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BankofMarquis (1832 KP) rated Stuber (2019) in Movies
Jul 18, 2019
Lack of chemistry between the leads
"Chemistry" is a tricky thing in a film and one that "either you got it or you don't" - it's an elusive element that can sink or raise a film. Case in point 2 films I have seen this week.
I rewatched the 1998 Crime/Romance flick OUT OF SIGHT - starring George Clooney and Jennifer Lopez. I remembered this Steven Soderbergh directed film as "terrific" and was excited to show it to my bride. What I realized when watching it is that this is a middle-of-the-road film that is elevated by the tremendous (sexual) chemistry between Lopez and Clooney. It oozes off the screen and is palatable to the viewer.
On the other end of the scale is the recent Action/Comedy STUBER with comedian Kuamil Nanjiani (THE BIG SICK) and former pro wrestler Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films). This is a middle-of-the-road film that is hurt (tremendously) by the LACK of chemistry between the two leads.
Nanjiani stars as Stu, a sad-sack Uber driver who does not stand up for himself while Bautista is a "nothing gets in my way" take charge cop who (because of recent eye surgery) cannot drive and hires an Uber driver, Stu (who gets called STUBER, hence the name of the film), to chase down clues to a criminal he's been on the hunt for - shenanigans ensue.
Individually, some of the scenes/scenarios of this film are fine/funny and Nanjiani is terrific as Stu and adds some clever comedic elements to a script that is "good enough" by Tripper Clancy.
And then there's Bautista.
He seems lost in this film, underplaying the things that make him good, his over-exuberance and over physicality (if that is a term) of someone of his size. Is this Bautista's fault or did Director Michael Dowse (GOON) purposely tone him down? It doesn't really matter for it doesn't really work.
And this is the beginning of the problem with the chemistry between the two leads - Nanjiani manic energy is not matched by Bautista - he seems to be an "energy sucker" and takes quite a bit of life out of this film. But...Director Dowse is also a problem, for he brings this lack of energy to quite a few of the big action scenes, underplaying, not overplaying what should have been over played.
There are some good things in this - besides the script and Nanjiani, Natalie Morales and Betty Gilpin are good and we do have a "Mira Sorvino sighting", which is welcome...but that's about it. Oh...except for an extended cameo by Karen Gillan (Nebula in the GUARDIANS films) she brings some energy. I would have loved to see her paired with Nanjiani in this.
If you're looking for a good "buddy cop" film with good chemistry between the leads, might I suggest THE OTHER GUYS (Will Ferrell/Mark Wahlberg), RUNNING SCARED (Billy Crystal/Gregory Hines) or the greatest example of strong chemistry - 48 HOURS (Nick Nolte/Eddie Murphy). Stuber would be the example of just the opposite.
6 stars out of 10 (for Nanjiani, Gillan and Sorvino - and a script and circumstances that could have worked had the chemistry between the leads been better)
Letter Grade: B- and you can take that to the Bank(ofMarquis)
I rewatched the 1998 Crime/Romance flick OUT OF SIGHT - starring George Clooney and Jennifer Lopez. I remembered this Steven Soderbergh directed film as "terrific" and was excited to show it to my bride. What I realized when watching it is that this is a middle-of-the-road film that is elevated by the tremendous (sexual) chemistry between Lopez and Clooney. It oozes off the screen and is palatable to the viewer.
On the other end of the scale is the recent Action/Comedy STUBER with comedian Kuamil Nanjiani (THE BIG SICK) and former pro wrestler Dave Bautista (Drax in the GUARDIANS OF THE GALAXY films). This is a middle-of-the-road film that is hurt (tremendously) by the LACK of chemistry between the two leads.
Nanjiani stars as Stu, a sad-sack Uber driver who does not stand up for himself while Bautista is a "nothing gets in my way" take charge cop who (because of recent eye surgery) cannot drive and hires an Uber driver, Stu (who gets called STUBER, hence the name of the film), to chase down clues to a criminal he's been on the hunt for - shenanigans ensue.
Individually, some of the scenes/scenarios of this film are fine/funny and Nanjiani is terrific as Stu and adds some clever comedic elements to a script that is "good enough" by Tripper Clancy.
And then there's Bautista.
He seems lost in this film, underplaying the things that make him good, his over-exuberance and over physicality (if that is a term) of someone of his size. Is this Bautista's fault or did Director Michael Dowse (GOON) purposely tone him down? It doesn't really matter for it doesn't really work.
And this is the beginning of the problem with the chemistry between the two leads - Nanjiani manic energy is not matched by Bautista - he seems to be an "energy sucker" and takes quite a bit of life out of this film. But...Director Dowse is also a problem, for he brings this lack of energy to quite a few of the big action scenes, underplaying, not overplaying what should have been over played.
There are some good things in this - besides the script and Nanjiani, Natalie Morales and Betty Gilpin are good and we do have a "Mira Sorvino sighting", which is welcome...but that's about it. Oh...except for an extended cameo by Karen Gillan (Nebula in the GUARDIANS films) she brings some energy. I would have loved to see her paired with Nanjiani in this.
If you're looking for a good "buddy cop" film with good chemistry between the leads, might I suggest THE OTHER GUYS (Will Ferrell/Mark Wahlberg), RUNNING SCARED (Billy Crystal/Gregory Hines) or the greatest example of strong chemistry - 48 HOURS (Nick Nolte/Eddie Murphy). Stuber would be the example of just the opposite.
6 stars out of 10 (for Nanjiani, Gillan and Sorvino - and a script and circumstances that could have worked had the chemistry between the leads been better)
Letter Grade: B- and you can take that to the Bank(ofMarquis)
Darren (1599 KP) rated Raising Arizona (1987) in Movies
Jul 25, 2019
Story: Raising Arizona starts as we meet H.I. McDunnough (Cage) a petty thieve that has a habit of robbing convenience stores, he falls for police officer Ed (Hunter) and after his third spell in prison he decides to settle down with Ed and hope to start a family.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.
When the couple learn they can’t have children, their lives take a turn for the worse until rich businessman Nathan Arizona Sr (Wilson) has 5 babies, believing they can help, they steal one of the babies and the events of the film follows them trying to keep the baby and avoid the law.
Thoughts on Raising Arizona
Characters – H.I. McDunnough has been in and out of prison for the last decade each time getting closer to the arresting officer, deciding he wants to go clean he gets married and plans to start a family, only for his past to come back and haunt him forcing him to return to the life of crime. He is a character that has fallen into the life of crime and just can’t get out of it. Ed is a police officer that hasn’t had the best life, she falls for H.I. getting married and wanting to start a family. She learns she can’t have child, turning to a life of crime to get her own child. Nathan Arizona Sr is the father of the five babies willing to pay anything to get his son back legally or not. Gale is one half of criminal buddies pairing of H.I. that after breaking out of prison turns to his friend for help.
Performances – Nicolas Cage is wonderful in the leading role, where we see him show moments of his crazy level while giving a performance you will remember. Holly Hunter is great too where we see her create a performance where you feel for the pain and confliction her character goes through. When we look at the supporting cast we do get good performances from everyone that will give us enough to enjoy what we saw.
Story – The story here follows an unlikely couple that decide to take a child because they couldn’t have one of their own. We follow the build up to their relationship and focus on how the couple’s life had the ups and downs before the incident. By using a very real situation people could go through by not being able to have children and showing the fact the adoption process isn’t the fairest on the people that would offer a good home is important for the film. the hapless events the couple go through adds to the story and as with most of the Coen bothers movies we get lots of arcs that come together to add up to a final act which pts everything together.
Comedy/Crime – The comedy in the film comes from the events that the couple must go through, usually coming from H.I. actions in what is a crime world where he is a petty criminal taking any advantages he can.
Settings – The film takes us to the open America where money would be tight leading to the mistakes being made by the people who are just desperate for anything to come their way.
Scene of the Movie – The diaper chase.
That Moment That Annoyed Me – The baby forgetting scenes.
Final Thoughts – This is a classic crime comedy that shows us just how talented the Coen Brothers are, we get to see the best of Cage and a story which can be enjoyed by all.
Overall: Crime Comedy that is a must watch.
365Flicks (235 KP) rated Talking Earth (2017) in Movies
Nov 20, 2019
There is definitely a lot to be said about the Independent market right now (its bloody exciting). Every now and then you will come across an absolute gem of a movie and other times you will come across an absolute turdfest. I have been pretty lucky as of late that most of my picks are falling into the former. Now, this could be my ex Video Store clerk elitist personality shining through or maybe that clover my daughter shoved in my face along with a handful of grass really did have four leafs.
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
However Taking Earth has left me wondering (Dumbfounded even). I’m really not sure which bracket to put this flick in because it has all the hallmarks and some of the effects of a big budget summer blockbuster but the execution of a SyFy Sharknado style movie. I guess what i’m trying to say is that while I give this flick more credit than I feel it deserves I cant quite get to grips with how I felt about it.
Taking Earth is a Alien invasion movie set in the beautiful land of South Africa (Awesome accents and all). That’s about it really, all you need to know is that Aliens have invaded earth and they are looking for one boy in particular. We spend the bulk of the movie with David and Cameron two lads brought together after the invasion but Cameron holds a dangerous secret (Could he be the key to all of this) The duo must make there way to a safe zone while avoiding there hunters.
One of the things I liked about this movie was that it jumps straight in on the action, the invasion has happened and the cat and mouse chase is already in progress, this I liked. However I also kind of hated this because by the end of the flick (No spoilers) it felt like they were strongly hinting at a whole extended universe Before, During and After this movie that my guess is… we may not get to see (although the ending Screams sequel). I loved the fact that the movie was reportedly made for 5 million and to be completely fair to this first time Writer/Director/Editor it looks like it cost so much more, in fact I would say this movie looks better than 90% of those B-Movies we all seem to love these days.
The cast are all doing there best with the dialogue they have and delivering the best of it with such passion that it kind of makes it hard for me to shit on the flick. So this time I wont, but cross me agian!!!.
For me Taking Earth is a soft recommend, mostly because it screams expanded universe, this movie needs a prequel and screams for a sequel just to scratch the surface of the story I believe they want to tell… Would I watch either of them??? Probably not. The shining light is the unknown Cast and the Director are all invested and as a movie lover such as I am, I can not only respect them for it but I can also love them for it. There is a definite audience for this low budget movie with great effects and aspirations so like I say I think you should check it out… At your own risk!!!
Not exactly what I would call a Hidden Gem but by no means a Turdfest
Darren (1599 KP) rated Traffik (2018) in Movies
Nov 23, 2019
Verdict: Shock Filled Thriller
Story: Traffik starts when the ambitious reporter Brea (Patton) loses her big story and potential her job right on the eve of her birthday, her boyfriend John (Epps) wants to surprise her and with his friend Darren (Alonso) he gets a romantic weekend planned.
Heading up to the mountain location the couple find themselves in a gas station where confrontation is quick to find them with help stranger Red (Goss) along with gangs, showing a potential large group of different enemies. The romantic weekend takes a turn, first with the appearance of Darren and his girlfriend Malia (Sanchez), but again by a deadly gang of human traffickers led by Red, who will kill to keep their secret.
Thoughts on Traffik
Characters – Brea is an ambitious reporter always taking her time researching a story before throwing it to her editor, this has seen her get herself into trouble, losing stories and potentially her job. In her personal life it is her birthday celebrating among friends with a romantic getaway being part of it. This getaway will give her the biggest story of her career, when she finds herself targeted by human traffickers who want her in their collection. John is the boyfriend that is getting nervous about the getaway as he is about to propose to Brea, he gets hooked up by the friend that will give them the location and will need to help Brea fight back against the people after them. Red is the leader of the human traffickers, he can charm, but he will show his deadly side if anybody gets in his way.
Performances – Paula Patton is the star of the show here, she gives us a strong performance that shows us just how determined she is to survive. Omar Epps, Luke Goss and the rest of the cast all do a great job letting Paula shine through in this film.
Story – The story here follows a couple on a romantic getaway that get targeted by human traffickers who want to keep their secret safe. This is a story that is designed the highlight the horrific crimes of human trafficking, not just in America, but worldwide. Away from the message behind everything, we do see the mix of a home invasion, chase and fightback elements of story telling putting a firm light on the idea that women will fight back, in this case Brea. The way everything unfolds is mostly predictable which is fine, nothing really hits the intensity levels wanted from the film.
Action/Crime – The action is a mix of chases and fight between victim and captures, they are quick instead of being over the top. The crime side of the film does show us just how easily this operation can happen to the victims and how organised it can be run.
Settings – The film is set in the mountain range outside California where the people can pick and choose who they take.
Scene of the Movie – Escape.
That Moment That Annoyed Me – One of the main twists is too predictable.
Final Thoughts – This is a generic action thriller that does highlight an important message of the horrors of the human trafficking world that leaves Paula Patton to shine.
Overall: Important, but Generic.
Story: Traffik starts when the ambitious reporter Brea (Patton) loses her big story and potential her job right on the eve of her birthday, her boyfriend John (Epps) wants to surprise her and with his friend Darren (Alonso) he gets a romantic weekend planned.
Heading up to the mountain location the couple find themselves in a gas station where confrontation is quick to find them with help stranger Red (Goss) along with gangs, showing a potential large group of different enemies. The romantic weekend takes a turn, first with the appearance of Darren and his girlfriend Malia (Sanchez), but again by a deadly gang of human traffickers led by Red, who will kill to keep their secret.
Thoughts on Traffik
Characters – Brea is an ambitious reporter always taking her time researching a story before throwing it to her editor, this has seen her get herself into trouble, losing stories and potentially her job. In her personal life it is her birthday celebrating among friends with a romantic getaway being part of it. This getaway will give her the biggest story of her career, when she finds herself targeted by human traffickers who want her in their collection. John is the boyfriend that is getting nervous about the getaway as he is about to propose to Brea, he gets hooked up by the friend that will give them the location and will need to help Brea fight back against the people after them. Red is the leader of the human traffickers, he can charm, but he will show his deadly side if anybody gets in his way.
Performances – Paula Patton is the star of the show here, she gives us a strong performance that shows us just how determined she is to survive. Omar Epps, Luke Goss and the rest of the cast all do a great job letting Paula shine through in this film.
Story – The story here follows a couple on a romantic getaway that get targeted by human traffickers who want to keep their secret safe. This is a story that is designed the highlight the horrific crimes of human trafficking, not just in America, but worldwide. Away from the message behind everything, we do see the mix of a home invasion, chase and fightback elements of story telling putting a firm light on the idea that women will fight back, in this case Brea. The way everything unfolds is mostly predictable which is fine, nothing really hits the intensity levels wanted from the film.
Action/Crime – The action is a mix of chases and fight between victim and captures, they are quick instead of being over the top. The crime side of the film does show us just how easily this operation can happen to the victims and how organised it can be run.
Settings – The film is set in the mountain range outside California where the people can pick and choose who they take.
Scene of the Movie – Escape.
That Moment That Annoyed Me – One of the main twists is too predictable.
Final Thoughts – This is a generic action thriller that does highlight an important message of the horrors of the human trafficking world that leaves Paula Patton to shine.
Overall: Important, but Generic.
Never meet your heroes is the succinct tag line of this Amazon original series, dealing with the notion that all superheroes are morally good… but what if they weren’t…?
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
Filmed in Canada, and starring New Zealand actors Karl Urban and American Gothic’s Antony Starr, this violent and very adult take on the costumed hero mythology is enough removed from standard American sensibilities to allow it to explore itself boldly and largely uncensored. It is definitely not a show for kids!
From the opening scenes it is evident that The Boys is not afraid to use gallons of blood and gore, nudity and colourful language to emphasise its point of a world corrupt, corporate and cruel, where the falacy of the powerful being there to protect you is shown up as pure money-spinning political and media manipulation.
We follow Jack Quaid’s naive victim Hughie Cambell, as he comes to realise the true nature of the self-centred and entirely flawed “heroes” that make up The Seven – an elite collection of super-powered “freaks”, led by Starr’s superbly vain and ego-maniachal Homelander; yet ultimately controlled by the Vought corporation and its unethical CEO Madelyn Stillwell, played with nervy relish by Elizabeth Shue.
There is Translucent, who can turn his skin invisible, but has to be naked to do so, and uses it largely to lurk in women’s bathrooms… The Deep, who can speak to sea creatures, but manifests a poisonous macho air, driven by massive insecurity… and A-Train, the world’s fastest man, who is a self-serving junkie with big issues.
Into the mix comes, the newest member of The Seven, Erin Moriaty, as Annie January, aka Starlight. Who may or may not have what it takes to join the ranks of well publicised fame, if she can turn a blind eye to the sinister workings of Vought and fit in.
Meanwhile, Hughie, looking for justice and perhaps revenge, meets Will Butcher (Urban), a man with a shady past, a terrible London accent (hilariously brought to attention whenever possible), and a reason to despise and hunt The Seven to extinction. The narrative progresses through this hunt, and the revelation of many secrets, into a cat and mouse game between the powerful “heroes” and the mere mortals determined to stop them.
Arch humour presides; nothing is handled with any sense of realism, favouring spectacle over believability. The tongue is firmly in cheek throughout, and the fun comes from the inventive ways the “Supes” use and misuse their powers, versus the resourcefulness of the essentially powerless methods employed by The Boys to chase them down and bring them to justice.
There are moments when the idea overshadows the actual script, for sure. Other times when the density of characters becomes confusing and unfocused. Without spoilers, it does all go in some very interesting directions, and by the end of episode 8 and the season finale it reaches a point suggesting a tactic many new shows seem to favour. Namely, to leaves things open enough, and on a cliff edge enough, to lead it anywhere it wants to go in a second series.
I have to admit, I wasn’t always comfortable with the tone of it… but, perhaps, that is the point. I did, however, find it very entertaining, fascinatingly post-modern and allegorical. As with many of the “Supes” it could have the ability to fly… but isn’t quite there yet!
JT (287 KP) rated Elysium (2013) in Movies
Mar 10, 2020
Neill Blomkamp came pretty much out of nowhere. Having only directed a handful of shorts he was handed $30m by Peter Jackson and told to make any film he wanted. That offer for any up and coming director would be as good as winning the lottery and he didn’t disappoint, making the dystopian District 9 which went on to become a smash hit.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
So when it was announced that his next project would be called Elysium there was much talk, excitement and anticipation about what it would entail. Blomkamp again focuses on a dystopian society, L.A. to be exact (but not an Alien in sight). With Earth quite literally turned into a shit hole it’s ravaged by crime, poverty and disease along with an ever growing population just looking to survive.
The rich and wealthy made their escape from the planet and reside on a beautiful man made space station called Elysium. Here there is no poverty or sickness and one can be cured instantly by stepping into a medical pod. Dropped into all of this is Max (Matt Damon), a former convict who is trying to get by in life but who still holds a fascination that one day he too will get to live on Elysium as we find out through an early back story.
Elysium is an enjoyable ride of thrills and spills and as a sci-fi actioner it ticks all the relevant boxes.
When an accident at work leaves him with only a few days to live he steps back into the criminal underworld in order to get himself a one way ticket onto Elysium and cure himself and in the process become a saviour for the suffering hordes on Earth. Blomkamp sticks with District 9′s Sharlto Copley an actor plucked from obscurity and who has gone on to make a real name for himself. Here he plays sleeper agent Kruger complete with distinguished South African accent and beard.
Pairing up with him from the safe confines of Elysium is Jodie Foster’s Delacourt, the Secretary of Homeland Security whose cool and unassuming personality gives her licence to literally blast people from outer space while drinking tea. She wants her place as the next Elysium president and so enlists the help of the slimy John Carlyle (William Fichtner) who helps to organise a reboot program for the station which falls into the wrong hands.
Blomkamp keeps the story very much as close to reality as possible without overstepping the mark. A world of poverty and hardship with the rich living the high life, sound familiar?
Filmed on location in the slums of Mexico as opposed to South Africa it lends itself to real life and the harsh reality that this isn’t a film set built with a large overblown budget but a place where everyday folk have to live. The action is captivating both on Earth and in space. A car chase and data heist that encounters a flying Bugatti Veyron. While in space, ships explode and crash into the tranquil surroundings of normality (well as normal as you can get in 2154).
The shaven headed Damon gives a good account of himself whether it’s delivering the dramatic line or battling through the action – complete with exoskeleton he is always reliable.
KalJ95 (25 KP) rated Resident Evil 3 (Remake) in Video Games
Apr 10, 2020
Nemesis. Oh, Nemesis. (1 more)
An action focused plot works more for Jill's experience in Racoon City.
Unbelievably short campaign. (2 more)
Cut corners for both the narrative and Nemesis.
Feels like downloadable content for RE2.
Nemesis of their own making.
RE3 is an enigma. After last years remake for RE2, I think the bar was set very high for RE3 to be on par, if not even better due to the introduction of the ultimate weapon in Nemesis. And although the action is amped up significantly, the horror is still here in buckets. So, this is another Resident Evil classic, revamped from the ground up, a classic for the current generation, right?
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
No, not in the slightest.
RE3 feels rushed, as if Capcom listened to fans begging for their next slice of nostalgia, and wanted to capitalise on the success of RE2. While RE2 felt like a continuous flow of Leon/Claire's story, RE3 feels like segments, all separated within cutscenes. This is more evident when you keep flitting between Jill and Carlos, both of whom don't have as much charisma or emotional weight as Claire or Leon. The opening is a blast of adrenaline and bullets, all contained within the beautifully burning remains of Racoon City. There is just enough exploration, puzzles and zombies to keep you satisfied. That is until Nemesis enters the game. As soon as the indestructible behemoth appears for a second time, the cat and mouse chase begins. Reminiscent of Mr X but on steroids, he simply never lets up, constantly on your back, looking to kill Jill whatever it takes. It's utterly relentless, thrilling, heart-pounding. This section was everything I expected RE3 to be.
Then everything collapsed under sections of nothing more than point and shoot. I know, this is RE, but the fear feels drained from the experience. Nemesis himself becomes a background character, simply added to the story just for boss battles. His pursuit of Jill doesn't feel spontaneous, but scripted, exactly the opposite of Mr X. The realisation of how disappointed I felt towards RE3 was when I discovered sections of the game were simply reused from RE2. The creativity that went into RE2 was so meticulous, crafted and positioned for the players experience. When I entered the Police Station with Carlos, a mass onslaught of zombies gathered in one section, only meant for me to rain bullets upon them. And this is the issue with the entire experience. Its nothing more than a five hour storm of sections of shooting monsters.
I do hate this game though. RE3 is fun, and anything remotely like last years experience I will play and enjoy. The story of Jill's residency in Racoon City being turned upside down over the space of a few days is excellent, and the new sections are all well fleshed out and great to explore, especially Racoon City and the Hospital. Its extremely short, and for a full retail price I think its absolutely scandalous, but there's so much replay value here.
If I had to end the review here, I want to end it on a message solely centred at Capcom. Why, in the name of God did you focus your time on the multiplayer mode, Resistance, rather than properly making RE3 a full experience? The past tells you Resident Evil doesn't work well mixed with multiplayer. For as much fun I had within my four hours and thirty two minute playthrough, this game is nothing more than DLC for RE2. And that hurts.
Zachary Wilson (3 KP) rated Super Mario Party in Video Games
Jul 29, 2019
A return to familiar territory (2 more)
Clever use of strategic elements
Variety of modes
Requires a single Joy-Con (2 more)
Boards are small and uninteresting
Only 4 boards in the main party mode
Super Mario Party returns to its classic roots, you know, before Mario Party 9. Though at the same time however it's not a 100% reunion. Sure you can move around freely again which is nice; but this party still wants to spice things up. See, they loved what they created on the 3DS, specifically Star Rush because elements of Star Rush make it's way to this classic party. For instance, every character has a unique die, and you can have up to 3 partners as you play. All taken from Star Rush. Heck, there's a team mode that plays very similarly to the main mode of Star Rush. The main mode in Super then is a disappointment. For starters, 4 boards is terrible and actually, this game now officially has the LEAST amount of boards out of any Mario Party game and that's terrible (I do not count Mario Party Advance or The Top 100 because both are completely different). It doesn't help that the boards aren't as fun as the old games. For one, they're all big squares and that's because they use the same 4 boards in the team mode, which turns the 4 boards into a grid design. These 4 boards are uninteresting to play on in my opinion compared to the very creative boards of the GameCube era Mario Parties. Yes, all the elements of a classic Mario Party are here. Collect coins, buy the star, don't get screwed. Even this has changes for the worse. Everything is cheaper so stars now only cost 10 coins. It's so easy to get coins, you might as well make stars free because I'd be very impressed if you couldn't afford a star. Coins basically become meaningless as you can constantly buy whatever item you want and the star at all times unless you have the absolute worst luck. This means you can go to the same corner of the board that sells the golden warp pipe, and use the pipe to get free stars. Items are not randomized in shops so if you know which item shop sells the pipe, then you can always just visit that shop over and over and not even bother actually trying to chase after the star. There is one board that's an exception to all've my complaints, and it's the best board because of it. Overall the main mode is just meh to me. Because this review is getting stupidly long, I'll rush the rest. The other modes are fine. Team mode's great if you liked Star Rush. Rythm Heaven moddme was fun. Water survival would've been better without the minigames. Basically everything else is perfectly fine and save this game from getting any lower. Look, I don't hate this game. I just think it's an ok game and isn't necessarily the return I was hoping for. If you're a fan of Mario Party then sure, get this game. I wouldn't trust my review. I think Mario Party 9 is amazing and I have no idea why anyone loves Mario Party 4 because I think it's one of the worst. Do you really trust my criticism of this one?
Darren (1599 KP) rated Iceman (2014) in Movies
Aug 6, 2019
Story: Iceman starts when Ho Ying (Yen) gets awoken from a frozen sleep of 400-years in the modern time, he must look to adapt fast to a world different from his own. Ying isn’t the only one to make it to the modern time, his brothers Sao (Wang) and Niehu (Yu) arrive as they look to hunt him down after all these years after he is meant to of betrayed his emperor.
Ying must use the people willing to help him in May (Huang) to locate the Golden Wheel of Time, to prove that he is innocent to stop his brother’s from hunting him down.
Thoughts on Iceman
Characters – Ying was once one of the emperor’s most trusted imperial guards, he is betrayed and framed for treason before getting frozen in time. He gets defrosted in the modern time, where he must go in search for the Golden Wheel of Time to prove his true innocence and protect the world from his own brothers. Sao and San Ko are the two brothers that have also, they are causing more havoc in their hunt for Ying which has drawn more police presence. May is the young lady that takes Ying in, teaches him about the modern day unaware of the true danger that could come their direction. Cheung is running a military chase for Ying, he has learnt the power of the Golden Wheel of Time and believes that he can use it for his own good.
Performances – Donnie Yen is the main attraction to this film, we know he can handle the action which is does with ease, it is when it needs to work on the comedy side of things when his performance goes downhill. Baoqiang Wang and Kang Yu are both entertaining enough in their roles, while Simon Yam brings much needed seriousness to the film. Shengyi Huang is the strongest part of the comedy in the film.
Story – The story follows three brothers and former imperial guards in ancient China, find themselves waking up in the modern time, still at battle for the action that happened in the ancient times. This story is an ambitious idea and it does work for the idea of having the fish out of water situation created for the imperial guards. We do go through the idea of needing to figure out how survive in the new surrounding, which does work too and seeing the twists along the way with the flashbacks does fill in moments of blanks in the storyline. Parts of the storyline can come off confusing though because we do seem to have a lot going on and it does feel like if you blink you might miss something.
Action/Comedy – The action in this film is easily the highlight of it, we get to see Donnie Yen doing his fighting sequences which are always entertaining to watch. The comedy however falls flat resorting to fart jokes, May is the only one that gets proper laughs.
Settings – The film uses the settings to show how the ancient men must adapt to the modern world with the different type of locations they visit.
Special Effects – The effects in the film are good in places, but weak if others, when it comes to the roaring faces they particular look weak.
Scene of the Movie – Bridge fight.
That Moment That Annoyed Me – Fart Jokes.
Final Thoughts – This is an easy watch action sci-fi film, if you want martial arts entertainment this will give you what you need.
Overall: Enjoyable action film.
Ying must use the people willing to help him in May (Huang) to locate the Golden Wheel of Time, to prove that he is innocent to stop his brother’s from hunting him down.
Thoughts on Iceman
Characters – Ying was once one of the emperor’s most trusted imperial guards, he is betrayed and framed for treason before getting frozen in time. He gets defrosted in the modern time, where he must go in search for the Golden Wheel of Time to prove his true innocence and protect the world from his own brothers. Sao and San Ko are the two brothers that have also, they are causing more havoc in their hunt for Ying which has drawn more police presence. May is the young lady that takes Ying in, teaches him about the modern day unaware of the true danger that could come their direction. Cheung is running a military chase for Ying, he has learnt the power of the Golden Wheel of Time and believes that he can use it for his own good.
Performances – Donnie Yen is the main attraction to this film, we know he can handle the action which is does with ease, it is when it needs to work on the comedy side of things when his performance goes downhill. Baoqiang Wang and Kang Yu are both entertaining enough in their roles, while Simon Yam brings much needed seriousness to the film. Shengyi Huang is the strongest part of the comedy in the film.
Story – The story follows three brothers and former imperial guards in ancient China, find themselves waking up in the modern time, still at battle for the action that happened in the ancient times. This story is an ambitious idea and it does work for the idea of having the fish out of water situation created for the imperial guards. We do go through the idea of needing to figure out how survive in the new surrounding, which does work too and seeing the twists along the way with the flashbacks does fill in moments of blanks in the storyline. Parts of the storyline can come off confusing though because we do seem to have a lot going on and it does feel like if you blink you might miss something.
Action/Comedy – The action in this film is easily the highlight of it, we get to see Donnie Yen doing his fighting sequences which are always entertaining to watch. The comedy however falls flat resorting to fart jokes, May is the only one that gets proper laughs.
Settings – The film uses the settings to show how the ancient men must adapt to the modern world with the different type of locations they visit.
Special Effects – The effects in the film are good in places, but weak if others, when it comes to the roaring faces they particular look weak.
Scene of the Movie – Bridge fight.
That Moment That Annoyed Me – Fart Jokes.
Final Thoughts – This is an easy watch action sci-fi film, if you want martial arts entertainment this will give you what you need.
Overall: Enjoyable action film.
Car Driving School: Parking 3D - Car Drive Parking Career and Driving Test Run Game
Games and Entertainment
App
Car Driving School Parking 2016 is the brand new car driving and parking simulation game where you...