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The Paris Wife
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A deeply evocative story of ambition and betrayal, The Paris Wife captures a remarkable period of...
Historical fiction fiction France Hemingway
The Mighty Queens of Freeville: A Mother, a Daughter, and the People Who Raised Them
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Amy Dickinson has made a career out of helping others, through her internationally syndicated advice...
In the Garden of Beasts: Love, Terror, and an American Family in Hitler's Berlin
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The time is 1933, the place, Berlin, when William E. Dodd becomes America's first ambassador to...
Dianne Robbins (1738 KP) rated Lady Killers: Deadly Women Throughout History in Books
Sep 3, 2018
I received an uncorrected proof of a true-crime book about female serial killers by Tori Telfer called Lady Killers: Deadly Women Throughout History to peruse and review on Goodreads and Amazon. The book won’t released until October 10, 2017, by Harper Perennial, and I am so thrilled to be one of the few who get to read it first.
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
Some of the murderers/murderesses have been discussed on My Favorite Murder by Georgia and Karen but some are brand new to me.
From the back cover:
When you think of serial killers throughout history the names that come to mind are ones like Jack the Ripper, John Wayne Gacy and Ted Bundy but what about Tilly Klimek, Moulay Hassen and Kate Bender? The narrative we’re comfortable with is the one where women are the victims of violent crime, not the perpetrators, in fact, serial killers are thought to be so universally, overwhelmingly male that in 1998, FBI profiler Roy Hazelwood infamously declared in a homicide conference that, “There are no female serial killers.”
Lady Killers, based on the popular online series that appeared on Jezebel and The Hairpin, disputes that claim and offers 14 gruesome examples as evidence. Though largely forgotten by history, female serial killers such as Erzsebet Bathory, Nannie Doss, Mary Ann Cotton, and Darya Nikolayevna Saltykova rival their male counterparts and cunning, cruelty, and appetite for destruction.
Each chapter explores the crimes and history of a different subject and then proceeds to unpack her legacy and her portrayal in the media, as well as the stereotypes and sexist clichés that inevitably surround her. The first book to examine female serial killers through a feminist lens with a witty and dryly humorous tone lady killers dismisses explanations (she was hormonal, she did it for love, a man made her do it) and tired tropes (she was a femme fatale, a black widow, a witch) delving into the complex reality of a female aggression and predation. Featuring 14 illustrations from Dame Darcy, Lady Killers is a blood curdling, insightful, and irresistible journey into the heart of darkness.
Tori Telfer is a full-time freelance writer whose work has appeared in Salon, Vice, Jezebel, The Hairpin, Good Magazine, Bustle, barnesandnoble.com, Chicago Magazine, and elsewhere. She is a Pushcart nominee and the recipient of the Edwin L. Shuman Fiction Award. She has written, directed, and produced independent plays on both Chicago and Los Angeles.
The author’s official website is http://www.toridotgov.com.
The illustrator’s website is http://www.damedarcy.com
Table of Contents
The Blood Countess: Erzsebet Bathory
The Giggling Grandma: Nannie Doss
The Worst Woman on Earth: Lizzie Halliday
Devil in the Shape of a Saint: Elizabeth Ridgeway
Vipers: Raya and Sakina
The Wretched Woman: Mary Ann Cotton
The Tormentor: Darya Nikolayevna Saltykova
Iceberg Anna: Anna Marie Hahn
The Nightingale: Oum-El-Hassen
High Priestess of the Bluebeard Clique: Tillie Klimek
Sorceress of Kilkenny: Alice Kyteler
Beautiful Throat Cutter: Kate Bender
The Angel Makers of Nagyrev
Queen of Poisoners: Marie-Madeleine, the Marquis de Brinvilliers
It looked as if The Angel Makers of Nagyrev wasn’t included in the texts, though it is listed in the contents and notes. However, they are on the pages following the chapter and heading Beautiful Throat Cutter. I had mistakenly thought it wasn't included before. Hopefully, that oversight and will be corrected in the final copy. There were a few punctuation errors in the book and I had intended to leave them in the copy above but allowed Grammarly to correct them without thinking. But that's why they pay the editors the big bucks.
Needless to say, I can’t wait to delve deep in this book and read my little Murderino heart out. I am nearly through the book and will update with a review once I have completed it.
#SSDGM
#Stay Sexy Don't Get Murdered
#myfavoritemurder #murderino #toritelfer #harperperennial #harpercollins #damedarcy
#books #bookstagram #mfmpodcast #georgiahardstark #karenkilgariff #serialkiller #truecrime #murder #killers #ladykiller #ladykillers #serialkillers
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Phillip McSween (751 KP) rated Sixteen Candles (1984) in Movies
May 3, 2018
Fun 80's Comedy
Samantha's (Molly Ringwald) family is busy, so busy in fact that they forgot her sixteenth birthday. Samantha has to cope with this while dealing with various misadventures surrounding her life. It's an innocent 80's comedy that takes you on a fun ride from beginning to end.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Acting: 10
Beginning: 10
Characters: 10
Cinematography/Visuals: 8
There are a number of memorable shots that stick out, including the opening scene where you're first introduced to Samantha's family in her Chicago home. Everything is pure chaos causing for a hilarious beginning. A number of other scenes stick out from Samantha's grandma feeling her up to Samantha's convo with The Geek (Anthony Michael Hall) inside the hollowed-out car in the school's garage. A lot of different set pieces kept the film interesting.
Conflict: 6
One of the weaker portions of the film for me. So people forgot her birthday, boo hoo. Don't get me wrong, Samantha is a very likable character and there was a large part of me that felt sorry for her. I'm just not sure her situation warranted an entire film. Perhaps a different angle would have created more conflict for me.
Genre: 8
Very solid 80's comedy. You can't name films within the decade that stand out without mentioning this one. Coming of age films? This ranks right up there although not quite as strong as some of the ones I've seen in recent years, masterpieces like Boyhood and Lady Bird.
Memorability: 10
Pace: 10
Plot: 7
The story itself is fine. It's believable even as comedies go. Again, the lack of conflict made things a little bland for me. I will say that the number of memorable moments helped pick up the slack from what the film lacked in conflict.
Resolution: 3
Overall: 82
Another 80's classic I can check off the list. A fun film that still stands the test of time.
Bong Mines Entertainment (15 KP) rated Peace of Mind - Single by frogi in Music
Jun 18, 2019
frogi is a singer-songwriter and producer based in Los Angeles, California. Not too long ago, she released a lovely debut single, entitled, “Peace of Mind”.
“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics
‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.
Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.
‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.
“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi
frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.
Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.
Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.
https://www.bongminesentertainment.com/frogi-peace-of-mind/
“How many days can we fade away? All that is left is every mistake. You know sometimes we’re picking it up to let it go. Are we alright? All I want is for you to let me know. All this time we’ve been playing all of the same notes. Can we find some peace of mind?” – lyrics
‘Peace of Mind’ tells an interesting tale of a young woman who invites her significant other to share a moment of clarity with her.
Apparently, she’s concern about their fading relationship and desires for them to be on a more serene plateau.
‘Peace of Mind’ contains a relatable storyline, retro vocals, and soft organ-driven instrumentation flavored with an alternative-pop aroma.
“I was feeling pretty low about the state of the world and wanted to make a song about meeting someone halfway. I think if we all could just forget our own bullsh*t and break these patterns we trap ourselves in, the world could be a better place. The song is about having love for someone, but also confronting them in a ‘hey, I care about you, I wanna know where you’re at and how we are’ kind of way. Instead of a ‘what’s wrong with you? I don’t understand you’ kind of way.” – frogi
frogi grew up outside of Chicago and moved to L.A. when she was 19-years-old. Not too long after that, she lost someone dear to her. But writing songs and playing with her dog helped her get through that dark moment in time.
Shortly afterward, she started her musical journey in an indie-rock band called ‘After Arrows’.
Since then, she has worked with an old-time songwriter named Ned (The Monkees, The Archies). He taught her about the writing process and gave her access to his studio, where she nurtured her writing and producing skills.
https://www.bongminesentertainment.com/frogi-peace-of-mind/
Whatchareadin (174 KP) rated The Girl He Used to Know in Books
Jun 21, 2019
Annika Rose is a beautiful woman living in downtown Chicago. She is 32 years old and she is pretty happy with her life. When she is reunited with Jonathan, her first boyfriend who had disappeared from her life 10 years ago, her world is turned upside down. She has grown so much since the last time she saw Jonathan, but she still has feelings for him. When they decide to give things another try, Annika and Jonathan learn more about themselves and each other than ever before. Will love win this time, and is Annika really different from the girl he used to know.
Thank you to St. Martin's Press and Heros & Heartbreakers for the opportunity to read and review this book.
I've said it many times on my social media while reading this book, that I devoured it. This book grabs you right from the start and draws you in for the long haul. Full of things that will make you laugh, make you cry and even make you gasp. Once I started reading this book I couldn't put it down. I had to find out what was going to happen.
In the story you find out that Annika is a little quirky and that is because she is on the Autism Spectrum. I could really relate to this part of the story, since I have a child on the spectrum myself. There are some people who will accept the quirky habits and learn more about the person and there are others who are cruel and who just won't understand.
The story starts when Jonathan runs into Annika after 10 years in the grocery store. The story flashes back and forth from current day, which is 2001 in the book, to 10 years previously when Jonathan and Annika first met and the development of their relationship. I think this is a book everyone will enjoy.
Thank you to St. Martin's Press and Heros & Heartbreakers for the opportunity to read and review this book.
I've said it many times on my social media while reading this book, that I devoured it. This book grabs you right from the start and draws you in for the long haul. Full of things that will make you laugh, make you cry and even make you gasp. Once I started reading this book I couldn't put it down. I had to find out what was going to happen.
In the story you find out that Annika is a little quirky and that is because she is on the Autism Spectrum. I could really relate to this part of the story, since I have a child on the spectrum myself. There are some people who will accept the quirky habits and learn more about the person and there are others who are cruel and who just won't understand.
The story starts when Jonathan runs into Annika after 10 years in the grocery store. The story flashes back and forth from current day, which is 2001 in the book, to 10 years previously when Jonathan and Annika first met and the development of their relationship. I think this is a book everyone will enjoy.
Gareth von Kallenbach (971 KP) rated Barbershop: The Next Cut (2016) in Movies
Aug 6, 2019
I had reservations about the new Barbershop when I discovered that it was in production and set for release. My concern was that much like the Friday franchise, it would leave a bad taste in my mouth due to stale jokes, recycled plots, and characters I couldn’t get too invested in. I was wrong in my outlook for the film. Barbershop: The Next Cut surpasses the previous films of the series in its humor, fresh jokes, new characters and social relevance.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.
There are some aspects of the film that mirror past plotlines, but that is not a problem or concern this go-around. Life and history are cyclical and it is demonstrated through the way that Barbershop takes on urban violence and the communities that suffer through it. The film itself will have audiences laughing and gasping for air due to the imaginative and creative comedy, however, it will also cause its audiences to think deeply about the issues being presented. When we see the violence of the Southside of Chicago via the news or social media, it seems so distant. This film sucks us in to thinking about the circumstances the people of this community face daily. It doesn’t pull punches or present the information from one singular source and perspective. They are concerned with creating a dialogue about what is taking place in communities much like the one represented in their neighborhood. You see heart. You see connections between people. You see individuals that want to make a change by improving the lives of their neighbors and friends. You see humanity with all of its flaws and potential. This film is a poignant love letter to communities in need of healing.
It is also an examination of how to heal and mend gaping wounds. Barbershop: The Next Cut establishes a connection with its audience to start a dialogue and potentially move forward with action.