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Discovering Statistics Using IBM SPSS Statistics
Book
Lecturers/instructors - request a free digital inspection copy here With a little help from his...
Zuky the BookBum (15 KP) rated Follow You in Books
Mar 15, 2018
Initially, I really hated the title of this book, it sounds super cheesy and weird, but after finding out it relates to the Twitter Killer plot, I actually thought it was quite cool. The plotline here is that there was Twitter thread called '#BeMyKiller' where you could advertise yourself up to be killed (in a pranky way) but then a few people who responded to this thread were murdered. I thought this was a really unique motivation for the crimes in this and so my hatred for the title dissipated.
This is a fast paced book, with never a dull moment! If you're one of those people who pushes themselves through "just one more chapter", this book is going to stop you from sleeping... There are 130 chapters in this book, with some of them being just a page long!
I liked the plot for this, that they were making a film about the murders, that then turned into more murders. The setting was in the dark and dreary murder place of Meredith, "Fun Central" and because it was an old kids play area, with ball bits and go-kart tracks, it had an eerie feel to it that worked well alongside the gruesome murders. And yes, they were gruesome murders.
Writing was well done. It's not a challenging book to read, there's no amazing descriptive passages or hard-hitting themes, it's just an easy thriller read. One problem I did have with the writing is something so stupid and very specific that it almost seems pointless in saying it, but it got on my nerves enough times that I have to mention it. "So why did you use the #BeMyKiller hashtag?" - how do you read that sentence? I read it as "hashtag Be My Killer hashtag"... yes that's all that's annoyed me, the double use of the hashtag... don't use a # if you're then going to write out hashtag!!!
Our main character in this novel is Hazel, and while she's creating this film to get justice for Meredith's killer, I didn't particularly like her. The blurb makes it sound like Hazel is doing her documentary to get justice for Meredith, but to me, it felt like she was making the film to save her company from going under. She was too deceptive with all the characters about her reasoning behind creating this new film, that her passion to catch the killer felt fake. As for Meredith being a "childhood friend", I'd say that wasn't very realistic, the book makes it feel like they were more acquaintances than anything, and that Hazel just sort of pitied Meredith. It's never good when you don't like the main character, but I was reasonably happy still going along with this novel. Hazel was dislikable but she was tolerable.
I had my suspicions of who the killer might be, which turned out to be wrong, but I think I would have preferred my scenario to play out because the real reveal was pretty dramatic and out there. Although the last 40% of the book was super tense and horror-movie-like it got a little OTT in my opinion.
Overall this is a great thriller if you're looking for a book with non-stop action, but it's not particularly clever and it's very dark, so if you're not into that kinda thing, you won't enjoy this one. It's clear that Parker has a talent for writing and I will definitely look out for more books of his, but this, for me, was a very mediocre thriller novel.
This is a fast paced book, with never a dull moment! If you're one of those people who pushes themselves through "just one more chapter", this book is going to stop you from sleeping... There are 130 chapters in this book, with some of them being just a page long!
I liked the plot for this, that they were making a film about the murders, that then turned into more murders. The setting was in the dark and dreary murder place of Meredith, "Fun Central" and because it was an old kids play area, with ball bits and go-kart tracks, it had an eerie feel to it that worked well alongside the gruesome murders. And yes, they were gruesome murders.
Writing was well done. It's not a challenging book to read, there's no amazing descriptive passages or hard-hitting themes, it's just an easy thriller read. One problem I did have with the writing is something so stupid and very specific that it almost seems pointless in saying it, but it got on my nerves enough times that I have to mention it. "So why did you use the #BeMyKiller hashtag?" - how do you read that sentence? I read it as "hashtag Be My Killer hashtag"... yes that's all that's annoyed me, the double use of the hashtag... don't use a # if you're then going to write out hashtag!!!
Our main character in this novel is Hazel, and while she's creating this film to get justice for Meredith's killer, I didn't particularly like her. The blurb makes it sound like Hazel is doing her documentary to get justice for Meredith, but to me, it felt like she was making the film to save her company from going under. She was too deceptive with all the characters about her reasoning behind creating this new film, that her passion to catch the killer felt fake. As for Meredith being a "childhood friend", I'd say that wasn't very realistic, the book makes it feel like they were more acquaintances than anything, and that Hazel just sort of pitied Meredith. It's never good when you don't like the main character, but I was reasonably happy still going along with this novel. Hazel was dislikable but she was tolerable.
I had my suspicions of who the killer might be, which turned out to be wrong, but I think I would have preferred my scenario to play out because the real reveal was pretty dramatic and out there. Although the last 40% of the book was super tense and horror-movie-like it got a little OTT in my opinion.
Overall this is a great thriller if you're looking for a book with non-stop action, but it's not particularly clever and it's very dark, so if you're not into that kinda thing, you won't enjoy this one. It's clear that Parker has a talent for writing and I will definitely look out for more books of his, but this, for me, was a very mediocre thriller novel.
Alice (12 KP) rated The Weight of the World (The Amaranthine Spectrum #2) in Books
Jul 3, 2018
<i>I received a copy of this book from the publisher in exchange for an honest review </i>
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1GF">here</a href>
The Weight of the World starts roughly where the previous book ended, I say roughly because it starts with a few historical stories from different points of view - Daniell and Ghaldezuel- before jumping to the present with Lycaste, Huerepo and Maneker in the thick of things.
Now originally I had this stupid idea that I'd be able to drop right in the deep end of this story and know what was going to happen - my expectations were that it was to be a lot like the first book The Promise of the Child and I've never been so happy to say otherwise. The Weight of the World is so full of surprises there was no way I could correctly guess what was going to happen in the next chapter.
We're still following the tale told from Lycaste's view more often than not and although there are several other secondary main characters (makes no sense I'm aware of this) the book doesn't feel quite so wholesome until it's told from Lycaste's view but then on the flip side it's have a new character that I love - Perception or Percy - a millenia old AI/soul that was imprisoned on a planet.
Perception - as his name suggests - is wickedly perceptive and incredibly smart; imprisoned as a five year old soul and left to linger and eventually 'die' he has all these ideas of how things should be done and takes a great joy in proving Hugo Maneker wrong once he has been freed.
In my review for the first book (which you can check out above) I made mention of a child that wasn't heard from since the beginning of the book - what I didn't realise until reading this book that he actually was and it was greatly done by Tom Toner on how he fed this information into the story and still kept the plot on point.
I learned a lot about each of the characters particularly Lycaste, Pentas and Jatropha (who I'd like to point out I didn't realise was an specific character until now *facepalm*).
Lycaste has grown up considerably
Pentas, although she's gone through a pretty tough time is an selfish, manipulative and all and round horrible person
Jatropha has fingers in many many pies.
The break down between the Vulgar and the Lacaille was stellar and Huerepo is the perfect character to put this across - a stark contrast to his Lacaille equivalent Ghaldezuel whom has a lovely traitorous streak in him, something that I wholly did not expect.
There were fights in space and an abundance of alien species once again and a firm understanding of Old World history versus present; a humourous trip in space with Huerepo's cousin who is like a mini version of a sarcastic, cockney-esque Butler.
You can tell in this book that Tom Toner has settled into his author boots with aplomb and I can only imagine that he will continue to grow from strength to strength and I can't wait to see where he takes the Amaranthine Spectrum next.
Original review can be found on my blog Raptureinbooks <a href="http://wp.me/p5y0lX-1GF">here</a href>
The Weight of the World starts roughly where the previous book ended, I say roughly because it starts with a few historical stories from different points of view - Daniell and Ghaldezuel- before jumping to the present with Lycaste, Huerepo and Maneker in the thick of things.
Now originally I had this stupid idea that I'd be able to drop right in the deep end of this story and know what was going to happen - my expectations were that it was to be a lot like the first book The Promise of the Child and I've never been so happy to say otherwise. The Weight of the World is so full of surprises there was no way I could correctly guess what was going to happen in the next chapter.
We're still following the tale told from Lycaste's view more often than not and although there are several other secondary main characters (makes no sense I'm aware of this) the book doesn't feel quite so wholesome until it's told from Lycaste's view but then on the flip side it's have a new character that I love - Perception or Percy - a millenia old AI/soul that was imprisoned on a planet.
Perception - as his name suggests - is wickedly perceptive and incredibly smart; imprisoned as a five year old soul and left to linger and eventually 'die' he has all these ideas of how things should be done and takes a great joy in proving Hugo Maneker wrong once he has been freed.
In my review for the first book (which you can check out above) I made mention of a child that wasn't heard from since the beginning of the book - what I didn't realise until reading this book that he actually was and it was greatly done by Tom Toner on how he fed this information into the story and still kept the plot on point.
I learned a lot about each of the characters particularly Lycaste, Pentas and Jatropha (who I'd like to point out I didn't realise was an specific character until now *facepalm*).
Lycaste has grown up considerably
Pentas, although she's gone through a pretty tough time is an selfish, manipulative and all and round horrible person
Jatropha has fingers in many many pies.
The break down between the Vulgar and the Lacaille was stellar and Huerepo is the perfect character to put this across - a stark contrast to his Lacaille equivalent Ghaldezuel whom has a lovely traitorous streak in him, something that I wholly did not expect.
There were fights in space and an abundance of alien species once again and a firm understanding of Old World history versus present; a humourous trip in space with Huerepo's cousin who is like a mini version of a sarcastic, cockney-esque Butler.
You can tell in this book that Tom Toner has settled into his author boots with aplomb and I can only imagine that he will continue to grow from strength to strength and I can't wait to see where he takes the Amaranthine Spectrum next.
Oxford Handbook of Clinical Medicine,Ninth Edition
Medical and Health & Fitness
App
This Oxford University Press source of information is developed by MedHand Mobile Libraries. Improve...
FilmIntuition (33 KP) rated Picture Us In The Light in Books
May 23, 2018
A Book of the Heart
While many novelists refer to their latest works as “the book of my heart,” in the case of young adult author Kelly Loy Gilbert’s finely crafted, humanistic new effort Picture Us In the Light, that description is entirely justified.
Sensitively penned within the immediately convincing first person point-of-view of our main character, high school senior and aspiring artist Danny Cheng, the author pulls us into Picture’s picturesque world within the very first chapter.
After stumbling upon a mysterious box of his father's and going through it with gusto, Danny begins to wonder just how much his loving but secretive parents have been keeping from him.
Unable to come of age until he can come to terms with unexplained gaps and tragedies in his past, he enlists the help of his two best friends - only to discover that he can’t examine the lives of those closest to him without doing the same himself.
Balancing wry observations and deft characterizations with heavy subject matter, Loy Gilbert foreshadows big twists to come as we move further into the novel. And although it begins with a steady climb, Picture slows down just long enough to ensure that we feel as connected to the characters as they are to each other.
Now sure she’s got you, the author returns to full speed - moving like a bullet train from roughly the hundred page mark all the way through to its bittersweet but very satisfying final chapter.
Written during the tumultuous 2016 election and revised afterward, Loy Gilbert is right on YouTube when she acknowledges the vital role that stories play in this post election world where “facts don't matter,” due to fiction’s empathetic ability to introduce us to people, places, and plights we might not encounter otherwise.
Filled with so much internal and external dramatic mystery that in less gifted hands, Picture could’ve easily resulted in a messy collision of conflicts, although there are a few revelations about both the plot and our protagonist that we’re able to deduce long before he does, the author wraps things up artfully.
Dropping hints and red herrings into sentences and passages so gorgeous that I found myself making multiple notes throughout, Kelly Loy Gilbert never once lets us feel as though she’s taking a shortcut on her way to the book’s resolution.
Relatively new to twenty-first century post-Harry Potter young adult fiction, if I had not received this stunning Picture through the Bookish First raffle, I would’ve completely missed what’s since become one of the best novels I’ve read so far this year.
To put it another way, it’s a book of the heart indeed.
Sensitively penned within the immediately convincing first person point-of-view of our main character, high school senior and aspiring artist Danny Cheng, the author pulls us into Picture’s picturesque world within the very first chapter.
After stumbling upon a mysterious box of his father's and going through it with gusto, Danny begins to wonder just how much his loving but secretive parents have been keeping from him.
Unable to come of age until he can come to terms with unexplained gaps and tragedies in his past, he enlists the help of his two best friends - only to discover that he can’t examine the lives of those closest to him without doing the same himself.
Balancing wry observations and deft characterizations with heavy subject matter, Loy Gilbert foreshadows big twists to come as we move further into the novel. And although it begins with a steady climb, Picture slows down just long enough to ensure that we feel as connected to the characters as they are to each other.
Now sure she’s got you, the author returns to full speed - moving like a bullet train from roughly the hundred page mark all the way through to its bittersweet but very satisfying final chapter.
Written during the tumultuous 2016 election and revised afterward, Loy Gilbert is right on YouTube when she acknowledges the vital role that stories play in this post election world where “facts don't matter,” due to fiction’s empathetic ability to introduce us to people, places, and plights we might not encounter otherwise.
Filled with so much internal and external dramatic mystery that in less gifted hands, Picture could’ve easily resulted in a messy collision of conflicts, although there are a few revelations about both the plot and our protagonist that we’re able to deduce long before he does, the author wraps things up artfully.
Dropping hints and red herrings into sentences and passages so gorgeous that I found myself making multiple notes throughout, Kelly Loy Gilbert never once lets us feel as though she’s taking a shortcut on her way to the book’s resolution.
Relatively new to twenty-first century post-Harry Potter young adult fiction, if I had not received this stunning Picture through the Bookish First raffle, I would’ve completely missed what’s since become one of the best novels I’ve read so far this year.
To put it another way, it’s a book of the heart indeed.
Ross (3284 KP) rated Reign of Madness in Books
Nov 30, 2018 (Updated Nov 30, 2018)
Good but needlessly long and slow
Following on from Free the Darkness, which ended somewhat abruptly ("we're going on an adventure, the end"), Reign of Madness sees Rezkin "Marty Stu" travelling to the King's Tournament with a group of fellow travellers. As before, his motives are somewhat hidden or confused but largely he is looking for answers to what his purpose was and why he had to kill all of his boyhood mentors.
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).
In almost every chapter, something happens that makes it abundantly clear that Rezkin is of royal descent, and yet nobody picks up on the massive clanging hints that abound. Even right to the last page, his companions remain so stupid as to miss the obvious that it gets annoying. This might be Kade suggesting something of human nature / not wanting to accept the facts, but it comes across more that he hasn't hidden the clues as well as he thinks he has and only plain exposition could possibly lay them bare.
Part of this I think stems from the omniscient narrator again, the reader gets far too much information on everyone's thoughts and events so it is hard to put yourself in one character's position and their behaviours just seem so much more flawed than they would if we had only single person snapshot PoVs.
And Rezkin's character seems to be inconsistent - one minute he is meant to be a master of disguise and can insert himself into any situation, the next he doesn't understand any emotions; one chapter he nearly attacks a woman for approaching him quickly, the next he allows a grown man to hit him in anger as they grieve their recent bereavement.
As with book 1, the story is good, the action sequences well written and the underlying long-term plot is strong. However, some of the writing of it is clumsy (chapters of nothing but expository dialogue), the characters one-dimensional (especially the female characters) and a lot of the world (especially the magic such as it is) seems to be made up on the spot. And the whole thing just takes so long to get through. I think if you are dedicated and determined to plough through 20% plus a day this will be fine, if you pick it up now and then and get through less than 10% you will find yourself grinding to a halt through the first half of this book, where nothing happens except a donkey being healed and A LOT of dialogue about not a lot (which essentially just replaces things that should really have been explained in book 1).
I will carry on with the series but these long rambling tomes are stretching my tolerance (and the value for money from my Kindle Unlimited trial!).
Hazel (1853 KP) rated A City Dreaming in Books
Dec 14, 2018
My rating: 2.5
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.
<i>I received this book for free through Goodreads First Reads.</i>
“The city never sleeps, but it’s always dreaming.” And, by dreaming, Daniel Polansky clearly means nightmares. <i>A City Dreaming</i> is, for the lack of a better term, an urban fantasy novel. Embracing elements of dystopia and steampunk universes, it is difficult to determine the time period in which it is set. What can be established is that, wherever you are in the world, you are never far away from a monster.
<i>A City Dreaming</i> revolves around a semi-anonymous character known as M. M appears to be some form of magician who wishes he could spend his days listlessly staring into the bottom of his beer glass. Yet with misbehaving creatures and warring goddess living in the city of New York, peace is a rare phenomenon in M’s life. From demons to murders and mind-boggling situations, there is never a dull moment.
Each chapter of <i>A City Dreaming</i> is, in some way, an individual story. Apart from the occasional recurring character, no scenario is ever continued after the chapter concludes. This is initially a cause for confusion. With no clear direction or purpose, it is hard to remain engaged with the author’s imagination.
Readers familiar with contemporary fantasy writers, such as Neil Gaiman, may understand Polansky’s vision – think <i>Neverwhere</i> and <i>American Gods</i> combined, but weirder. M spends the majority of his time either inebriated or on drugs, and, to be frank, it would not be surprising to learn the author was on drugs at the time of writing. Imagine Neil Gaiman on drugs; that is how bizarre this book is.
Despite his penchant for recreational drugs, M is an intelligent character that can humorously talk himself out of impossible situations. However it is often a hopeless ordeal to fathom the process of his intoxicated mind. As a result, <i>A City Dreaming</i> loses its thrill and excitement.
As this is the first Daniel Polansky novel that I have read, I do not know whether this is his usual style of writing or whether it was an attempt at something new. What I did observe was the intelligence hidden behind the excess of expletives and lewd content. Polansky writes with certain aptitude, almost as if he has swallowed a thesaurus.
Fans of Neil Gaiman and Brandon Sanderson may enjoy <i>A City Dreaming</i> more than new readers, since they will already be familiar with the style of bemusing narration. <i>A City Dreaming</i> does not live up to the definition of a novel, however as short, connecting stories it provides the intended entertainment. Almost certainly, this book will be received with mixed reviews; nonetheless it will undoubtedly eventually find its fan base.
Bible Stones
Reference and Book
App
Bible Stones is one of the best free Bible reader software available on the market. It gives you the...
Financial and Management Accounting: An Introduction
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Were you looking for the book with access to MyAccountingLab? This product is the book alone and...
Introduction to Bayesian Statistics
William M. Bolstad and James Michael Curran
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"...this edition is useful and effective in teaching Bayesian inference at both elementary and...