"The Western is obviously one of the staples of American cinema, but ironically, the Italian spaghetti-westerns have become more famous in pop culture than the classic American western. And amongst the spaghetti-western directors, Sergio Leone will always be the titan for me. Although I love his films with Clint Eastwood, this epic is one to spend an evening with; from the classic shoot-out at the train depot, to the haunting final three-way gun fight, this may be my favorite portrayal of Charles Bronson on screen. It’s a story of the expansion of the railroad and the opening of the west; of revenge and infamy; of love triangles and justice. And with a sweeping, heartrending soundtrack from Ennio Morricone, what more can you ask of a film?"

"I also loved Madeline L’Engle’s “A Wrinkle in Time.” My introduction to it was by my fifth grade teacher, Mr. Jeness, who read it aloud to us in class, a chapter at a time. Each day I could hardly wait for him to begin reading. I very closely identified with the heroine, Meg Murry, a girl who felt extremely disenfranchised in her world. She was physically awkward – skinny, with glasses and braces and crazy hair – felt socially inept, and was close only to her very brilliant, but very strange baby brother, Charles Wallace. Their father, a scientist, has been missing for some time – and one night the crazy ladies next door (witches, presumably – science fiction witches) prevail upon the children, and their friend, Calvin to “tesseract” through time and space to rescue Meg’s father. When they reach the planet where their father is held captive, they discover that it is a place where there is no free will, and beings are governed by a tyrannical “IT” a pulsing, logical brain that insists on conformity. Meg triumphs at the end, by using her illogical self – her passion for language, her emotional heart, and her tremendous love for her family. She saves them using only her awkward, non-conforming self as a weapon."