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The Memory Keeper's Daughter
The Memory Keeper's Daughter
Kim Edwards | 2005 | Fiction & Poetry
8
6.6 (16 Ratings)
Book Rating
Emotive storyline. Hauntingly beautiful language. (0 more)
Hauntingly Beautiful
This came into the charity shop I work in and as soon as I read the blurb on the back of the book I knew I had to read it.
A Doctor in a snow storm delivers his twins but one is born with Down Syndrome and he decides there and then to tell his wife that she died. He hands over his daughter to the nurse and asks her to take her to a home. She decides upon seeing the home she cannot possibly leave her here and raises her herself.
The book follows through time the lives of everyone the Doctor and his wife raising there son Paul, and the Nurse Caroline fighting for Phoebe to be accepted and have access to an education and equal opportunities.
It starts of in the 60s and we really get a glimpse into the attitudes of the time towards those with Down Syndrome and at times it is awkward to read at times as you cannot believe that it was like this.
With such a explosive secret being kept and the grief that Norah feels after thinking she has lost a child the family is poisoned and relationships turn toxic and the family dynamic is ripped apart.
We see Phoebe thrive throughout her life with Caroline and also the limitations she faces in her day to day life.
The emotive language the author uses means you do feel Norah's loss, you resent David for his betrayal, you can understand Paul's rebellion and Caroline's guilt.
It is an achingly beautiful book which is dealing with an explosively emotive storyline. I really enjoyed it and it is really hauntingly staying with me even after I've finished as I began to imagine how I would feel and what I would do if I was put in that situation. A really good read, possibly to emotionally charged for a sleep deprived and hormonal mother of two boys, one of which does have medical issues do I could relate somewhat too.
  
Ripe for Vengeance
Ripe for Vengeance
Wendy Tyson | 2019 | Mystery
10
10.0 (1 Ratings)
Book Rating
Corporate Volunteer Event Leads to Murder
Some of Denver Finn’s friends are coming to town, and Megan Sawyer is excited to see a different side of her boyfriend. They don’t make a good first impression, however, when their dinner together is filled with not so hidden tension. These friends are in town as part of a corporate charity weekend to mentor kids at a nearby school for troubled teens, but that event goes wrong when one of the adults is murdered. The police are looking at a teen as the likely killer, but Megan doesn’t think the teen did it. Can she find the real killer?

This series always has strong characters, and this book is no different. We get to know everyone involved in this case well, and as events unfold, their reactions and the impact on their live help pull us into the story. Those looking for a twist a minute might find the pace a little slow, but I found the book compelling since I was so drawn to the characters. Not to say that this book doesn’t have some good twists and an ending that surprised me. We do get to see the series regulars and those introduced in previous books, but they are in supporting roles, so they don’t take over from the characters important to this case. There is a little foul language, and the more serious tone helps put this on the traditional side of the spectrum for me. Just make sure that your mood matches the book, and you’ll be fine. This isn’t to say that it is all serious; we get a fun sub-plot involving a pig and plenty of cuteness from the animals on Megan’s farm to help lighten things. Plan to set aside quite a bit of time when you open this book because you won’t want to stop reading.
  
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Rick Astley recommended Highway to Hell by AC/DC in Music (curated)

 
Highway to Hell by AC/DC
Highway to Hell by AC/DC
1979 | Rock
8.4 (5 Ratings)
Album Favorite

"I was about fifteen-years-old and I had just started playing drums and somebody played this album in its entirety on the radio. My Dad had a garden centre at the time and I used to sit in the pickup truck listening to the radio – you know, in its own bizarre way [at that age], you just want to be on your own. So I remember being in that van and the radio DJ saying something about AC/DC and they put it on – I was nailed to my seat. And I'm a drummer, I've always liked rock bands and I've got a mid-life crisis band with some friends – we're called The Luddites. We just play three-piece punk or rock. We murder some of the classics for charity – that's how we get away with it. We go from Sex Pistols to Clash to Foo Fighters to Kings of Leon and so on. Really anthemic songs! Those last two bands have got an odd place in a lot of people's music world – certainly that very guitar heavy rock sound of the Foo Fighters – you would be shocked at some of the people who are into this heavy rock sound. Certain people – a mom with three kids for example – are really into this music! But it's all melodically very strong. Where were we? Oh yes, AC/DC. I made a cassette of this album. I used to drum to this album. Phil Rudd was a monster on the drums. He doesn't do anything – he's the rock Ringo. Whatever he's done needs to be done. People take the piss out of Ringo but everything he did was where it should be. How did I change from being a drummer to a singer? I borrowed a guitar from a guy in the band and fumbled through a few chords and tried to write songs and I became the singer because of that."

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Nick McCabe recommended Octet by Steve Reich in Music (curated)

 
Octet by Steve Reich
Octet by Steve Reich
1980 | Classical
(0 Ratings)
Album Favorite

"It's simply a favourite piece of music. There are a lot of associations. I was listening to it around the time my daughter was born. She used to fall asleep to this occasionally. It reminds me of travelling around America back in the day when you had to carry around bags of cassettes and Walkmans. It's brilliant for train journeys and even now when I find myself on the motorway, Octet is the perfect listen for me. It reminds me of driving from Bath, where I lived at time, to London, to Richmond. It's just stuck with me for most of my life. Growing up we had Drumming in the house, my dad got that for next to nothing from the same charity shop. That's just repetitive patterns for a few hours, it's hard going really. If you came to Steve Reich from that idea, you'd think it was just academic music and not for enjoyment's sake and dismiss it. I was lucky to pick up a book from a book shop in St Helens, New Sounds: A Listener's Guide To New Music, by this New York radio presenter, John Schaefer – it was like the holy grail for me. I found that book in about '91 and it was a pretty rare thing at the time in that it had measured discussion on things like Stockhausen. We've got The Wire now, for good or bad, but to find that book at the time in St Helens was amazing really. By the time I got to America I had a shopping list of things I had to hear, like Paul Dresher, early John Adams pieces, things like that. I think the common thread with things like this is that you're constantly looking for the up and down stream of things – the connections, where something came from and what came out of it; how it got finessed or improved or whatever. I think with Octet, I'm not really that interested, it's just that piece of music. It's another world in itself."

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