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Translating Statistics to Make Decisions: A Guide for the Non-Statistician
Book
Examine and solve the common misconceptions and fallacies that non-statisticians bring to their...
Object-Oriented Programming with Swift: Part 2
Book
Get to grips with object-oriented programming in Swift to efficiently build powerful real-world...
Eleanor Luhar (47 KP) rated The Outs in Books
Jun 24, 2019
Well this was... an interesting read...
Just gonna quickly put a little trigger warning in here, as there is graphic and emotional descriptions of depression and suicide. But the story isn't about these things, and they aren't properly talked about until far later in the novel.
You're thrown right into the deep end from page one, having to put the pieces together as the plot progresses. We meet one of our protagonists, Caleb, in an unfamiliar room with mysterious men and a random little girl. He ends up taking her with him as he runs, trying to figure out what he did during the Outs.
The Outs are kinda confusing. They're moments in time where electrical appliances all fail, and anything that happens is forgotten as soon as the Outs end. Oh, and anyone killed during the Outs is resurrected from the dead.
I'm really not sure how to describe this book. The plot is super confusing - Caleb and his aphasic friend, Kitzi, take this weird little girl (Amanda) who somehow has powers over everyone and everything, in an attempt to stop Deeds and his army of Deadheaders. Caleb has a psychopathic voice in his head called Crimes, Amanda's dreams come true, Kitzi's suicide happens to have taken place at the same time the Outs started, she can smell the truth - and somehow they're all connected to the Outs? These three individuals - and many others along the way - each have a big part in what is happening. But how?
Honestly, I cannot explain it. There are so many little ties and strings throughout this book that all add up, and I couldn't possibly include them all.
It definitely is a unique book. The idea is pretty good, too - the whole "nightmares becoming real" and all. But I just didn't connect; I don't know if it was the pacing or what, but I just didn't feel involved in it.
I feel like I should've been able to sympathise with the characters more - they had good backstories, emotional and family issues that different people should be able to relate to. And the narration following Kitzi often makes references to comic books which I personally really appreciated. But I just didn't quite feel them. Maybe it's just me - there's nothing wrong with the writing in particular, so maybe it's just personal preference. I don't know.
I had a few typos in my copy but I received an ARC, not a final copy, so that shouldn't affect anyone buying the book. I loved the cover, and the art at each chapter start was great. Also, the inclusion of "Notes From Last Night" (a site where people recorded notes during the outs for after they forget) was awesome, too. It added a whole other dimension to the world, an extra little bit of interest.
I wanted to like this, I really did. And I didn't dislike it - but it didn't feel like anything special to me. 3 stars for The Outs.
Just gonna quickly put a little trigger warning in here, as there is graphic and emotional descriptions of depression and suicide. But the story isn't about these things, and they aren't properly talked about until far later in the novel.
You're thrown right into the deep end from page one, having to put the pieces together as the plot progresses. We meet one of our protagonists, Caleb, in an unfamiliar room with mysterious men and a random little girl. He ends up taking her with him as he runs, trying to figure out what he did during the Outs.
The Outs are kinda confusing. They're moments in time where electrical appliances all fail, and anything that happens is forgotten as soon as the Outs end. Oh, and anyone killed during the Outs is resurrected from the dead.
I'm really not sure how to describe this book. The plot is super confusing - Caleb and his aphasic friend, Kitzi, take this weird little girl (Amanda) who somehow has powers over everyone and everything, in an attempt to stop Deeds and his army of Deadheaders. Caleb has a psychopathic voice in his head called Crimes, Amanda's dreams come true, Kitzi's suicide happens to have taken place at the same time the Outs started, she can smell the truth - and somehow they're all connected to the Outs? These three individuals - and many others along the way - each have a big part in what is happening. But how?
Honestly, I cannot explain it. There are so many little ties and strings throughout this book that all add up, and I couldn't possibly include them all.
It definitely is a unique book. The idea is pretty good, too - the whole "nightmares becoming real" and all. But I just didn't connect; I don't know if it was the pacing or what, but I just didn't feel involved in it.
I feel like I should've been able to sympathise with the characters more - they had good backstories, emotional and family issues that different people should be able to relate to. And the narration following Kitzi often makes references to comic books which I personally really appreciated. But I just didn't quite feel them. Maybe it's just me - there's nothing wrong with the writing in particular, so maybe it's just personal preference. I don't know.
I had a few typos in my copy but I received an ARC, not a final copy, so that shouldn't affect anyone buying the book. I loved the cover, and the art at each chapter start was great. Also, the inclusion of "Notes From Last Night" (a site where people recorded notes during the outs for after they forget) was awesome, too. It added a whole other dimension to the world, an extra little bit of interest.
I wanted to like this, I really did. And I didn't dislike it - but it didn't feel like anything special to me. 3 stars for The Outs.
Leanne Crabtree (480 KP) rated The Professional (The Game Maker, #1) in Books
Sep 5, 2019
3.5 stars.
*I received this copy via Netgalley in exchange for an honest review*
As a huge fan of Kresley Cole and her Immortals After Dark series, I was interested to see what this new book would be about since it was a contemporary romance.
From the first chapter I was fascinated by Natalie and her “manalyzer”, managing to figure out every guy in the bar just by watching them for a few seconds. That is, apart from Sevastyan who she can’t read and instantly catches her attention. Things quickly move along after this and she get’s spirited away to Russia to meet her family, but not without a few hot–and I do mean HOT–scenes between her and Sevastyan.
One thing I did like about the book was that the author didn’t do the typical Mafiya man as Natalie’s dad. In fact, I quite liked the man that was described; he seemed like a nice guy who had a love of clocks and family.
For the first half of the book it was kind of serene, everything was going well. Okay, that’s not quite true. There’s a sexual tension between Natalie and Sevastyan that despite the distance they’ve put between them is only growing and I have to tell you I couldn’t wait for it to blow.
I feel about now that I should mention that I’m not the hugest fan of erotica; I tend to get bored of the continuous sex. Depending on what’s going on and how much I like the characters is how I judge the scenes between them. I happened to like both Sevastyan and Natalie and the sex between them but the dirty talk while in bed always had my eyes rolling. That, I’m not a fan of.
After the half way point it seemed to concentrate more on the sex and the BDSM lifestyle, which I found a little boring after a while. BDSM is not one of my favourite things to read about and in small doses I don’t mind but it took up a fair bit of the book.
With about 15% to go, I got a little excited as some information came out that had me wondering what Natalie would do with it. Relationship difficulties coming to a head I wanted to know how it would all play out. And after another round of sex, we found out some things about Sevastyan’s past.
I’m glad I read this, simply because Kresley Cole is a great author and I was interested in reading something of hers that wasn’t paranormal. I read books for the romance and like to see it happening on paper/screen. The first half was great, it just wasn’t quite for me with all the sex and BDSM themes running through. If you’re a fan of it, then I’d check this out.
*I received this copy via Netgalley in exchange for an honest review*
As a huge fan of Kresley Cole and her Immortals After Dark series, I was interested to see what this new book would be about since it was a contemporary romance.
From the first chapter I was fascinated by Natalie and her “manalyzer”, managing to figure out every guy in the bar just by watching them for a few seconds. That is, apart from Sevastyan who she can’t read and instantly catches her attention. Things quickly move along after this and she get’s spirited away to Russia to meet her family, but not without a few hot–and I do mean HOT–scenes between her and Sevastyan.
One thing I did like about the book was that the author didn’t do the typical Mafiya man as Natalie’s dad. In fact, I quite liked the man that was described; he seemed like a nice guy who had a love of clocks and family.
For the first half of the book it was kind of serene, everything was going well. Okay, that’s not quite true. There’s a sexual tension between Natalie and Sevastyan that despite the distance they’ve put between them is only growing and I have to tell you I couldn’t wait for it to blow.
I feel about now that I should mention that I’m not the hugest fan of erotica; I tend to get bored of the continuous sex. Depending on what’s going on and how much I like the characters is how I judge the scenes between them. I happened to like both Sevastyan and Natalie and the sex between them but the dirty talk while in bed always had my eyes rolling. That, I’m not a fan of.
After the half way point it seemed to concentrate more on the sex and the BDSM lifestyle, which I found a little boring after a while. BDSM is not one of my favourite things to read about and in small doses I don’t mind but it took up a fair bit of the book.
With about 15% to go, I got a little excited as some information came out that had me wondering what Natalie would do with it. Relationship difficulties coming to a head I wanted to know how it would all play out. And after another round of sex, we found out some things about Sevastyan’s past.
I’m glad I read this, simply because Kresley Cole is a great author and I was interested in reading something of hers that wasn’t paranormal. I read books for the romance and like to see it happening on paper/screen. The first half was great, it just wasn’t quite for me with all the sex and BDSM themes running through. If you’re a fan of it, then I’d check this out.
Acanthea Grimscythe (300 KP) rated The Bone Witch (The Bone Witch, #1) in Books
May 16, 2018
The Bone Witch is set in a fantasy world comprised of eight kingdoms, each with their own distinct customs. Some of these kingdoms echo the cultures of the Middle East and others, namely Kion and the asha-ka, the home of the female magic users, are heavily influenced by Asian traditions. In fact, reading The Bone Witch was, in a way, a lot like reading Memoirs of a Geisha, only instead of preparing a girl's virginity for auction, the Houses of the asha-ka sell a much cleaner form of entertainment: performances and magic, to be specific. When they are discovered, the soon-to-be asha are taken away and trained so that they can properly use their abilities. Because of their talents, they are often respected - except for the bone witches, or Dark asha. These are the necromancers of the world that Chupeco has created.
Chupeco has spared nothing in the creation of her world, from elaborate cities and countries, to detailed garb, to the daeva, creatures of supposedly evil origin. She's even created a unique tradition among the denizens of her world, where they quite literally wear their hearts - only it is on their necks, rather than their sleeves. An individual's heartsglass reflects who and what they are, allowing potential asha and Deathseekers to begin their training early in their lives.
It is because of the daeva that bone witches are an unwanted necessity among the eight kingdoms, and it is by accident that we are introduced to Tea, a young girl who, after learning of her older brother's death, becomes so distraught that she accidentally raises him from his grave. From there, we follow Tea's journey to becoming a full-fledged asha, and while the story does have a bit of a lull in its center where nothing happens (I would have put it down if it weren't for the fact that I tend to do my best to finish advance copies), the ending picks up and twists in ways that are surprising. In fact, I found myself completely surprised by not one, but two of the revelations the reader encounters near the end of the book.
The Bone Witch switches between two perspectives in each chapter, with the first portion, the "flashback" for lack of a better word, told from Tea's perspective. At the end of each chapter, in italics, is a few short passages told from the perspective of a bard that has been exiled from his homeland. The italics take place in present day and hint at something much, much larger arriving in the near future while introducing the reader to the young woman that Tea has become.
There does seem to be lack of depth to many of the characters. Tea's brother, Fox, after he is risen from the grave, appears to lack personality. His only drive seems to be protecting his sister, though it is alluded to that in the future, we may see a lot of development to his character (or so I hope). Aside from those asha that belong to House Valerian, only a few of the characters seem to have truly dynamic characteristics.
In regards to that "lull" in the book, I must admit that it is nearly impossible to get through - especially if the reader has a short attention span. Too much time is spent on details that appear to be largely unimportant to the story - such as the fine tuning of Tea's training. Also, while the descriptions of the hua, the garb worn by the asha, are beautifully written, they are a bit too detailed. I could do with a bit less exposition in that regard.
Needless to say, it is going to be a long wait for the next book, and I can't wait for it - those last few chapters really made a difference. Thanks to NetGalley, the publisher, and Rin Chupeco for providing me with an advance copy of the book in exchange for an unbiased and honest review.
Chupeco has spared nothing in the creation of her world, from elaborate cities and countries, to detailed garb, to the daeva, creatures of supposedly evil origin. She's even created a unique tradition among the denizens of her world, where they quite literally wear their hearts - only it is on their necks, rather than their sleeves. An individual's heartsglass reflects who and what they are, allowing potential asha and Deathseekers to begin their training early in their lives.
It is because of the daeva that bone witches are an unwanted necessity among the eight kingdoms, and it is by accident that we are introduced to Tea, a young girl who, after learning of her older brother's death, becomes so distraught that she accidentally raises him from his grave. From there, we follow Tea's journey to becoming a full-fledged asha, and while the story does have a bit of a lull in its center where nothing happens (I would have put it down if it weren't for the fact that I tend to do my best to finish advance copies), the ending picks up and twists in ways that are surprising. In fact, I found myself completely surprised by not one, but two of the revelations the reader encounters near the end of the book.
The Bone Witch switches between two perspectives in each chapter, with the first portion, the "flashback" for lack of a better word, told from Tea's perspective. At the end of each chapter, in italics, is a few short passages told from the perspective of a bard that has been exiled from his homeland. The italics take place in present day and hint at something much, much larger arriving in the near future while introducing the reader to the young woman that Tea has become.
There does seem to be lack of depth to many of the characters. Tea's brother, Fox, after he is risen from the grave, appears to lack personality. His only drive seems to be protecting his sister, though it is alluded to that in the future, we may see a lot of development to his character (or so I hope). Aside from those asha that belong to House Valerian, only a few of the characters seem to have truly dynamic characteristics.
In regards to that "lull" in the book, I must admit that it is nearly impossible to get through - especially if the reader has a short attention span. Too much time is spent on details that appear to be largely unimportant to the story - such as the fine tuning of Tea's training. Also, while the descriptions of the hua, the garb worn by the asha, are beautifully written, they are a bit too detailed. I could do with a bit less exposition in that regard.
Needless to say, it is going to be a long wait for the next book, and I can't wait for it - those last few chapters really made a difference. Thanks to NetGalley, the publisher, and Rin Chupeco for providing me with an advance copy of the book in exchange for an unbiased and honest review.
Berlin Marco Polo Handbook
Book
For advice you can trust, look no further than Marco Polo. The Berlin Marco Polo Handbook offers...
Hazel (1853 KP) rated The Relic Guild in Books
May 30, 2017
Illegal Magic
I received this book for free through Goodreads First Reads.
Edward Cox invents a new magical world in his epic fantasy novel The Relic Guild. Magic is a thing of the past. Since a great war forty years previously, magic has been banned. Back in the day the Relic Guild was made up of people with various magical abilities – empaths, illusionists, changelings – but a great war got rid of all those with magic, all but three that is. Marney, Samuel and Van Bam are the only surviving agents of the Relic Guild. In their old age they have not needed to use their abilities that much until evidence that a particular infamous Genii, Fabian Moor, did not perish as he was thought to have done. Moor kidnaps Marney leaving Old Man Sam and Van Bam to hunt him down with the help of a young changeling, Peppercorn Clara, who, until now, had been hiding her illegal magical gift.
It took a long time to get into the novel and understand what was going on. It was confusing as to who was good and who was bad at the very beginning, which did not help in understanding the events occurring. Approximately half way through the pace picked up and became a lot more exciting and easier to engage with. It helped that the narrative alternated between the present and forty years earlier. By providing an insight into history of the Relic Guild the current situation began to make more sense.
Oddly the book begins with an epilogue. Initially I wondered whether that was intentional – maybe parts of the story were to be told backwards – however, on finishing the final chapter it appears that, perhaps, it was an error. There were also a few other mistakes that were obviously missed during the proof readings.
The ending of the story strongly implies that there is more to come. This felt a little annoying as there was no conclusion to, what felt like, an extremely long and slow starting book. I am undecided whether I would want to read a sequel; whilst it would be nice to find out how the situation is resolved, it was not the easiest of books to read. It was also difficult to visualize the setting, particularly the constant reference to a labyrinth.
Overall it was a bit of a disappointment. The blurb set it up to be a really gripping storyline but in reality it was confusing and hard going.
Edward Cox invents a new magical world in his epic fantasy novel The Relic Guild. Magic is a thing of the past. Since a great war forty years previously, magic has been banned. Back in the day the Relic Guild was made up of people with various magical abilities – empaths, illusionists, changelings – but a great war got rid of all those with magic, all but three that is. Marney, Samuel and Van Bam are the only surviving agents of the Relic Guild. In their old age they have not needed to use their abilities that much until evidence that a particular infamous Genii, Fabian Moor, did not perish as he was thought to have done. Moor kidnaps Marney leaving Old Man Sam and Van Bam to hunt him down with the help of a young changeling, Peppercorn Clara, who, until now, had been hiding her illegal magical gift.
It took a long time to get into the novel and understand what was going on. It was confusing as to who was good and who was bad at the very beginning, which did not help in understanding the events occurring. Approximately half way through the pace picked up and became a lot more exciting and easier to engage with. It helped that the narrative alternated between the present and forty years earlier. By providing an insight into history of the Relic Guild the current situation began to make more sense.
Oddly the book begins with an epilogue. Initially I wondered whether that was intentional – maybe parts of the story were to be told backwards – however, on finishing the final chapter it appears that, perhaps, it was an error. There were also a few other mistakes that were obviously missed during the proof readings.
The ending of the story strongly implies that there is more to come. This felt a little annoying as there was no conclusion to, what felt like, an extremely long and slow starting book. I am undecided whether I would want to read a sequel; whilst it would be nice to find out how the situation is resolved, it was not the easiest of books to read. It was also difficult to visualize the setting, particularly the constant reference to a labyrinth.
Overall it was a bit of a disappointment. The blurb set it up to be a really gripping storyline but in reality it was confusing and hard going.
Rachel King (13 KP) rated Vampire Academy in Books
Feb 11, 2019
I found this book a bit unusual in that the background information that is usually relayed within the first chapter or so is not in this book. Instead, I am plunged into the action as if I were tagging along with Rose and not given relevant background information until it is actually useful to the plot. I prefer this rarely-used method because then I don't need to go back and find the definitions and explanations of things that I have forgotten when the specific topic is not addressed for half the book.
I really like the way that Mead separates the "good" vampires from the "bad" vampires with the Moroi and Strigoi (although I would love a pronunciation guide) as almost two different species. There is actually a major consequence to being evil - loss of magic - with no exceptions. Mead builds an excellent world of clear-cut rules that I can appreciate.
The interplay between Rose and Lissa is fascinating both for Rose's unwavering dedication to Lissa, as well as Lissa's almost surreal innocence. If it weren't for Lissa's "madness" she would seem almost faultless. Normally, I find characters like this to not be believable, but since she is bonded to Rose, it almost seems as if they are two halves of the same person, one dark and one light. The dhampir lifestyle that Rose is a representative of seems like a cross between brainwashing, slavery, and the use of a caste system, but Rose seems to be a very willing participant. I can't decide if I like this or not, but Rose seems to be quite happy with it, especially given her abilities.
What I like most is Rose's relationship with Dimitri. In a word - hot! There is nothing like a forbidden romance to make me want to keep reading way past my bedtime as I root for every training session to go beyond the norm. Of all the ways for Victor Dashkov to distract Rose and Dimitri, there are worse ways than the much-needed lust spell. That was a fantastic way to make them aware of their feelings for each other, which may never have happened otherwise due to each other's strong sense of duty and responsibility.
The one minor thing that bothers me about this world that Mead has constructed as the lack of addressing the topic of money. For instance, Rose has been attending the Academy almost since she was born, but who pays for that?
I really like the way that Mead separates the "good" vampires from the "bad" vampires with the Moroi and Strigoi (although I would love a pronunciation guide) as almost two different species. There is actually a major consequence to being evil - loss of magic - with no exceptions. Mead builds an excellent world of clear-cut rules that I can appreciate.
The interplay between Rose and Lissa is fascinating both for Rose's unwavering dedication to Lissa, as well as Lissa's almost surreal innocence. If it weren't for Lissa's "madness" she would seem almost faultless. Normally, I find characters like this to not be believable, but since she is bonded to Rose, it almost seems as if they are two halves of the same person, one dark and one light. The dhampir lifestyle that Rose is a representative of seems like a cross between brainwashing, slavery, and the use of a caste system, but Rose seems to be a very willing participant. I can't decide if I like this or not, but Rose seems to be quite happy with it, especially given her abilities.
What I like most is Rose's relationship with Dimitri. In a word - hot! There is nothing like a forbidden romance to make me want to keep reading way past my bedtime as I root for every training session to go beyond the norm. Of all the ways for Victor Dashkov to distract Rose and Dimitri, there are worse ways than the much-needed lust spell. That was a fantastic way to make them aware of their feelings for each other, which may never have happened otherwise due to each other's strong sense of duty and responsibility.
The one minor thing that bothers me about this world that Mead has constructed as the lack of addressing the topic of money. For instance, Rose has been attending the Academy almost since she was born, but who pays for that?
Sensitivemuse (246 KP) rated The Other Woman in Books
Jul 26, 2018
Beware of Pammie
Holy. Mother. (yup I said it)
The moment I get into the first third of the book I had to keep going. I had to finish this book and see what will happen next. It was one thing after another and you were just waiting for who was going to snap first.
There’s a lot of tension and the mood is high strung. It’s like as if you’re near someone sensitive and you’re walking on eggshells. It’s that tense. The plot is quick and fast as you watch Emily put up with Pammie and her behavior. You feel angry towards Adam who seems to be a spineless dolt and just bows to Pammie’s whims little do you know there’s a bomb ready to drop at the very end and you just weren’t ready when it happens. It’s extremely well written and the revelation at the end is also well done. When it is revealed, you start to realize everything falls into place. It’s certainly an eye opener.
Character wise, I found it hard to like any of them. Pammie, well she’s not your favorite mother in law now is she? Adam isn’t any better. Emily would be 50/50 as there were times when I was rooting for her when she finally stuck up for herself. Then the cheering would be short lived because she’s reverts back to her needy whiny persona and she let’s Pammie and Adam walk all over her. She snaps but then cowers back later. It’s frustrating. I can’t stand James because of his behavior and what he tried to do. Okay, granted it was meant as a warning, but it’s a really strange messed up way of doing so. Emily behaves like this lovesick mooncalf around him it gets annoying. If you really wanted to be with him, you can always dump Adam. Stop mooning over James like he’s Adonis when you don’t have the galls to drop Adam like a hat. (He deserves it too, by the way)
Despite the character though, the book is still an enjoyable read as the plot gets better and better with each chapter read. What you think is obvious, isn’t and there’s a reason why everything was done. Now granted, it’s a very messed up way of doing so. But it still makes for great reading.
Greatly recommended. Certainly going to be one of my favorite reads of 2018.
PS: Every woman needs friends like Seb and Pippa.
The moment I get into the first third of the book I had to keep going. I had to finish this book and see what will happen next. It was one thing after another and you were just waiting for who was going to snap first.
There’s a lot of tension and the mood is high strung. It’s like as if you’re near someone sensitive and you’re walking on eggshells. It’s that tense. The plot is quick and fast as you watch Emily put up with Pammie and her behavior. You feel angry towards Adam who seems to be a spineless dolt and just bows to Pammie’s whims little do you know there’s a bomb ready to drop at the very end and you just weren’t ready when it happens. It’s extremely well written and the revelation at the end is also well done. When it is revealed, you start to realize everything falls into place. It’s certainly an eye opener.
Character wise, I found it hard to like any of them. Pammie, well she’s not your favorite mother in law now is she? Adam isn’t any better. Emily would be 50/50 as there were times when I was rooting for her when she finally stuck up for herself. Then the cheering would be short lived because she’s reverts back to her needy whiny persona and she let’s Pammie and Adam walk all over her. She snaps but then cowers back later. It’s frustrating. I can’t stand James because of his behavior and what he tried to do. Okay, granted it was meant as a warning, but it’s a really strange messed up way of doing so. Emily behaves like this lovesick mooncalf around him it gets annoying. If you really wanted to be with him, you can always dump Adam. Stop mooning over James like he’s Adonis when you don’t have the galls to drop Adam like a hat. (He deserves it too, by the way)
Despite the character though, the book is still an enjoyable read as the plot gets better and better with each chapter read. What you think is obvious, isn’t and there’s a reason why everything was done. Now granted, it’s a very messed up way of doing so. But it still makes for great reading.
Greatly recommended. Certainly going to be one of my favorite reads of 2018.
PS: Every woman needs friends like Seb and Pippa.
Micky Barnard (542 KP) rated To Kill a Kingdom in Books
Dec 6, 2018
Scrappy siren
This is a thrilling debut from Alexandra Christo, taking a unique perspective on The Little Mermaid. It’s rather rudimentary to compare TO KILL A KINGDOM to The Little Mermaid because apart from some basics on characterisation, there really is little similarity.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.
Firstly, in a sea of YA fantasy series, I want to shout from the rooftops that this is a full and rounded standalone. Yes, I said standalone and I felt complete by the end, so it does what it says on the tin.
Sirens are the name of the game in this book and Lira is a scrappy, fierce and murderous siren princess known across the world as The Princes Bane. Her mother, the Sea Queen is her nemesis but she is bent to her mother’s will. The Sea Queen is a rather frightening, violent dictator without ethics or scruples. Lira, initially with little to recommend her, undertakes a change about which I don’t want to say more. The character development was superb.
“The crew said her hair was as red as hellfire.”
“The Princes’ Bane is the greatest monster I’ve ever known, and the only one who’s escaped death once I’ve set my sights on her."
Elian is more pirate than Prince of Midas, on a self-inflicted crusade to rid the world of sirens. There’s a lot more to like about Elian and he cuts a swarthy, heroic figure. The ship the prince operates from, holds a crew of friends, protectors and loyal sailors, they made for good reading. When Elian and Lira eventually cross paths, it’s not pretty but it’s explosive, violent and hateful.
“It’s you.”
“Look at you. My monster, come to find me.”
The story took hold of me from the first chapter and was a thrilling voyage across oceans and into unusual lands. I was interested throughout and dying to see what would happen. The romance is subtle but still kicks a punch, nevertheless, it doesn’t overwhelm the story.
"Me, my ship, and a girl with oceans in her eyes."
I had a little niggle in this book regarding how the dialogue was written, my problem being that it is consistently unclear when the dialogue character changes, which stops your flow while you work out who’s talking. However, this is just a niggle and wasn’t a major issue.
I am truly excited about this debut, it’s uniqueness and strong writing of characters and story direction. YA fantasy lovers are going to rave over this, I’m sure.
I voluntarily read an early copy of this book.