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BookwormMama14 (18 KP) rated The Apothecary's Daughter in Books
Jan 2, 2019
Although it has been a couple years since I read this one, I am still very fond of it and have determined that I need to reread it SOON! Hopefully I can find the time before too long.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
(Original review published on Bookworm Mama 11/2014.)
The Apothecary’s Daughter is a wonderful story beginning in 1810, England. Within the pages you will find heartbreak and romance, hope and despair, sorrow and joy. But above all...Faith.
Lillian (Lilly) Haswell is the daughter of the village apothecary in Wiltshire, England. She longs for adventure and a life outside of her father’s shop. Her mother left when she was younger and Lilly dreams of the adventures she might be having and longs to follow after her. Yet she is devoted to her father and her brother, Charlie. When Lilly is whisked away to London by her Aunt and Uncle Elliot, she believes all of her dreams are about to come true. Balls, admirers, the chance to marry a wealthy man and settle in London, but also the chance to look for her mother. Following a sad series of events, she has to return home to help her father run his shop, or risk having it closed. One of her admirers follows her home, but finds that he is not the only one interested in Miss Haswell.
While women were allowed to assist and work in apothecary shops, they were forbidden from diagnosing and prescribing treatments. It is not long before she has to cross the line of the law. Will grace and mercy be shown? Or will this be the end of Haswell’s once and for all? Along her journey Lilly loses herself, but in the end finds who she is and what she truly longs for in life. Throughout her trials and struggles she learns how to depend on the Lord for strength and wisdom.
Julie Klassen's novels are long and full of detail and she draws me in until I am completely obsessed with the story! I really enjoyed learning about the different herbs and their uses, apothecary. I found it all quite fascinating. I adore historical fiction, especially set in England. I was able to truly taste life in the early 1800s through this book. In a lot of ways I could relate to Lilly as well. I have left “home” twice in my life, living adventurously. But my heart was never at peace until I returned.
I borrowed The Apothecary's Daughter from my local library. I was not required to write a review. All opinions expressed are mine alone.
Hazel (1853 KP) rated Extraordinary Means in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Extraordinary Means</i> is a coming of age novel by Robyn Schneider that promises to live up to the expectations of John Green and Stephen Chbosky fans. Set in the near future, Lane Rosen has spent his seventeen years studying and making sure he is always achieving his best at school. With high hopes of getting into Stanford, he is distraught when he is sent to Latham House, a sanatorium in the Santa Cruz Mountains, after contracting tuberculosis.
Although in today’s society tuberculosis is curable, Schneider has invented a total drug resistant TB, which is highly contagious, therefore needs to be contained. Lane finds himself in the middle of nowhere surrounded by other teenagers with the incurable disease. Here he meets Sadie Bennett with whom, after a shaky start, he develops a close relationship.
Ironically, whilst suffering with an illness that could kill him, Lane learns there is a lot more to life than school. With his new friends: Sadie, Nick, Marina and Charlie; Lane begins to become more adventurous and starts to relax and have fun whilst they wait for scientists to come up with a cure. The only trouble with this waiting game is that the odds of some of them not living long enough to see this cure is fairly high.
Narrated by both Lane and Sadie, <i>Extraordinary Means</i> is a love story with a heart-breaking ending. The readers really feel for the teens as they are separated from their family, and forgotten about by their friends. Unlike other potentially terminal illness, they cannot have support from their loved ones because of the risk of spreading the disease.
There is an underlying sadness to the novel, as the reader knows that no matter how much fun the characters have and no matter what their hopes and dreams, chances are something dreadful could happen. With this in mind, the story becomes much more powerful and moving as Sadie, Lane and friends determine to keep on going and enjoy their lives on a day-to-day basis.
Schneider is an excellent writer who has created a contemporary romance with a unique setting. The imagination involved with the tuberculosis could almost describe the novel as dystopian minus the science fiction genre. <i>Extraordinary Means</i> is the perfect novel for young adult fans, but warning: it could break your heart!
Extraordinary Means</i> is a coming of age novel by Robyn Schneider that promises to live up to the expectations of John Green and Stephen Chbosky fans. Set in the near future, Lane Rosen has spent his seventeen years studying and making sure he is always achieving his best at school. With high hopes of getting into Stanford, he is distraught when he is sent to Latham House, a sanatorium in the Santa Cruz Mountains, after contracting tuberculosis.
Although in today’s society tuberculosis is curable, Schneider has invented a total drug resistant TB, which is highly contagious, therefore needs to be contained. Lane finds himself in the middle of nowhere surrounded by other teenagers with the incurable disease. Here he meets Sadie Bennett with whom, after a shaky start, he develops a close relationship.
Ironically, whilst suffering with an illness that could kill him, Lane learns there is a lot more to life than school. With his new friends: Sadie, Nick, Marina and Charlie; Lane begins to become more adventurous and starts to relax and have fun whilst they wait for scientists to come up with a cure. The only trouble with this waiting game is that the odds of some of them not living long enough to see this cure is fairly high.
Narrated by both Lane and Sadie, <i>Extraordinary Means</i> is a love story with a heart-breaking ending. The readers really feel for the teens as they are separated from their family, and forgotten about by their friends. Unlike other potentially terminal illness, they cannot have support from their loved ones because of the risk of spreading the disease.
There is an underlying sadness to the novel, as the reader knows that no matter how much fun the characters have and no matter what their hopes and dreams, chances are something dreadful could happen. With this in mind, the story becomes much more powerful and moving as Sadie, Lane and friends determine to keep on going and enjoy their lives on a day-to-day basis.
Schneider is an excellent writer who has created a contemporary romance with a unique setting. The imagination involved with the tuberculosis could almost describe the novel as dystopian minus the science fiction genre. <i>Extraordinary Means</i> is the perfect novel for young adult fans, but warning: it could break your heart!
Sophia (Bookwyrming Thoughts) (530 KP) rated The Rampart Guards (The Adventures of Jason Lex, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Roger Charlie in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<p style="text-align: left;"><i>The Rampart Guards</i> basically made me realize that I'm definitely growing out of middle grade books and I should move on. This is an extremely scary thought, because what if I get tired of young adult books next?! That probably won't happen for a good while, and I've yet to actually read an adult novel that isn't from the cause of required reading.
<p style="text-align: left;">The first book in the <i>Chronicles of Jason Lex</i> starts out extremely slow, but picks up pace as the story progresses. Jason's mom suddenly goes missing, and Jason (along with his family) suddenly gets forced to move to a small town with their grandmother to get away from the painful memories of their mom. And to top it off, Jason sees weird blue electricity-like wisps coming out from his hands and eels in the sky later revealed as Skyfish. He's also a little whiny at the beginning of the novel, but eventually drops it as he realizes, "Oh, hey. Cryptids are real. Someone is hoping to expose these creatures and kill millions in the process, and if I don't get my act together, I might lose everything as well."
Wendy Terrien's debut novel is right up my alley in regards to concept <i>The Rampart Guards</i> is about cryptozoology, the study of creatures that may or may not exist. It's not everyday Big Foot, Loch Ness, and other creatures play a critical role in the plot of a novel, and it's the primary reason why <i>The Rampart Guards</i> caught my eye the moment the book was pitched to me.
I adored learning about all kinds of different creatures I've never heard of until I read this book, and if I do decide to continue on with the series, learning more about the cryptids and how this entire world works is going to be one thing I'll be extremely excited for.
Even though I didn't enjoy it as much as I hoped I would, <i>The Rampart Guards</i> will be a fantastic read for younger audiences.
<a href="https://bookwyrmingthoughts.com/review-the-rampart-guards-by-wendy-terrien/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Sarah (7800 KP) rated The Gentlemen (2020) in Movies
Jan 6, 2020
Ritchie back on form
It's about time Guy Ritchie went back to what he does best. After the terrible Aladdin and King Arthur over the past couple of years, and the ok but not great Man from UNCLE and Sherlock Holmes films, Ritchie really needs something good. And whilst for me this didn't quite meet the high expectations set by Snatch and Lock, Stock, it's by far the best thing he's done since 2000's Snatch.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
This is the gangster film reimagined for the 21st century. Weed farms, chavvy kids and even Brexit gets a mention at one point, proving that the gangster flick has definitely been modernised. It's filmed in Ritchie's usual cut away style that works very well and the plot is interesting albeit maybe a tad predictable. The violence does is present although does appear to have been toned down. But the best thing about this is by far the stellar cast. The stars of the show are without doubt Hugh Grant, Charlie Hunham and Colin Farrell. Hunham plays a fairly unassuming and almost lovable and witty gangster, Farrell is the rather funny and Irish coach and Hugh Grant had me gobsmacked by his completely gobsmacked. I barely recognised him with that accent, which is miles away from the Grant we know as the foppish posh gent. These three are also responsible for the funniest moments of the film, either when there's more than one of them on screen together. I must also give a nod to Henry Golding who makes up for his dire performance in Last Christmas.
This film doesn't quite meet Ritchie's high gangster standards though. There are some funny and witty moments, however for me there wasn't enough. Especially not when you compare it with the likes of Snatch. And I think he has really overused the C-word - I'm not bothered by the word itself but there are a lot of other swear words he could've chosen to give it a less repetitive feel. Also the first 20 mins or so dragged a little for me and seemed slow, although I did get into it eventually. My only other gripe would be the opening credit sequence. It's been a while since I've seen a proper opening credits on a film, and this one just seemed ill-fitting with the film itself and the time. Or maybe I just wasn't expecting it.
Overall this is a good attempt at a modern gangster film, definitely enjoyable even if it doesn't quite match up to Ritchie's earlier efforts.
My Lai: Vietnam, 1968, and the Descent Into Darkness
Book
On the early morning of March 16, 1968, American soldiers from three platoons of Charlie Company...
history
Kirk Bage (1775 KP) rated Valerian and the City of a Thousand Planets (2017) in Movies
Jan 22, 2021
Where to begin with Luc Besson? The masterpiece of Leon aside, he is notorious for creating beautifully bonkers visual treats that twist and turn like a monkey on cocaine, making as much sense. This comic book adaptation starts well, with some jaw dropping CG design and a decent concept – it truly is a dreamscape of glorious colour and imagination rarely matched… but so is Tim Burton’s Charlie and the Chocolate Factory, and we all know how awful that is.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
He just doesn’t have the knack with story and character in the same way as he does with the visuals, often leaving you with the impression that even the actors are confused by what is going on, and why, and what the hell is coming out of their mouths as an excuse for dialogue.
I like Dane De Haan, he has shown a lot of promise in some valiant near misses, such as Chronicle, The Place Beyond the Pines and The Cure For Wellness – three films I enjoyed, with reservations, that were better for him being in them – but he has not quite made it to the A-list as yet. Here, opposite the gorgeously cute but somehow hollow presence Cara Delevingne, he is burdened by a love story with no chemistry and some cringe-worthy banter. As the film ultimately focuses and depends on the likability of this relationship it inevitably fails; melting into comic book kookiness that loses a lot in translation.
I almost found myself hating them and wishing they would die painfully so the film could end, but not quite as much as I hated how fundamentally terrible Clive Owen was as the villain – I mean, so awkward and awful it made how uncomfortable Harrison Ford seemed in Ender’s Game look like an Oscar worthy performance. Risible. Inexcusable. Inexplicable. But that’s Besson where let loose into the realm of full sci-fi.
One corner of joy was Rihanna as the shape-shifting Bubble, who showed a charm and talent for film acting I hadn’t quite expected, and how much fun Ethan Hawke had dressing up and hamming it up as Jolly, her pimp. But essentially, you’d be better off turning the sound off completely and just drinking in the spectrum of imaginative design on display. A film that may hold some cult status into the future, and one small children may get oddly addicted to, but as a functioning and satisfying cinematic story… just, no.
Emma @ The Movies (1786 KP) rated Nobody's Fool (2018) in Movies
Sep 25, 2019
Is this really a romcom? That's what I have to ask myself. It's amusing but beyond that I'm not a fan of whatever this movie seems to be.
Tiffany Haddish had grown on me after Night School a couple of months ago, I'm not convinced that this one is helping my opinion at all though. She's my favourite part of this film though along with Frank for the most part.
Danica's job plays a big part in the sub plot of this one and it reminds me a lot of How To Lose A Guy In 10 Days. Only in that it actually made sense and more than a little effort had been put into the execution.
Until about the halfway point I was enjoying the movie, but damn it if Danica wasn't a complete bitch. I wasn't exactly a fan at the beginning but it went swiftly downhill. She's got plenty of things that you should be able to identify with, but absolutely none that you want to. She's a surprisingly dislikeable character. It was honestly refreshing to have Frank tell her to f*** off. In most movies that situation is glossed over and given a narrative that is a bit more palatable.
A lot of us can identify with the perils of online dating, so for the briefest moment you can feel the pain she's going through. Charlie is a hideous culmination of experiences. I'm sure we all noticed something that made us a little queasy to see. There's definitely a good drinking game in there somewhere.
While my dislike of this film evened out for a while it was reinforced with that ending. It really made me hate Frank just a little bit, and want to actively boo the screen.
As a last note on the film I'd like to say that I love seeing Whoopi Goldberg again. She's in some of my favourite films and it was great having her back in such a funny role. Keep an eye out for her scene with Tanya at her house, best bit of the whole film.
What you should do
There are better romcoms out there to see. I'd suggest Think Like A Man or How To Lose A Guy In 10 Days instead.
Movie thing you wish you could take home
Despite my feelings for Danica she does have fantastic taste in sofas and I'd love one of those pink ones to curl up in.
Tiffany Haddish had grown on me after Night School a couple of months ago, I'm not convinced that this one is helping my opinion at all though. She's my favourite part of this film though along with Frank for the most part.
Danica's job plays a big part in the sub plot of this one and it reminds me a lot of How To Lose A Guy In 10 Days. Only in that it actually made sense and more than a little effort had been put into the execution.
Until about the halfway point I was enjoying the movie, but damn it if Danica wasn't a complete bitch. I wasn't exactly a fan at the beginning but it went swiftly downhill. She's got plenty of things that you should be able to identify with, but absolutely none that you want to. She's a surprisingly dislikeable character. It was honestly refreshing to have Frank tell her to f*** off. In most movies that situation is glossed over and given a narrative that is a bit more palatable.
A lot of us can identify with the perils of online dating, so for the briefest moment you can feel the pain she's going through. Charlie is a hideous culmination of experiences. I'm sure we all noticed something that made us a little queasy to see. There's definitely a good drinking game in there somewhere.
While my dislike of this film evened out for a while it was reinforced with that ending. It really made me hate Frank just a little bit, and want to actively boo the screen.
As a last note on the film I'd like to say that I love seeing Whoopi Goldberg again. She's in some of my favourite films and it was great having her back in such a funny role. Keep an eye out for her scene with Tanya at her house, best bit of the whole film.
What you should do
There are better romcoms out there to see. I'd suggest Think Like A Man or How To Lose A Guy In 10 Days instead.
Movie thing you wish you could take home
Despite my feelings for Danica she does have fantastic taste in sofas and I'd love one of those pink ones to curl up in.
Gareth von Kallenbach (980 KP) rated Man Down (2016) in Movies
Jul 12, 2019
This Dito Montiel (Fighting, The Son of No One) directed film is a look at mental health and how soldiers returning from war can be affected by the tragedy of war and life.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
This film tries to put us inside the mind of a soldier and they lead up to his deployment to war, the trauma that can be suffered at war and the result of seeing things that can’t be unseen. It begins with U.S. Marine Gabriel Drummer (Shia LaBeouf) searching for his son, Johnathan (Charlie Shotwell), and wife, Natalie (Kate Mara), in a post-apocalyptic America.
His only company is his best friend and fellow war veteran Devin Roberts (Jai Courtney). We then flash back to a counseling session between Gabriel and Counselor Peyton (Gary Oldman). They are recounting an incident that happened while Gabriel and Devin were in the field as well as talk about the relationship between the two brothers in arms. Peyton probes Gabriel for answers to what happened in the field and what his life at home will be like when he returns. The story takes us through Gabriel’s journey from boot camp to his search to be reunited with his wife and child.
The beginning of the film is so scattered with flash backs and flash forwards it is not the easiest story to follow. Montiel tries to tie the story all together at the end but it really done quickly and sloppily. There was no really good flow to the film.
The message at the end was really powerful but there execution to get there really didn’t work for me. The cast individual performances were good but I thought that as a whole there was not cohesion.
The relationships between all the characters seemed forced and it was hard to get emotionally invested in what should have been and emotionally compelling story. LaBeouf does commit and his performance I would say the bright spot. I think the intention was that the end of the movie should be a surprise or twist but the ending for me was never really in doubt.
There were points when the film seemed to have momentum but that was stopped by a flash back or forward that would take you out of the moment. All trying to set up a conclusion that seemed inevitable.
The idea of bringing awareness to a real issue in our country, of returning veterans suffering from PTSD, is a noble one and I applaud them for trying. I just wish the execution would have been better overall.
Debbiereadsbook (1664 KP) rated Christmas Mountain in Books
Nov 18, 2021
I blooody loved this book!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Ok So!
I'm not usually one for Christmas books, I'm really not, but something about the blurb pulled at me, and O>M>G I'm so freaking glad it did!
Rami and Fen work together in HMP Manchester. There is much flirting and then Fen makes a move. But life gets in the way and 18months later, Rami is driving up the mountain to see his sister with his 2-year-old nephew in the car. In a snow storm. Ill-prepared. And his car wrecks. And the Good Lord above sees fits to send an angel by the name of Fen to rescue him and Charlie who goes by the name of Fen.
What this is, right, is a beautifully written second chance at love story, it really is. I read it in one sitting and its 200 odd pages long.
Both Fen and Rami are smitten with each other, and they dance around each other for some time before life gets in the way and things happen and then Fen is gone. Rami never did know why. But finding him on his sister's mountain, is a gift sent at just the right time of year. The problem is, both Fen and Rami are carrying a huge amount of emotional and physical baggage.
It takes time for both men to fully get their stories out, and I really did like being made to wait for the full pictures to become clear. I don't like for everything to be thrown at me in one go.
I also loved being made to wait for Fen and Rami to finally, FINALLY have their moment, you know? I mean its full of emotions and steamy bits, but that's all they are for a long time: bits. But once they commit to each other, their relationship and being together, the steam level doesn't rack up too much, it just takes a slide into something more. Something deeper for these two.
I loved the connection to Rami and his sister, that Fen had and they didn't know. I LOVED the sister and her family!
I loved this book, I really did. I could rant and rave and go on and on and on and on andonandonandonandon.....but I won't cos spoilers do not a good review make.
So! For a Christmas book, with the L word bandied about quite early (something else I'm not a fan of!) I'm a big fan of this book!
5 full and shiny stars
same worded review will appear elsewhere
Ok So!
I'm not usually one for Christmas books, I'm really not, but something about the blurb pulled at me, and O>M>G I'm so freaking glad it did!
Rami and Fen work together in HMP Manchester. There is much flirting and then Fen makes a move. But life gets in the way and 18months later, Rami is driving up the mountain to see his sister with his 2-year-old nephew in the car. In a snow storm. Ill-prepared. And his car wrecks. And the Good Lord above sees fits to send an angel by the name of Fen to rescue him and Charlie who goes by the name of Fen.
What this is, right, is a beautifully written second chance at love story, it really is. I read it in one sitting and its 200 odd pages long.
Both Fen and Rami are smitten with each other, and they dance around each other for some time before life gets in the way and things happen and then Fen is gone. Rami never did know why. But finding him on his sister's mountain, is a gift sent at just the right time of year. The problem is, both Fen and Rami are carrying a huge amount of emotional and physical baggage.
It takes time for both men to fully get their stories out, and I really did like being made to wait for the full pictures to become clear. I don't like for everything to be thrown at me in one go.
I also loved being made to wait for Fen and Rami to finally, FINALLY have their moment, you know? I mean its full of emotions and steamy bits, but that's all they are for a long time: bits. But once they commit to each other, their relationship and being together, the steam level doesn't rack up too much, it just takes a slide into something more. Something deeper for these two.
I loved the connection to Rami and his sister, that Fen had and they didn't know. I LOVED the sister and her family!
I loved this book, I really did. I could rant and rave and go on and on and on and on andonandonandonandon.....but I won't cos spoilers do not a good review make.
So! For a Christmas book, with the L word bandied about quite early (something else I'm not a fan of!) I'm a big fan of this book!
5 full and shiny stars
same worded review will appear elsewhere
BankofMarquis (1832 KP) rated The Whale (2022) in Movies
Mar 5, 2023
Raw and Honest
Give Brendan Fraser the Oscar already.
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Hollywood loves a comeback story and the return of Fraser to the Hollywood "A" list is complete with his heart-wrenching, honest turn in Darren Aronofsky's THE WHALE. It is the type of comeback that is deserving of all the accolades and awards that has come his way.
Directed, with restraint not normally associated with Aronofsky, THE WHALE tells the tale of a College Professor who drowns his feelings in food. The film, based on the play (and screenplay) by Samuel D. Hunter follows this Professor, Charlie (Brendan Fraser of THE MUMMY fame) as he seeks to make amends with his estranged daughter as his obesity starts to take it's toll.
Since this is based on a stage play, most of the film takes place inside Charlie's apartment and the number of characters in this film are limited - and all of them hit their mark very well, thanks to the Best Direction that Aronofsky has ever achieved. He limits his usual histrionics, letting the camera focus on the faces and emotions of his characters, keeping movement to a minimum and engrossing the audience in the punch that these emotions provide. It is a shame that he was not Nominated for an Oscar for his work here, it is masterful.
Because of this - and the powerful script by Hunter - the cast of this film shines brightly. From Samantha Morton (MINORITY REPORT) to Ty Simpkins (JURASSIC WORLD) to Sadie Sink (Max Mayfield in Netflix' STRANGER THINGS), Aronofsky draws strong, raw and HONEST performances that elevate as each interact with each other.
Hong Chau (giving her 2nd straight strong performance following her work in the under-rated and under-appreciated THE MENU) is also Oscar Nominated (for Supporting Actress) for her work as Charlie's caregiver. It is a subtle, loving, emotional performance that touches the heart and her Oscar nomination is well deserved.
But, make no mistake about it, this film is Fraser's and he commands it from start to finish. Sure, the "fat suit" he is wearing that gives him the appearance of a 400 lb (+) obese man is jarring, but it is the raw emotions - rage, fear, sadness, hate, self-loathing and love - that Fraser is able to eminate through that wall of prosthetics that is truly astonishing. It is the performance of a career and one that will win him the Oscar.
Welcome back, Brendan Fraser, the movies missed you.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)