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Movie Metropolis (309 KP) rated Atomic Blonde (2017) in Movies
Jun 10, 2019
Say hello to Mrs. John Wick
David Leitch is one of the most exciting film-makers of the current crop of directors working today. His brilliant John Wick reignited Keanu Reeves’ career in spectacular fashion and he’s worked behind-the-scenes on films like Captain America: Civil War and Jurassic World.
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
Just this year he signed on to direct Deadpool 2 after Tim Miller’s sudden departure. In the meantime, he’s treating us to another adults-only thriller, Atomic Blonde. But is this Charlize Theron-led vehicle as good as his previous work?
Sensual and savage, Lorraine Broughton (Charlize Theron) is the most elite spy in MI6, an agent willing to use all her skills to stay alive during impossible missions. With the Berlin Wall ready to crumble, she travels into the middle of the city to retrieve a dossier and take down an espionage ring. Once there, she teams up with an embedded station chief (James McAvoy) to navigate her way through the deadliest game of spies.
Charlize Theron is fast-becoming one of Hollywood’s most bankable stars after decent turns in Fast & Furious 8 and Mad Max: Fury Road. In Atomic Blonde this is no exception. She commands the screen in each and every frame, oozing class and showing the world she is a first-class action superstar.
The rest of the cast are also exquisite. James McAvoy can do no wrong this year after his out-of-this-world performance in Split, and his David Percival here is fleshed out, well-written and beautifully acted. Elsewhere, John Goodman and Toby Jones add even more prowess to proceedings.
Add to this some stunning cinematography and you’ve got a recipe for success. Atomic Blonde relishes the era in which it is presented with a magnificent soundtrack and beautiful direction. Leitch makes the film feel very much alive, with brutally realistic action shot without needless shaky cam or over-the-top scoring.
Unfortunately, the story is less successful. If Theron is the living, beating heart of Atomic Blonde, the script nearly strangles her. It is nearly impossible to truly understand what is happening on screen as the plot throws more twists and turns at the audience than Spaghetti Junction. Ordinarily, this would be great, but here it’s distracting and nonsensical.
Nevertheless, this is a vastly entertaining film, very much in the same vein of John Wick. In fact, it’d be fantastic if we could see these two characters brought together in a crossover of epic proportions.
Overall, David Leitch hasn’t quite recaptured the success of his first feature film but has managed to craft a highly stylised and quick-moving thriller that feels very real and utilises its exceptional cast incredibly well, with Charlize Theron being an absolute delight. It’s just unfortunate the plot is a bit of a damp squib.
https://moviemetropolis.net/2017/08/10/atomic-blonde-review-say-hello-to-mrs-john-wick/
Elvis Fox (24 KP) rated Young Adult (2011) in Movies
May 1, 2019
Charlize Theron (2 more)
Patton Oswalt
Elizabeth Reaser
Adulting Not Suited For Everyone
First off, in order to enjoy this deliciously vapid slice of life film I highly recommend suspending your moral compass to get a truly enjoyable viewing. Charlize Theron is absolutely PERFECT as ghost writer Mavis Gary, who for the most part, hasn't matured beyond her glory days as a popular high school cheerleader and displays questionable morality traits as the film progresses. She's tall, blonde, and beautiful and as such was destined to go on to do amazing things in life...until life got in the way. Enjoying moderate success as a ghost writer of a once popular young adult series, Mavis's only real source of income is dwindling, as the series is coming to an end as she struggles to write a satisfactory ending which mirrors what's happening in her own personal life. As luck would have it, an old high school flame of Mavis's sends her an e-vite to a celebration for the birth of his first child and the events that unfold is anything short of cringe worthy, rage, and ultimately dissapointment. I highly recommend this quant little film that I feel doesn't get nearly as much attention and praise as it deserves, it makes for one heck of a Friday night in!
Awix (3310 KP) rated The Astronaut's Wife (1999) in Movies
Feb 26, 2018
Turgid obstetric-horror SF movie from the days before Johnny Depp rode his Keith Richards impersonation to global superstardom. Depp goes off into space, comes back (maybe) possessed by aliens; on his return Theron is unsettled by his odd behaviour, especially when it turns out she has been impregnated by this guy.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
Basically Quatermass meets Rosemary's Baby, only not as good as that sounds. Not very much happens for long periods of time, apart from regular close-ups of Theron's toes; vague atmosphere of stately menace doesn't make up for the lack of real scares, thrills, or ideas. Charlize Theron, at the age of 24, carries the movie as well as can be expected in the circumstances, Depp is all over the place. In the end the plot turns out to be a cigarette paper's width away from being total gibberish; the DVD has two alternate endings, neither of which is much cop. Gynaecologists with an interest in foot fetishism will probably love it - everyone else, not so much.
BankofMarquis (1832 KP) rated The Old Guard (2020) in Movies
Jul 22, 2020
Theron makes this film watchable
In this time, where new cinematic experiences are limited to home viewing, it is fun to take a break from watching (or re-watching) classic films to check out a new movie.
And this one, THE OLD GUARD, is a fun enough and well worth checking out.
Starring Charlize Theron and based on a limited-run comics series from 2017, THE OLD GUARD tells the tale of a group if immortals (beings who cannot die) who bond together to serve the greater good of humanity.
While the plot is rather "by-the-book": young, hip, ego-maniacal mega-industrialist uses nefarious methods to capture the immortals to use for his own (money making) purposes, the star power of Theron holds this piece together in interesting ways.
Make no mistake - this is Theron's film (as the oldest of the immortals) and she is terrific. She demands attention anytime she is on the screen and when she shares the scene with strong actors like Chewitel Ejiofor(12 YEARS A SLAVE) and young Kiki Lane (IF BEALE STREET COULD TALK), it makes for an interesting film, indeed. Unfortunately, the rest of the Immortals (Luca Marinelli, Marwan Kenzari and - especially - Matthias Schoenaerts) are rather bland and the "big bad" (played by Dudley Dursley himself, Harry Melling) and his generic henchmen just aren't interesting enough.
The Direction, by Gina-Prince Bythewood, and the fight choreography is professional, but nothing special, which adds to the "meh" I was feeling whenever Theron was not on the screen.
But there is enough going right in this film that in this day where there is a dearth of new entertainment available, THE OLD GUARD fills the void quite well.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank (ofMarquis)
And this one, THE OLD GUARD, is a fun enough and well worth checking out.
Starring Charlize Theron and based on a limited-run comics series from 2017, THE OLD GUARD tells the tale of a group if immortals (beings who cannot die) who bond together to serve the greater good of humanity.
While the plot is rather "by-the-book": young, hip, ego-maniacal mega-industrialist uses nefarious methods to capture the immortals to use for his own (money making) purposes, the star power of Theron holds this piece together in interesting ways.
Make no mistake - this is Theron's film (as the oldest of the immortals) and she is terrific. She demands attention anytime she is on the screen and when she shares the scene with strong actors like Chewitel Ejiofor(12 YEARS A SLAVE) and young Kiki Lane (IF BEALE STREET COULD TALK), it makes for an interesting film, indeed. Unfortunately, the rest of the Immortals (Luca Marinelli, Marwan Kenzari and - especially - Matthias Schoenaerts) are rather bland and the "big bad" (played by Dudley Dursley himself, Harry Melling) and his generic henchmen just aren't interesting enough.
The Direction, by Gina-Prince Bythewood, and the fight choreography is professional, but nothing special, which adds to the "meh" I was feeling whenever Theron was not on the screen.
But there is enough going right in this film that in this day where there is a dearth of new entertainment available, THE OLD GUARD fills the void quite well.
Letter Grade: B
7 Stars (out of 10) and you can take that to the Bank (ofMarquis)
LeftSideCut (3778 KP) rated The Fate of the Furious (2017) in Movies
Jun 22, 2021
This 8th entry in the Fast & Furious series is a bit of a mixed bag. On the one hand, it's half a boring movie with a annoyingly cringey villain (not bashing Charlize Theron, but her character writing and direction is just awful), but on the other hand, it's more of the same stupid action that is laughably far away from the original at this point (not a bad thing). The entire last hour is ridiculous and so horrifically entertaining. Jason Statham taking out waves of thugs on an aeroplane with a gun in one hand, and a baby in the other, is definitely a series highlight. This franchise has essentially turned into that Tugg Speedman trailer from Tropic Thunder, and I'm ok with that.
The Marinated Meeple (1848 KP) rated Mad Max: Fury Road (2015) in Movies
Apr 1, 2018
Charlize Theron (4 more)
Tom Hardy
The Sets and the Crazy Cars
This wild conjured apocalyptic world they created.
Driving thru hell and back.
An Adrenaline ride filled with nitrous oxide, and greasepaint galone...
My wife hates this film, but I loved it.... she normally has great taste. This time I respectfully disagree...
I didn't expect much of this film and it completely blew me ou of the water, I was amazed and I'm not the only one: In a Cannes press conference for the movie, Tom Hardy apologized to George Miller for the reportedly complicated relationship between the star and the director during filming. He stated: "There was no way, I mean, I have to apologize to you because I got frustrated. There was no way George could have explained what he could see in the sand when we were out there. Because of the due diligence that was required to make everything safe and so simple, what I saw was a relentless barrage of complexities, simplified for this fairly linear story. I knew he was brilliant, but I didn't know how brilliant until I saw it. So, my first reaction was 'Oh my god, I owe George an apology for being so myopic'." Charlize Theron mentioned similar experiences where she had no idea what she was filming, up to the point where she would ask the director what the hell he was doing. In the end, seeing the finished film greatly exceeded her expectations as well.
Give it a shot... it won an Oscar for gawds sake...
plus an alternate movie poster for your enjoyment.
I didn't expect much of this film and it completely blew me ou of the water, I was amazed and I'm not the only one: In a Cannes press conference for the movie, Tom Hardy apologized to George Miller for the reportedly complicated relationship between the star and the director during filming. He stated: "There was no way, I mean, I have to apologize to you because I got frustrated. There was no way George could have explained what he could see in the sand when we were out there. Because of the due diligence that was required to make everything safe and so simple, what I saw was a relentless barrage of complexities, simplified for this fairly linear story. I knew he was brilliant, but I didn't know how brilliant until I saw it. So, my first reaction was 'Oh my god, I owe George an apology for being so myopic'." Charlize Theron mentioned similar experiences where she had no idea what she was filming, up to the point where she would ask the director what the hell he was doing. In the end, seeing the finished film greatly exceeded her expectations as well.
Give it a shot... it won an Oscar for gawds sake...
plus an alternate movie poster for your enjoyment.
Sarah (7798 KP) rated Atomic Blonde (2017) in Movies
Aug 16, 2017
Soundtrack (1 more)
Fight scenes
Style over substance?
This is basically a slightly above average spy film - given the above average rating solely based on the killer soundtrack and great action scenes. Charlize Theron makes a pretty good kick ass action star. However the plot itself is a bit confusing at times, drags quite a lot and seems to have almost been pushed to the background in favour of the stylish music and fight scenes. The basic premise as well is sadly lacking in originality, it's so similar to numerous other spy films just with a cool 80s setting. It does however have a great supporting cast, but James McAvoy has been massively underused in this as he's a fantastic actor and needed more screen time. The ending was alright though, just a shame it took so long to get there.
Awix (3310 KP) rated Atomic Blonde (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Blondes Have More Gratuitous Nudity (Apparently)
Self-consciously stylish action thriller in which Charlize Theron swanks around 1980s Berlin for two hours in a series of thigh-flashing outfits, pausing only to beat the living daylights out of groups of grown men, engage in a little modish girl-on-girl hot action, and interrupt revivals of Andrei Tarkovsky movies (for shame!).
Quite good fun if you like this kind of movie: the plot is rather secondary to the look of the thing, but it has a good cast and the action is very well-staged. Can't help thinking it's just a little bit exploitative - don't imagine the studio would have been quite as keen on the main character being gay, or indeed so frequently naked, were they male - but it doesn't come across as offensively so.
Quite good fun if you like this kind of movie: the plot is rather secondary to the look of the thing, but it has a good cast and the action is very well-staged. Can't help thinking it's just a little bit exploitative - don't imagine the studio would have been quite as keen on the main character being gay, or indeed so frequently naked, were they male - but it doesn't come across as offensively so.
Movie Metropolis (309 KP) rated The Huntsman: Winter's War (2016) in Movies
Jun 11, 2019
Hemsworth and Chastain Disappoint
Snow White & the Huntsman was a film that garnered much more attention than it deserved, purely because of the goings on behind the scenes between Twilight starlet, Kristen Stewart and director Rupert Sanders. The film itself was a hollow take on the classic fairy-tale that lacked the magic and sparkle of Disney’s wonderful animation.
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
Blazing Minds (92 KP) rated Bombshell (2019) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Now I have to say that I wasn't 100% sure of the story behind Bombshell that stars Charlize Theron, Nicole Kidman, Margot Robbie and an unrecognisable John Lithgow, what I did vaguely know is that the movie is based on the rather powerful and controversial media empire Fox News and of the story of the woman that brought down the man that created the well-known empire.
It's certainly a refreshing change from all the action and adventure films that I've been seeing lately and ys it is a slowish paced film, but Bombshell kept me interested in the storyline, as they fight to take on the power of Fox News and Roger Ailes (John Lithgow), this is a film that is pretty powerful to watch and is intriguing and interesting as Gretchen Carlson (Nicole Kidman) takes on the media mogul in a fight for justice.
It's certainly a refreshing change from all the action and adventure films that I've been seeing lately and ys it is a slowish paced film, but Bombshell kept me interested in the storyline, as they fight to take on the power of Fox News and Roger Ailes (John Lithgow), this is a film that is pretty powerful to watch and is intriguing and interesting as Gretchen Carlson (Nicole Kidman) takes on the media mogul in a fight for justice.