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Te Linde's Operative Gynecology
Howard W. Jones and John A. Rock
Book
For nearly 70 years, health care professionals have turned to Te Linde's Operative Gynecology for...
PT
Precinct, Temple and Altar in Roman Spain: Studies on the Imperial Monuments at Merida and Tarragona
Book
The studies included in this volume supplement the work already published by the author on the...
BookishWoo (317 KP) rated Lost in Plain Sight in Books
Jun 3, 2020
I freaking loved this! Yes you heard right, if I could sum my review up in 4 simple words that would be exactly what I would write!
So what made this so good I hear you ask?
For starters, Alan managed to bring 2 of my favourite genres together and it just worked, so well. From the 1st page I was sold, it reeled me in and didn’t let go. This was a book I could really sink my teeth into.
Told in multiple POV’s, which trust me when I say it doesn’t always work and you can easily get lost and have to go back on yourself, I can honestly say this flowed with absolute ease. Each Chapter is told by a one of the main Character’s and you know straight away whose POV you are reading as it’s a chapter heading. The main characters are relatable, quirky and I loved getting to know them.
This was really was well written and Alan is very descriptive when setting a scene. As this is not set in a fictitious world and set in Brighton, you can truly imagine yourself there, especially if you know the area well. This is one of the main reasons I loved this so much. As a fantasy lover, I am used to world building and imaginary places, but having the story set in a actual place with the fantasy element running alongside, was refreshing. Everything is there for fantasy fans…..magic, demons, fae folk, The list goes on. For thriller fans there is murder, mystery and an engaging plot.
All in all this had everything to keep me enthralled and not forgetting it had me laughing out loud in places, Alan clearly has a wicked sense of humour which clearly shines through in his writing.
I received Lost In Plain Sight by Alan Camrose for free in exchange for an honest review as part of a blog tour for Love Books Tours
So what made this so good I hear you ask?
For starters, Alan managed to bring 2 of my favourite genres together and it just worked, so well. From the 1st page I was sold, it reeled me in and didn’t let go. This was a book I could really sink my teeth into.
Told in multiple POV’s, which trust me when I say it doesn’t always work and you can easily get lost and have to go back on yourself, I can honestly say this flowed with absolute ease. Each Chapter is told by a one of the main Character’s and you know straight away whose POV you are reading as it’s a chapter heading. The main characters are relatable, quirky and I loved getting to know them.
This was really was well written and Alan is very descriptive when setting a scene. As this is not set in a fictitious world and set in Brighton, you can truly imagine yourself there, especially if you know the area well. This is one of the main reasons I loved this so much. As a fantasy lover, I am used to world building and imaginary places, but having the story set in a actual place with the fantasy element running alongside, was refreshing. Everything is there for fantasy fans…..magic, demons, fae folk, The list goes on. For thriller fans there is murder, mystery and an engaging plot.
All in all this had everything to keep me enthralled and not forgetting it had me laughing out loud in places, Alan clearly has a wicked sense of humour which clearly shines through in his writing.
I received Lost In Plain Sight by Alan Camrose for free in exchange for an honest review as part of a blog tour for Love Books Tours
Haley Mathiot (9 KP) rated The Lovely Bones in Books
Apr 27, 2018
**Spoiler Alert!**
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
First of all, let me say this. I really wanted to love The Lovely Bones. But I didn’t. I didn’t like it very much.
This comes as a surprise to me, because while I was reading it, I found it almost impossible to put down. It was cryptic and mysterious. The problem is that at the end, it still felt cryptic and mysterious—like I’d missed something. I felt throughout the book that I’d find a plot line, or a key, or something, and it would all fit together perfectly. But it didn’t. The writing was hard to read, and I had to really focus to understand the words. The plot was very original and creative, but there just seemed to be something missing through the whole book. When I got to the end, I was very disappointed.
I didn’t feel engaged in The Lovely Bones. I felt like an outsider looking in. I related to the characters on a certain level—but then again I felt totally disconnected and withdrawn while reading.
I didn’t at all like what happened to Mr. Harvey. He needed to be caught and put in jail, or killed by the father, or something a little more than getting an icicle in his back and falling into a ravine. His death was very unsatisfactory.
I didn’t like the end at all. As I said earlier, it felt like something was missing. I got to the end and said “Hu? Did I miss something? Maybe I skipped some pages, or missed a paragraph…” and literally flipped back through the past few pages. Nothing. It was like the end of a chapter, not the end of a book. There are unanswered questions sitting right in front of you, and there are blank endings for some of the characters. By blank I mean empty, like it’s not an ending at all. Like there is another few chapters to read and then maybe it will all make sense.
As I said above, find it very difficult to stop until I got about halfway through. When I got to the halfway point, it started to feel like it wasn’t going anywhere and I put it off for about a month. The book felt like it was boring, and dead like Susie. The mystery wasn’t going to be solved. It got old. Blech.
But some of it was very fast paced and exciting, and the characters are very well developed. The dialogue flows freely and comfortably.
Also, however painful Mrs. Salmon’s leaving was, and watching the family get torn apart, it was beautiful in the end when she came back. And I loved the interaction between the characters, and I loved the characters themselves. Lindsey and Samuel were wonderful, and her baby was wonderful, and the grandma was wonderful. Poor, sweet little Buckley who grows up too fast and too hard…
So I rest closer to the negative side than the positive side. This was a good (depending on your definition) book—I just wasn’t connected to it. There were some things that I liked about The Lovely Bones. However, most of it I didn’t like. If I’m not connected to a book, how can I read it? Will I read this one again? probably not. Will I read the sequel? Not unless I get it in the mail for review and I’m really really bored.
I wish I could say more good things about this book. I wanted to love it. My friends all loved it and my mom loved it. But it felt odd and foreign and uncomfortable to me, and the ending was awful. If you consider it an ending.
Audio Review: The audio-book was read by the author, who read incredibly slow and seemingly forced. Wouldn't an author take some joy in reading their book out loud, even if it was as depressing as this one? wouldn’t the author, of all people, read with a little more energy? Alice sounded tired. Tired of her book, tired of Susie and Lindsey and Mr. Salmon and everyone else. If you’re going to read The Lovely Bones, read The Lovely Bones.
Hazel (1853 KP) rated The Care and Management of Lies in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
British author Jacqueline Winspear states in the letter from the author at the front of the book that the idea for this novel came from a second hand copy of a book titled <i>The Woman’s Book</i> by Florence B Jack (1911) containing an inscription revealing that it was presented as a gift to a woman on her wedding day in July 1914. The story within </i>The Care and Management of Lies</i> is Winspear’s imaginings about who that woman was and what her life was like.
The book focuses primarily on four characters, the main being Kezia Brissenden née Marchant who receives the gift <i>The Woman’s Book</i> from a close friend, Dorothy “Thea”, who so happens to be the older sister of her new husband, Tom. The book was not a particularly kind gift as it emphasized Kezia’s upbringing and who, due to her father being a reverend and employer of maids and cooks, had never produced her own meal in her life nor had any experience with running a household, let alone a farm – her new home.
Whilst Kezia determinedly throws herself into her new role, showing her love for Tom through the food she learns to cook, Thea, living in London, is drifting away from their friendship. With the possibility of war on the horizon, Thea joins a pacifist movement, which is somewhat ironic as she was once involved with the suffragettes. On the other hand, once war is declared, Tom decides to enlist in the army as does neighbour, Edmund Hawkes, a man who is rather envious of Tom and his lovely wife. The reader receives two different perspectives of the terrors of war from these characters, but then also another, surprisingly, from Thea who rejects pacifism and goes out to France to help in anyway she can. This leaves Kezia at home alone with the effects the war has on Britain.
The love between Kezia and Tom is emphasized through the letters they send each other. Both are lying about their situations by trying to convince the other that they are better off than they really are. The thing that keeps them both going are Kezia’s descriptions of her fictional meals that she prepares for Tom’s dinner, describing in great detail the preparation and taste of the food.
Each chapter begins with a quote from <i>The Woman’s Book</i> (and later <i>Infantry Training</i> and <i>Field Service Pocket Book</i>) that relate to the particular events occurring in the story at that time. This is a great way of underlining the significance of that wedding present to the storyline.
The narrative quickly changes from character to character which, although helping to keep the pace of the novel, can sometimes be a little confusing. It also made it difficult to get into the story at the beginning. Sometimes it took a lot of concentration to follow the text and those with minds that easily wander may constantly find themselves suddenly reading from a different point of view without having noticed the change over.
Winspear’s grandfather was a soldier in the trenches during the Great War and so it seems likely that some of the scenes may be based on his experiences. If that is the case then it can be believed that <i>The Care and Management of Lies</i> is as accurate as can be in terms of the war and life on the front lines. Winspear also does not attempt to gloss over any of the war horrors, therefore does not create the unlikely “and they all lived happily ever after” ending that other writers of war stories have done in the past.
Those interested in war themes may be particularly interested in this book, especially as this year (2014) is the anniversary of the Great War. <i>The Care and Management of Lies</i> is a piece of literature to add to the mountain of media coverage of the commemoration of the war.
Ross (3284 KP) rated Cold Iron (Masters & Mages #1) in Books
Jan 22, 2019
Elaborate prose and an unsettling amount of "wait and see" damaged my enjoyment
This book feels like your standard coming-of-age fantasy - young man from a simple village finds himself in the big city destined for greatness and surrounds himself with strong watchers while he grows into his potential. It is that and it is so much more.
The story that is told is how Aranthur, this young man (selected from his village to attend the big city university) finds himself in the midst of conflict and significant events in the empire's changing status. The idea of fate dictating that this one man would be at the centre of things (see Wheel of Time) is not one that is explored here. While it is hinted at (he is frequently told off for ending up in unusual circumstances), it isn't overly laboured. Nobody tells him he was chosen or anything like that. Instead he gradually learns that he has found himself at the centre of political intrigue, plotting, counter-plotting, conspiracies and war.
This book is not about Aranthur. He is just the focal point of the book, the story is so much bigger than him. This meant it did at times become a little hard to take that he always just happened to meet the right person, go to the right place at the right time in order to witness or participate in a number of significant plot events. In hindsight, this is largely all explained as some hidden agenda and him being put in those places to make those decisions but at the time it was a little jarring.
The narrative is more akin to Robert Jordan than many contemporary writers - so much overly elaborate description of people, places, clothes, horses, weapons etc. At times this adds to the reading experience but I found it over-used and made the book feel like a much longer read (I was shocked when I found out it was just under 450 pages - it reads like around 700). Also, so much of the narrative is in either italics (to show it is a magic/majick/magik delete as appropriate) or is in some odd variation of French ("gonne" for gun, "quaveh" for coffee etc) to become irritating. At times the book is more like a decent fantasy tale or conspiracy and intrigue which has been edited by a historical re-enactment nut. Given this is fictional and the world is the author's to do with as he wishes, forcing some historical accuracy at the expense of reader enjoyment seemed an odd decision to make.
The magical system seems fairly standard fantasy fayre, albeit it is not described or explored in any detail, people just suddenly do things which haven't previously been mentioned. A large aspect of the book is Aranthur's being chosen to translate an ancient text to decode the magical secrets hidden there. I think in all he decodes three of these, and uses them, but there is no mention of them until he has to use them in a fight. It could just be that I have been reading a lot of LitRPG recently, where every spell is described in intimate detail and its uses are discussed way in advance of being needed in combat, but I felt like it was something of an afterthought or rescue from a plot dead-end ("oh sod it, say he done a magic").
While I did enjoy this book on the whole, the narrative style and the focus being on clothes rather than describing the interesting aspects of the world were to its detriment. Also, the book is written as two "books" (chapters), the first "book" covers around 80% and all in one long chapter without breaks. To my mind, ending there would have sufficed. The final 20% in "book 2" felt like part epilogue, part sequel and should maybe have been split as such.
My advice to anyone reading this, is to suspend disbelief that little bit further and trust that things do largely get explained satisfactorily before the end.
The story that is told is how Aranthur, this young man (selected from his village to attend the big city university) finds himself in the midst of conflict and significant events in the empire's changing status. The idea of fate dictating that this one man would be at the centre of things (see Wheel of Time) is not one that is explored here. While it is hinted at (he is frequently told off for ending up in unusual circumstances), it isn't overly laboured. Nobody tells him he was chosen or anything like that. Instead he gradually learns that he has found himself at the centre of political intrigue, plotting, counter-plotting, conspiracies and war.
This book is not about Aranthur. He is just the focal point of the book, the story is so much bigger than him. This meant it did at times become a little hard to take that he always just happened to meet the right person, go to the right place at the right time in order to witness or participate in a number of significant plot events. In hindsight, this is largely all explained as some hidden agenda and him being put in those places to make those decisions but at the time it was a little jarring.
The narrative is more akin to Robert Jordan than many contemporary writers - so much overly elaborate description of people, places, clothes, horses, weapons etc. At times this adds to the reading experience but I found it over-used and made the book feel like a much longer read (I was shocked when I found out it was just under 450 pages - it reads like around 700). Also, so much of the narrative is in either italics (to show it is a magic/majick/magik delete as appropriate) or is in some odd variation of French ("gonne" for gun, "quaveh" for coffee etc) to become irritating. At times the book is more like a decent fantasy tale or conspiracy and intrigue which has been edited by a historical re-enactment nut. Given this is fictional and the world is the author's to do with as he wishes, forcing some historical accuracy at the expense of reader enjoyment seemed an odd decision to make.
The magical system seems fairly standard fantasy fayre, albeit it is not described or explored in any detail, people just suddenly do things which haven't previously been mentioned. A large aspect of the book is Aranthur's being chosen to translate an ancient text to decode the magical secrets hidden there. I think in all he decodes three of these, and uses them, but there is no mention of them until he has to use them in a fight. It could just be that I have been reading a lot of LitRPG recently, where every spell is described in intimate detail and its uses are discussed way in advance of being needed in combat, but I felt like it was something of an afterthought or rescue from a plot dead-end ("oh sod it, say he done a magic").
While I did enjoy this book on the whole, the narrative style and the focus being on clothes rather than describing the interesting aspects of the world were to its detriment. Also, the book is written as two "books" (chapters), the first "book" covers around 80% and all in one long chapter without breaks. To my mind, ending there would have sufficed. The final 20% in "book 2" felt like part epilogue, part sequel and should maybe have been split as such.
My advice to anyone reading this, is to suspend disbelief that little bit further and trust that things do largely get explained satisfactorily before the end.
Wow.
Wow. What an ending. I would admit to having my issues with the first 3 books of the series (the cast of characters and locations is just too big from the outset to be able to comfortably remember who/where they all are!), but was generally enjoying it and loved Gwynne's writing style, particularly in action scenes.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
There was still a lot of ground to cover in the final book of the series, and it really had to be a pretty epic, pacey tome to address all the plot points and end satisfactorily.
It certainly delivers on the pace. There is barely a chapter where the action isn't thick and fast with plot development and important events or revelations.
And I think Gwynne's storytelling really went up a notch. In numerous places the action was told from different PoV's with punchy short chapters delivering an awesome, rounded description of the action unfolding.
I have some very minor hang-ups about the sheer number of main character deaths in the final quarter of the book but most of these are serving a point and seem necessary.
The battle of good vs evil here has the weight shift a number of times. While in the early stages the clever tactics on the side of good seem to win the day, they are quickly brought back down to earth by the sheer numbers on the side of the bad.
A number of rivalries which have been building over the course of the series come to a climax here, and all are built up with such tension and passion that you are constantly on the edge of your seat longing for the vital sword stroke or arrow, as the action can so often happen suddenly you might not necessarily be expecting it.
Overall, this book has redeemed my minor hang-ups from the earlier books and this may now be amongst my favourite series ever.
Midge (525 KP) rated Death Comes to Call (A Tara Thorpe Mystery Book 3) in Books
Mar 2, 2019
A Fantastic Mystery/Thriller!
I'm a great fan of mysteries and thrillers so, when I saw “Death Comes To Call” featuring DC Tara Thorpe being launched, I knew I had to read it. This is actually the third book in the Tara Thorpe Mystery Series. Although I haven’t come across the other two novels in the series - “Murder on the Marshes” (Book 0ne) and “Death on the River” (Book Two) - I thought “Death Comes To Call” worked fine as a stand alone as there was enough back-story provided to understand some of the dynamics between the different characters. Reading this novel, however, and Clare Chase’s excellent writing, have inspired me to go and get myself copies of the first two books!
In the opening chapter, we are introduced to DC Tara Thorpe who is Cambridge Police’s youngest detective and isn't afraid to step on toes to get results.
When a promising local artist disappears, the victim’s brother begs Tara to take the case. It seems there’s no evidence of foul play… he simply disappeared without a trace.
Tara agrees to investigate however her unconventional approach to policing has upset some of her colleagues, including her former boss DC Patrick Wilkins, currently suspended, but who is prepared to do anything to bring her down. Luckily, she’s on good terms with DI Garstin Blake…
I loved that in “Death Comes To Call,” the sub-plots that explore the detectives’ personal lives run parallel with the murder investigation. Clare Chase writes with flair and an easy style. I thought the characterisation was very well done and I liked the gripping plot, as well as the wonderful depictions of the setting.
All in all, this was a story that held my attention well and I loved that things came together for a great finish and wrapped everything up very neatly.
[My thanks to NetGalley, Bookouture and the author for providing me with a free advanced copy of this novel.]
In the opening chapter, we are introduced to DC Tara Thorpe who is Cambridge Police’s youngest detective and isn't afraid to step on toes to get results.
When a promising local artist disappears, the victim’s brother begs Tara to take the case. It seems there’s no evidence of foul play… he simply disappeared without a trace.
Tara agrees to investigate however her unconventional approach to policing has upset some of her colleagues, including her former boss DC Patrick Wilkins, currently suspended, but who is prepared to do anything to bring her down. Luckily, she’s on good terms with DI Garstin Blake…
I loved that in “Death Comes To Call,” the sub-plots that explore the detectives’ personal lives run parallel with the murder investigation. Clare Chase writes with flair and an easy style. I thought the characterisation was very well done and I liked the gripping plot, as well as the wonderful depictions of the setting.
All in all, this was a story that held my attention well and I loved that things came together for a great finish and wrapped everything up very neatly.
[My thanks to NetGalley, Bookouture and the author for providing me with a free advanced copy of this novel.]
ArecRain (8 KP) rated Servant: The Acceptance (Servant, #2) in Books
Jan 18, 2018
The second of the series and much better than the first though I can't bring myself to give it a higher rate. The book is filled with repetitive themes such as Gaby's inner dialogue and thoughts as well as her interaction with Luther.
What I like about this book is the character development that is extended past the last chapter of the <i>Servant: The Awakening</i>. Though Mort barely makes a few appearances in this novel, it is clear that he is a completely different person. We also see Gaby and Luther change in their behavior with each other. Some of the dialogue can get old and predictable, but I still loved the couple and wanted them to get together. Since the beginning, Foster has teased us with the sexual tension between the two but in this novel, she gives a little scene that keeps the weary holding out for when they finally will get together. It's short, it's spicy yet predictable, and it keeps you frustrated.
What I don't like is that there was a sheer drop off of paranormalcy from the first novel. In the first novel, we are given grotesque images of twisted evil beings. <i>The Awakening</i> didn't touch on that. Instead, we get a psychotic woman trying to be a boy, her deranged uncle and aunt who take pleasure in torture people, and men who like to abuse prostitutes. Honestly, I would have kept the twisted beings that morph into monsters only Gaby could see to keep with the theme of the first novel. However, Foster did put a lot more about auras, which I greatly enjoyed. I also loved how she gave another character besides Gaby any form of superhuman abilities.
Again, not a great book and not one to take as a series fantasy novel, but I liked it all the same and I will be reading the next in the series which is also the last.
What I like about this book is the character development that is extended past the last chapter of the <i>Servant: The Awakening</i>. Though Mort barely makes a few appearances in this novel, it is clear that he is a completely different person. We also see Gaby and Luther change in their behavior with each other. Some of the dialogue can get old and predictable, but I still loved the couple and wanted them to get together. Since the beginning, Foster has teased us with the sexual tension between the two but in this novel, she gives a little scene that keeps the weary holding out for when they finally will get together. It's short, it's spicy yet predictable, and it keeps you frustrated.
What I don't like is that there was a sheer drop off of paranormalcy from the first novel. In the first novel, we are given grotesque images of twisted evil beings. <i>The Awakening</i> didn't touch on that. Instead, we get a psychotic woman trying to be a boy, her deranged uncle and aunt who take pleasure in torture people, and men who like to abuse prostitutes. Honestly, I would have kept the twisted beings that morph into monsters only Gaby could see to keep with the theme of the first novel. However, Foster did put a lot more about auras, which I greatly enjoyed. I also loved how she gave another character besides Gaby any form of superhuman abilities.
Again, not a great book and not one to take as a series fantasy novel, but I liked it all the same and I will be reading the next in the series which is also the last.
BookblogbyCari (345 KP) rated When Hitler Took Cocaine and Lenin Lost His Brain in Books
Aug 14, 2018
Book Review by Cari Mayhew.
If only all events in history could be taught this way! This is his hands down one of the most entertaining history books you’ll ever read! The book is composed of 50 chapters depicting from lesser known points in history. The stories are dramatic, compelling, and often shocking. There are tales of heroism, injustice, conspiracy and cannibalism.
Each chapter is it's own little, well written, real-life story. And each is rounded off with a profound sentence or two to summarise. I gained an appreciation of the role of pigeons and dogs in the war, I learned why the Dodo bird became extinct, and I discovered that it’s possible to survive 2 nuclear bombs.
Normally with non-fiction book with so many isolated sections, I'd be tempted to skip sections, but that was not the case this time - I enjoyed every single one! I’ve noticed there are more books in the series, and I intend to read them all!
The best way to convey how well written the stories are, is to leave you with an excerpt:
“There was a sickening crunch and a violent jerk. The right wing of the plane was ripped off by the mountain peak and flung backwards into the rear of the fuselage. The plane, wildly out of control, smashed into a second peak, which tore off the left wing.
Inside the cabin, the terrified passengers expected the shattered plane to plunge them to their deaths. But the plane’s crash-landing miraculously spared some of those on board. The fuselage hit a snow-covered mountain slope and slid downwards before coming to a halt in a deep drift.
As a wall of silence descended over the wreckage, the injured and groaning survivors came to their senses. They were lost in the wilds of the High Andes. But they were alive!”
For more of my reviews, check out www.bookblogbycari.com
If only all events in history could be taught this way! This is his hands down one of the most entertaining history books you’ll ever read! The book is composed of 50 chapters depicting from lesser known points in history. The stories are dramatic, compelling, and often shocking. There are tales of heroism, injustice, conspiracy and cannibalism.
Each chapter is it's own little, well written, real-life story. And each is rounded off with a profound sentence or two to summarise. I gained an appreciation of the role of pigeons and dogs in the war, I learned why the Dodo bird became extinct, and I discovered that it’s possible to survive 2 nuclear bombs.
Normally with non-fiction book with so many isolated sections, I'd be tempted to skip sections, but that was not the case this time - I enjoyed every single one! I’ve noticed there are more books in the series, and I intend to read them all!
The best way to convey how well written the stories are, is to leave you with an excerpt:
“There was a sickening crunch and a violent jerk. The right wing of the plane was ripped off by the mountain peak and flung backwards into the rear of the fuselage. The plane, wildly out of control, smashed into a second peak, which tore off the left wing.
Inside the cabin, the terrified passengers expected the shattered plane to plunge them to their deaths. But the plane’s crash-landing miraculously spared some of those on board. The fuselage hit a snow-covered mountain slope and slid downwards before coming to a halt in a deep drift.
As a wall of silence descended over the wreckage, the injured and groaning survivors came to their senses. They were lost in the wilds of the High Andes. But they were alive!”
For more of my reviews, check out www.bookblogbycari.com