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Lucy Buglass (45 KP) rated Marriage Story (2019) in Movies
Nov 7, 2019
Divorce has been depicted many times onscreen, as it’s one of those difficult realities about adult relationships. There’s still a lot of stigma around the breakdown of a marriage, but Marriage Story deals with the topic in a very raw and unique way.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
The film follows Nicole (Scarlett Johansson) and Charlie (Adam Driver) as they’re going through the turbulent divorce period. The couple share a young son Henry, who naturally causes complications for the two when it comes to custodial agreements.
Marriage Story opens with two gorgeous monologues about what the two characters love about each other, both of which are enough to make you cry a mere few minutes into the film. This contrasts very well with the present day, where they’re both struggling to make their marriage work.
It would have been very easy for Noah Baumbach to encourage the audience to pick sides, leaving them to subconsciously ‘root’ for either party to do well in the scenario. But remarkably that’s not the case, as it’s a very unbiased film that lays everything out on the table for us to see. Each messy, complicated detail is shown to us, and we end up sympathising with both.
One thing I really enjoyed about Marriage Story is the way Baumbach criticises some of the ridiculousness associated with divorce, especially when it comes to legal battles. Nicole reluctantly turns to ruthless lawyer Nora Fanshaw (Laura Dern), who is honest about the lies that have to be told in order to get through this.
Dern’s performance is hilarious but also highlights some of the inequalities and utterly baffling scenarios that happen when picking up a legal case. I wasn’t aware of any of them so it was quite a shock.
Watching the film is excruciating in places, but that’s a compliment on how raw and honest it is. It seems wrong for Charlie and Nicole to have to say and do certain things, all dictated by their respective lawyers. A clean break just isn’t possible when a child is involved.
It becomes even more complicated for the couple when Nicole decides to move back to Los Angeles, 2,789 miles away from New York City where she and Charlie used to reside. This creates a very literal distance between them, and causes problems with the battle for custody and Henry’s wellbeing.
Whilst there are many scenes which will reduce you to tears, Marriage Story has some comedic elements to lighten the mood, especially when it comes to Nicole’s family and how they react to the news of the divorce.
The two central performances in Marriage Story really are exceptional, and you become invested in the lives of people you don’t even know. One dramatic scene between Charlie and Nicole in particular had me openly sobbing, as it was full of contempt instead of love. Many of us can react to that exchange in a failing relationship, and it hurts.
If you want a very honest look at what it’s like to go through a divorce, then Marriage Story is just that. This isn’t the kind of film that sugarcoats anything and instead takes its audience on an emotional rollercoaster from start to finish.
Heather Cranmer (2721 KP) created a post
Feb 4, 2021
Darren (1599 KP) rated Jasper Jones (2016) in Movies
Sep 13, 2019
Characters – Charlie Bucktin is the teenager that is in the middle of the mystery about the death of the girl in the town. He befriends the one person everyone thinks it is as he must see the prejudice that the non-locals deal with being in the town. Ruth is Charlie’s mother that is always worrying about Charlie when he keeps breaking the curfew. Eliza is the sister of the dead girl, she becomes friends with Charlie as she needs someone to keep her feeling the right mind set during the wait. Jasper Jones is the outcast of the town who is easily the suspect the town will blame for the murder.
Performances – Levi Miller is good in the leading role, we have seen him in other movies and he has been making a reputation with this type of role. Toni Collette shines as we know she always will, she is such an incredible actress. Angourie Rice after The Nice Guys is an actress we want to see where she went next, here she is good and shows her potential. The rest of the stars are good for what they need to do.
Story – The story follows the mystery surrounding the death of a young woman and the mystery about who was the one responsible. We get secrets which help with the mystery as well as dealing with racial behaviour of the town’s people towards the ones that aren’t Australian. We do touch on other important subjects which come from the ending of the film, so won’t be spoiling them. This feels like a story that should have such a big impact though we don’t get enough time to process each moment to its full effect, this only disappoints because you do need to process large parts of this film.
Mystery – The mystery in this film comes from just wondering who was behind the death of the girl, even though this isn’t the only major talking point in the film as we end up seeing other subjects getting dealt with.
Settings – The small town setting in one that works for the film, it shows you could never know everything about your neighbours and you will need to be friends when things go wrong.
Scene of the Movie – The truth about the body.
That Moment That Annoyed Me – So many serious subjects, not enough time to process.
Final Thoughts – This does feel like a massively powerful movie that just doesn’t give us the time to process all the major talking points within the movie, this needed to be longer or a television show.
Overall: Too much to process at times.
Performances – Levi Miller is good in the leading role, we have seen him in other movies and he has been making a reputation with this type of role. Toni Collette shines as we know she always will, she is such an incredible actress. Angourie Rice after The Nice Guys is an actress we want to see where she went next, here she is good and shows her potential. The rest of the stars are good for what they need to do.
Story – The story follows the mystery surrounding the death of a young woman and the mystery about who was the one responsible. We get secrets which help with the mystery as well as dealing with racial behaviour of the town’s people towards the ones that aren’t Australian. We do touch on other important subjects which come from the ending of the film, so won’t be spoiling them. This feels like a story that should have such a big impact though we don’t get enough time to process each moment to its full effect, this only disappoints because you do need to process large parts of this film.
Mystery – The mystery in this film comes from just wondering who was behind the death of the girl, even though this isn’t the only major talking point in the film as we end up seeing other subjects getting dealt with.
Settings – The small town setting in one that works for the film, it shows you could never know everything about your neighbours and you will need to be friends when things go wrong.
Scene of the Movie – The truth about the body.
That Moment That Annoyed Me – So many serious subjects, not enough time to process.
Final Thoughts – This does feel like a massively powerful movie that just doesn’t give us the time to process all the major talking points within the movie, this needed to be longer or a television show.
Overall: Too much to process at times.
Whatchareadin (174 KP) rated The Gates of Evangeline in Books
Apr 9, 2019
Charlotte Cates has started having dreams about young children now that her son has passed away. She is not sure what these dreams mean, but when they start to come to fruition, she sees that she may have a gift she may not really want. Sent to Louisiana to write a book about the abduction of young Gabriel Deveau, she believes she knows what has happened to him from one of her dreams. Will she be able to find out what happened to this boy? What other dreams will she have before she gets the answers she is looking for?
I started this book and at first I couldn't get into it. I put it down for a couple of weeks and then picked it back up. I'm so glad that I did. While some parts of this book were a little bit predictable, this was an overall good read. I was invested in the story and I was desperate to know what was going to happen to Charlotte, or Charlie as she likes to be called.
After the death of her own child, she was lost and unsure about how to continue her life. She wasn't really into her job and then came the opportunity arose for her to write about something, she thought she had first hand knowledge about. Leaving her home in Connecticut to live at Evangeline, the estate where Gabriel went missing, she uncovers a lot about the Deveau family that she never knew was possible.
At 75% I literally felt my heart begin to race. And it was difficult to put the book down from then on. Highly recommended.
I started this book and at first I couldn't get into it. I put it down for a couple of weeks and then picked it back up. I'm so glad that I did. While some parts of this book were a little bit predictable, this was an overall good read. I was invested in the story and I was desperate to know what was going to happen to Charlotte, or Charlie as she likes to be called.
After the death of her own child, she was lost and unsure about how to continue her life. She wasn't really into her job and then came the opportunity arose for her to write about something, she thought she had first hand knowledge about. Leaving her home in Connecticut to live at Evangeline, the estate where Gabriel went missing, she uncovers a lot about the Deveau family that she never knew was possible.
At 75% I literally felt my heart begin to race. And it was difficult to put the book down from then on. Highly recommended.
Gareth von Kallenbach (971 KP) rated Hide and Seek (2005) in Movies
Aug 14, 2019
The mind is a deep a complex organ that science still struggles to fully comprehend, despite the countless hours of research and study that have been expended in unlocking the mysteries contained within.
In the new thriller Hide and Seek, audiences are introduced to Dr. David Callaway (Robert De Niro), a Psychologist who is struggling to help his daughter Emile (Dakota Fanning) after the suicide of her mother. David believes that the best option is to move from New York City to a quite area upstate where he can focus on being a father to his daughter, who has become withdrawn despite intense counseling.
Despite opposition from Emily’s therapist and family friend Katherine (Famke Janssen), David and Emily relocate to a scenic and quite location and hour from the city.
At first everything seems to be going well with the move and David meets an attractive young lady named Elizabeth (Elisabeth Shue), who watches over a little girl for another member of her family. Thinking that a friend will snap Emily from her state, David encourages Elizabeth to come to the house.
David is convinced the addition of a friend will encourage Emily to stop talking about an imaginary friend named Charlie who seems to have preoccupied the little girls time. David is convinced that Charlie is a creation of Emily’s psyche that will fade over time especially as she makes friends and copes with the loss of her mother.
Emily instead withdraws even further from people and a series of bizarre and violent events ensue with Emily insisting that Charlie is the reason behind all of them. As David struggles to deal with the ever increasing tension caused by Charlie, he soon becomes caught up in a situation beyond his control.
The setup for the film is good as your mind races with a myriad of possibilities and outcome. Sadly many of my scenarios, and I suspect most of the audience were better and more satisfying then the conclusion of the film. The film quickly degrades into an abundance of absurdities and situations that seem lifted from the Drama 101 textbook as well as a dozen other and better films in the genre.
While the cast does good work with what they have, it is unsatisfying to see talent like Shue and Janssen reduced to minor supporting characters when they could have brought so much more to the film. Worse yet is De Niro seems to be going through the motions as this brilliant and gifted actor is not given any material that will challenge him and let his brilliant method acting shine.
For the first half of the film it is a mostly enjoyable and intriguing film that does hold your attention. However once the so called surprises of the film are revealed and the film moves towards it’s conclusion, you cant help but think that you have been cheated and deserved a much better payoff for sitting through the first hour of the film. Days after seeing it, I am still stunned at how badly the film ended and how such a good premise and talented cast were horribly wasted on a film that had surprisingly no scares or tension as the audience at my press screening sat largely in silence throughout the film.
My advice, save this for a rental as it is at best, a movie of the week quality film.
In the new thriller Hide and Seek, audiences are introduced to Dr. David Callaway (Robert De Niro), a Psychologist who is struggling to help his daughter Emile (Dakota Fanning) after the suicide of her mother. David believes that the best option is to move from New York City to a quite area upstate where he can focus on being a father to his daughter, who has become withdrawn despite intense counseling.
Despite opposition from Emily’s therapist and family friend Katherine (Famke Janssen), David and Emily relocate to a scenic and quite location and hour from the city.
At first everything seems to be going well with the move and David meets an attractive young lady named Elizabeth (Elisabeth Shue), who watches over a little girl for another member of her family. Thinking that a friend will snap Emily from her state, David encourages Elizabeth to come to the house.
David is convinced the addition of a friend will encourage Emily to stop talking about an imaginary friend named Charlie who seems to have preoccupied the little girls time. David is convinced that Charlie is a creation of Emily’s psyche that will fade over time especially as she makes friends and copes with the loss of her mother.
Emily instead withdraws even further from people and a series of bizarre and violent events ensue with Emily insisting that Charlie is the reason behind all of them. As David struggles to deal with the ever increasing tension caused by Charlie, he soon becomes caught up in a situation beyond his control.
The setup for the film is good as your mind races with a myriad of possibilities and outcome. Sadly many of my scenarios, and I suspect most of the audience were better and more satisfying then the conclusion of the film. The film quickly degrades into an abundance of absurdities and situations that seem lifted from the Drama 101 textbook as well as a dozen other and better films in the genre.
While the cast does good work with what they have, it is unsatisfying to see talent like Shue and Janssen reduced to minor supporting characters when they could have brought so much more to the film. Worse yet is De Niro seems to be going through the motions as this brilliant and gifted actor is not given any material that will challenge him and let his brilliant method acting shine.
For the first half of the film it is a mostly enjoyable and intriguing film that does hold your attention. However once the so called surprises of the film are revealed and the film moves towards it’s conclusion, you cant help but think that you have been cheated and deserved a much better payoff for sitting through the first hour of the film. Days after seeing it, I am still stunned at how badly the film ended and how such a good premise and talented cast were horribly wasted on a film that had surprisingly no scares or tension as the audience at my press screening sat largely in silence throughout the film.
My advice, save this for a rental as it is at best, a movie of the week quality film.
Hadley (567 KP) rated The Silver Eyes (Five Nights at Freddy's, #1) in Books
Jul 5, 2019
It was in 2014 when the video game Five Nights at Freddy's debuted, and now it's one of the most well known horror games in the world. Homicidal animatronics, a nighttime security guard, and a children's pizza restaurant make up Scott Cawthon's world in FNAF. Fast forward to 2016: Cawthon makes the game's story into a book series. The lore surrounding the video game franchise seems to be more sought after than the game play itself. ' The Silver Eyes' is the first of three books telling the dark story from Cawthon, but from the eyes of the animatronics creator's daughter, Charlie, instead of the night guard at Freddy Fazbear's Pizzeria.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
We start with seventeen-year-old Charlie, who is returning to her hometown of Hurricane, Utah for a scholarship/memorial ceremony dedicated to her deceased childhood friend, Michael. She has a reunion with other childhood friends: Carlton, Jessica, John, Lamar and Marla; all of who share the same tragedy of Michael's disappearance from when they were children at Freddy Fazbear's. This disappearance seems to be the only thing the group can discuss, but more so from Charlie because her father was blamed for Michael's disappearance. This, the shared experience of being present at the time of Michael's kidnapping, and having been part of the same circle of friends, dominates this story. Charlie is our main point of view, but we are given a few glimpses from other characters which end up irrelevant.
Charlie's father, years before, had the pizzeria Freddy Fazbear's built in Hurricane, but after Michael was kidnapped while being there, it was shut down and, now, a mall is being built around it. But, with the stigma coming from Fazbear's kidnapping, no businesses will agree to have their store put inside the new building, leaving it abandoned. Right away, the reader is taken with the group of friends on a trip to the building, where they break into Fazbear's with only a lone guard on duty, but with the amount of noise the group makes and even, somehow, turning the electricity back on, it's unreasonable to the reader that the guard isn't aware of their presence. (Even the characters don't seem worried about the guard coming in and kicking them out).
Without trying to give any spoilers away to those who may not know the story- the night guard finally shows up later on in the book, but only to join the group on their third adventure through the abandoned Fazbear's. And it is as this point, the book is at it's best. Even the writing seems to change - - - as if a different person took over for the second part of the book (which is a good thing).
Cawthon and Breed-Wrisley tried their best to convey the story of Five Nights at Freddy's, but although the story is a good one, the writing is lacking in many aspects. There's not just a few inconsistencies that I found, but rather a lot, and one of these is an important one: Charlie,earlier on in the story, tells us about her twin brother, Sammy, being kidnapped from the first Pizzeria her father had built, but later on, she states that Sammy was present at the newer Fazbear's when clearly he had been kidnapped before the newer restaurant was even built.
This story isn't so much about animatronics and a child murderer, but rather a group of children that shared a trauma that permeates into their adulthood. Sadly, the symptoms of this trauma aren't clearly stated from a reality stand point, but the teen drama is held in-check, making it a much more pleasant read than most young adult books. Character development is also lacking enough that--- even the main character--- seems like a stranger to the reader, where interactions between most of the group seems forced and unreasonable.
I can only recommend this book to fans of Five Nights at Freddy's, but as just a casual reader of the horror genre, the writing is a huge disappointment. I can't and won't read this again.
Gareth von Kallenbach (971 KP) rated Fright Night (2011) in Movies
Aug 7, 2019
Twenty-six years ago, “Fright Night” premiered in theaters and went on to become a fondly remembered title amongst horror fans. The movie cleverly combined horror and humor to create a fresh take on the vampire and teen horror genres which had started to grow stale. While the movie spawned a largely forgettable direct to video sequel, the original film has remained popular over the years. So, when I first heard that they were planning on remaking the film I was skeptical as I felt it would be very difficult to match the original film.
Boasting an impressive cast which includes Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, and Toni Collette, the remake does not try to reinvent the wheel, but instead takes the formula of the original and creates an entirely new entry into the saga.
For those unfamiliar with the series, Yelchin stars as Charlie Brewster, a young man who is trying to balance watching over his single mother, and his growing relationship with a girl way out of his league named Amy (Imogen Poots). He is also wrestling with becoming part of a cooler crowd at the cost of alienating his geeky former best friend, Ed, played by Christopher Mintz-Plasse.
Colin Farrell plays the handsome and suave new next door neighbor who easily charms Charlie’s mom, played by Toni Colette. Unbeknownst to his neighbors, the charming and charismatic Jerry, played by Colin Ferrell, is actually a vampire who’s come to their Las Vegas suburb to continue his nighttime hunts. Ed has become suspicious of the recent disappearances in their community and confides to Charlie that he’s had Jerry under surveillance and knows that he is a vampire.
Needless to say this does not sit well with Charlie, who distances himself further from Ed. But when Ed goes missing, Charlie decides to do some investigating of his own. Charlie turns to a local Vegas performance artist named Peter Vincent (David Tennant), whose vampire-themed show portrays him as an expert in fighting the undead. While at first skeptical over Charlie’s claims, a few devastating confrontations with Jerry and his minions forces Vincent to rethink his role. The two unlikely allies soon find themselves in a deadly race against time to defeat Jerry and save their loved ones before it’s too late.
The film cleverly combines horror and comedy and does a good job of providing some suspenseful moments in between the blood and gore, managing to squeeze in more than a few laughs along the way. While not overly scary, the visual effects work is solid and aside from the converted 3-D is a really enjoyable to watch. The film would’ve been much better had it been shot in 3-D or simply left as a 2-D film as the conversion really didn’t offer anything of value as is often the case in these lab converted efforts.
The cast works very well with one another and Farrell cheekily introduces a few new wrinkles to the vampire lore. I really enjoyed David Tennant’s performance and should they do a sequel I certainly hope that they bring him back. Anton Yelchin gives a reliable performance but I was surprised that Christopher Mintz-Plasse did not have a bigger role but he does have some memorable moments in the film. What really impressed me was that the film did not attempt to do a shot-by-shot remake of the original but instead took the premise of the original and offered a fresh take that easily could have been issued as the third chapter in the series rather than a reboot. While there were nods to the original, outside of the premise it was very much its own film.
The film is not going to set any high marks for new standards in horror nor is the plot fresh and original. It simply knows what its target audience and source material are and sets a course right down the middle without attempting to deviate too much one way or another. “Fright Night” just might be perfect for those looking for a dose of nostalgia and some highly suspenseful, fun entertainment.
Boasting an impressive cast which includes Anton Yelchin, Colin Farrell, David Tennant, Christopher Mintz-Plasse, and Toni Collette, the remake does not try to reinvent the wheel, but instead takes the formula of the original and creates an entirely new entry into the saga.
For those unfamiliar with the series, Yelchin stars as Charlie Brewster, a young man who is trying to balance watching over his single mother, and his growing relationship with a girl way out of his league named Amy (Imogen Poots). He is also wrestling with becoming part of a cooler crowd at the cost of alienating his geeky former best friend, Ed, played by Christopher Mintz-Plasse.
Colin Farrell plays the handsome and suave new next door neighbor who easily charms Charlie’s mom, played by Toni Colette. Unbeknownst to his neighbors, the charming and charismatic Jerry, played by Colin Ferrell, is actually a vampire who’s come to their Las Vegas suburb to continue his nighttime hunts. Ed has become suspicious of the recent disappearances in their community and confides to Charlie that he’s had Jerry under surveillance and knows that he is a vampire.
Needless to say this does not sit well with Charlie, who distances himself further from Ed. But when Ed goes missing, Charlie decides to do some investigating of his own. Charlie turns to a local Vegas performance artist named Peter Vincent (David Tennant), whose vampire-themed show portrays him as an expert in fighting the undead. While at first skeptical over Charlie’s claims, a few devastating confrontations with Jerry and his minions forces Vincent to rethink his role. The two unlikely allies soon find themselves in a deadly race against time to defeat Jerry and save their loved ones before it’s too late.
The film cleverly combines horror and comedy and does a good job of providing some suspenseful moments in between the blood and gore, managing to squeeze in more than a few laughs along the way. While not overly scary, the visual effects work is solid and aside from the converted 3-D is a really enjoyable to watch. The film would’ve been much better had it been shot in 3-D or simply left as a 2-D film as the conversion really didn’t offer anything of value as is often the case in these lab converted efforts.
The cast works very well with one another and Farrell cheekily introduces a few new wrinkles to the vampire lore. I really enjoyed David Tennant’s performance and should they do a sequel I certainly hope that they bring him back. Anton Yelchin gives a reliable performance but I was surprised that Christopher Mintz-Plasse did not have a bigger role but he does have some memorable moments in the film. What really impressed me was that the film did not attempt to do a shot-by-shot remake of the original but instead took the premise of the original and offered a fresh take that easily could have been issued as the third chapter in the series rather than a reboot. While there were nods to the original, outside of the premise it was very much its own film.
The film is not going to set any high marks for new standards in horror nor is the plot fresh and original. It simply knows what its target audience and source material are and sets a course right down the middle without attempting to deviate too much one way or another. “Fright Night” just might be perfect for those looking for a dose of nostalgia and some highly suspenseful, fun entertainment.
Kristin (149 KP) rated The Day The Tigers Broke Free in Books
Dec 7, 2018
Disclaimer: I received an e-copy from the author in exchange for an honest review.
Charlie is a journalist; he makes it his goal in life to dig up all the dirt, to get whatever information he can in any way possible. However, this time, the story's personal: His nephew is dead, supposedly by his own hand. Charlie's not buying that for one bit, though. His new goal? Bring justice for his family and drag as many people down as possible.
I found this story incredibly interesting from the start. The opening just pulls you in, and from that point, you're totally invested in what's happened to this young man. Was it suicide? Was it murder? The town says it's the former, but Charlie's on a vendetta, and he's not going to let it go. Quite a few of the characters he meets along the way are hideous, and their portrayal is perfect. Growing up in a small town, I know what it's like when an "outsider" comes in, questioning how you do things, stirring up trouble. This story is en embodiment of small-town life: the closed ranks, the suspicion of someone different, the racism and prejudice, etc. What's the final verdict on David's death? You'll have to read that for yourself.
4 stars
Charlie is a journalist; he makes it his goal in life to dig up all the dirt, to get whatever information he can in any way possible. However, this time, the story's personal: His nephew is dead, supposedly by his own hand. Charlie's not buying that for one bit, though. His new goal? Bring justice for his family and drag as many people down as possible.
I found this story incredibly interesting from the start. The opening just pulls you in, and from that point, you're totally invested in what's happened to this young man. Was it suicide? Was it murder? The town says it's the former, but Charlie's on a vendetta, and he's not going to let it go. Quite a few of the characters he meets along the way are hideous, and their portrayal is perfect. Growing up in a small town, I know what it's like when an "outsider" comes in, questioning how you do things, stirring up trouble. This story is en embodiment of small-town life: the closed ranks, the suspicion of someone different, the racism and prejudice, etc. What's the final verdict on David's death? You'll have to read that for yourself.
4 stars
AJaneClark (3962 KP) rated The Perks of Being a Wallflower in Books
Oct 28, 2020
Dysfunctional and heart-warming
Read this before I made the decision to watch the movie, and I certainly enjoyed the book more (although the movie was not a bad one). The more I read the book, the more I was hooked, (possibly because it was quite a heavy read, and I wanted to finish it, again not because I dislike it). Many of the characters are likeable, and the material was well written.
A coming of age story of a young man beginning high school with the emotional and mental baggage of his traumatic childhood. Charlie was an unusual main lead, appearing quite odd at times and very emotional. He made friends with Sam and Patrick, and the relationship was heart warming if not a little dysfunctional.
My rating of the book, did not quite give it the max rating, as I felt after I had finished reading, I was left a little confused, and with a number of unanswered questions. At times throughout the novel, I kept thinking the next chapter will be the big reveal, but that chapter never came.
I can see why it has the following it has, went mainstream and has remained popular, but not a book I aim to reread anytime soon.
A coming of age story of a young man beginning high school with the emotional and mental baggage of his traumatic childhood. Charlie was an unusual main lead, appearing quite odd at times and very emotional. He made friends with Sam and Patrick, and the relationship was heart warming if not a little dysfunctional.
My rating of the book, did not quite give it the max rating, as I felt after I had finished reading, I was left a little confused, and with a number of unanswered questions. At times throughout the novel, I kept thinking the next chapter will be the big reveal, but that chapter never came.
I can see why it has the following it has, went mainstream and has remained popular, but not a book I aim to reread anytime soon.
Gareth von Kallenbach (971 KP) rated Insidious: Chapter 3 (2015) in Movies
Aug 6, 2019
Some of us at one time or another have considered contacting a loved one who has passed away or making contact with the “other side” through séances, Ouija boards, or even the recent trend “Charlie, Charlie.” We don’t consider the ramifications of our decisions and what the outcome could be. With the third installment of the Insidious franchise we bear witness to this possibility for one young lady. Quinn Brenner is suffering from the recent loss of her mother and desperately wants to contact her. In her attempts to contact the departed, she reaches out to Elise Rainier, a medium who reluctantly assists her, yet warns her of the dangers in pursuing this endeavor. Unfortunately for Quinn, the warning comes too late as her attempts to reach out to her mother have opened up the opportunity to be contacted by other spirits. As a result, Quinn finds herself being pursued by a dark entity whose only purpose is obtaining her soul. With the help of Elise and Quinn’s father, it becomes a fight to rescue her soul from the clutches of this dark and mysterious figure.
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5
The film’s story and plot are very simple to follow and with it being a prequel has a few connections to the other movies within the Insidious franchise. Viewers of the other two films will catch on to some of the references and allusions to the previous movies. With this being said, it makes for a good stand-alone film and does not require its audience to watch the other films in order to understand the issues and follow along with the story. There are more than enough suspenseful moments in the film and it will keep audiences at the edge of their seats waiting to see what awaits them in each scene. Despite its PG-13 rating, it does a great job in finding a balance with the suspense and gore. There are a multitude of misdirections applied and creative moves to frighten the viewers which will have audiences looking over their shoulders as they walk back to their cars from the theater, questioning every sound that they hear, and keeping all of the lights on in their homes for safe measure.
4/5