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Awix (3310 KP) rated Atomic Blonde (2017) in Movies
Feb 11, 2018 (Updated Feb 11, 2018)
Blondes Have More Gratuitous Nudity (Apparently)
Self-consciously stylish action thriller in which Charlize Theron swanks around 1980s Berlin for two hours in a series of thigh-flashing outfits, pausing only to beat the living daylights out of groups of grown men, engage in a little modish girl-on-girl hot action, and interrupt revivals of Andrei Tarkovsky movies (for shame!).
Quite good fun if you like this kind of movie: the plot is rather secondary to the look of the thing, but it has a good cast and the action is very well-staged. Can't help thinking it's just a little bit exploitative - don't imagine the studio would have been quite as keen on the main character being gay, or indeed so frequently naked, were they male - but it doesn't come across as offensively so.
Quite good fun if you like this kind of movie: the plot is rather secondary to the look of the thing, but it has a good cast and the action is very well-staged. Can't help thinking it's just a little bit exploitative - don't imagine the studio would have been quite as keen on the main character being gay, or indeed so frequently naked, were they male - but it doesn't come across as offensively so.
The Devil's Advocate (1997)
7.4
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Movie Metropolis (309 KP) rated The Huntsman: Winter's War (2016) in Movies
Jun 11, 2019
Hemsworth and Chastain Disappoint
Snow White & the Huntsman was a film that garnered much more attention than it deserved, purely because of the goings on behind the scenes between Twilight starlet, Kristen Stewart and director Rupert Sanders. The film itself was a hollow take on the classic fairy-tale that lacked the magic and sparkle of Disney’s wonderful animation.
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
It’s fair to say then that it never really deserved any kind of follow up, despite a charismatic performance from the wonderful Charlize Theron. Nevertheless, Universal Studios approved another film soon after its release. But is The Huntsman: Winter’s War better than what came before it?
Taking place before and directly alongside the events of its predecessor, Winter’s War follows Emily Blunt’s Ice Queen, Freya, as she struggles to come to terms with the death of her baby. She becomes so consumed by rage and guilt that she banishes herself to an ice castle, much like Elsa from Frozen, training an army of kidnapped children to pass her time.
Chris Hemsworth and Jessica Chastain star as two of these warriors, taken from their families at a young age and taught how to fight and how to block out any feelings of love – as per the Queen’s orders. Naturally, this becomes increasingly difficult and provides the film with its romantic subplot.
Unfortunately, the usually excellent Hemsworth and former Oscar-winner Chastain have next-to-no chemistry and their truly dreadful Celtic accents stop the film dead in its tracks. It’s a shame that Winter’s War relies so heavily on these two when Emily Blunt and a sorely underused Charlize Theron are much, much better.
So much better in fact that the screen comes alive whenever they are on screen, whether that is together or flying solo. Blunt suffers slightly due to the nature of her role, after all, she is known to be a bubbly and happy-go-lucky person, but her Ice Queen is mesmerising and heart-breaking to watch nonetheless.
Theron steals the show yet again, despite her lack of screen time and as she did in its predecessor, lifts Winter’s War well above its average plot and dialogue. Elsewhere, British favourite Sheridan Smith is a pleasant comedic break as a foul-mouthed dwarf.
The cinematography is on the whole very good, with pleasant landscapes, reminiscent of Harry Potter dotted alongside CGI castles, polar bears and goblins. The use of practical effects by first-time director Cedric Nicolas-Troyan is also a pleasure to see in this day and age.
Alas, the plot and dialogue of Winter’s War leaves much to be desired and the lack of screen time for Blunt and Theron hampers what could have been an interesting and unique backstory for this particular duo of films.
Overall, The Huntsman: Winter’s War is an average film hampered further by its two leading stars. Fortunately, the inclusion of Blunt and Theron manages to lift it slightly above the standard of its predecessor, but not by enough for it to warrant another follow up. However, the signposts throughout the 115 minute running time confess a sequel is more than likely.
https://moviemetropolis.net/2016/04/07/hemsworth-and-chastain-disappoint-the-huntsman-review/
Blazing Minds (92 KP) rated Bombshell (2019) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Now I have to say that I wasn't 100% sure of the story behind Bombshell that stars Charlize Theron, Nicole Kidman, Margot Robbie and an unrecognisable John Lithgow, what I did vaguely know is that the movie is based on the rather powerful and controversial media empire Fox News and of the story of the woman that brought down the man that created the well-known empire.
It's certainly a refreshing change from all the action and adventure films that I've been seeing lately and ys it is a slowish paced film, but Bombshell kept me interested in the storyline, as they fight to take on the power of Fox News and Roger Ailes (John Lithgow), this is a film that is pretty powerful to watch and is intriguing and interesting as Gretchen Carlson (Nicole Kidman) takes on the media mogul in a fight for justice.
It's certainly a refreshing change from all the action and adventure films that I've been seeing lately and ys it is a slowish paced film, but Bombshell kept me interested in the storyline, as they fight to take on the power of Fox News and Roger Ailes (John Lithgow), this is a film that is pretty powerful to watch and is intriguing and interesting as Gretchen Carlson (Nicole Kidman) takes on the media mogul in a fight for justice.
Kirk Bage (1775 KP) rated The Old Guard (2020) in Movies
Feb 18, 2021
Speaking of scripting problems… a fun game to play when watching this Netflix exclusive flop is to count how many lazy, generic lines are said in all the right places. Even better, try pausing it before a character is obviously about to give a pithy reply to someone and guess what they will say. You will be right most of the time. This game is far more fun than actually watching this ploddingly predictable tale, that is a half decent idea ruined at every turn by inept film-making. Any tension is consistently drained by the awful directing and editing, and every time someone speaks my sphincter tightened in embarrassment for the actors. Charlize Theron tries, bless her, but ultimately her earnest expression just makes her look constipated – I guess if you were that old you would be! Almost nothing here to recommend that you can’t find in dozens of other places done far better.
Leslye Headland recommended Bombshell (2019) in Movies (curated)
Kieran Harvey (51 KP) rated Prometheus (2012) in Movies
Jul 18, 2017
Great storyline (5 more)
Effectively creates suspense
Good action
Fantastic visuals
Great cast
Very well directed
Some bad characters (1 more)
A bit cheesy in some places
Much better than everyone thinks
Prometheus is a prequel to Alien and a lot of fans weren't happy that it didn't include alien in the title however it's just a name at the end of the day and this film is very very good in my opinion.
The acting is great specifically from Michael Fassbender, Noomi Rapace, Logan Marshal Green and Charlize Theron and the action is great despite coming in small amounts. The whole atmosphere of this world is fantastic because it really feels genuine despite all coming from the mind of Ridley Scott but it is evident that he is very passionate about this series and that makes the film better as it feels honest and dark and legitimately tense. It has some scenes in which I found hard to watch because of the high gore/ horror levels but apart from that it starts well and it ends terrifically as well.
The acting is great specifically from Michael Fassbender, Noomi Rapace, Logan Marshal Green and Charlize Theron and the action is great despite coming in small amounts. The whole atmosphere of this world is fantastic because it really feels genuine despite all coming from the mind of Ridley Scott but it is evident that he is very passionate about this series and that makes the film better as it feels honest and dark and legitimately tense. It has some scenes in which I found hard to watch because of the high gore/ horror levels but apart from that it starts well and it ends terrifically as well.
Movie Metropolis (309 KP) rated The Fate of the Furious (2017) in Movies
Jun 11, 2019
Spectacularly Dumb
With box office takings of over $1.5billion, it was obvious that Universal Pictures would never let Furious 7 be the end of a multi-billion dollar franchise, no matter what many fans truly wanted.
The previous instalment was also, surprisingly, warmly received by critics who were impressed with how sensitively the naturally bombastic series handled the death of lead star Paul Walker. Two years on, the crew are back with Fast and Furious 8; does it do enough to keep the franchise on a high?
Now that Dom (Vin Diesel) and Letty (Michelle Rodriguez) are on their honeymoon, Brian and Mia have retired from the game, and the rest of the crew have been exonerated, the plucky team of globetrotters has found a normal life of sorts. But when a mysterious woman (Charlize Theron) seduces Dom back into a world of crime that he can’t seem to escape from, the rest of the gang will face things that will test them like never before.
Newcomer to the franchise, director F. Gary Gray (Law Abiding Citizen, The Italian Job) manages to craft what is perhaps the most ridiculous entry in the series to date, plagued with tonal imbalances and plot holes so big you could fit the QE2 into them with ease. But you know what? It’s probably the most fun you’ll have in the cinema all year.
The cast are all reunited, barring Paul Walker’s Brian and those publicised rifts between Vin Diesel and Dwayne Johnson are nowhere to be seen as everyone on screen appears to be having the time of their lives. New recruit Charlize Theron adds a level of class to proceedings as steely supervillain, Cipher. She’s a cracking addition to the series and her acting prowess oozes from every pore, despite the often clunky dialogue.
Of course, successful predecessors command bigger budgets for their follow-ups and Furious 8 is no exception. $250million was spent on creating this film and it shows. It’s a feast for the eyes with explosions, shiny cars, stunning locations and breath-taking special effects. The result is frankly exceptional. From Cuba to NYC and from Berlin to Russia (actually filmed in Iceland), the vistas are nicely filmed and beautifully executed.
The action sequences are also choreographed very well, but from a franchise built on these foundations, I’d expect nothing less. In particular, a street chase through New York City is edge of your seat stuff as literally hundreds of vehicles worm their way through its congested streets.
Negatives? Well, the story is awkward despite some decent twists, the aforementioned plot holes cause a few headaches for a series that prides itself on continuity and some of the comedic elements are poorly placed, but in this eighth outing, much of that can be forgiven. After all, what other franchise could survive eight films and still prove as exciting as its first?
Overall, Fast and Furious 8 is unashamedly ridiculous but who cares? With exceptional special effects and a great new adversary in Charlize Theron, the series once again manages to surpass expectation. Each film tries its best to outdo its predecessor and before long, we’ll no doubt be heading to Mars with the gang. I’m up for that. Are you?
https://moviemetropolis.net/2017/04/13/spectacularly-dumb-fast-furious-8-review/
The previous instalment was also, surprisingly, warmly received by critics who were impressed with how sensitively the naturally bombastic series handled the death of lead star Paul Walker. Two years on, the crew are back with Fast and Furious 8; does it do enough to keep the franchise on a high?
Now that Dom (Vin Diesel) and Letty (Michelle Rodriguez) are on their honeymoon, Brian and Mia have retired from the game, and the rest of the crew have been exonerated, the plucky team of globetrotters has found a normal life of sorts. But when a mysterious woman (Charlize Theron) seduces Dom back into a world of crime that he can’t seem to escape from, the rest of the gang will face things that will test them like never before.
Newcomer to the franchise, director F. Gary Gray (Law Abiding Citizen, The Italian Job) manages to craft what is perhaps the most ridiculous entry in the series to date, plagued with tonal imbalances and plot holes so big you could fit the QE2 into them with ease. But you know what? It’s probably the most fun you’ll have in the cinema all year.
The cast are all reunited, barring Paul Walker’s Brian and those publicised rifts between Vin Diesel and Dwayne Johnson are nowhere to be seen as everyone on screen appears to be having the time of their lives. New recruit Charlize Theron adds a level of class to proceedings as steely supervillain, Cipher. She’s a cracking addition to the series and her acting prowess oozes from every pore, despite the often clunky dialogue.
Of course, successful predecessors command bigger budgets for their follow-ups and Furious 8 is no exception. $250million was spent on creating this film and it shows. It’s a feast for the eyes with explosions, shiny cars, stunning locations and breath-taking special effects. The result is frankly exceptional. From Cuba to NYC and from Berlin to Russia (actually filmed in Iceland), the vistas are nicely filmed and beautifully executed.
The action sequences are also choreographed very well, but from a franchise built on these foundations, I’d expect nothing less. In particular, a street chase through New York City is edge of your seat stuff as literally hundreds of vehicles worm their way through its congested streets.
Negatives? Well, the story is awkward despite some decent twists, the aforementioned plot holes cause a few headaches for a series that prides itself on continuity and some of the comedic elements are poorly placed, but in this eighth outing, much of that can be forgiven. After all, what other franchise could survive eight films and still prove as exciting as its first?
Overall, Fast and Furious 8 is unashamedly ridiculous but who cares? With exceptional special effects and a great new adversary in Charlize Theron, the series once again manages to surpass expectation. Each film tries its best to outdo its predecessor and before long, we’ll no doubt be heading to Mars with the gang. I’m up for that. Are you?
https://moviemetropolis.net/2017/04/13/spectacularly-dumb-fast-furious-8-review/
Gareth von Kallenbach (971 KP) rated Kubo and the Two Strings (2016) in Movies
Jul 15, 2019
If you must blink, do it now” or you might miss any number of details the
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
beautifully animated film, Kubo and the Two Strings, has to offer. Our
culturally rich journey begins with Kubo (Art Parkinson) and his mother
fleeing from his evil grandfather, the Moon King (Ralph Fiennes), after he
leaves Kubo with only one eye. Soon they settle in a cave where Kubo builds
a community around himself in a nearby Japanese village by using his
talents as a storyteller to charm the town’s people. With his stack of
origami papers and his shamisen that brings them to life he weaves tales of
Hanzo the Samurai. Soon though the danger his mother has tried so valiantly
to hide him from finds him and the real magic begins.
After he inadvertently summons an evil spirit from the past, Kubo is lead
on a quest by a monkey (Charlize Theron) to the far lands to recover three
pieces of a magical suit of armor. On their journey they find companionship
with a giant beetle (Matthew McConaughey) that they learn once belonged to
Kubo’s father’s army. The three are plagued by appearances from his aunts
(Rooney Mara) who try their best to keep Kubo from fulfilling his quest. In
the end Kubo is faced with having to choose immortality or to stay human
which we learn has a kind of magic all in its own.
Though I found parts of the film a bit dark for younger viewers it seems it
is a theme of the animated film studio Laika (Coraline, ParaNorman). There
was some comic relief through the banter of Charlize Theron (monkey) and
Mathew McConaughey (beetle) but the movie always circled backed to a more
serious tone. I also felt it could have done a better job of giving us a
back story about how Kubo comes to posses his magical items (origami papers
and his shamisen) and it glossed over some important details, like why his
mother is so fragile after they reach the cave, which we are left to assume
for ourselves. Kubo does however emphasize the power of our memories and
how important stories become in telling what one holds in his or her heart.
Kubo is thoughtful and weaves a story of how family shapes us but how in
the end we must forge our own path.
Suswatibasu (1701 KP) rated Kubo and the Two Strings (2016) in Movies
Aug 26, 2017
Not quite in the same league as other Japanese animations
Just like those crazy Studio Ghibli films of fantastic tales and amazing creatures, Laika productions (famous for Coraline) has created a stop motion animation using Japanese folklore. Now as a fan of Ghibli, I can say that this is no way near that league although the animation is always amazing to behold.
The story is rather tragic of a boy from a magical powerful family, who has escaped with his mother as a baby, losing an eye in the process, and growing up to play an instrument that has the power to control paper. Both he and his mother are poor, livingin a cave, hiding away from this family - his father has also perished in this initial battle. However, they are found and his mother gives him her powers to escape and try and find a way of defeating her sisters and father.
It's a quest-based film, filled with perilous obstacles and while it was sad at times - I just don't think it was as heartfelt as other Japanese animations. The voices of Matthew McConaughey and Charlize Theron is always fantastic to hear though.
The story is rather tragic of a boy from a magical powerful family, who has escaped with his mother as a baby, losing an eye in the process, and growing up to play an instrument that has the power to control paper. Both he and his mother are poor, livingin a cave, hiding away from this family - his father has also perished in this initial battle. However, they are found and his mother gives him her powers to escape and try and find a way of defeating her sisters and father.
It's a quest-based film, filled with perilous obstacles and while it was sad at times - I just don't think it was as heartfelt as other Japanese animations. The voices of Matthew McConaughey and Charlize Theron is always fantastic to hear though.