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Katarzyna Krasuska (81 KP) rated Find Her in Books

Aug 15, 2018 (Updated Aug 16, 2018)

Find Her

Lisa Gardner | 2016 | Fiction & Poetry

9.2

(5 Ratings)

Book Rating

Very strong female character (2 more)

Very gripping

Female Charles Bronson

Make this into a movie!

This is definitely a book that should be made into a film.
I saw this interview with Reese Witherspoon, where she talks about books, that she has made into films, because they're female driven. Yet the books she focuses her attention on are not strong or interesting enough, like "Gone girl " or "Husband's secret" . Here we have a female author, a female kick ass character, that is not just strong, but smart, brave and I would happily say dangerous. Not just that, I genuinely believe men would like to watch this too.
The main character of this book was abducted by a psycho and kept in a box for 472 days. When she gets rescued, instead of just trying to move on with her life, she goes into avenger mode. She learns how to fight, reads awful lot about self defense and decides to get the justice herself.
Amazing story, that I think all women should read.

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Andrew Kennedy (199 KP) rated The Muppet Christmas Carol (1992) in Movies

Dec 10, 2019

I love the Muppets.
This film is the best of many retellings of Dickens classic ghost tale.
Gonzo is my favourite as Charles Dickens, his narration along with Rizzlo the rat is humorous and fun.
Kermit as Bob Crachit as the lead book keeper is amusing and his team of rats are hilarious.
Michael Caine plays Scrooge who's path of redemption is believable as he is visted by three ghosts who show Scrooge the errors of his ways.
Also, the songs are catchy.
Disney tried other versions but none can top this one. A true Christmas classic to watch every year.

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David McK (3610 KP) rated The Last Berserker in Books

May 8, 2021

First entry in Angus Donald's new 'Fire Born' Viking series, in which the main character is what we would term as a Berserker (although never named as such).

This is set in an even earlier time period than his 'Holcroft Blood' series (set during the time of Charles II) or even his even-earlier set 'Outlaw' series (about Robin Hood), but - unfortunately - I found it to be inferior to both.

That's not to say that it's bad; just that it didn't resonate (with the twists not really hitting home) as much with me as this earlier series did.

Kudos

Jeremy Workman recommended The Night of the Hunter (1955) in Movies (curated)

The Night of the Hunter (1955)

1955 | Drama, Mystery

9.0

(5 Ratings)

Movie Favorite

"All this talk about bonus features has made me think we need to talk about extras! I apologize, but I’m gonna deep-dive for a sec. It’s just that the special features are such key ingredients to some of these amazing Criterion titles and have become such an essential part of my own viewing experiences. There are stunning extras in the Criterion Collection that I often think about as important additions to the history of movies. So don’t get me started, or I’m going to start blabbing about the piles of amazing extras on Barry Lyndon (which fill two Blu-rays!). Or the amazing documentaries on 8½ and Seven Samurai and Brazil. Or The Game, with its eight different audio commentaries. Or that concert film in the edition of Inside Llewyn Davis. Or every Andrea Arnold short film on Fish Tank. Or that Cronos supplement where Guillermo del Toro gives a nerdgasm tour of his bonkers house. (I told you: don’t get me started.) But I think my all-time favorite bonus feature is Charles Laughton Directs “The Night of the Hunter,” a two-and-a-half-hour documentary that has to go down as one of the most interesting behind-the-scenes films ever made. I had never even heard of this until I picked up the Night of the Hunter disc. It literally shows something that I’ve never seen before: tons of footage of a director in the midst of working with his actors during takes. While actors are performing, you hear Charles Laughton (a legendary actor directing his only film) guiding the cast through every line in basically every shot, take after take after take. It’s like being on set next to a perfectionist director while he meticulously sculpts the performances in his masterpiece. (And oh, poor Shelley Winters. “Do it again! Do it again! Less air in between! Go ahead Mitch! Look at her! Shelley, look up now and say ‘blessss ussss all.’ Yes, that’s it, Shelley!!”)"

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