willing to follow him to the ends of the Earth. Also standing out is Clarke Peters as Otis - the heart and soul of this group and Norm Lewis, the pigeon-toed Eddie who has a secret that he is hiding. Both of these characters shine at moments - but are not in the spotlight nearly often enough. The same can be said for Isaih Whitlock Jr as Melvin, a character that is undeserved until the end and by then I felt myself wanting more of him. (Side Note: Lee named these characters after members of THE TEMPTATIONS).
Lee makes an interesting choice in the flashback scenes of the war. Instead of casting younger actors or spending the $$ on "de-aging" the actors (Lee would say that the de-aging was "cost prohibitive"), Lee chooses to have these old guys just play their younger versions of themselves just as they are now, claiming that these are not flashbacks, but "memories" of these soldiers - and I gotta admit that this tactic works very, very well - especially when these 4 older gentlemen are in the Vietnam War scenes with their Platoon Leader played, charismatically, by the much younger Chadwick Boseman. His character is killed in action and since these scenes are memories, it works well that he is younger (he never got a chance to grow old) while all the others are older. Boseman has a an attraction to him that helps the audience buy into the fact that all these years later these 4 men still hold him front and center in their memories. Unfortunately, the combat scenes looks to me like they were done on a shoe-string budget, so Lee has to use "tricks" to pull these scenes off and these tricks bring these scenes down a peg.
As I've stated, this film is really 3 films in one and the effects of the gold on the men is the most interesting part of this film for me, it touches on the desires of the human soul and brings some of the strongest acting and emotions.
This being a Spike Lee joint, this film is peppered with scenes from the black experience - from Martin Luther KIng to Malcom X to "Hanoi Hannah" telling the black troops that their country is abandoning them. These are important events in the lives and psyche of these men (and African Americans) and Mr. Lee is uniquely positioned to bring the attention of the public to these events, and he does it well.
DA 5 BLOODS in now streaming on Netflix.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Ryan Hill (152 KP) rated Captain America: Civil War (2016) in Movies
May 11, 2019
Chris Evans as Steve Rogers/ Captain America
RDJ as Tony Stark/Iron man
Sebastian Stan as Bucky Barnes
Tom Holland as Peter Parker/Spider-man
Chadwick Boseman as Black panther/Tchalla (1 more)
The Airport fight scene
The climatic three-way battle
Zemo is a fantastic villian brilliantly played by Daniel Bruhl
Feels like a Captain America movie
Giant-Man is awesome,so is Paul Rudd
Mission Report, December 16, 1991
"Captain America: Civil War" is not only the best "Captain America" movie yet, but it may just be at the very top of the Marvel Cinematic Universe, due to it's emotionally satisfying themes. That may seem like extremely high praise, so I will explain why I believe that to be true, as well as why I think this is the most mature Marvel film to this point. Loosely following the events of both "Captain America: The Winter Solider" and "Avengers: Age of Ultron," while still harking back to previous films from this universe, this 13th installment in the ever growing Marvel Cinematic Universe, follows the team on different paths as they are once again pulled together.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Opening the film in the past, audiences will be given a look into the life of the Winter Soldier, as his character will later have the biggest impact on the story at hand. Flash forward to the Avengers. The team is realizing that the events from the past have killed many innocent lives in the process and they must decide whether or not they want to sign the "Sokovia Accords" and be restrained by the government, and only released when called upon. This divides the team stronger than ever before, creating friction as to what the right move truly is. Then arrives the Winter Soldier. Still brainwashed, Bucky causes Steve to go after him (a fugitive), thus sparking the war of family and friendship within the team. This is just the basis. There are many levels to this picture, including the addition of Zemo as the side villain.
This character served a very pivotal role in my opinion and definitely does not deserve the flack he is receiving. Daniel Bruhl is terrific in everything he is in and he only justified that more with this character. Without giving anything away, his character is involved with the heart of the story and is the reason for many actions/motivations. This review has been very dour so far and that is due to the fact that the entire first act of this film is extremely sad, but enjoyably so. Unlike certain unnamed films, this has a very light tone which elevates enough of the somber moments, making for a very balanced film throughout.
The central dynamic/conflict of Steve Rodgers (Captain America), Bucky Barnes (Winter Soldier) and Tony Stark ( Iron man) is what elevates the film for me. These are my three favourite characters and you follow their stories as they weave together and by the end you don't know who's side you are on as they beat each other down in what i'd call the most brutal fight in the mcu. Chris Evans and Robert Downey Jr are fantastic in this film both of them once again improve their performances over the other films but Sebastian Stan steals the movie for me, Bucky Barnes is a tragic character and sebastian sells you on that tragedy and also makes Bucky likeable again whilst not being the winter soldier persona but also not the same Bucky from the first avenger. You sympathize with him even after all of the bad things he did, he was amazing and his arc was my favourite in the movie.
Speaking of the light tone, the addition of "Ant-Man" and "Spider-Man" was absolutely fantastic and needed for this depressing story. It is hard to watch the character having to fight each other, especially when you have come to love them over the last eight years, so it was necessary to include some fun. Paul Rudd is great once again, "fanboying" out just like audiences, and his action sequences are nothing short of crowd-pleasing. That being said, "Spider-Man" is still the standout here. Tom Holland get's a very solid introduction as to who he is, where he has been, and how he got his spider abilities. The chemistry between Peter and Tony was masterful and I could not get enough of it. "Spider-Man" nearly steals the show with his contribution.
Within two scenes of meeting "Black Panther," they are able to establish his past, why he is present, and what his motives are, as far as siding with "Iron Man" goes. No, he does not have a clear side, but that is for specifics that can not be discussed here. Chadwick Boseman is great and his action sequences are terrific. It may seem like this review is overly character-driven, but that is exactly what this film is all about. Developing character in characters you thought you had already known from front to back. The excessive amount of layers in this film work in many more ways than one.
Joe and Anthony Russo have proven why they are the best thing that could have ever been added to this universe, directing this film with ease. Bringing on the directors of "John Wick" (Chad Stahelski and David Leitch) was an incredible idea, as the action sequences throughout this entire film are some of the best you will ever lay eyes on in the Marvel Cinematic Universe. If for some reason you walked out of this film disappointed, I can confidently say that you are crazy to not have been blown away by the action throughout this picture, especially the incredible airport sequence.
"Captain America: Civil War" is first and foremost a Captain America sequel, while simultaneously being a great Avengers sequel. Directed brilliantly, terrifically performed all around, with jaw-dropping action set pieces and a very raw emotional core. "Captain America: Civil War" is a triumph in every sense of the word. Absolutely amazing.
Darren (1599 KP) rated Get On Up (2014) in Movies
Oct 17, 2019
Thoughts on Get on Up
Characters – James Brown is one of the most influential musicians of the last century, there is no doubt what he did will live on forever. We get to see how James started with nothing, in an abusive childhood with no education, before learning to take the chances thrown his way, trying to make a difference to the world in the spotlight, even if he doesn’t always keep the crowd around him, not always as loyal as he should be. This doesn’t make James look like the most integral person behind the spotlight. Bobby Byrd is the man that gave James a chance to get out of prison, to start something with his singing in gospel, he will stand by James through all the troubles he faces, the bands he goes through, knowing James is the main talent and just being part of this would make him remembered. Ben Bart makes everything happen for James, he tries to help him navigate difficult moments in history, but will help him make the right choices which sees the friendship grow as the success does. Susie is the mother of James, she is forced to leave because of her partner and once he becomes famous wants to come back into his life, while James isn’t willing to let this happen.
Performances – Chadwick Boseman is fantastic in the leading role, he shows that his biopic man, he can bring James Brown to life on stage and in his personal life with ease. Nelsan Ellis is great in his role, showing us that he could provide excellent supporting performances in the film. Dan Aykroyd is strong too, with Viola Davis making a big impact in her scenes in the film.
Story – The story here follows the life of James Brown, from his poverty like childhood, to his international success in the music industry, we see his ideas on wanting to make a change and just what it will do to the people that helped him get to the top. One of the biggest weaknesses in the film here comes from the early time jumps, we are constantly jumping between moments, which doesn’t help the story telling process. This story also doesn’t paint James as a nice person away from the spotlight, even if he was always trying to achieve something more from his career. The story does try to ram too much into the film, which does make it hard to understand each moment of his life.
Biopic/Music – This does show a lot of his life, it doesn’t help us get invested in just how much of an impact each moment was. The music can’t be questioned with his hits playing through the film with every beat we know.
Settings – The film creates some of the biggest stages of James career, never looking like we aren’t in the correct time period.
Scene of the Movie – The performances.
That Moment That Annoyed Me – The time jumps.
Final Thoughts – This is a by the book biopic, it has wonderful performances and the music you would expect to see, though we do cram too much in for everything to run smoothly.
Overall: By the Books Biopic.
Characters – James Brown is one of the most influential musicians of the last century, there is no doubt what he did will live on forever. We get to see how James started with nothing, in an abusive childhood with no education, before learning to take the chances thrown his way, trying to make a difference to the world in the spotlight, even if he doesn’t always keep the crowd around him, not always as loyal as he should be. This doesn’t make James look like the most integral person behind the spotlight. Bobby Byrd is the man that gave James a chance to get out of prison, to start something with his singing in gospel, he will stand by James through all the troubles he faces, the bands he goes through, knowing James is the main talent and just being part of this would make him remembered. Ben Bart makes everything happen for James, he tries to help him navigate difficult moments in history, but will help him make the right choices which sees the friendship grow as the success does. Susie is the mother of James, she is forced to leave because of her partner and once he becomes famous wants to come back into his life, while James isn’t willing to let this happen.
Performances – Chadwick Boseman is fantastic in the leading role, he shows that his biopic man, he can bring James Brown to life on stage and in his personal life with ease. Nelsan Ellis is great in his role, showing us that he could provide excellent supporting performances in the film. Dan Aykroyd is strong too, with Viola Davis making a big impact in her scenes in the film.
Story – The story here follows the life of James Brown, from his poverty like childhood, to his international success in the music industry, we see his ideas on wanting to make a change and just what it will do to the people that helped him get to the top. One of the biggest weaknesses in the film here comes from the early time jumps, we are constantly jumping between moments, which doesn’t help the story telling process. This story also doesn’t paint James as a nice person away from the spotlight, even if he was always trying to achieve something more from his career. The story does try to ram too much into the film, which does make it hard to understand each moment of his life.
Biopic/Music – This does show a lot of his life, it doesn’t help us get invested in just how much of an impact each moment was. The music can’t be questioned with his hits playing through the film with every beat we know.
Settings – The film creates some of the biggest stages of James career, never looking like we aren’t in the correct time period.
Scene of the Movie – The performances.
That Moment That Annoyed Me – The time jumps.
Final Thoughts – This is a by the book biopic, it has wonderful performances and the music you would expect to see, though we do cram too much in for everything to run smoothly.
Overall: By the Books Biopic.